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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
March from Symphony
Non classifié
61
Piano & claviers
Piano seul
11
Piano Facile
8
Accompagnement Piano
2
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2
Voix
Pack Instrumental pour Chorale
1
Vents
2 Saxophones (duo)
14
Saxophone (partie séparée)
8
Clarinette et Piano
7
Flûte traversière et Piano
7
Hautbois, Piano (duo)
6
Flute (partie séparée)
5
2 Flûtes traversières (duo)
5
Clarinette (partie séparée)
5
3 Saxophones (trio)
4
Quatuor de Saxophones: 4 saxophones
4
2 Clarinettes (duo)
4
Saxophone Tenor et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Alto et Piano
4
2 Hautbois (duo)
4
Quintette de Saxophone: 5 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois (partie séparée)
3
Clarinette
3
Saxophone Baryton, Piano
3
Ensemble de Clarinettes
3
Saxophone Soprano et Piano
2
2 Flûte à bec (duo)
2
Flûte, Clarinette (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
3 Flûtes à bec (trio)
1
3 Clarinettes (trio)
1
Cor anglais, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
5 Flûtes à bec
1
Hautbois
1
Flûte à Bec
1
Flûte à bec Alto
1
Clarinette Basse, Piano
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
+ 36 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette (partie séparée)
6
Trompette, Piano
5
Trombone (partie séparée)
5
Trombone et Piano
4
Cor (partie séparée)
3
2 Cors (duo)
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Trompette
2
Trompette, Cor (duo)
2
2 Euphoniums (duo)
2
2 Euphoniums et 2 Tubas
2
Tuba
2
Cor
2
Cor et Piano
2
Tuba et Piano
1
Ensemble de Cors
1
Tuba (partie séparée)
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Trombones
1
Cor anglais, Piano
1
2 Tubas (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 22 instrumentations
Retracter
Cordes
Violon (partie séparée)
13
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle (partie séparée)
7
Contrebasse (partie séparée)
5
Violoncelle, Piano
5
Alto, Piano
4
Alto (partie séparée)
4
Violon, Alto (duo)
4
Violon
3
Alto seul
3
Violon et Piano
3
Violon, Violoncelle (duo)
3
4 Violoncelles
2
2 Violoncelles (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
2 Violons (duo)
1
Trio à cordes: 3 altos
1
Contre Basse
1
Quatuor à cordes : 4 altos
1
2 Altos (duo)
1
Harpe
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
40
Orchestre
27
Orchestre à Cordes
10
Ensemble de cuivres
7
Percussion (partie séparée)
3
Fanfare
3
Orchestre de chambre
2
Cloches
1
Percussion
1
Timbales
1
Marimba
1
Timbales (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
March from Symphony
Partitions à imprimer
489 partitions trouvées
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March from Symphony #6 (Pathetique) for Clarinet Choir
#
Ensemble de Clarinettes
#
AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
John Gibson
#
March from Symphony #6
#
JB Linear
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581898 Composed by Peter Ilyich Tchaikovsky. Arranged by John Gibson. Romantic Perio...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581898 Composed by Peter Ilyich Tchaikovsky. Arranged by John Gibson. Romantic Period. 89 pages. JB Linear #3109195. Published by JB Linear (A0.581898). Tchaikovsky - March from the third movement of Symphony #6 (Pathetique) set for large clarinet choir Tchaikovsky certainly knew how to compose a stirring march. Look no further than The Nutcracker or Marche Slav and there is another sparkling march. His symphonies have them, too. Symphony 6 presents a fine march, begun by the clarinets that also shows off classic Tchaikovsky excitement.This setting for large clarinet choir by John Gibson runs about 8 minutes in length and requires some almost virtuoso playing from just about everyone. It is set for Eb Clarinet, Bb Clarinet 1-4, Alto Clarinet (with an alternate Bass part), Bass Clarinet, BBb/EEb Contra Clarinets.You may watch a You Tube video of the score at https://youtu.be/fbnJpBFzB8I .
$22.00
March from Symphony No. 6 for Trombone Quartet
#
Quatuor de cuivres: 4 trombones
#
FACILE
#
Classique
#
Peter Ilyich Tchaikovsky
#
Paul Addison
#
March from Symphony No. 6 for
#
Paul Addison
#
SheetMusicPlus
Bass Trombone - Level 2 - SKU: A0.1124001 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Addison. Classical,March,Romantic Period. 10 pages. Pau...
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Bass Trombone - Level 2 - SKU: A0.1124001 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Addison. Classical,March,Romantic Period. 10 pages. Paul Addison #724772. Published by Paul Addison (A0.1124001). An arrangement of the march from the 3rd movement of Tchaikovsky's Symphony #6 by Paul Addison. The arrangement is for four trombones (3 tenor, 1 bass). Easy Intermediate level due to a fast run in the 1st trombone part. Tchaikovsky's Symphony #6 became known as the Pathetique Symphony, and was the last of his symphonies. Nine days after conducting its premiere in St. Petersburg, he died, believed by most to be due to drinking unboiled water during a cholera epidemic.
