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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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CLASSIQUE - BAROQUE …
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COUNTRY
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SheetMusicPlus
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expert
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Non classifié
1401
PIANO & CLAVIERS
Piano seul
317
Instruments en Do
298
Piano, Voix
261
Piano, Voix et Guitare
226
Piano Facile
171
Accompagnement Piano
91
Orgue
11
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
8
2 Pianos, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
2 Pianos, 8 mains
1
Clavier
1
Orgue, Piano (duo)
1
Piano grosses notes
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
52
Ukulele
31
Guitare
29
Guitare notes et tablatures
16
Basse electrique
6
Paroles et Accords
4
2 Ukuleles
2
2 Guitares (duo)
2
Banjo
2
Mandoline
2
Ensemble de guitares
1
Piano, Guitare (duo)
1
Dulcimer
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
219
Chorale 3 parties
98
Chorale 2 parties
75
Chorale SSAA
72
Chorale TTBB
65
Chorale Unison
62
Voix duo, Piano
17
Voix Tenor, Piano
15
Voix duo
7
Voix Alto, Piano
5
Voix Soprano, Piano
5
Voix Baryton, Piano
4
Voix moyenne, Piano
3
Voix basse
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Chorale SSATTB
1
Chorale
1
Voix, Guitare
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
130
Saxophone, Clarinette (duo)
82
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quintette de Saxophone: 5 saxophones
67
Saxophone Alto et Piano
52
Clarinette, Violon (duo)
50
Hautbois, Piano (duo)
49
Saxophone (partie séparée)
47
Clarinette, Trompette (duo)
44
Flûte traversière et Piano
44
Flûte traversière
42
Flûte, Hautbois, Clarinette, Basson
40
2 Flûtes traversières (duo)
35
Flûte, Clarinette (duo)
33
Saxophone Alto
32
2 Clarinettes (duo)
32
Clarinette
31
Hautbois, Basson (duo)
30
Clarinette et Alto
30
Hautbois, Clarinette (duo)
29
Hautbois, Flûte
29
Clarinette et Piano
27
Flûte, Violon
27
Flûte, Saxophone (duo)
27
Hautbois (partie séparée)
24
Saxophone Tenor et Piano
22
Quatuor de Saxophones: 4 saxophones
20
Flûte, Trompette (duo)
20
Flûte à bec Soprano
19
2 Hautbois (duo)
18
Flûte, Alto (duo)
16
Ensemble de Clarinettes
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Soprano et Piano
12
Clarinette, Guitare (duo)
11
Cor Anglais
11
Saxophone Baryton, Piano
10
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
9
Ensemble de saxophones
8
Flûte à Bec
8
2 Flûte à bec (duo)
8
Flûte et Guitare
7
Flûte à bec Tenor
5
Ensemble de Flûtes
4
Flûte irlandaise
4
Flûte à bec Alto
4
Clarinette, Violoncelle (duo)
3
Clarinette Basse, Piano
3
Saxophone et Guitare
3
3 Saxophones (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Trombone (duo)
2
Cor anglais, Piano
2
Hautbois, Guitare (duo)
2
3 Clarinettes (trio)
2
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
Cor anglais, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois et alto (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Basson (duo)
1
Saxophone
1
5 Flûtes à bec
1
Harmonica
1
Ensemble à vent
1
Flûte, Clarinette et Basson
1
Hautbois
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Instrumentations suivantes
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CUIVRES
Trompette, Saxophone (duo)
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor et Piano
32
Trompette, Trombone (duo)
30
Trompette
26
Trombone
24
Trombone et Piano
22
Tuba et Piano
20
2 Trombones (duo)
16
Quatuor de cuivres: 4 trombones
16
Cor
16
Quatuor de Cuivres
14
Tuba
14
Cor Anglais
11
2 Trompettes (duo)
10
Ensemble de Trombones
8
Trompette (partie séparée)
8
Euphonium, Piano (duo)
8
2 Tubas (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium
6
Ensemble de Trompettes
5
Trio de Cuivres
4
Trompette, Cor (duo)
3
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor, Tuba (duo)
1
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trompette, violon (duo)
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Trombone, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
82
Violon, Violoncelle (duo)
79
Violon
48
Trio à Cordes: 2 violons, violoncelle
48
Violoncelle, Piano
47
Alto, Piano
38
Violon, Alto (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Violoncelle (partie séparée)
26
Alto seul
25
2 Violoncelles (duo)
25
2 Violons (duo)
24
2 Altos (duo)
14
Trio à Cordes: violon, alto, violoncelle
14
Harpe
9
Contrebasse, Piano (duo)
9
Alto (partie séparée)
8
Contre Basse
8
Violoncelle
7
Ensemble de Violons
7
Violoncelle , Guitare (duo)
6
Ensemble d'Altos
5
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, alto
3
Violon, Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
1
Violoncelle, Basse continue
1
4 Contrebasses
1
2 Harpes (duo)
1
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
Violon, Tuba (duo)
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
