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Memory Of Water
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Vous avez sélectionné:
Memory Of Water
Partitions à imprimer
59 partitions trouvées
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Memory Of Water - solo piano collection
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hilary Brooks
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Memory Of Water - solo piano c
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1017894 Composed by Hilary Brooks. 20th Century,Contemporary. Score. 11 pages. Hilary Brooks #6597309. Published by Hilar...
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Piano Solo - Level 4 - SKU: A0.1017894 Composed by Hilary Brooks. 20th Century,Contemporary. Score. 11 pages. Hilary Brooks #6597309. Published by Hilary Brooks (A0.1017894). A collection of piano solos commissioned as underscore to the play Memory of Water by Shelagh Stephenson. Performed by Stellar Quines Theatre Company, directed by Muriel Romanes, for the Scottish premiere of the play in 2004. Listen to an extract of 'Sister on a Swing' performed by the composer - https://soundcloud.com/hilary-brooks-950846279/memory-of-water-sister-on-a-swing
$6.97
Reflections of Water for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Phyllis Avidan Louke
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Reflections of Water for Flute
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Louke Publishing
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479...
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Flute,Piano - Level 3 - SKU: A0.736263 Composed by Phyllis Avidan Louke. Contest,Festival,Folk,Holiday. Score and part. 15 pages. Louke Publishing #3479837. Published by Louke Publishing (A0.736263). PROGRAM NOTESReflections of Water for Flute & Pianoby Phyllis Avidan Louke 1. A Cool Mountain Streamhttp://www.phyllislouke.com/wp-content/uploads/2015/08/1.-Reflections-of-Water-mvmt-1.mp3 2. A Quiet Morning on the Lakehttp://www.phyllislouke.com/wp-content/uploads/2015/08/2.-Reflections-of-Water-mvmt-2.mp3 3. Frolic in the Surfhttp://www.phyllislouke.com/wp-content/uploads/2015/08/3.-Reflections-of-Water-mvmt-3.mp3 This piece was written in memory of my father. So many childhood memories of Dad revolved around water-summer vacations spent with my family camping by a mountain stream, fishing in a lake and outings to ocean beaches near my childhood home in Southern California. This programmatic work is in three movements. A Cool Mountain Stream utilizes the pentatonic scale to depict a stream as it meanders along, frequently bouncing over rocks and sometimes heading down a slope, eventually ending in a small waterfall that empties into a deep pool. During a summer vacation, my family camped by a stream that was a natural waterslide. We spent many happy hours sliding down the waterslide into the pool below.A Quiet Morning on the Lake uses the repetitive rocking motion of the piano to represent the soothing motion of the rowboat as I spent summer vacations fishing for trout with my dad on a quiet lake in the San Bernardino Mountains.Frolic in the Surf brings out the playfulness felt at the ocean beach, while getting used to the water temperature and trying to predict when the waves will hit the shore. Many summer days were spent on Southern California beaches with family and friends, body surfing, tanning and simply playing in the waves. Scored for flute and piano. 5:00 Level 3 Phyllis Avidan Louke (b. 1954), a flutist, teacher, and award-winning composer, living in Portland, Oregon, has been arranging and composing since 1990, with over 70 pieces published. Many of her works have received recognition in the annual National Flute Association Newly Published Music Competition and other composition competitions. Ms. Louke has also been the recipient of annual ASCAP awards since 2004. Her compositions and arrangements have been much-performed nationally and internationally and many have been recorded. She is also the co-author of an award-winning series of pedagogical publications for the flute published by Theodore Presser Company. Her music is published by Theodore Presser Company, ALRY Publications, Falls House Publications, Fabulous Flute Music Company, Nourse Wind Publications, and SMP Publications. For more information on compositions by Phyllis Avidan Louke, go to http://www.phyllislouke.com/compositions/
$15.00
Memory Of Water
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Piano seul
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INTERMÉDIAIRE
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Riopy
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M
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Memory Of Water
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Magdalena Galka
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1485085 By Riopy. By Jean Philippe Rio Py. Arranged by M. Galka. Contemporary,Singer/Songwriter. Score. 4 pages. Magdalen...