$3.99
Funeral March (from Symphony No. 7)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Joel Jacklich (A
#
Funeral March
#
Joel Jacklich
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1111232 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1111232 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). Classical,Historic,March,Romantic Period,Sacred. 38 pages. Joel Jacklich #713495. Published by Joel Jacklich (A0.1111232). The Funeral March from Beethoven's Symphony No. 7 is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Care has been taken for page turns to occur only at rests within the various parts.
$19.99
Saxophone Festival Series Tchaikovsky March from Symphony #6
#
Classique
#
Peter Ilyich Tchaikovsky
#
David Flatt
#
Saxophone Festival Series Tcha
#
David Flatt
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.876938 Composed by Peter Ilyich Tchaikovsky. Arranged by David Flatt. Romantic Period. Score and parts. 41 pages. Dav...
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Small Ensemble - Level 3 - SKU: A0.876938 Composed by Peter Ilyich Tchaikovsky. Arranged by David Flatt. Romantic Period. Score and parts. 41 pages. David Flatt #3064567. Published by David Flatt (A0.876938). The raucous march from Tchaikovsky's 6th symphony. The ease of rhythms and the well-placed ranges of the saxes make this a fun, full-sounding piece. .
$15.00
March from Symphony no. 6 Pathétique, Op. 74 - PI Tchaikovsky
#
Ensemble de cuivres
#
INTERMÉDIAIRE
#
Classique
#
PI Tchaikovsky
#
Peet du Toit
#
March from Symphony no. 6 Path
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802399 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Romantic Period. Score and parts. 11 pages. Peet du Toit...
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Brass Ensemble - Level 3 - SKU: A0.802399 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Romantic Period. Score and parts. 11 pages. Peet du Toit #5375611. Published by Peet du Toit (A0.802399). Here's your opportunity to display the agile musicianship of a brass quintet with a well-known march from one of the world's greatest composers. Enjoy!
$16.00
March from Symphony No. 2 (23-Piece Digital Pack)
#
Orchestre d'harmonie
#
FACILE
#
Classique
#
Peter Ilyich Tchaikovsky
#
Robert Longfield
#
March from Symphony No. 2
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 2 - SKU: HX.120990 Composed by Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. Concert. 1 pages. Duration 165. Hal Leonard - Digital #0. P...
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Level 2 - SKU: HX.120990 Composed by Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. Concert. 1 pages. Duration 165. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.120990).
Digital Pack includes
:
March from Symphony No. 2 - Full Score
March from Symphony No. 2 - Flute
March from Symphony No. 2 - Oboe
March from Symphony No. 2 - Bassoon
March from Symphony No. 2 - Bb Clarinet 1
March from Symphony No. 2 - Bb Clarinet 2
March from Symphony No. 2 - Bb Bass Clarinet
March from Symphony No. 2 - Eb Alto Saxophone 1
March from Symphony No. 2 - Eb Alto Saxophone 2
March from Symphony No. 2 - Bb Tenor Saxophone
March from Symphony No. 2 - Eb Baritone Saxophone
March from Symphony No. 2 - Bb Trumpet 1
March from Symphony No. 2 - Bb Trumpet 2
March from Symphony No. 2 - F Horn
March from Symphony No. 2 - Trombone
March from Symphony No. 2 - Baritone B.C.
March from Symphony No. 2 - Baritone T.C.
March from Symphony No. 2 - Tuba
March from Symphony No. 2 - Convertible Bass Line
March from Symphony No. 2 - Percussion 1
March from Symphony No. 2 - Percussion 2
March from Symphony No. 2 - Mallet Percussion
March from Symphony No. 2 - Timpani
$55.00
Little Russian March (from Symphony No. 2) (8-Piece Digital Pack)
#
Orchestre à Cordes
#
FACILE
#
Classique
#
Peter Ilyich Tchaikovsky
#
Robert Longfield
#
Little Russian March
#
Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Piano - Level 2 - SKU: HX.250327 By Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. Classical. Individual instrument part. 3 pages. Ha...
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Orchestra Piano - Level 2 - SKU: HX.250327 By Peter Ilyich Tchaikovsky. Arranged by Robert Longfield. Classical. Individual instrument part. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.250327).
