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Medea - Akt 2
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Vous avez sélectionné:
Medea - Akt 2
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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Zitterbart - String Quartet No.12 in F major, "Medea"
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1169638…
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1169638 Composed by Fidelis Zitterbart. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 30 pages. J.G. Cuco Barber #770002. Published by J.G. Cuco Barber (A0.1169638). Name String Quartet No.12 in F majorAlternative name MedeaKey F majorComposer Fidelis ZitterbartDate composition November 7, 1886Instrumentation 2 Violins, Viola & Cello.
$23.00
21.17 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Fidelis Zitterbart
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J
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Cello.
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Zitterbart - String Quartet No.12 in F major, "Medea"
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J.G. Cuco Barber
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SheetMusicPlus
IL SOGNO DI MEDEA
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.744991 By Diego Spitaleri. By Diego…
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Piano Solo - Level 2 - Digital Download SKU: A0.744991 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Age. Score. 3 pages. Diego Spitaleri #352986. Published by Diego Spitaleri (A0.744991). I composed The Dream of Medea for a play inspired by one of the most fascinating and controversial characters in Greek mythology. Medea is a woman with magical powers, always struggling between reason and passion, very strong and cruel but, at the same time, weak and passionate. In this song I like to think of Medea as she surrenders to a sweet dream.
$4.00
3.68 €
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Piano seul
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Diego Spitaleri
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Diego Spitaleri
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IL SOGNO DI MEDEA
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Diego Spitaleri
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SheetMusicPlus
Medea
Digital Download SKU: S9.Q24067 Oper in vier Bildern. Composed by Aribert Re…
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Digital Download SKU: S9.Q24067 Oper in vier Bildern. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 120 minutes. Schott Music - Digital #Q24067. Published by Schott Music - Digital (S9.Q24067). German.Picc. * 1 * Altfl. * Bassfl. * 1 * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Bassklar. * Kb.-Klar. * 2 * Kfg. - 4 * 3 * Basstrp. * 3 * 1 - P. S. (Gongs * 5 Tamt. [h./m./m./t./sehr t.]* 2 hg. Bronzeplatten * 5 Tomt.) (4 Spieler)- Hfe. * Cel. - Str. (12 * 12 * 10 * 8 * 6)Picc. · 1 · Altfl. · Bassfl. · 1 · Engl. Hr. · Heckelphon · Es-Klar. · 1 · Bassklar. · Kb.-Klar. · 2 · Kfg. - 4 · 3 · Basstrp. · 3 · 1 - P. S. (Gongs · 5 Tamt. [h./m./m./t./sehr t.]· 2 hg. Bronzeplatten · 5 Tomt.) (4 Spieler)- Hfe. · Cel. - Str. (12 · 12 · 10 · 8 · 6).
$55.99
51.53 €
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Aribert Reimann
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Medea
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Schott Music - Digital
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SheetMusicPlus
Cello Concerto
Violoncelle, Orchestre
2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 …
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2 (2:picc.) · 1 · c.a. · 2 (2: b.cl.) · 2 (2: cbsn.) - 2 · 0 · 0 · 0 - perc. (timp., b.d., tam-tam, sus. cym., vibra., glock., tub. bells, marimba) (2 players) - hp - str. (6 · 6 · 4 · 4 · 2 minimum) cello and orchestra - Digital Download SKU: S9.Q3688 Farewell to philosophy. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 35 minutes. Schott Music - Digital #Q3688. Published by Schott Music - Digital (S9.Q3688). I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate... The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.
$30.99
28.52 €
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Violoncelle, Orchestre
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Gavin Bryars
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Cello Concerto
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Schott Music - Digital
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
42.32 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
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