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Piano Solo - Level 3 - SKU: A0.1485085 By Riopy. By Jean Philippe Rio Py. Arranged by M. Galka. Contemporary,Singer/Songwriter. Score. 4 pages. Magdalena Galka #1062166. Published by Magdalena Galka (A0.1485085). Memory of Water by RIOPY | Piano Solo Cover Sheet Music, 4 pages.Check out my social media for more!♬ YouTube♬ Spotify♬ Apple Music♬ Amazon Music♬ Instagram ♬ TikTok♬ Soundcloud
$5.99
Memory of Water theme- piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hilary Brooks
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TW. @hilarybrooksmusic 
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Memory of Water theme- piano s
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1017889 Composed by Hilary Brooks. Contemporary. Score. 3 pages. Hilary Brooks #6597287. Published by Hilary Brooks (A0.1...
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Piano Solo - Level 4 - SKU: A0.1017889 Composed by Hilary Brooks. Contemporary. Score. 3 pages. Hilary Brooks #6597287. Published by Hilary Brooks (A0.1017889). A solo piano piece of medium difficulty, atmospheric. Written as underscore for the play of this title. Contact me on FB & TW. @hilarybrooksmusic .
$2.25
Dreams of Mother - piano solo, atmospheric
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Hilary Brooks
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Dreams of Mother - piano solo,
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1017893 Composed by Hilary Brooks. Contemporary. Score. 1 pages. Hilary Brooks #6597303. Published by Hilary Brooks (A0.1...
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Piano Solo - Level 3 - SKU: A0.1017893 Composed by Hilary Brooks. Contemporary. Score. 1 pages. Hilary Brooks #6597303. Published by Hilary Brooks (A0.1017893). A piano solo , atmospheric. Written to underscore the play Memory of Water.
$2.25
Words of Water, Op.159
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Piano seul
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INTERMÉDIAIRE
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YASKAWA Toru
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Words of Water, Op.159
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HALF CAT
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.990042 Composed by YASKAWA Toru. 20th Century,Contemporary. Score. 35 pages. HALF CAT #6326417. Published by HALF CAT (A0...
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Piano Solo - Level 3 - SKU: A0.990042 Composed by YASKAWA Toru. 20th Century,Contemporary. Score. 35 pages. HALF CAT #6326417. Published by HALF CAT (A0.990042). Words of Water Op.159 for piano solo, 9 tunes include.Composed : 2017~2018Number of Tunes : 14-1 Evening Prayer, 03:02-2 Residue of a Dream, 01:56-3 Midnight Angel, 02:38-4 Another Christmas, 02:42-5 And Then..., 02:51-6 At the Coast in Twilight, 02:22-7 Shadow Reflected in the Window, 02:48-8 Cutaway Sky, 01:23-9 Winter Morning, 02:38-10 Is Here, Was Here, 01:32-11 In the Pale Memory, 02:33-12 Days Stained with the Cat Color, 03:06-13 Not Here, 02:34-14 Little Hymn, 02:29 [Sample]
$12.90
Prelude on the Hymn Tune "Cleansing Water"
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Chamberlin
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Robert Chamberlin
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Prelude on the Hymn Tune "
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Robert Chamberlin
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SheetMusicPlus
Organ - Level 3 - SKU: A0.917313 Composed by Robert Chamberlin. Arranged by Robert Chamberlin. Sacred. Score. 7 pages. Robert Chamberlin #6348959. Publi...
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Organ - Level 3 - SKU: A0.917313 Composed by Robert Chamberlin. Arranged by Robert Chamberlin. Sacred. Score. 7 pages. Robert Chamberlin #6348959. Published by Robert Chamberlin (A0.917313). This organ prelude is an interpretation of my original hymn tune, Cleansing Water, based on a text by Debbie Parvin. It was composed in memory of my first organ instructor, Tom Israel. Since this is a recently composed hymn, the tune and text by Debbie Parvin is included with this listing.
