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ACCORDEON
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Many Reasons to Love
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LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Can't Help Falling In Love
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1189818 By Elvis Presley. By George Da…
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Ukulele - Level 1 - Digital Download SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,Spiritual,Standards,Wedding. Score. 1 pages. Andre D. Tuffo #789416. Published by Andre D. Tuffo (A0.1189818). https://linktr.ee/andredtuffoCan't Help Falling in Love is a timeless classic that has been beloved by generations of music lovers. The song was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and was made famous by Elvis Presley in 1961.The lyrics of Can't Help Falling in Love express the feeling of falling deeply in love and the sense of helplessness that comes with it. The song has been interpreted in many different ways, from a message of romantic love to a more universal message of the power of love to overcome all obstacles.The melody of Can't Help Falling in Love is simple and beautiful, and has been covered by many artists in a variety of styles. The song has been used in countless films, television shows, and other media, and has become a cultural touchstone for people all over the world.One of the reasons why Can't Help Falling in Love is such a beloved song is because of its universality. The feeling of falling in love is something that is experienced by people of all ages, races, and backgrounds, and the song captures that feeling perfectly.In conclusion, Can't Help Falling in Love is a beautiful and timeless song that continues to captivate and move people all over the world. Whether you're a fan of Elvis Presley, or simply appreciate the beauty of a classic love song, Can't Help Falling in Love is a song that is sure to touch your heart and stay with you for a lifetime.
$10.00
9.15 €
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Ukulele
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Elvis Presley
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Andre D Tuffo
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Can't Help Falling In Love
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Andre D. Tuffo
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SheetMusicPlus
There Are Many Ways (To Say I Love You) (from Mister Rogers' Neighborhood)
Piano grosses notes
Digital Download SKU: HX.450876 By Fred Rogers. Children. E-Z Play Today. 3 pages. …
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Digital Download SKU: HX.450876 By Fred Rogers. Children. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.450876). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.74 €
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Piano grosses notes
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Fred Rogers
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There Are Many Ways
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Hal Leonard - Digital
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SheetMusicPlus
Many Reasons to Love
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1431226 Composed by Dennis Evelan…
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Concert Band - Level 2 - Digital Download SKU: A0.1431226 Composed by Dennis Eveland. Contest,Festival. 35 pages. T.U.X. People's Music #1011692. Published by T.U.X. People's Music (A0.1431226). Exceptionally delicate, but with sweetness in its undulating motion, this homage to a long marriage is perfect for teaching dynamic contrast in an accessible and engaging format.
$60.00
54.88 €
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Orchestre d'harmonie
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Dennis Eveland
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Many Reasons to Love
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T.U.X. People's Music
#
SheetMusicPlus
Perhaps Love
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163044 By John …
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163044 By John Denver and Placido Domingo. By John Denver. Arranged by Cindy Blevins. Pop. Individual part. 12 pages. Cindy Blevins #763398. Published by Cindy Blevins (A0.1163044). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.56 €
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John Denver and Placido Domingo
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Cindy Blevins
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Perhaps Love
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Cindy Blevins
#
SheetMusicPlus
To All The Girls I've Loved Before
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio…
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1163614 By Julio Iglesias & Willie Nelson. By Albert Hammond and Hal David. Arranged by Cindy Blevins. Country,Pop. Individual part. 12 pages. Cindy Blevins #763956. Published by Cindy Blevins (A0.1163614). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99
4.56 €
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Julio Iglesias & Willie Nelson
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Cindy Blevins
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To All The Girls I've Loved Before
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Cindy Blevins
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SheetMusicPlus