4 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Ensemble Jazz
75
Orchestre à Cordes
46
Orchestre
45
Ensemble de cuivres
24
Orchestre de chambre
13
Jazz combo
12
Ensemble de Percussions
4
Fanfare
3
Cloches
3
Batterie
2
Marimba
2
Instrumentation Flexible
1
Xylophone, Piano
1
Percussion
1
Instrumentations suivantes
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AUTRES
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Men of Song, Sing Out!
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6701
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.7 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Men of Song, Sing Out!
Chorale 3 parties
TBB choir and Piano - Digital Download SKU: LX.15-3736H Arranged by Douglas E. Wagn…
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TBB choir and Piano - Digital Download SKU: LX.15-3736H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3736H. Published by Heritage Music Press (LX.15-3736H). ISBN 9780787768287.Doug Wagner's arrangement of a staple of men's a cappella choral repertoire boasts a fresh, updated set of lyrics, along with a supportive piano accompaniment designed to instill confidence in performance. Voice leading is carefully thought out, with a few measures of easy tenor divisi. The piece features two verses with the same vocal parts and a thrilling coda sure to send voices soaring at the end. There's no sound on earth like that of a men's ensemble, and this title is sure to capture that excitement.
$2.40
2.22 €
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Chorale 3 parties
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Douglas E
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Men of Song, Sing Out!
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Heritage Music Press
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SheetMusicPlus
Baby It's Cold Outside
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1117449 Composed by George G Iii …
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C Instrument - Level 4 - Digital Download SKU: A0.1117449 Composed by George G Iii Teren and Walter Afanasieff. Arranged by John Fries. 20th Century,Broadway,Comedy,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #718996. Published by John Fries (A0.1117449). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Baby, It's Cold Outside is a popular song written by Frank Loesser in 1944 and popularized in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote Baby, It's Cold Outside to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Garland has written that after the first performance, We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles.
$3.99
3.69 €
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Instruments en Do
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George G Iii Teren and Walter Afanasieff
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John Fries
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Baby It's Cold Outside
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John Fries
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SheetMusicPlus
Baby, It's Cold Outside
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1110790 By Dean Martin & Martina …
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C Instrument - Level 4 - Digital Download SKU: A0.1110790 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #713086. Published by John Fries (A0.1110790). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Baby, It's Cold Outside is a popular song written by Frank Loesser in 1944 and popularized in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote Baby, It's Cold Outside to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Garland has written that after the first performance, We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles.
$3.99
3.69 €
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Instruments en Do
#
Dean Martin & Martina Mcbride
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John Fries
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Baby, It's Cold Outside
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John Fries
#
SheetMusicPlus
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale SATB
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Dandelion Music Press
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SheetMusicPlus
I Write The Songs
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1034385 By Barry Manilow. By Bruc…
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C Instrument - Level 4 - Digital Download SKU: A0.1034385 By Barry Manilow. By Bruce Johnston. Arranged by arr. by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639734. Published by John Fries (A0.1034385). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Johnston has stated that, for him, the I in the song is God. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.
