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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
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CHORALE - CHAN…
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Many Of Horror
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Crtitères actifs :
Many Of Horror
Partitions à imprimer
58 partitions trouvées
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Many Of Horror (when We Collide)
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Biffy Clyro
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Alex Davis
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Many Of Horror
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Alex Davis Music
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1294383 By Biffy Clyro. By Simon Neil. Arranged by Alex Davis. Contest,Festival,Pop,Rock. Chords/Lyrics. 2 pages. Alex Davis ...
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Guitar - Level 1 - SKU: A0.1294383 By Biffy Clyro. By Simon Neil. Arranged by Alex Davis. Contest,Festival,Pop,Rock. Chords/Lyrics. 2 pages. Alex Davis Music #884767. Published by Alex Davis Music (A0.1294383). Guitar chords and lyrics for Many Of Horror by Biffy Clyro.
$1.99
Little Shop Of Horrors
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Film/TV
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Halloween
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Alan Menken
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Jami Marie Kidwell Chavez
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Little Shop Of Horrors
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Jami Kidwell Chavez
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.799859 Composed by Alan Menken. Arranged by Jami Marie Kidwell Chavez. Broadway,Film...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.799859 Composed by Alan Menken. Arranged by Jami Marie Kidwell Chavez. Broadway,Film/TV,Halloween,Musical/Show,Pop,Thriller. 12 pages. Jami Kidwell Chavez #4727737. Published by Jami Kidwell Chavez (A0.799859). The opening number to Little Shop of Horrors is a fun little number that will fit well in many concert settings. This arrangement for flute choir is arranged for Piccolo, 3 C Flutes, Alto and Bass.
$12.99
Many Of Horror (when We Collide)
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Chorale SATB
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FACILE
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Contemporain
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Biffy Clyro
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Seb Farrall
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Many Of Horror
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Sebastian Farrall
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.885888 By Biffy Clyro. By Simon Neil. Arranged by Seb Farrall. Contemporary. Octavo. 12 pages. Sebastian Farrall...
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Choral Choir (SATB) - Level 2 - SKU: A0.885888 By Biffy Clyro. By Simon Neil. Arranged by Seb Farrall. Contemporary. Octavo. 12 pages. Sebastian Farrall #4730785. Published by Sebastian Farrall (A0.885888). www.sebfarrall.com
$1.99
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital ...
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Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
Rising from the Ashes: Stories of Lahaina
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Alexander
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Rising from the Ashes: Stories
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510480 By Christopher Alexander. By Cameron Henry, Christopher Alexander, Noah Richard, Safi...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510480 By Christopher Alexander. By Cameron Henry, Christopher Alexander, Noah Richard, Safirah Ladore, and Vashti Daise. A Cappella,Contest,Festival,Multicultural,World. 60 pages. Christopher Alexander #1085678. Published by Christopher Alexander (A0.1510480). In August 2023 wildfires spread throughout the Hawaiian island of Maui, eventually destroying the town of Lahaina. With homes burned to the ground and many casualties incurred, the residents of Lahaina began to make efforts to rebuild their homeland as well as to move on from this devastating event. Inspired by these events and the artistry created by the students and teachers of Lahaina, this choral multimovement work represents the events of the horror, aftermath, and triumph from going through powerful events such as this. Each movement is distinct in their performance textures and message. Cacophony, aleatory, call and response, and even a mele hula are just some of the features included with this work. Three drums (pahu) supplement the performance with their driving rhythms and supportive, emphatic passages. This work is dedicated to the victims and survivors of the Lahaina wildfires. Your audience will be taken on a journey of hope at your choir’s next performance.Each movement (On That Night, Forever Anew, Finding Strength in Shadows, Kama'aina) also available for individual purchase.
$7.99
The Cabinet of Dr. Caligari
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Flutes 1, 2
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The Cabinet of Dr. Caligari
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Ian Deterling
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Pu...