Digital Pack includes
:
Little Russian March (from Symphony No. 2) - Full Score
Little Russian March (from Symphony No. 2) - Violin 1
Little Russian March (from Symphony No. 2) - Violin 2
Little Russian March (from Symphony No. 2) - Violin 3 (Viola Treble Clef)
Little Russian March (from Symphony No. 2) - Viola
Little Russian March (from Symphony No. 2) - Cello
Little Russian March (from Symphony No. 2) - Bass
Little Russian March (from Symphony No. 2) - Piano
$50.00
Mendelssohn: Wedding March for Viola & Piano
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
(+)
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Wedding March for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
Mendelssohn: Wedding March for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Mendelssohn: Wedding March for Tenor Sax & Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
March-Scherzo from Symphony No. 1
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Ted R
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March-Scherzo from Symphony No
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Ted R. Marcus
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romant...
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Concert Band - Level 4 - SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romantic Period. Score and Parts. 109 pages. Ted R. Marcus #3088637. Published by Ted R. Marcus (A0.840481). Camille Saint-Saëns was only 17 when he wrote his first published symphony. But he already had a mature mastery of orchestral writing, along with the courage to defy convention: A march takes the place of the normal triple-meter scherzo movement. It's an unconventional march that starts with an elegant melody, surveys a wide range of emotions, and dissipates into a quiet ending. It's really neither a march nor a scherzo, but something all its own.This colorful concert band arrangement was written for an adult community band. It's appropriate for a college or community band, or an adventurous high school wind ensemble. It features two solo flutes, two solo clarinets, soprano saxophone, vibraphone, and marimba (the vibraphone part is cued to allow performance without the marimba). It also requires strong oboe and bassoon players. Extensive cues allow rehearsal and performance without oboes, bassoons, soprano saxophone, and/or mallet percussion.  Duration: approx. 5:00. The audio clip is a complete performance by the Peninsula Symphonic Winds. Instrumentation: Flute 1A and 1B (two solo players) / Flute 2 / Oboe 1-2 / Clarinet 1A and 1B (two solo players) / Clarinet 2-3 / Alto Clarinet / Bass Clarinet / E-flat Contra-alto clarinet (optional alternate for string bass) / B-flat Contrabass Clarinet (optional alternate for string bass) / Bassoon 1-2 / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Vibes / Marimba (Vibes part has cues for performance without marimba)  Please visit my Web site to explore more classics for adventurous concert bands.
$45.00
Ode To Joy - From Symphony no. 9
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Orchestre d'harmonie
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FACILE
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Ludwig van Beethoven
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Lorenzo Bocci
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Ode To Joy - From Symphony no.
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1517374 Composed by Ludwig van Beethoven. Arranged by Lorenzo Bocci. Classical,March,Patriotic,Traditional. 36 pages. L...
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Concert Band - Level 2 - SKU: A0.1517374 Composed by Ludwig van Beethoven. Arranged by Lorenzo Bocci. Classical,March,Patriotic,Traditional. 36 pages. Lorenzo Bocci #1091512. Published by Lorenzo Bocci (A0.1517374). ODE TO JOY - From Symphony no. 9for Concert Band - Grade 3 - Composed by Ludwig Van Beethoven. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 2'12''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Glockenspiel, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The melody used to represent the EU is taken from the Ninth Symphony, composed in 1823 by Ludwig van Beethoven, who set to music the Ode to Joy, written by Friedrich von Schiller in 1785. The anthem symbolises not only the European Union, but also Europe in general. The Ode to Joy expresses Schiller's idealistic vision of the development of brotherhood among men, a vision shared by Beethoven. In 1972, the Council of Europe adopted the theme of Beethoven's Ode to Joy as its anthem. In 1985, it was adopted by the heads of state and government of the member countries as the official anthem of the European Union. The anthem has no lyrics and consists only of music. In the universal language of music, this anthem expresses the ideals of freedom, peace and solidarity that Europe pursues.The European anthem is not intended to replace the national anthems of the member countries, but rather to celebrate the values they share. The anthem is performed at official ceremonies involving the European Union and in general at all types of events of a European nature.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
Marcia Funebre (from Symphony No. 3 "Eroica")
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Joel Jacklich (A
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Marcia Funebre
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1112923 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1112923 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (A.S.C.A.P.). Chamber,Classical,March,Romantic Period. 47 pages. Joel Jacklich #714873. Published by Joel Jacklich (A0.1112923). Beethoven's famous Funeral March from his Eroica Symphony is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.). Special care has been taken to provide page turns only at rests in the individual parts. This is a challenging work for advanced players.
$19.99
Chorale from Symphony No. 2 for Low Brass Ensemble
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Classique
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Gustav Mahler
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Randall Malmstrom
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Chorale from Symphony No. 2 fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792520 Composed by Gustav Mahler. Arranged by Randall Malmstrom. 20th Century,Romantic Period. Score and par...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792520 Composed by Gustav Mahler. Arranged by Randall Malmstrom. 20th Century,Romantic Period. Score and parts. 20 pages. Gordon Cherry #5001097. Published by Gordon Cherry (A0.792520). The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful. For advanced performers, this work will add another dimension to your concert.