$3.99
3.69 €
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Instruments en Do
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Barry Manilow
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arr
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I Write The Songs
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John Fries
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SheetMusicPlus
I Write The Songs
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1205933 By Barry Manilow. By Bruc…
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C Instrument - Level 4 - Digital Download SKU: A0.1205933 By Barry Manilow. By Bruce Johnston. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #804125. Published by John Fries (A0.1205933). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Johnston has stated that, for him, the I in the song is God. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.
$3.99
3.69 €
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Instruments en Do
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Barry Manilow
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John Fries
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I Write The Songs
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John Fries
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SheetMusicPlus
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.7 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Cowboy Songs of the American Southwest [TTBB]
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditi…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
3.88 €
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Chorale TTBB
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American Southwest [TTBB]
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Dandelion Music Press
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SheetMusicPlus
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.7 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale SATB
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Dandelion Music Press
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
5.78 €
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Chorale SATB
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Something About The Way You Look Tonight
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.525234 By Elton John. By Bernie T…
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C Instrument - Level 4 - Digital Download SKU: A0.525234 By Elton John. By Bernie Taupin and Elton John. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #135770. Published by John Fries (A0.525234). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Five days after the song's solo release, it was issued as a double A-side single with Candle in the Wind 1997. That single and its video were dedicated to the memory of Diana, Princess of Wales, who died that year, with proceeds from the sale of the single going towards Diana's charities. According to the Recording Industry Association of America, with certified sales, this double A-side is the best-selling single of all time. The Guinness World Records 2009 states that the song is the biggest-selling single since UK and US singles charts began in the 1950s, having accumulated worldwide sales of 33 million copies. Billboard magazine said the song is a grandly executed ballad that washes John's larger-than-life performance in cinematic strings and whooping, choir-styled backing vocals. An instant fave for die-hards, this single will bring kids at top 40 to the table after a few spins..
$3.99
3.69 €
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Instruments en Do
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Elton John
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John Fries
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Something About The Way You Look Tonight
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John Fries
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SheetMusicPlus
"Count Your Blessings" for 8-note C major diatonic scale Tongue Drum
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.5699…
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.569904 By Sharon Wilson. By Edwin O. Excell. Arranged by Sharon Wilson Music. Christian,Folk,Holiday,Praise & Worship,Sacred. Individual part. 12 pages. Sharon Wilson #6685583. Published by Sharon Wilson (A0.569904). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.69 €
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Sharon Wilson
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Sharon Wilson Music
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"Count Your Blessings" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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SheetMusicPlus
Baby It's Cold Outside
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1161997 Composed by Jan Keizer an…
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C Instrument - Level 4 - Digital Download SKU: A0.1161997 Composed by Jan Keizer and Louis Keizer. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Lead Sheet / Fake Book. 4 pages. John Fries #762371. Published by John Fries (A0.1161997). TYPE IN JOHN FRIES TO SEE ALL I HAVE TO OFFER! Baby, It's Cold Outside is a popular song written by Frank Loesser in 1944 and popularized in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. During the 1940s, whenever Hollywood celebrities with vocal talents attended parties, they were expected to perform songs. In 1944, Loesser wrote Baby, It's Cold Outside to sing with his wife, Lynn Garland, at their housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. Garland has written that after the first performance, We became instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles.