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Concert Band - Level 4 - SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Published by Ian Deterling (A0.742975). The Cabinet of Dr. Caligari is silent German expressionist film from 1920. Considered by many to be the first 'true' horror film, Caligari was incredibly innovative with its use of cinematography, warped sets, and the first substantial use of what is now known as the ‘plot-twist’ ending. The title character of the film, Dr. Caligari, has a cabinet - (believe it or not!) - and in this cabinet lives the somnambulist (the sleepwalker), Cesare, who goes around carrying out Caligari's evil deeds. Directed by Robert Wiene and staring Werner Krauss and Conrad Veidt, The Cabinet of Dr. Calagari continues to influence, inspire, and captivate filmmakers even today. This work for concert band makes use of several themes used in Deterling's orchestral score that he composed to accompany the film:’Dr. Caligari’ theme [A] - first heard in alto saxophones and horns (measures 5-6).‘Dr. Caligari’ theme [B] - first heard in clarinets 1, 2 and trumpets (measures 13-14).‘Cesare’ theme - first heard in low winds and low brass (measures 20-22).‘Jane/Love’ theme - first heard in horns and trombones (measures 61-64).‘Plot twist is about to happen’ theme - first heard in clarinets (measures 113-116).Piccolo; Flutes 1, 2; Oboe; Bassoons 1, 2; Clarinets in Bb 1-3; Bass Clarinet in Bb; Contrabass Clarinet; Alto Saxophones 1, 2; Tenor Saxophone; Baritone Saxophone; Trumpets in Bb 1-3; Horns in F 1-4; Trombones 1, 2; Bass Trombone; Euphonium; Tuba; Double Bass; Percussion 1 (Bass Drum, Tambourine); Percussion 2 (Suspended Cymbal, Tam-tam, Triangle, High-Hat, Crash Cymbals); Xylophone; TimpaniSpecial note: the Bassoon 2, Contrabass Clarinet, Horns 2 & 4, and Double Bass parts are optional because they’re always either doubled or cued in other parts. Score and set of parts. https://www.youtube.com/watch?v=ueywDp-gtTY
$68.00
Biffy Clyro: Many Of Horror (When We Collide) - guitar (chords)
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Paroles et Accords
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INTERMÉDIAIRE
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Rock
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Biffy Clyro
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Virtualsheetmusic
Instantly printable sheet music by Biffy Clyro for guitar (chords) of MEDIUM skill level. / rock
Instantly printable sheet music by Biffy Clyro for guitar (chords) of MEDIUM skill level. / rock
$4.97
Simon Neil: Many Of Horror (When We Collide) for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Simon Neil
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Virtualsheetmusic
Instantly printable sheet music by Biffy Clyro for voice, piano or guitar of MEDIUM skill level. / alternative,pop,rock
Instantly printable sheet music by Biffy Clyro for voice, piano or guitar of MEDIUM skill level. / alternative,pop,rock
$7.97
Many of Horror (When We Collide) - 3 Prints by Matt Cardle - SA Choir + Piano
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Chorale 2 parties
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Matt Cardle
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Many of Horror (When We Collid
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Musicnotes
Performed by: Matt Cardle: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Matt Cardle: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SA Choir + Piano, instruments: SA Choir;Piano Accompaniment; 9 pages -- Alternative Pop/Rock~~Pop~~Choral
$2.99
Many of Horror (When We Collide) by Matt Cardle - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Matt Cardle
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Many of Horror (When We Collid
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Musicnotes
Performed by: Matt Cardle: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Matt Cardle: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 5 pages -- Vocal Pop~~Alternative Pop/Rock~~Pop~~Pop Rock
$5.79
Many of Horror (When We Collide) by Biffy Clyro - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Biffy Clyro
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Many of Horror (When We Collid
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Musicnotes
Performed by: Biffy Clyro: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Biffy Clyro: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Punk-Pop~~Alternative Pop/Rock~~Punk Revival
$5.79
Many of Horror (When We Collide) by Biffy Clyro - Guitar TAB Transcription
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Guitare notes et tablatures
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Biffy Clyro
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Many of Horror (When We Collid
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Musicnotes
Performed by: Biffy Clyro: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Biffy Clyro: Many of Horror (When We Collide) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2; 8 pages -- Pop Rock~~Punk Revival~~Alternative Pop/Rock~~Punk-Pop
$5.79
Spanish Guitar Study
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Guitare
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classica...
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Solo Guitar - Level 3 - SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
My heart was rent
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Piano, Voix
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DÉBUTANT
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Melissa J Hall
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My heart was rent
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Melissa J Hall
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SheetMusicPlus
Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Scor...
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Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Score. 2 pages. Duration 103. Melissa J Hall #56IDSu1NTCeGnxxQXRuYuL. Published by Melissa J Hall (A0.1305516). Key: C major.Inspired by the story of Alma the Younger found in Alma 36:12-21. In The Book of Mormon 12 But I was racked with eternal torment, for my soul was harrowed up to the greatest degree and racked with all my sins. 13 Yea, I did remember all my sins and iniquities, for which I was tormented with the pains of hell; yea, I saw that I had rebelled against my God, and that I had not kept his holy commandments. 14 Yea, and I had murdered many of his children, or rather led them away unto destruction; yea, and in fine so great had been my iniquities, that the very thought of coming into the presence of my God did rack my soul with inexpressible horror. 15 Oh, thought I, that I could be banished and become extinct both soul and body, that I might not be brought to stand in the presence of my God, to be judged of my deeds. 16 And now, for three days and for three nights was I racked, even with the pains of a damned soul. 17 And it came to pass that as I was thus racked with torment, while I was harrowed up by the memory of my many sins, behold, I remembered also to have heard my father prophesy unto the people concerning the coming of one Jesus Christ, a Son of God, to atone for the sins of the world. 18 Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death. 19 And now, behold, when I thought this, I could remember my pains no more; yea, I was harrowed up by the memory of my sins no more. 20 And oh, what joy, and what marvelous light I did behold; yea, my soul was filled with joy as exceeding as was my pain! 21 Yea, I say unto you, my son, that there could be nothing so exquisite and so bitter as were my pains. Yea, and again I say unto you, my son, that on the other hand, there can be nothing so exquisite and sweet as was my joy. Alma 36:12–21 https://www.churchofjesuschrist.org/study/scriptures/bofm/alma/36?id=p12-p21&lang=eng#p12.