$27.50
March from "Love for 3 Oranges" for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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AVANCÉ
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Sergei Prokofiev
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David J
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March from "Love for 3 Or
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Sterling Music Editions
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SheetMusicPlus
Bass Trombone - Level 5 - SKU: A0.1103320 Composed by Sergei Prokofiev. Arranged by David J. Miller. 20th Century,Classical,Contemporary,March,Opera. 7 ...
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Bass Trombone - Level 5 - SKU: A0.1103320 Composed by Sergei Prokofiev. Arranged by David J. Miller. 20th Century,Classical,Contemporary,March,Opera. 7 pages. Sterling Music Editions #706540. Published by Sterling Music Editions (A0.1103320). The March from Prokofiev's Love for Three Oranges has long been an audience favorite, and is still frequently performed in concert today. This version for Trombone Quartet features each of the musicians, as the melody is passed from one voice to another. The technical passages at the end of the piece are written out as reverse glissando rips, for the ultimate sarcastic ending! To hear the piece performed by the Cincinnati Symphony's Principal Trombonist Cristian Ganicenco, click the link below!
$25.00
Symphony no. 6 Pathétique, Op. 74 (excerpts from movement I) - PI Tchaikovsky
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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PI Tchaikovsky
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Peet du Toit
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Symphony no. 6 Pathétiq
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.802400 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Romantic Period. Score and parts. 9 pages. Peet du Toit ...
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Brass Ensemble - Level 3 - SKU: A0.802400 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Romantic Period. Score and parts. 9 pages. Peet du Toit #5375695. Published by Peet du Toit (A0.802400). In addition to my arrangement of the March from this Symphony, you can include this in your All Tchaikovsky or All Russian or All Romantic set-list, or for whatever reason. You will enjoy the conversation in the instruments and your audience will be pleased with your finesse as a polished brass quintet. Enjoy!
$15.00
Zauber der Montur (Magic of the Uniform), March from the Operetta "Die Landstreicher" (The Tramps) o
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Carl Michael Ziehrer
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Albert Schwarzmann
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Zauber der Montur
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1497124 Composed by Carl Michael Ziehrer. Arranged by Albert Schwarzmann. 19th Century,March,Romantic Period. 92 pages....
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Concert Band - Level 4 - SKU: A0.1497124 Composed by Carl Michael Ziehrer. Arranged by Albert Schwarzmann. 19th Century,March,Romantic Period. 92 pages. Edition Schwalbe #1073545. Published by Edition Schwalbe (A0.1497124). The operetta Die Landstreicher (The Tramps) successfully premiered in 1899 in Vienna. The march Zauber der Montur (Magic of the Uniform) was not part of the operetts in exactly that form as it appeared as single issue. The composer formed it out of a duet and a further melody of his operetta. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2019 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .
$80.00
Trauermarsch from Symphony n. 5
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Gustav Mahler
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Alessandro Macrì
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Trauermarsch from Symphony n.
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1370126 Composed by Gustav Mahler. Arranged by Alessandro Macrì. Chamber,Classical,Conte...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1370126 Composed by Gustav Mahler. Arranged by Alessandro Macrì. Chamber,Classical,Contest,Festival,Film/TV. 26 pages. Music Macri Editions #954594. Published by Music Macri Editions (A0.1370126). The Trauermarsch (Funeral March) is the first movement of Gustav Mahler's Symphony No. 5 in C-sharp minor. It is a slow, somber movement in 4/4 time, and is marked In gemessenem Schritt. Streng. Wie ein Kondukt (In measured steps. Sternly. Like a funeral procession).This piece is a powerful and moving movement that is often interpreted as a meditation on death and loss. Mahler himself said that the movement was inspired by the death of his friend, the composer Alexander von Zemlinsky.The movement is also notable for its use of the hammer stroke, a loud, dissonant chord that is used to punctuate the movement. The hammer stroke is often interpreted as a symbol of death or judgment.The Trauermarsch is one of the most famous and beloved movements in Mahler's symphonic repertoire. It is a powerful and moving piece of music that has been performed and recorded by many of the world's leading orchestras and conductors.
$13.00
Beethoven: Symphony #7, Movement 2
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Joshua Feltman
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Beethoven: Symphony #7, Moveme
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921871 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 35 pages. R...
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Chamber Orchestra - Level 3 - SKU: A0.921871 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 35 pages. Ryan Blauvelt #3692797. Published by Ryan Blauvelt (A0.921871). The poignant Funeral March from Beethoven's symphony is a timeless favorite. The arrangement incorporates several different technical levels, making it ideal for the small differentiated classroom music ensemble.
$40.00
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