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Manuscript Paper - Brass Quartet
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Vous avez sélectionné:
Manuscript Paper - Brass Quartet
Partitions à imprimer
12 partitions trouvées
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Manuscript Paper - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Methodes
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High Voltage Charts
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Manuscript Paper - String Quar
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High Voltage Charts
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1324868 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913084....
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1324868 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913084. Published by High Voltage Charts (A0.1324868). Manuscript Paper - String QuartetViolin I, Violin II, Viola, Violoncello.
$1.99
Manuscript Paper - Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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Methodes
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High Voltage Charts
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Manuscript Paper - Saxophone Q
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High Voltage Charts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1324865 Composed by High Voltage Charts...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1324865 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913081. Published by High Voltage Charts (A0.1324865). Manuscript Paper - Saxophone QuartetSoprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone.
$1.99
Manuscript Paper - Piano Quartet
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Piano Quatuor: piano, violon, alto, violoncelle
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Methodes
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High Voltage Charts
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Manuscript Paper - Piano Quart
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High Voltage Charts
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SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - SKU: A0.1324845 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913058. Published...
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Piano Quartet Cello,Piano,Viola,Violin - SKU: A0.1324845 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913058. Published by High Voltage Charts (A0.1324845). Manuscript Paper - Piano QuartetViolin, Viola, Violoncello, Piano.
$1.99
Manuscript Paper - Woodwind Quartet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Methodes
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High Voltage Charts
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Manuscript Paper - Woodwind Qu
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High Voltage Charts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - SKU: A0.1324890 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage C...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - SKU: A0.1324890 Composed by High Voltage Charts. Instructional. 2 pages. High Voltage Charts #913106. Published by High Voltage Charts (A0.1324890). Manuscript Paper - Woodwind QuartetFlute, Oboe, Clarinet in Bb, Bassoon.
$1.99
Rustic Serenade
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Quatuor à cordes: 2 violons, alto, violoncelle
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music -...
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String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00
MANUSCRIPT PAPER for String Quartet (A4)
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Papeterie
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Ivan Marini
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MANUSCRIPT PAPER for String Qu
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Ivan Marini
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SheetMusicPlus
Composed by Ivan Marini. Score. 4 pages. Published by Ivan Marini
Composed by Ivan Marini. Score. 4 pages. Published by Ivan Marini
$1.99
MANUSCRIPT PAPER for Saxophone Quartet (A4)
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Papeterie
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Ivan Marini
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MANUSCRIPT PAPER for Saxophone
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Ivan Marini
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SheetMusicPlus
Composed by Ivan Marini. Score. 3 pages. Published by Ivan Marini
Composed by Ivan Marini. Score. 3 pages. Published by Ivan Marini
$1.99
MANUSCRIPT PAPER for Saxophone Quartet (Letter)
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Papeterie
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Ivan Marini
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MANUSCRIPT PAPER for Saxophone
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Ivan Marini
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SheetMusicPlus
Composed by Ivan Marini. Score. 3 pages. Published by Ivan Marini
Composed by Ivan Marini. Score. 3 pages. Published by Ivan Marini
$1.99
MANUSCRIPT PAPER for String Quartet (Letter)
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Papeterie
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Ivan Marini
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MANUSCRIPT PAPER for String Qu
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Ivan Marini
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SheetMusicPlus
Composed by Ivan Marini. Score. 4 pages. Published by Ivan Marini
Composed by Ivan Marini. Score. 4 pages. Published by Ivan Marini
$1.99
' 3 Fugues In 4 Parts '
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Messiaen, Revel & Rivier
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Oliver Messiaen, Pierre Revel,
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Stephen Davies
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Rivier
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' 3 Fugues In 4 Parts '
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Stephen Davies
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Stephen Davies. 20th ...
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Clarinet Quartet,Woodwind Ensemble - Level 5 - SKU: A0.1371738 Composed by Oliver Messiaen, Pierre Revel, Jean Rivier. Arranged by Stephen Davies. 20th Century,Chamber,Contest,Festival. 44 pages. Stephen Davies #955964. Published by Stephen Davies (A0.1371738). '3 Fugues In 4 Parts' By Messiaen, Revel & Rivier.Adapted for Clarinet Quartet by Stephen DaviesIn 1926 a competition was held at the Paris Conservatoire to write a Fugue in four parts using Soprano, Alto, Tenor & Bass clefs, the participating students were to be locked in their rooms from 6.00am to 11.30pm, with only a pencil and manuscript paper, no instruments or educational books were allowed.Each student was given a short musical subject from their professor, who was at the time Henri Rabaud.That year yielded three winners, Olivier Messiaen, Pierre Revel & Jean Rivier.I've adapted each Fugue for the Clarinet, the changes in articulation are my own, and presents the three Fugues as three different pieces using the same subject!!
$21.99
An Elegy for Hopes and Dreams
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
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Manuscript Paper - Brass Quartet