$3.99
3.69 €
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Instruments en Do
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Jan Keizer and Louis Keizer
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John Fries
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Baby It's Cold Outside
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John Fries
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SheetMusicPlus
"Come, Thou Fount of Every Blessing" for 8-note C major diatonic scale Tongue Drum
Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.5699…
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Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569903 By Sharon Wilson. By Robert Robinson. Arranged by Sharon Wilson. Children,Folk,Holiday,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685581. Published by Sharon Wilson (A0.569903). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.69 €
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Sharon Wilson
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Sharon Wilson
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"Come, Thou Fount of Every Blessing" for 8-note C major diatonic scale Tongue Drum
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Sharon Wilson
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SheetMusicPlus
Sad Piano Music - CrusaderBeach - Beautiful Piano Solo Songbook
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Adrian Webster. 20th Century…
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Piano Solo - Intermediate - Digital Download Composed by Adrian Webster. 20th Century, Spiritual, General Worship, Funeral, Recital. Sheet Music Single. 40 pages. Published by Adrian Webster
Piano solo sheet music songbook featuring original, sad piano music from the popular CrusaderBeach ‘Piano Songs’ albums. This 40-page songbook is a collection of beautiful, emotional, sad piano pieces by CrusaderBeach, all with reflective, melancholy melodies. Appropriate atmospheric music for moments of personal reflection, sadness, worship or special occasions such as remembrance service, contemplative interlude during church ceremony, memorial or funeral service.​<br> <br> Comprising quality sheet music for ten modern piano songs: ‘Falling Star’, ‘Random Acts’, ‘Leaving’, ‘43’, ‘Weaver's Song’, ‘The Girl Who Loved The World’, ‘Ivana’, ‘The Last Dance’, ‘Shine’ and ‘Responsible For You’. All CrusaderBeach solo piano music has been composed by Adrian Webster (PRS CAE/IPI: 702739746).​<br> <br> If you like the contemporary instrumental, new age music of Ludovico Einaudi, Yiruma, Yann Tiersen, Michele McLaughlin, Jon Schmidt of the Piano Guys, George Winston or David Lanz, you'll enjoy playing the beautiful, original piano music of CrusaderBeach.​<br> <br> The song sheets are a popular choice with piano players, music teachers, students and wedding pianists. CrusaderBeach songs are available to download and stream from all major outlets (iTunes, Amazon, Spotify etc.) and are regularly used as background music for short films and wedding ceremonies.​<br> <br> To view videos of this music, check out CrusaderBeach on YouTube: https://youtu.be/6-Lzfkq9-TE​<br> <br> To find out more about CrusaderBeach please visit: http://www.crusaderbeach.com/
$17.00
15.72 €
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Piano seul
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Adrian Webster
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Sad Piano Music - CrusaderBeach - Beautiful Piano Solo Songbook
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Adrian Webster
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SheetMusicPlus
Singing In The Rain
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.998224 Composed by Lennie Hayton.…
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C Instrument - Level 4 - Digital Download SKU: A0.998224 Composed by Lennie Hayton. Arranged by John Fries. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #603878. Published by John Fries (A0.998224). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. The musical film of the same name, Singin' in the Rain (1952), was suggested by the song. The performance by Gene Kelly dancing through puddles in a rainstorm garnered the song the third spot on the American Film Institute ranking of 100 Years...100 Songs. The song was incorporated by Michael Kamen into his score for the 1988 film Die Hard, where it is most closely associated with the character of Theo. Diana Krall included it on her 2020 album This Dream of You.
$3.99
3.69 €
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Instruments en Do
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Lennie Hayton
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John Fries
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Singing In The Rain
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John Fries
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SheetMusicPlus
Polish Children Collection - 20 Songs [LEAD SHEET]
Instruments en Do
C Instrument - Digital Download SKU: A0.1359236 By Polish Children Music and Polish…
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C Instrument - Digital Download SKU: A0.1359236 By Polish Children Music and Polish Songs for Kids. By Polish Children Music and Polish Songs for Kids. Arranged by Darek. Children,Folk,Multicultural,Traditional,World. Lead Sheet / Fake Book. 29 pages. Darek #943696. Published by Darek (A0.1359236). Polish Children Sheet Music Collection - 20 Songs [LEAD SHEET]A Collection of 20 Sheet Music for Polish Children Songs for Various Instruments. Each song has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of 20 Sheet Music for various instruments such as Piano, Grand Piano, Keyboard, Flute, Violin, Saxophone, Glockenspiel or even accordion or Bells! Sheet Music in the form of Melody with Chords is perfect for those who want to accompany singing or create their own arrangements.This Sheet Music Collection for Children's Songs is perfect for preschoolers and older children, as well as for adults or parents who want to play for their children, who have already started their adventure with learning to play on instruments. Musical development is an important element of growing up for every young art enthusiast. What better way to love music than by playing it yourself? This Collection of 20 Sheet Music for Children also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier to beginners to learn how to play the piano and keyboard and for more advanced musicians, they will remind and consolidate the basics of knowledge.Included: Lyrics and Chords.Song list: Były sobie kurki trzy (eng. Twinkle, Twinkle, Little Star) Czarny baranie Happy Birthday to You Hu hu ha Nasza zima zła Jadą jadą misie Jedzie pociąg z daleka Kółko graniaste Krakowiaczek jeden La Cucaracha Mało nas do pieczenia chleba Mam chusteczkę haftowaną Mary Had a Little Lamb Miała baba koguta Ojciec Wirgiliusz Panie Janie (eng. Brother John) Pieski małe dwa Pojedziemy na łów Stary Donald farmę miał (eng. Old MacDonald Had a Farm) Stary niedźwiedź mocno śpi Wlazł kotek na płotek Lead Sheet Arrangement | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel | Grand Piano | Melody with Chords | Polish Children Song | Digital Sheet Music | Children Music | Polish Song for Children | Sheet Music Children Collection | Various Children Polish Songs| Polish Songs for Kids | Polskie Piosenki dla Dzieci | Polskie Piosenki Dziecięce.
