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--INSTRUMENTS--
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Meeting Place
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor de Cuivres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Crtitères actifs :
Meeting Place
Partitions à imprimer
50 partitions trouvées
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26
Meeting Place
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alex Turner and Miles Kane
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Isaac Regules
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Meeting Place
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Isaac Regules
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwriter. Score. 7 pages. Isaac Regules #1071136. Published by Isaac Regules (A0.1494549). Meeting Place (sometimes titled The Meeting Place) by The Last Shadow Puppets, is a standout track from their debut album The Age of the Understatement. The song blends symphonic pop, pop rock and baroque pop, creating a sound that feels nostalgic, haunting and cinematic. This piano solo arrangement of this piece captures the essence of the original, distilling its qualities into a format that allows for an intimate and expressive performance.The song, written by Alex Turner and Miles Kane, explores themes of love, loss, and the lingering impact of memories associated with a particular place. It tells the story of a man who, after a difficult breakup, finds himself reflecting on a relationship that was as fleeting as it was meaningful. The lyrics paint a vivid picture of a couple who, for a short time, found solace in their meeting place, even as they understood their time together was limited. The inevitable end of the relationship, initiated by the woman, leaves the man grappling with heartache and a profound sense of longing.As the man wrestles with his emotions, he is caught between wishing the relationship had never happened and being unable to forget it. The orchestral elements and bittersweet melody underscore the melancholic tone of the song, culminating in a reflective conclusion that leaves a lasting impression of love lost.Miles Kane has mentioned that the inspiration for this song came from his own experiences at Heebie Jeebies, a beloved Liverpool venue where his first girlfriend worked.This piano solo arrangement translates the intricate melodies and uplifting accompaniment into a format that is both accessible and challenging for performers. Intended for intermediate to advanced players, it offers an opportunity to delve into the emotional nuances of the piece while improving technical skills.Engage with this arrangement, and allow the piano to evoke the feelings of longing, memory, and the inevitable pain of break-ups. This sheet music, transcribed and arranged by a life-long TLSP fan, faithfully captures the spirit of Meeting Place”.Listen to the arrangement now on YouTube—find the link in the post details.Contact: wnis4659@gmail.comJust for the love of music.
$5.99
Meeting In The Air
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Folklorique/Traditionel
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May Taylor Roberts
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Dana F
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Meeting In The Air
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - SKU: DX.145514 Composed by May Taylor Roberts. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditiona...
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Brass Quintet - Grade 3 - SKU: DX.145514 Composed by May Taylor Roberts. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #145514. Published by David E. Smith - Digital Sheet Music (DX.145514). A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The piece takes off immediately with a thematic statement in the trombone, breaking in a duet with the horn. Additional entries keep massing in the lower voices until most of the ensemble is involved. All of a sudden, the upper brass, silently present the tune in block harmonies until the lower brass present a countermelody. Now! Everybody’s involved. Next, a dialog between the upper brass and middle brass takes place as it alternates back and forth. With a modulation in place the tempo goes slow, the tune is in the lower brass- expressive! All of a sudden from bottom to top motives are presented- in stacked chords…. This goes through different transformations until the piece elevates into an uplifting conclusion.
$12.00
A Sacred Place: 2. In This Still Room (Downloadable Organ/Choral Score)
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Chorale SATB
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FACILE
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Gwyneth W
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A Sacred Place: 2. In This Sti
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - SKU: MQ.7461-E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Mus...
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SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - SKU: MQ.7461-E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #7461-E. Published by E. C. Schirmer Music Company - Digital (MQ.7461-E). English.In This Still Room is a musical setting of the poem by Quaker poet John Greenleaf Whittier (1807-1892). Although these lyrics are inspired by the Quaker Meetinghouse, the “still room†may also refer to the moments of silent prayer and meditation within any worship service. “I find it well to come for deeper rest to this still room.â€.
$1.95
There's A Meeting Place Tonight
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Chorale SATB
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FACILE
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Negro Spiritual
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Daniel L
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There's A Meeting Place Tonigh
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Daniel L. Ridout, Jr.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1377653 Composed by Negro Spiritual. Arranged by Daniel L. Ridout, Jr. Christian,Folk,Historic,Sacred,Spi...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1377653 Composed by Negro Spiritual. Arranged by Daniel L. Ridout, Jr. Christian,Folk,Historic,Sacred,Spiritual. 2 pages. Daniel L. Ridout, Jr. #945798. Published by Daniel L. Ridout, Jr. (A0.1377653). SATB Choir arrangement of a well known spiritual. Two solo part verses, including call and response, bookended with a chorus in 4 parts and concluding with a rousing coda.
$2.99
Come To The Meeting Place
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Chorale SATB
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Come To The Meeting Place
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.448318 Sacred. Choral. 13 pages. Duration 170. Published by Hal Leonard - Digital (HX.448318). ...
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(SATB) - SKU: HX.448318 Sacred. Choral. 13 pages. Duration 170. Published by Hal Leonard - Digital (HX.448318).