To Bethlehem, a sacred Christmas hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1145430 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1145430 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 2 pages. Kevin G. Pace #745667. Published by Kevin G. Pace (A0.1145430). A beautiful, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: To Bethlehem, so very long ago, A mother, with her husband’s care, was trav’ling on a donkey there. Even great with Child that day, through many miles they made their way to Bethlehem. To Bethlehem a hallowed Baby came! God’s holy Child on the earth fulfilled past forecasts of his birth. Jesus Christ came from above and brought with Him pure endless love to Bethlehem. To Bethlehem a wondrous star appeared. While lighting up a night-time sky blessed angels echoed reasons why. Trumpeting the awesome sight, called shepherds ran this holy night to Bethlehem. To Bethlehem all people now could look. Messiah, who forgives mankind, would be the Savior through all time. Jesus is his holy Name! So long ago this Baby came to Bethlehem . . . to Bethlehem.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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To Bethlehem, a sacred Christmas hymn
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Kevin G. Pace
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SheetMusicPlus
Billie Eilish - Lovely (from 13 Reasons Why) - Easy Piano
Piano Facile
Piano/Vocal/Chords - Easy/Beginner - Digital Download By Billie Eilish Feat. Khalid…
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Piano/Vocal/Chords - Easy/Beginner - Digital Download By Billie Eilish Feat. Khalid. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here’s how to play “Lovely” by Billie Eilish (with Khalid) from the soundtrack to the Netflix series “13 Reasons Why” (Season 2) on piano!<br> <br> With these easy, beautiful, accurate piano sheets, you can play “Lovely” by Billie Eilish on piano.<br> <br> You can use this version to play the song by yourself on piano, accompany singers, or sing along yourself!<br> <br> I also created a more challenging version, which you can find here: https://www.sheetmusicplus.com/title/20961979<br> <br> This “Lovely” piano version comes with a seperate melody system, lyrics and chords, so everybody can use this sheet music to play the song on piano, or use the chords to play it on other instruments.<br> <br> “Lovely” by Billie Eilish (ft. Khalid) is certainly one of the most beautiful songs from the 13 Reasons Why soundtrack, and one of the most melancholic pieces released in 2018.<br> <br> The song makes for a fantastic piano cover - no wonder so many people would like to play it!Here’s how to play “Lovely” by Billie Eilish (with Khalid) from the soundtrack to the Netflix series “13 Reasons Why” (Season 2) on piano!<br> <br> With these easy, beautiful, accurate piano sheets, you can play “Lovely” by Billie Eilish on piano.<br> <br> You can use this version to play the song by yourself on piano, accompany singers, or sing along yourself!<br> <br> I also created a more challenging version, which you can find here: https://www.sheetmusicplus.com/title/20961979<br> <br> This “Lovely” piano version comes with a seperate melody system, lyrics and chords, so everybody can use this sheet music to play the song on piano, or use the chords to play it on other instruments.<br> <br> “Lovely” by Billie Eilish (ft. Khalid) is certainly one of the most beautiful songs from the 13 Reasons Why soundtrack, and one of the most melancholic pieces released in 2018.<br> <br> The song makes for a fantastic piano cover - no wonder so many people would like to play it!
$4.99
4.56 €
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Piano Facile
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Billie Eilish Feat
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Mario Stallbaumer
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Billie Eilish - Lovely
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Mario Stallbaumer
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SheetMusicPlus
10,000 Reasons (Bless The Lord) for Beginner Piano
Piano seul
Piano Solo - Easy/Beginner - Digital Download By Matt Redman. Arranged by Edna J. Blo…
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Piano Solo - Easy/Beginner - Digital Download By Matt Redman. Arranged by Edna J. Bloom. Sheet Music Single. 5 pages. Published by Bloom Musicnotes
10,000 Reasons (Bless the Lord, O My Soul) has been transposed to Middle C position. With simplified rhythmic notation, this very easy arrangement is ideal for new pianists. Your purchase includes both standard and alphanote notation. Lyrics for all verses are included. Encountering this beautiful song on the piano will be motivating to many who long to play music they love.10,000 Reasons (Bless the Lord, O My Soul) has been transposed to Middle C position. With simplified rhythmic notation, this very easy arrangement is ideal for new pianists. Your purchase includes both standard and alphanote notation. Lyrics for all verses are included. Encountering this beautiful song on the piano will be motivating to many who long to play music they love.
$4.99
4.56 €
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Piano seul
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Matt Redman
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Edna J
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10,000 Reasons
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Bloom Musicnotes
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SheetMusicPlus
LOVELY - BILLIE EILISH - FOR STRING QUARTET
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Advanced Intermediate - Digital Download By Billie Eilish Feat. Kh…
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String Quartet - Advanced Intermediate - Digital Download By Billie Eilish Feat. Khalid. Arranged by Helen Marple-Horvat. Score, Set of Parts. 16 pages. Published by Helen Marple-Horvat