$5.00
We're the Water in the Waves
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Chorale SATB
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the final bars, we arrive at a
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Angela Salvaggione
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We're the Water in the Waves
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Imagine Music - Digital
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SheetMusicPlus
SATB chorus & piano - Grade 3 - SKU: IZ.VMW171 Composed by Angela Salvaggione. Score. 11 pages. Imagine Music - Digital #VMW171. Published by Imagine Mu...
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SATB chorus & piano - Grade 3 - SKU: IZ.VMW171 Composed by Angela Salvaggione. Score. 11 pages. Imagine Music - Digital #VMW171. Published by Imagine Music - Digital (IZ.VMW171). 8.5 x 11 in inches.Musically, the text gives indication as to the style of each verse. The first verse's gentle, flowing feel is the comfort of knowing we've been walking a path together. The second verse, a bit stronger, with the full choir entering, builds this comfort and joy of common experience. The third verse, with its darker text, should also have a more misterioso feel, but don't let it drag. Our parting is approaching. The fourth verse should have a lighter, more sparkling feel, with streams and snowflakes and growing understanding that though what may seem final is not, merely a new way of being. The resoluteness of the fifth verse reflects the strength of knowing that the path we have shared together regardless of our proximity, and gives us strength and joy in knowing that our lives are bettered by our shared experiences. The coda, beginning in measure 95, brings us back to a more settled feel, as we are comforted by the memory of those shared experiences. By the final bars, we arrive at a restful state, comfortable knowing that though time has passed and circumstances have changed, we have been blessed by what we've experienced together.
$2.05
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
STREETS OF SHANGHAI
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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STREETS OF SHANGHAI
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994357. Published by White Piano International Publishing (A0.1415784). STREETS OF SHANGHAI (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4 minutes.In 1984, while aboard the cruise ship MS PEARL OF SCANDINAVIA navigating the waters of Asia, I had the privilege of exploring the vibrant city of Shanghai, China. Immersed in its bustling streets, I was struck by the energetic chaos: packed buses, swarms of bicycles darting in every direction, and people bustling about, engaged in shopping or hurrying to various destinations. The vivid memory of this scene inspired me to compose the music for STREETS OF SHANGHAI.My aim was to craft an album comprising ten piano pieces, each resonating with the captivating essence of Chinese music. Hence, I titled the album “CHINA LOVE.â€The sheet music for STREETS OF SHANGHAI is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and pertinent musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical journey.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of STREETS OF SHANGHAI can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in experiencing the performance firsthand, an original 2009 YouTube video of Robert performing STREETS OF SHANGHAI can be found at: http://www.youtube.com/watch?v=6OEb3RWJp_IFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
Cycles of Life Songbook
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
$14.95
Cycles of Life
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95
Shades of Autumn
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Sydney Stevens
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Shades of Autumn
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Sydney Stevens, Water Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.859690 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Sydney Stevens, Water Music...
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Piano Solo - Level 3 - SKU: A0.859690 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Sydney Stevens, Water Music #3875647. Published by Sydney Stevens, Water Music (A0.859690). Contact: sydneystevenspianostudio@gmail.comShades of Autumn: Beautiful, dreamy solo piano by Sydney Stevens(ASCAP).All Rights Reserved.Sounds Like: Helen Jane Long, Laura Sullivan, John Burr, Liz Story, A la Windham Hill, Michele McLaughlin, David NevueFrom Album: Dancers in the Rain Theme: Music portrays the season of autumn moving into the darker season of winter. Mood: Serious, melancholy, dark and mysterious.Musical Traits: Arpeggiated left hand piano and strong melody in right hand. Minor key. Contemporary Classical (tonal with strong themes). New Age acoustics, Romantic, Easy listening. Performance Time: 3:37Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado. In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.
$4.95
Dance of Joy
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Sydney Stevens
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Dance of Joy
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Sydney Stevens, Water Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.859688 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Sydney Stevens, Water Music...
