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Manifestations of love.9.
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Crtitères actifs :
Manifestations of love.9.
Partitions à imprimer
4 partitions trouvées
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Manifestations of love.9."My summer dream"
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Yiannis Romanos with his viola
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Dimitris Minakakis
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Manifestations of love.9."
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Dimitris Minakakis
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1112851 By Yiannis Romanos with his viola and Dionysis Mallouhos on the piano. By Dimitris Minakakis. Arranged by Dimitr...
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Piano,Viola - Level 4 - SKU: A0.1112851 By Yiannis Romanos with his viola and Dionysis Mallouhos on the piano. By Dimitris Minakakis. Arranged by Dimitris Minakakis. Contemporary. Score and part. 6 pages. Dimitris Minakakis #714807. Published by Dimitris Minakakis (A0.1112851). Dimitris Minakakis Manifestations of love. Yiannis Romanos with his viola and Dionysis Mallouhos on the piano perform the wordless songs of Dimitris Minakakis, which are inspired by the cycle of poems by George Mastrogiannopoulos, Fissures and Spent sunsets, as recorded by Vangelis Sapounas at Subway studio. The album is released digitally by Subways Music.
$5.00
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
One in Charity, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I feel my flesh consumed
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One in Charity, sacred music f
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1416395 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1416395 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #998076. Published by Kevin G. Pace (A0.1416395). An epically beautiful choral composition.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Although I bestow all my goods to feed the poor and lone, Without the gift of charity, I will never own the right of oneness to be sealed to Father up above, And with my Savior, Jesus Christ, unite in perfect love.Until God distills purity, giv'n through the Holy Ghost, I'll pray with all my energy for this inner Host. Then to this Spirit I will cleave so God can live in me, And so be clothed with purest love... beloved charity. My holy conferral to love each fellowman I see comes as a gift from God above, for He first loved me. And now I'm filled with pain and more, with sorrow and with tears, All for the welfare of lost souls. I feel my Savior near.Sweet oneness within fills my heart; I feel my flesh consumed. An entity has swelled my soul and entered to bloom. For others, now, true charity can manifest my love, All given from the grace of Christ, and Father up above. bove.Chorus:Charity for humankind is my gift with love divine. One in love and one in grace promises Christ's sacred face.
$1.99
"Cori Celesti" for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dom Waldock
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"Cori Celesti" for S
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Dominic Waldock
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323404 Composed by Dom Waldock. 21st Century,A Cappella,Chamber,Classical,Contemporary. 9 pages. Dominic...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323404 Composed by Dom Waldock. 21st Century,A Cappella,Chamber,Classical,Contemporary. 9 pages. Dominic Waldock #911625. Published by Dominic Waldock (A0.1323404). Cori Celesti for SATB choir, composed by Dom WaldockNamed after the vast mountain at the centre of the Discworld, this choral piece describes the realm of Dunmanifestin at the top of Cori Celesti. It is the home of the Discworld Gods whom manifest in the presence of mortal beings’ belief. The work begins and ends with a ritualistic chant, sang syllabically in 7/4 metre separated into groups of four and three. We then go on to hear about the Gods in more detail such as The Lady, Fate and the King of the Gods: Blind Io. The lyrical content can be seen below: Dunmanifestin, dun, Dunmanifestin. Atop the mountain, there they live, Sustained by our belief.The Gods of Discworld gaze below, At wizard, troll and thief. Cori Celesti, Cori Celesti, Cori Celesti, Cori Celesti. The dice are rolled,The game of life begins. The Lady,And Fate choose their pawns. Blind Io, the King of the Gods, Watches eyeless from his throne. Overseer of mortal lives, Worship him. Blind Io, the King of the Gods, (Patina, Goddess of Wisdom) (Astoria, Goddess of Love) Watches eyeless from his throne. (Ikebana, Goddess of Topiary) (Errata, Goddess of Misunderstandings)Overseer of mortal lives, (Offler, the Crocodile God) (Neoldian, Blacksmith of the Gods) Worship him (worship them), worship them (worship him).
$1.99
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Manifestations of love.9.