‘Lovely’ by Billie Eilish and Khalid was released in April 2018. Written and produced by Finneas O’Connel, brother of Billie Eilish, it was used as the soundtrack to Season Two of ‘13 Reasons Why’ - a drama on Netflix. The song went Platinum in New Zealand and USA, and reached the top five in the New Zealand and Australian Charts.<br> <br> I think that it lends itself beautifully to a String Quartet Arrangement and very much enjoyed working on it. At the moment I have only a computer version of the Score but will be recording it with Capriccio Quartet once lockdown restrictions are at an end.<br> <br> Feel free to change the bowing, especially in the eight-quaver accompaniment bars. These do need to be heard, but very much as a background texture. I envisaged the song as played with a great deal of delicacy and subtlety, though this is hard to achieve with Sibelius software. In this arrangement the cello has less to do than usual, but there are some sudden shifts of position and that deep presence is vital to the overall effectiveness of the song. The double stopping usually includes one open string.<br> <br> I experimented for a long time with different octaves for the violin to play at Letters C and E. You may like to change the score at this point if it feels easier, or just prefer one or the other. I opted for the high octave at times because the unison with the viola two octaves below seemed to have a lot of emotional power. However one octave apart also sounds good so younger players could easily tackle this song.<br> <br> My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer.‘Lovely’ by Billie Eilish and Khalid was released in April 2018. Written and produced by Finneas O’Connel, brother of Billie Eilish, it was used as the soundtrack to Season Two of ‘13 Reasons Why’ - a drama on Netflix. The song went Platinum in New Zealand and USA, and reached the top five in the New Zealand and Australian Charts.<br> <br> I think that it lends itself beautifully to a String Quartet Arrangement and very much enjoyed working on it. At the moment I have only a computer version of the Score but will be recording it with Capriccio Quartet once lockdown restrictions are at an end.<br> <br> Feel free to change the bowing, especially in the eight-quaver accompaniment bars. These do need to be heard, but very much as a background texture. I envisaged the song as played with a great deal of delicacy and subtlety, though this is hard to achieve with Sibelius software. In this arrangement the cello has less to do than usual, but there are some sudden shifts of position and that deep presence is vital to the overall effectiveness of the song. The double stopping usually includes one open string.<br> <br> I experimented for a long time with different octaves for the violin to play at Letters C and E. You may like to change the score at this point if it feels easier, or just prefer one or the other. I opted for the high octave at times because the unison with the viola two octaves below seemed to have a lot of emotional power. However one octave apart also sounds good so younger players could easily tackle this song.<br> <br> My Youtube Channel has many of my arrangements for String Quartet, most recorded by Capriccio Quartet, and all but two available as Sheet Music Plus products. Please visit me there :- Helen Marple-Horvat, Songwriter, Arranger, Composer.
$20.00
18.29 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
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Billie Eilish Feat
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Helen Marple-Horvat
#
LOVELY - BILLIE EILISH - FOR STRING QUARTET
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Helen Marple-Horvat
#
SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.82 €
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
George Gershwin Three Preludes for Flute and Guitar
Flûte et Guitare
Guitar - Intermediate - Digital Download SKU: M0.31076MEB Chamber. Classical. Ebook…
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Guitar - Intermediate - Digital Download SKU: M0.31076MEB Chamber. Classical. Ebook/insert/online audio. 32 pages. Mel Bay Publications - Digital Sheet Music #31076MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31076MEB). ISBN 9781513477718. 8.75x11.75 inches.Following the model established by Bach and Chopin, George Gershwin (1898 – 1937) originally planned to write 24 modern preludes for piano, one in each major and relative minor key. The collection was to be called The Melting Pot as it combined cross-cultural elements of classical, popular, jazz, and blues styles. Already established as a composer of popular songs, Broadway musicals, and masterpieces like Rhapsody in Blue and Concerto in F, Gershwin’s frenetic musical activities and an early death intervened, and for various reasons—only three of the completed 5-7 preludes were published in 1927. By omission and circumstance, these three compositions have endured the test of time as Gershwin’s Three Preludes. This book presents idiomatic flute/guitar arrangements of Gershwin’s iconic Three Preludes. The original keys of the preludes were altered to accommodate drop-D guitar tuning and highlight the strengths and tessituras of the two instruments. The music is written in standard notation only and presented in guitar and flute scores, guitar accompaniment with extensive suggested fingering, and a pull-out flute solo part with guitar cues. Includes access to an outstanding online audio recording by The Cypress Duo, featuring flutist Amanda Hoke and author/guitarist Justin Hoke. Audiences are going to love hearing these preludes rendered by the flute and guitar, particularly “Prelude II”, in Gershwin’s words, “a sort of blues lullaby” that is familiar to many musicians and listeners alike.