$2.25
Come to the Meeting Place
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Musique Sacrée
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Brad Nix
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Come to the Meeting Place
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.451123 Composed by Brad Nix. Sacred. Choral. Duration 174. Published by Hal Leonard - Digital (HX.451123). ...
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(Full Performance) - SKU: HX.451123 Composed by Brad Nix. Sacred. Choral. Duration 174. Published by Hal Leonard - Digital (HX.451123).
$1.99
Come to the Meeting Place
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Musique Sacrée
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Brad Nix
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Come to the Meeting Place
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.451124 Composed by Brad Nix. Sacred. Choral. Duration 174. Published by Hal Leonard - Digital (HX.451124). ...
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(Accompaniment Only) - SKU: HX.451124 Composed by Brad Nix. Sacred. Choral. Duration 174. Published by Hal Leonard - Digital (HX.451124).
$9.99
Sweet, Sweet Spirit
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Chorale TTBB
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FACILE
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Various Artists
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Paul A
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Sweet, Sweet Spirit
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.522401 By Various Artists. By Doris Akers and Mahalia Jackson. Arranged by Paul A. Jorg. A Cappella. Octavo. 2 p...
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Choral Choir (TTBB) - Level 2 - SKU: A0.522401 By Various Artists. By Doris Akers and Mahalia Jackson. Arranged by Paul A. Jorg. A Cappella. Octavo. 2 pages. Paul A. Jorg #6079023. Published by Paul A. Jorg (A0.522401). This song is an excellent opener for a Gospel service, asking the Holy Spirit to come and fill the meeting place. Given a proper, heart felt invitation, HE WILL COME!This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
Porch Swing Summer Night
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Piano seul
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FACILE
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New Age
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Contemporain
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Jeff Bjorck
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Jeff Bjorck
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Porch Swing Summer Night
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1255455 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. Contemporary,New Age. Score. 6 pages. Pure Piano Music b...
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Piano Solo - Level 2 - SKU: A0.1255455 By Jeff Bjorck. By Jeff Bjorck. Arranged by Jeff Bjorck. Contemporary,New Age. Score. 6 pages. Pure Piano Music by Jeff Bjorck #848957. Published by Pure Piano Music by Jeff Bjorck (A0.1255455). This original solo piano composition by Jeff Bjorck creates a romantic, nostalgic ambiance. It is inspired by days gone by when a porch swing was often a favorite summer meeting place for couples, both young and old. This piece appears on Bjorck's album/CD, Pure Piano Panoramas..
$5.50
The Penitence of Time
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Peter Petrack
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The Penitence of Time
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Distributed by The Wayfarer Partnership, LLC.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership,...
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Full Orchestra - Level 3 - SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership, LLC. #3516473. Published by Distributed by The Wayfarer Partnership, LLC. (A0.1019535). The Penitence of Time is an Orchestral tone poem based on the many ghost stories told about historic Bethlehem, Pennsylvania, especially those about Moravian College’s own music building, the 1748 Brethren’s House. It was used as a Revolutionary War hospital and meeting place for George Washington and his generals. Bethlehem may or may not be a haven for phantoms and specters, but it is certainly defined by the centuries of history that happened there. Listeners will hear orchestral bells striking midnight, as well as references to church chorales and Revolutionary War-era fife and drum. If you'd like to hear the full recording, feel free to visit Peter Petrack's Youtube channel.
$99.99
Let Us Break Bread Together
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Anonymous
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Paul Thurmond
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Let Us Break Bread Together
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond...
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Piano Solo - Level 4 - SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
$4.99
Her Name Was Pippin
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Classique
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Damien Gauci
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Her Name Was Pippin
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495487 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072004. Published by Dam...
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Piano Solo - Level 3 - SKU: A0.1495487 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072004. Published by Damien Gauci (A0.1495487). Her name is Pippin, and, much to Whiskers’ surprise, she’s just like him—same colour, same cautious yet curious nature. It’s almost as if fate brought them together in this old, abandoned house.As they slowly approach each other, any lingering fears melt away, replaced by the joy of meeting someone so similar. Both curious and cautious, it’s no wonder these two found each other in such an unusual place. Before long, Whiskers and Pippin start to play, their trust in each other growing with every moment. They share stories, laugh, and explore the corners of the house together, learning more about one another with each step.Excitement builds as they realise there’s so much more to discover outside these walls. With a shared eagerness to show off their homes, they decide to leave the abandoned house behind. Whiskers leads the way, Pippin by his side, as they venture into the woods, ready to explore each other’s worlds and embark on new adventures together.
$6.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Way Maker
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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Sinach
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Sinach
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Way Maker
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1314475 By Sinach. By Sinach. Arranged by Sinach. Christian,Praise & Worship,Spiritual. Lead Sheet / Fake Book. 1 pages...