$3.50
Die Forelle
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Chorale 2 parties
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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D
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Die Forelle
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Roman...
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Choral Choir,Choral (TB) - Level 3 - SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Tully Road Music #931253. Published by Tully Road Music (A0.1346467). Die Forelle (D. 550, Op. 32) is among Schubert’s early contributions to the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, and although many of them became popular, Die Forelle was – and still is – one of the most widely recognized and performed. Composed in 1817, Die Forelle takes its text from a 1783 poem of the same name by Christian Friedrich Daniel Schubart. In it, a casual observer stands on the banks of a tranquil stream, admiring the movements of a “frisky†fish as it darts below the surface. The tone of the music changes when, to the observer’s horror, a fisherman puts an end to both his and the trout’s merriment by snagging the fish on his hook and reeling him in. In a final stanza which Schubert omits from his setting, we learn that Schubart’s poem is actually a metaphorical story intended to warn young women against the trickery of their young male suitors. As in Gretchen am Spinnrade and many other Lieder, Schubert “characterizes†the piano accompaniment, in this case through both the upward-winding sixteenth-note triplets representing the wriggling movements of a fish, and the abrupt shift towards agitated rhythms in measure 33 when the fish is hooked. The song gained such swift popularity that only two years after its composition in 1817, Schubert was commissioned to write an instrumental chamber work incorporating music from Die Forelle. The result was his Trout Quintet of 1819 (Piano Quintet in A Major, D. 667), the fourth movement of which is a set of variations on the Die Forelle tune.This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 10500871.
$2.50
18/04/'21 A Reflection
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Contemporain
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 page...
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95
The Cabinet of Dr. Caligari, Op. 5 (flute ensemble)
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Ian Deterling
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The Cabinet of Dr. Caligari, O
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Ian Deterling
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1423340 Composed by Ian Deterling. 21st Century,Classical,Film/TV,Halloween. 34 pages. Ian Deterling #1004654. Pub...
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Woodwind Ensemble - Level 4 - SKU: A0.1423340 Composed by Ian Deterling. 21st Century,Classical,Film/TV,Halloween. 34 pages. Ian Deterling #1004654. Published by Ian Deterling (A0.1423340). Considered by many to be the first ‘true’ horror film, The Cabinet of Dr. Caligari was incredibly innovative with its use of cinematography and warped sets. This piece is ominously atmospheric through its use of sinister melodies and eerie harmonies that build to a frightening climax!
$20.00
Many Of Horror (When We Collide)
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Piano, Voix et Guitare
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Rock Alternatif
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Biffy Clyro
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Pop
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Many Of Horror
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Biffy Clyro. For piano, voice, and guitar (chords only). Alternative; Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Biffy Clyro. For piano, voice, and guitar (chords only). Alternative; Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Beetlejuice (Main Theme)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Original Soundtrack
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John Ivor Holland
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Beetlejuice
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John Ivor Holland
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1498984 By Original Soundtrack. By Danny Elfman. Arranged by John Ivor Holland. 20th Century,Contemporar...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1498984 By Original Soundtrack. By Danny Elfman. Arranged by John Ivor Holland. 20th Century,Contemporary,Film/TV,Jazz. 46 pages. John Ivor Holland #1075027. Published by John Ivor Holland (A0.1498984). Beetlejuice is a 1988 American dark fantasy horror comedy film directed by Tim Burton and starring Alec Baldwin, Geena Davis and Michael Keaton as the title character. The film was a critical and commercial success, winning the Academy Award for Best Makeup. The film's success spawned an animated television series, video games and a 2018 stage musical; a sequel, Beetlejuice Beetlejuice, arrives in September 2024. Danny Elfman's score showcases his unique voice and foreshadows some of the darkness to come in his next score for 'Batman', but the original soundtrack also featured many calypso songs by Harry Belafonte to contrast with the B-movie horror stylings. Elfman's playfulness is on display in the distorted march of the main title theme and this arrangement for advanced ensembles features doublings on piccolo, clarinet and bass clarinet to give the extra colour needed.
$49.99
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. P...
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Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. P...
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Bassoon Solo - Level 4 - SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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Many Of Horror