Song List: Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso
Song List
:
Allegro ben ritmato e deciso
Andante con moto e poco rubato
Allegro ben ritmato e deciso
$14.99
13.71 €
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Flûte et Guitare
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omission and circumstance, these three compositions have endured the test of time as Gershwin’s
Three Preludes
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George Gershwin Three Preludes for Flute and Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
44.78 €
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.74 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Once in Royal David's City for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 16 pages. Jmsgu3 #1078262. Published by jmsgu3 (A0.1502478). Once in Royal David's City is an essential and beloved Christmas carol for several reasons:Historical significance: The hymn was written in 1848 by Cecil Frances Alexander as part of a collection called Hymns for Little Children. The traditional opening of a famous service: Since 1919, this carol has been prominent as the opening processional hymn for the Festival of Nine Lessons and Carols, held on Christmas Eve at King's College Chapel, Cambridge. The BBC World Service and American Public Media broadcast this service worldwide, giving the hymn global exposure.Unique performance tradition: At King's College, the first verse is traditionally sung as a solo by a boy chorister, chosen by the choirmaster just moments before the service begins. This adds an element of anticipation and showcases young talent.Theological content: The hymn tells the story of Christ's birth and childhood, emphasizing His divinity and humanity. It connects the nativity story to broader Christian theology, making it both a narrative and a teaching tool.Musical qualities: The tune IRBY, composed by Henry John Gauntlett, is widely regarded as beautiful and memorable. Despite its relative simplicity, it has been praised for its intimate scale and inspired melody.Widespread use: Beyond its famous use at King's College, the hymn has become popular in churches of various denominations worldwide, especially during Christmas services.Cultural impact: The hymn has become deeply associated with Christmas in many English-speaking countries, evoking nostalgia and religious sentiment for many listeners. In essence, Once in Royal David's City is essential not just for its content but for its role in Christmas traditions, its educational value, and its ability to connect people to the holiday's religious aspects through music.
$34.95
31.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Cecil Frances Alexander
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James M
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Once in Royal David's City for String Quartet
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jmsgu3
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SheetMusicPlus
Jesus, Friend of Sinners
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015686 By Casting Crowns. By M…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015686 By Casting Crowns. By Mark Hall and Matthew West. Gospel/Sacred. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0015686. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015686). ISBN 9780739096024. UPC: 038081460161.From inspirational ballads to up-tempo rock styles, these are the hits to play in 2013! More than 100 pages of piano/vocal/guitar sheet music capture the year's most popular songs. Titles: 10,000 Reasons (Bless the Lord) (Matt Redman) * God's Not Dead (Like a Lion) (Newsboys) * Good Morning (Mandisa) * Hold Me (Jamie Grace featuring TobyMac) * How Great Is Our God (Chris Tomlin) * I Need a Miracle (Third Day) * Jesus, Friend of Sinners (Casting Crowns) * Need You Now (How Many Times) (Plumb) * One Thing Remains (Passion featuring Kristian Stanfill) * The Proof of Your Love (For King & Country) * Redeemed (Big Daddy Weave) * We Are (Kari Jobe) * Who You Are (Unspoken) * Whom Shall I Fear (God of Angel Armies) (Chris Tomlin) * You Are (Colton Dixon) * Your Love Never Fails (Newsboys).
$3.99
3.65 €
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Piano, Voix et Guitare
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Casting Crowns
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Jesus, Friend of Sinners
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.76 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.76 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Silent Night (Stille Nacht) CHRISTMAS, PIANO and VOICE
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597584 By Flavio Regis Cunha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597584 By Flavio Regis Cunha - Franz Xaver Gruber. By Franz Xaver Gruber. Arranged by Flavio Regis Cunha. Christmas,Jazz,Romantic Period,Sacred. Score. 16 pages. Flavio Regis Cunha #6645083. Published by Flavio Regis Cunha (A0.597584). Silent Night (Stille Nacht) CHRISTMAS, PIANO and VOICE.Silent Night is one of those songs that are part of a repertoire universal. I don't think there is a place some on the face of this earth where it has not been sung. And still so, at each version, at each execution, it sounds with new freshness. For this and so many other reasons, she was a mandatory presence in the Christmas repertoire.This arrangement was created in a jazz waltz style. You will love to play and your audience will love hear it.Listen on Spotify: https://open.spotify.com/track/0SxoYnuYi5JLHjeYxve0GW?si=c45eff41fe9b4688 Intermediate level Format: Concert, 9 x 12 inches 16 pages.
$4.99
4.56 €
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Piano, Voix
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Flavio Regis Cunha - Franz Xaver Gruber
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Flavio Regis Cunha
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Silent Night
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Flavio Regis Cunha
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SheetMusicPlus
Silent Night (Stille Nacht) for PIANO and VOICE
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.509592 By Flavio Régis Cunha. By Fr…
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Piano,Vocal,Voice - Digital Download SKU: A0.509592 By Flavio Régis Cunha. By Franz Xaver Gruber. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Jazz,Sacred. Score. 16 pages. Published by FRC Music (A0.509592). Silent Night (Stille Nacht) CHRISTMAS, PIANO and VOICE. Silent Night is one of those songs that are part of a repertoire universal. I don't think there is a place some on the face of this earth where it has not been sung. And still so, at each version, at each execution, it sounds with new freshness. For this and so many other reasons, she was a mandatory presence in the Christmas repertoire. This arrangement was created in a jazz waltz style. You will love to play and your audience will love hear it.
$4.99
4.56 €
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Piano, Voix
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Flavio Régis Cunha
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Flavio Regis Cunha
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Silent Night
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FRC Music
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SheetMusicPlus
Patapan for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95
31.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
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