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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Memoirs
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Memoirs of a frustrated Hedonist (Film music)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.889768 Composed by Rainer Fabich. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.889768 Composed by Rainer Fabich. Contemporary,Film/TV,Standards,World. Score. 18 pages. Fajora Music #1885675. Published by Fajora Music (A0.889768). Original music for piano solo from the awarded documentary film Memoirs of a frustrated hedonist (Memoiren einer frustrierten Hedonistin), directed by Claas Danielsen. Portrait of the russian art historian Lada Nikolenko who spent her eventful life in Leningrad, New York, Venice and Munich. The score includes 5 movements: 1. Memoirs of a frustrated hedonist - Main theme 2. Hedonae`s world of dreams 3. Leningrad 4. At the Eremitage 5. Finale: Lada`s theme Duration: ca. 8 minutes, 10 pages. For film music other concerts. From CD: Rainer Fabich: Piano Pur, solo-piano played by Michaela Puehn Film Awards: Golden Hugo, Chicago/USA 1995, Ourense/Spain 1996, Bornholm Danmark 1996, Odivelas Portugal 1995, Lübeck/Nordische Filmtage 1995 More informations www.rainer-fabich.de.
$9.95
9.2 €
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Piano seul
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Rainer Fabich
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Memoirs of a frustrated Hedonist
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Fajora Music
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SheetMusicPlus
MEMOIRS of a SOLDIER
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.962281 Composed by Stefano Fabrizio Sacchi.…
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Concert Band - Digital Download SKU: A0.962281 Composed by Stefano Fabrizio Sacchi. 20th Century,Concert,Holiday. Score and parts. 9 pages. Stefano Sacchi #6826367. Published by Stefano Sacchi (A0.962281). Memoirs of a SoldierArranged for Concert Band featuring Solo PianoMusic by Stefano Sacchi.
$45.00
41.6 €
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Orchestre d'harmonie
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Stefano Fabrizio Sacchi
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MEMOIRS of a SOLDIER
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Stefano Sacchi
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SheetMusicPlus
Doolittle Memoirs
C Trumpet,Cello,Double Bass,Field Drum,Harp,Percussion,Viola,Violin - Level 2 - Digital Do…
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C Trumpet,Cello,Double Bass,Field Drum,Harp,Percussion,Viola,Violin - Level 2 - Digital Download SKU: A0.1114140 Composed by Jeff Henderson. 20th Century,Chamber,Historic,Patriotic. 14 pages. Jeff #716069. Published by Jeff (A0.1114140). Doolittle Memoirs was composed in 2022 in a collaboration with Pensacola Christian College for a history seminar about the Doolittle Raiders. It is scored for trumpet solo, percussion, and strings.
$20.00
18.49 €
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Jeff Henderson
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Doolittle Memoirs
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Jeff
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SheetMusicPlus
Memoirs
Piano seul
Piano Solo - Digital Download SKU: A0.1017456 Composed by Rosalia Emanuele Schultz.…
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Piano Solo - Digital Download SKU: A0.1017456 Composed by Rosalia Emanuele Schultz. Contemporary. Score. 5 pages. Rosalia Emanuele Schultz #6114123. Published by Rosalia Emanuele Schultz (A0.1017456). Classical piano composition with hints of new age style.
$5.00
4.62 €
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Piano seul
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Rosalia Emanuele Schultz
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Memoirs
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Rosalia Emanuele Schultz
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SheetMusicPlus
The Chairman's Waltz (from Memoirs of a Geisha)
Piano Facile
Interactive Download SKU: HX.440188 This edition: Interactive Download. Film/TV. Ve…
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Interactive Download SKU: HX.440188 This edition: Interactive Download. Film/TV. Very Easy Piano. 4 pages. Published by Hal Leonard - Digital (HX.440188).
