ISBN 9781619117266.

This book of triadic concepts is as much for the ears as it is for the hands. Playing harmonized scales in triadic form is very helpful for the progressing guitarist. By working through these exercises, the guitarist will learn the harmonic sound of each key and develop a strong sense of melodic and harmonic voice leading. These studies contain interesting melodic content and are very fun to play. The keys are presented in tonic major and tonic minor rather than tonic major and relative minor. This is the second book in Mel Bay's Achieving Guitar Artistry series and follows the initial Linear Etudes text. Readers should develop a routine of practicing one key per day for the best results. Mastery of this book will do much to enhance the guitarist's sense of voice leading, note reading and improvising.

DanJones is a professional guitarist and author.

He worksand teaches between Scotland and France.

Shotgunisa hugely popular song by the singer/songwriter George Ezra. It was released inthe UK in 2018 and was certified as a quadruple platinum seller.

Thisarrangement is designed for teachers and music groups where there is a mixedlevel of experience amongst the players. The key and arrangement support pentatonic shapes recommended by many teachers in early-years learning. Higher positions are also introduced in an accessible way.

All parts are provided in bothnotes and TAB

All ofthe parts are suitable for early ? intermediate players.

Thetechnical ability required for each part is outlined below.

Guitar 1 ? has much of the melodic interest and some higher-positionplaying

Guitar 2 ? also has melodic interest but mainly in lowerareas

Guitar 3 ? a more-simple part for less-experienced players

Guitar 4 ? is an adaptation of the bass line. This part alsohas chord symbols for those who may wish to strum an improvised accompaniment

Fretboard diagrams are supplied using shapes which are easierfor players to switch between.

Tosee and hear Dan?s wide range of arrangements for solo guitar, guitar duet andensembles please visit: www.danjonesguitarist.com

To readof Dan?s life as a musician and family man in rural France, please visit:www.danjonesauthor.com

A film and full recording of this arrangement will be uploaded before the end of February 2020

ISBN 9781619116375. 8.5 X 11 inches.

This book and online video package brings together Jeff Linsky's Mel Bay Artist Series Video, Latin Guitar Jazz, with music for all the pieces in notation and tablature. There are some direct transcriptions, but there are also arrangements of the pieces and analysis of Linsky's style, his techniques and his approaches to certain musical problems. Jeff Linsky is one of the finest guitarists on the contemporary jazz scene. He is well respected for his polyphonic solo guitar improvisation and for his fun and lively compositions. Just Jazz Guitar Magazine has commented, In this collection of Linsky originals, you will hear plenty of imagination, melodic and harmonic inventiveness and sheer joy. Jeff's ability to create memorable melodies and dazzling improvisation is a joy to experience. Includes access to online video.

ISBN 9781619117273.

For guitarists, the technical learning curve for improvisation is fairly steep. For this reason, it is important to find multiple uses for the musical structures that you learn to execute. This approach decreases the learning curve considerably. This book and accompanying audio show you how to expand your improvisational vocabulary by combining small, easily identifiable melodic ideas (structures) into longer, more complex lines. The material is written in standard notation. Includes access to online audio.

ISBN 9781610652117.

Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, RandB, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. Audio download available online. Standard notation and tablature.

ISBN 9781610651677. Written for the intermediate to advanced jazz guitarist, this book assumes an adequate knowledge of chord scales and jazz theory. The topics include playing modally, chord substitutions, Coltrane substitutions, diminished and melodic minor scales as well as dealing with pentatonics. Companion audio download available online.

Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.

Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.

"There Will Never Be Another Dexter" is dedicate to Dexter Gordon and has a melodic extension from Bb2 to G4 (concert pitch) with an intermediate level of difficulty.

After the head there are 3 chorus of improvisations.
This is the sheet music for C instruments: Violin, Guitar (no Tab), Accordion, Flute (One octave above), Vibraphone, ...

The Play Along to play and practice is available on YouTube: https://youtu.be/UwF2bnG6WOw

Also available sheet music for Bb, Eb and Bass Clef instruments.

ISBN 9781609745936. The thirty-eight Danzas Cubanas of Ignacio Cervantes (1847-1905) were originally written for the piano and conceived as "a page in the album of the Romantic Century". Together with improvised components, this music reflects the popular melodic and rhythmic unity which reached its apex in Cuban dances as performed at dance academies. This edition presents all 38 engaging pieces in standard notation for solo guitar.

El C�ndor Pasa is a piece from a zarzuela (a form of Spanish light operetta) by Daniel Alom�a Robles. The Peruvian wrote the work in 1913. The work has since been recorded thousands of times, most notably by Paul Simon and Art Garfunkel who provided it with new lyrics and a subtitle (If I Could).

This arrangement is designed for teachers and music groups where there is a mixed level of experience amongst the players. The arrangement is adaptable and flexible as certain parts can be omitted as the ensemble sees fit.

The following is included with this download:

All parts are provided in both notes and TAB

Guitar 1 ? has much of the melodic interest and some high-position playing

Guitar 1 (alternative) ? brings some of the higher position playing down an octave

Guitar 2 ? also has melodic interest

Guitar 3 ? a more-simple part for less-experienced players

Guitar 4 ? arpeggio chords ? this part also has chord symbols for those who may wish to strum an improvised accompaniment

Bass ? this is an optional part written in bass clef (and bass TAB).

To see and hear Dan?s wide range of arrangements for solo guitar, guitar duet and ensembles available for immediate download on sheetmusicplus, please visit: www.danjonesguitarist.com

To read of Dan?s life as a musician and family man in rural France, please visit: www.danjonesauthor.com