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Piano Solo - Level 3 - SKU: A0.859688 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Sydney Stevens, Water Music #3861863. Published by Sydney Stevens, Water Music (A0.859688). Contact: sydneystevenspianostudio@gmail.comDance of Joy: Lighthearted piano solo by Sydney Stevens (ASCAP). All Rights Reserved.Sounds like: Henry Adam Curtis, Liz Story, John FlukerMood: Lighthearted, tender, playful, sweet, inspired.Musical Traits: Strong melody with left hand accompaniment. Some playful melodic interplay.Performance Time: 2:59Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:https://sydneystevenswatermusic.com/ http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado. In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.
$4.95
Waltz of Life Songbook
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Sydney Stevens
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Waltz of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - SKU: A0.859695 Composed by Sydney Stevens. 20th Century,Concert,New Age,Wedding. Score...
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Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - SKU: A0.859695 Composed by Sydney Stevens. 20th Century,Concert,New Age,Wedding. Score and parts. 83 pages. Sydney Stevens, Water Music #5954063. Published by Sydney Stevens, Water Music (A0.859695). Contact: sydneystevenspianostudio@gmail.comWaltz of Life Songbook: Includes all 14 songs from the album Waltz of Life. Waltz of Life (piano/flute/violin/cello) and Your New Wings (piano/violin/cello) are arranged in full score. These two songs can be purchased on this site as singles, which includes part scores. Piano solos include: Dreams, B.J., A Life, Looking Back, Gatherings, Spring Light, No More Tears, Beginnings, Blind Boy, True Heart, Harvest Moon & Waltz of Life (Reprise).[Note: All of the above songs can be sampled on this site as individual scores.]Composed by Sydney Stevens (ASCAP)Sounds like: Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, David Nevue, Scott Cossu, Peter Kater.From Album: Waltz of Life Mood: Gentle, heartfelt, warm, emotional, comforting, innocent.Musical Traits: New Age Romantic style a la Windham Hill. From intermediate to advanced in level. Appropriate for: Recital, weddings, special music in church.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.
$14.95
Sister on a Swing - piano solo - nostalgic
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Piano seul
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INTERMÉDIAIRE
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Enfant
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Hilary Brooks
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Sister on a Swing - piano solo
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1017891 Composed by Hilary Brooks. Children. Score. 2 pages. Hilary Brooks #6597297. Published by Hilary Brooks (A0.10178...
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Piano Solo - Level 3 - SKU: A0.1017891 Composed by Hilary Brooks. Children. Score. 2 pages. Hilary Brooks #6597297. Published by Hilary Brooks (A0.1017891). A piano solo, light hearted, nostalgic. Written to underscore the play Memory of Water.
$4.00
Hospital Confusion: piano solo, atmospheric underscore
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hilary Brooks
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Hospital Confusion: piano solo
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1017890 Composed by Hilary Brooks. Contemporary. Score. 2 pages. Hilary Brooks #6597295. Published by Hilary Brooks (A0.1...
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Piano Solo - Level 4 - SKU: A0.1017890 Composed by Hilary Brooks. Contemporary. Score. 2 pages. Hilary Brooks #6597295. Published by Hilary Brooks (A0.1017890). A piano solo, atmospheric. Written to underscore the play Memory of Water. .
$2.25
Shock and Recovery - piano solo, atmospheric
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Piano seul
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AVANCÉ
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Contemporain
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Hilary Brooks
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Shock and Recovery - piano sol
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1017892 Composed by Hilary Brooks. Contemporary. Score. 2 pages. Hilary Brooks #6597299. Published by Hilary Brooks (A0.1...
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Piano Solo - Level 5 - SKU: A0.1017892 Composed by Hilary Brooks. Contemporary. Score. 2 pages. Hilary Brooks #6597299. Published by Hilary Brooks (A0.1017892). A piano solo , atmospheric. Written to underscore the play Memory of Water.
$4.00
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
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Panagiotis Theodossiou
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Two Rivers for mezzo-soprano,
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contempo...