$10.00
9.24 €
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Instruments en Do
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Polish Children Music and Polish Songs for Kids
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Darek
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Polish Children Collection - 20 Songs [LEAD SHEET]
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Darek
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SheetMusicPlus
As We Leave (Choral Amen)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921767 Composed by Li…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921767 Composed by Lisa Waites. Christian,Christmas,Easter,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6626013. Published by Servant Song Music and Ministry (A0.921767). I wrote As We Leave because I wanted my congregation to be able to sing an upbeat, justice-focused benedictory Amen with contemporary-sounding music and active lyrics that speak of God being with us out in the world, fuelling us for the work of loving people and restoring our beautiful, broken communities that God so loves. I don't know about your denomination or local church practices, but the section for Choral Amens in the hymnal I use is very limited. So, I composed five different versions of the lyrics, so that you can use this Amen throughout the whole year. The alternative lyrics begin with Advent, then provide words to sing together on Christmas Eve. Next, you can use the Epiphany lyrics throughout that season, and then return to the main lyric for Lent, switching to alternative lyrics for Holy Week, and then finally returning to the main lyric for Ordinary Time. If you are worshipping in a non-liturgical church, that's okay, too - use the standard lyrics all year, or switch things up by using one of the alternative lyrics whenever your Pastor is preaching on the themes mentioned in those verses! For $4.59 US, you are getting five different versions of the piece, and you'll be able to use As We Leave all year long, if you so choose. This is a great value for an Amen you can sing together Sunday after Sunday. The music is set in F Major and the accompaniment is simple enough for beginners and early intermediate accompanists. I've added guitar chords to the score as well as the piano accompaniment, for those who play by chord symbol. A YouTube video with embedded lyrics will also be added soon - so that congregations who are meeting digitally during the pandemic will have something to listen to and to watch as they sing along from home.
$4.59
4.24 €
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Piano, Voix et Guitare
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Lisa Waites
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As We Leave
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Servant Song Music and Ministry
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SheetMusicPlus
Crossing the River
Marimba
Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Ch…
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Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. Published by Michael M. Chang (A0.1310693). Crossing the River is written for an intermediate to advanced player using four mallets on a 4.3 marimba with optional 5-octave notes indicated in parentheses ( ). The song's meaning can be found in our everyday lives - how things can become mundane and sometimes events beyond our control can overwhelm us. During those times, our thoughts may drift back to our youth and to the simple things that brought us joy. Remembering these may bring a moment of contentment, but making those moments a part of our lives again can lead to a lifetime of happiness.The music begins in the key of E Major, with playful, lyrical phrases before modulating to a section in F# Major, which consists of a light, airy right-hand melody accompanied by a syncopated left-hand ostinato. The flow pauses for a moment of introspection, before a similar syncopated section returns, but this time in the key of A# minor. This builds to a beautiful chorale section as the river is crossed, before closing with a variation on the opening theme in C# Major. Singable and pleasing to the ear, the piece's melodies may help improve dexterity, particularly in the player's right hand.
$9.99
9.24 €
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Marimba
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Michael M
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Crossing the River
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Michael M. Chang
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SheetMusicPlus
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