$3.99
3.69 €
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Piano Facile
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The Chairman's Waltz
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Hal Leonard - Digital
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SheetMusicPlus
October 12 - Memoirs of Willow Lake
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1316810 By The Awakened Soul. By Ap…
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Piano Solo - Level 2 - Digital Download SKU: A0.1316810 By The Awakened Soul. By Aporosa Malo. 21st Century,Contemporary,Film/TV,New Age,Video Game. Score. 2 pages. The Awakened Soul #905489. Published by The Awakened Soul (A0.1316810). This piece was composed of daily word prompts over the course of the month. These pieces originated as piano improvisations but then were programmed into Sibelius to be composed and arranged.This piece is designed to capture the prompt/feeling of the title mentioned as it is designed for casual enjoyment or to be improvised upon.Website: https://awakenedsoulproductions.comFollow Awakened Soul Productions (Business) on…Linktre: https://linktr.ee/awakenedsoulproductionsInstagram: https://www.instagram.com/awakenedsoulproductionsFollow The Awakened Soul (Artist/Composer) on…Spotify: https://open.spotify.com/artist/77ZEJmucpeTGRNzN9K2o3O?si=_zs0LNokREyqy-_OG0FN8QInstagram: https://www.instagram.com/7he4wak3nd5ou1/.
$10.00
9.24 €
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Piano seul
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The Awakened Soul
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October 12 - Memoirs of Willow Lake
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The Awakened Soul
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SheetMusicPlus
Sayuri's Theme And End Credits (from Memoirs Of A Geisha)
Piano Facile
Interactive Download SKU: HX.438174 By John Williams. This edition: Interactive Dow…
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Interactive Download SKU: HX.438174 By John Williams. This edition: Interactive Download. Film/TV. Easy Piano. 6 pages. Published by Hal Leonard - Digital (HX.438174).
$3.99
3.69 €
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Piano Facile
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John Williams
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Sayuri's Theme And End Credits
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Hal Leonard - Digital
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SheetMusicPlus
Memoirs of Afghanistan
Piano seul
By Emili Rackemann. By Emili Rackemann. Contemporary. Score. 2 pages. Emili Rackeman…
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By Emili Rackemann. By Emili Rackemann. Contemporary. Score. 2 pages. Emili Rackemann #894758. Published by Emili Rackemann
$5.99
5.54 €
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Piano seul
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Emili Rackemann
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Memoirs of Afghanistan
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SheetMusicPlus
[Cheatham] A Collection of Songs
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.953350 Composed by Wallace McClain Che…
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Piano,Vocal,Voice - Digital Download SKU: A0.953350 Composed by Wallace McClain Cheatham. 20th Century,Contemporary. Score. 115 pages. American Composers Alliance Inc. #5795695. Published by American Composers Alliance Inc. (A0.953350). Visceral poetry - sacred and secular - written and arranged for voice and piano by Wallace Cheatham. Approximately 30 songs of different lengths, in groupings of Spirituals, Songs of Holy Women, Memoirs, Poetry, Prodigal Tales, etc.GIOVANNI SONGS are nine songs that use poems from the book SELECTED POEMS OF NIKKI GIOVANNI: renowned poet and professor of English at Virginia Polytechnic.The poetry in SPIRITUALS comes from the folklore of Black America. With the intricate writing for both the voice and piano, these settings go beyond arrangements in the traditional sense.The poetry in THREE SONGS, EBENEZER, and FROM THE MEMOIRS OF A VISIONARY was penned by the composer. FROM THE MEMOIRS OF A VISIONARY was composed was composed with the tenor voice in mind but it could be effectively be done by counter tenor, contralto, or mezzo soprano as well.
$31.95
29.54 €
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Piano, Voix
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Wallace McClain Cheatham
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[Cheatham] A Collection of Songs
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American Composers Alliance Inc.
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SheetMusicPlus
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
3.24 €
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Chorale TTBB
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James W
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The Parting Before the Battle- Ní neart go cur le chéile
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Knox Music
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.86 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.7 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Liebesleid for Solo Violin and Pianoforte
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1446731 By Friedrich Fritz Kreisl…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99
8.31 €
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Violon et Piano
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Friedrich Fritz Kreisler
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Keith Terrett
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Liebesleid for Solo Violin and Pianoforte
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Keith Terrett
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SheetMusicPlus
Liebesfreud for Solo Violin & Pianoforte
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisl…
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Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99
8.31 €
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Violon et Piano
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Friedrich Fritz Kreisler
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Keith Terrett
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Pianoforte
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Liebesfreud for Solo Violin & Pianoforte
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Keith Terrett
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SheetMusicPlus
Ethel Smyth Plays Golf in Limbo
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1302225 Composed by Rachel J…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1302225 Composed by Rachel J. Peters. 21st Century,Classical,Opera. Score. 17 pages. Rachel J Peters #891829. Published by Rachel J Peters (A0.1302225). Concert mini-monodrama for mezzo-soprano Inspired by composer, suffragist, and avid golfer Ethel Smyth’s memoirs and critics’ reviews of her work, this concert mini-monodrama imagines her playing golf in the afterlife, surrounded by her dogs. She recounts her own experience, noting what has unfortunately remained the same in the years since her death.DURATION: 10 minutesWORLD PREMIERE: FETA Foundation Acoustica21 series, Spring 2016.