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C Instrument - Level 1 - SKU: A0.1314475 By Sinach. By Sinach. Arranged by Sinach. Christian,Praise & Worship,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #903228. Published by Steven See (A0.1314475). You are hereMoving in our midstI worship you I worship youYou are hereWorking in this placeI worship you I worship youYou are hereMoving in our midstI worship you I worship youYou are hereWorking in this placeI worship you I worship youWay maker Miracle worker Promise keeperLight in the darknessMy God That is who you areWay maker Miracle worker Promise keeperLight in the darknessMy God That is who you areYou are hereTouching every heartI worship you I worship youYou are hereHealing every heartI worship you I worship youYou are hereTurning lives aroundI worship you I worship youYou are hereMending every heartI worship you I worship youWay maker Miracle worker Promise keeperLight in the darknessThat is who you areWay maker Miracle worker Promise keeperLight in the darknessMy God That is who you areYou wipe away all tearsYou mend the broken heartYou're the answer to it allJesusYou wipe away all tearsYou mend the broken heartYou're the answer to it all (to it all)JesusWay maker Miracle worker Promise keeperLight in the darkness My God That is who you areWay maker Miracle worker Promise keeperLight in the darknessMy God That is who you areYou are hereTouching every lifeI worship you I worship youYou are hereMeeting every needI worship you I worship you.
$1.99
Scottish Anthem for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Scottish Anthem for String Orc
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Ins...
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String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.
$8.99
A Grand Reunion
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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A Grand Reunion
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Semii Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1249239 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,...
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Choral Choir (SATB) - Level 3 - SKU: A0.1249239 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Praise & Worship,Religious. Octavo. 1 pages. Semii Music #843705. Published by Semii Music (A0.1249239). Title: A Grand ReunionHeaven is a place of surprise. We all will meet our lost loved ones and there will be rapturous chorus. That meeting will be a grand reunion that will mark the promise of God where all Saints will meet to part no more.We all are looking for the blissful morning where we will meet each other and be together for ever and ever.Please I urge you to sing this wonderful song and feel a little bit of rapture in the everlasting life in heaven.
$9.78
Reminiscences
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE/AVANCÉ
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Hans-Martin Linde
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Reminiscences
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Schott Music - Digital
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SheetMusicPlus
4 recorders (ATTB) - intermediate to advanced - SKU: S9.Q16330 Composed by Hans-Martin Linde. This edition: score and parts. Original Music for Recorder...
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4 recorders (ATTB) - intermediate to advanced - SKU: S9.Q16330 Composed by Hans-Martin Linde. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Schott Music - Digital #Q16330. Published by Schott Music - Digital (S9.Q16330). Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation†by Froberger, a melody by Claudio Saraceni “Da te partoâ€, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles†by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaidâ€. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.â€.
$18.99
Schubert- Morgengruss for voice and guitar
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Classique
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Franz Schubert
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Evans, Jack
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Schubert- Morgengruss for voic
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964297 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 2 pag...
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Small Ensemble Guitar,High Voice - Level 4 - SKU: A0.964297 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 2 pages. Jack Stanley Evans #5899359. Published by Jack Stanley Evans (A0.964297). Morgengruss (Morning Greetings) Die Schone Mullerin was Schubert’s first song cycle and an essential cornerstone in the genre of art songs. It tells the story of a young miller who is on a journey in search of work after completing his apprenticeship. He follows a brook flowing through the countryside, which leads him to a mill where he can seek employment. However, upon meeting the daughter of the mill’s owner, he quickly falls in love with her. This is the eighth song in the cycle and serves as an interlude. It shows the protagonist serenading the miller’s daughter, but he is concerned that his greetings might disturb her because she turns away from him. The narrative does not make clear if this exchange between the two characters is real, or if it all takes place inside the protagonist’s head. Despite his misgivings, the mood of this song is serene and fairly joyful. The triplets at the end of each verse represent the brook, which is present throughout the entire song cycle.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.30
In the Sweet By and By hymn for string trio
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Trio à Cordes: violon, alto, violoncelle
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and By! Why would not that mak
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SMT Music
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In the Sweet By and By hymn fo
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SMT Music
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SheetMusicPlus
String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Mu...
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String Ensemble,String Trio - SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Serenade (Trio)
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Wenzeslaus Matiegka
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Serenade
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute, viola and guitar - advanced - SKU: S9.Q564704 Composed by Wenzeslaus Matiegka. Chamber Music. Downloadable, Score and parts. Op. 26. Duration 28'...
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Flute, viola and guitar - advanced - SKU: S9.Q564704 Composed by Wenzeslaus Matiegka. Chamber Music. Downloadable, Score and parts. Op. 26. Duration 28' 40. Musikverlag Zimmermann - Digital #Q564704. Published by Musikverlag Zimmermann - Digital (S9.Q564704). German • English • French.The new edition presented here is based on the first print by S.A. Steiner et Comp. dated 1835. It replaces the old edition ZM 1097 by a notation meeting today's standards. An extensive and demanding work. It is standard repertoire for this instrumentation following the style of the late classical period and the beginning of the early romantic period.
$18.99
Now That the Son is Beaming Bright
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #...
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Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00
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