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Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3213757. Published by Panagiotis Theodossiou (A0.886683). Two Rivers (from Lethe to Mnemosyne) for mezzo soprano, flute, clarinet, violin, cello and piano (2008)I. Lethe, the Water of Obliviona. The Guardiansb. Night Procession and LamentII. Mnemosyne, the Water of Remembrancea. Invocationb. IncantationThe work is written between September and December 2008 for mezzo soprano Angelica Cathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin. It is based on an excerpt of an ancient greek funerary inscription of 4th century B.C. found at the Trofonius Oracle in Petilia, South Italy.Γης παις ειμί και ουÏανοÏ, αστεÏόεντος. Î‘Ï…Ï„Î¬Ï ÎµÎ¼Î¿Î¯ γÎνος ουÏάνιον, τόδε ίστε και αυτοί. Δίψηι δ’ειμί αÏη και απόλλυμαι, αλλά δότ’ αίψα ψυχÏόν ÏÎ´Ï‰Ï Ï€ÏοÏÏÎον της ΜνημοσÏνης από λίμνης.(I am a child of earth and starry sky. My origin is celestial, and you know it very well. I am burning thurst and I loose myself. But give me soon cool water, springs from Lake Mnemosyne.)The text, which is being set at the 2nd part of the work, is an invocation of the soul descending to Hades to the guardians of lake Mnemosyne, to allow keeping its memory alive to the next life. Privilege, under tradition, of the initiate souls, counter to that of lake Lethe which led them to eternal oblivion.The two parts of the composition are the equivalent to the watery - metaphysical element of the two lakes - rivers running across Hades. The work is dedicated to the memory of composer's father Ioannis Theodossiou (1917 - 2008) and has been performed by Angelica Kathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin at Ph. Nakas Concert Hall, Athens, in 2009.
$25.00
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
"Periscopes" - For Piano [Full Cycle]
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Piano seul
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AVANCÉ
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Lior Navok Music
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"Periscopes" - For P
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Lior Navok Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.975987 Composed by Lior Navok Music. 20th Century,Contemporary,World. Score. 41 pages. Lior Navok Music #4643243. Publish...
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Piano Solo - Level 5 - SKU: A0.975987 Composed by Lior Navok Music. 20th Century,Contemporary,World. Score. 41 pages. Lior Navok Music #4643243. Published by Lior Navok Music (A0.975987). PERISCOPES - Twelve Miniatures for solo piano (2009)Total Duration: 30 MinutesThe composer writes about his work:Somewhere in the middle of an imaginary ocean, a friendly submarine sends its periscope up to the surface in a mission of discovery. What awaits there above the water? What is to be seen? With Periscopes I have portrayed twelve different miniatures; each sending the listener into a different sonorous world. Periscopes was generously commissioned in memory of Adele and John GrayMovements: 1. Voyage 2. Howdy! 3. The Maiden and her Soldier…4. Suspicious Fluids5. A Dusky Fall6. The Wondrous Park Carousel7. Towards the Unknown8. Awakening9. The Garden behind the Gate 10. Cotton Candy Man11. Before Farewell12. Night RideINFO
$22.00
Morning On The Charles
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Aaron M Logan
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Morning On The Charles
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Aaron M Logan Music Company
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1374934 Composed by Aaron M Logan. 20th Century,21st Century,Classical,Contemporary,New Age. Score. 8 pages. Aaron M Loga...
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Piano Solo - Level 4 - SKU: A0.1374934 Composed by Aaron M Logan. 20th Century,21st Century,Classical,Contemporary,New Age. Score. 8 pages. Aaron M Logan Music Company #959505. Published by Aaron M Logan Music Company (A0.1374934). Morning On The Charles is a sketch from my memory of mornings by the Charles River in Boston, MA. The sun reflected off the still water, gently broken by sailboats and rowing teamsgusts of wind on my face. Quiet movement. Everything is connected. Duration: Approx. 2:45.
$4.00
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