$8.00
7.4 €
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Piano, Voix
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Rachel J
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Ethel Smyth Plays Golf in Limbo
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Rachel J Peters
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SheetMusicPlus
Romance, Op. 13 for Trombone and Piano
Trombone et Piano
Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun d…
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Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #947132. Published by Gordon Cherry (A0.1362757). Niels-Ole Bo Johansen has recently discovered a hidden treasure of relatively unknown and forgotten works of Danish origin for the Trombone from the early 20th Century. This series of music will be subtitled The Danish Trombone Heritage and will be published by Cherry Classics over the next while. Below is Niels' description of Romance, Op. 13 by Joachim Bruun de Neergaard composed in 1915.Anton Hansen's (father of the Danish School for Trombone) first meeting with Joachim Bruun de Neergaard (1877-1929) was rather a disastrous one. Hansen an extraordinary Trombonist, also a very fine pianist, was hired to play at a dinner dance at Skjoldnæsholm manor. A young man insisted on playing along with the tunes Hansen performed - on a terribly out -of-tune ocarina. Hansen writes in his memoirs that his first thought was that the young man was slightly retarded. As it turned out, he was the son of the family living in the manor, which made the situation even more awkward. That young man, Joachim Bruun de Neergaard was not the slightest bit retarded. He was on the contrary highly intelligent and managed, in addition to his composition studies, to attain a degree in law with the highest honors.The Romance for Trombone and Orchestra, here in the version for Trombone and Piano, reveals a composer with a very fine sense of the trombone’s singing qualities.This work is perfect for advanced intermediate performers and is almost 7 minutes in length.Trombone soloist Johansen and his collaborator, Pianist Erik Kaltoft beautiifully perform Romance on their 2018 album The French Connection. Below is a sample of the work (available on Apple Music and as a CD).
$20.00
18.49 €
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Trombone et Piano
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Joachim Bruun de Neergaard
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Niels-Ole Bo Johansen
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Romance, Op. 13 for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
On the Seashore of Endless Worlds (SATB Choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
3.69 €
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Chorale SATB
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.74 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.37 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Hello, Dolly!
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Ar…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
14.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Winter
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.858118 Composed by Michele McLaughl…
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Piano Solo - Level 3 - Digital Download SKU: A0.858118 Composed by Michele McLaughlin. Contemporary,New Age. Score. 5 pages. Michele McLaughlin Music #6167693. Published by Michele McLaughlin Music (A0.858118). Song: Winter Album: Memoirs Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2019 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.com
$5.50
5.08 €
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Piano seul
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Michele McLaughlin
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Winter
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Michele McLaughlin Music
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SheetMusicPlus
Pure Joy
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.858111 Composed by Michele McLaughl…
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Piano Solo - Level 3 - Digital Download SKU: A0.858111 Composed by Michele McLaughlin. Contemporary,New Age. Score. 8 pages. Michele McLaughlin Music #6167675. Published by Michele McLaughlin Music (A0.858111). Song: Pure Joy Album: Memoirs Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2019 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.com
$5.50
5.08 €
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Piano seul
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Michele McLaughlin
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Pure Joy
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Michele McLaughlin Music
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SheetMusicPlus
Dismissed
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.858121 Composed by Michele McLaughl…
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Piano Solo - Level 5 - Digital Download SKU: A0.858121 Composed by Michele McLaughlin. Contemporary,New Age. Score. 7 pages. Michele McLaughlin Music #6167701. Published by Michele McLaughlin Music (A0.858121). Song: Dismissed Album: Memoirs Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2019 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin.http://www.michelemclaughlin.com
$5.50
5.08 €
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Piano seul
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Michele McLaughlin
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Dismissed
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Michele McLaughlin Music
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SheetMusicPlus
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