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Georg's Cello Method, Volume 3 - Shifting Positions 1/2 to 4th
Violoncelle
Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens,…
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Cello, String Duet - Early Intermediate - Digital Download Composed by Georg Mertens, Anonymous, Jaques Offenbach, J.S. Bach, L. Boccherini, B. Fomin, P.I. Tchaikovsky, M. Carcassi, a. Kummer. Arranged by Georg Mertens. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. Set of Parts, Solo Part. 60 pages. Published by Georg Mertens
As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together.<br> The music selection is the best I could find for each level progressing in well prepared steps, enjoyable to play.<br> Exercises are compact and to the point, only used when needed.<br> Volume 3 contains No 64-100 on 60 pages - Learning to shift from Half position over first, second, third to 4th position. All pieces are written in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Offenbach, Bach, Carcassi, Tchaikovsky, Moore, , Boccerini, Boris Fomin and Kummer.<br> To each number are video cello lessons published on Patreon. The links click through when viewed on phone, tablet or computer.<br> There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEdAs a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together.<br> The music selection is the best I could find for each level progressing in well prepared steps, enjoyable to play.<br> Exercises are compact and to the point, only used when needed.<br> Volume 3 contains No 64-100 on 60 pages - Learning to shift from Half position over first, second, third to 4th position. All pieces are written in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Offenbach, Bach, Carcassi, Tchaikovsky, Moore, , Boccerini, Boris Fomin and Kummer.<br> To each number are video cello lessons published on Patreon. The links click through when viewed on phone, tablet or computer.<br> There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd
$14.99
13.65 €
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Violoncelle
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Georg Mertens, Anonymous, Jaques Offenbach, J
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Georg's Cello Method, Volume 3 - Shifting Positions 1/2 to 4th
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Georg Mertens
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SheetMusicPlus
Clarinet Method
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download This edition: Sheet music. …
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Clarinet in Bb - easy to intermediate - Digital Download This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Baermann - Klarinettenschule. Downloadable. Op. 63, Op. 1: No. 1-33. Schott Music - Digital #Q54258. Published by Schott Music - Digita
The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.<br> The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:<br> <br> Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method<br> Due to trilingual nature of all editions (German, English, French), they can be used universally.The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.<br> The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:<br> <br> Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method<br> Due to trilingual nature of all editions (German, English, French), they can be used universally.
$15.99
14.56 €
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Clarinette
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Clarinet Method
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Schott Music - Digita
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SheetMusicPlus
Clarinet Method
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download This edition: Sheet music. …
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Clarinet in Bb - easy to intermediate - Digital Download This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Baermann - Klarinettenschule. Downloadable. Op. 63, Op. 2: No. 34-52. Schott Music - Digital #Q54303. Published by Schott Music - Digital
The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.<br> The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:<br> <br> Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method<br> Due to trilingual nature of all editions (German, English, French), they can be used universally.The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.<br> The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:<br> <br> Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method<br> Due to trilingual nature of all editions (German, English, French), they can be used universally.
$15.99
14.56 €
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Clarinette
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Clarinet Method
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Schott Music - Digital
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SheetMusicPlus
The Modern Jazz Trumpet Method
Trompette
Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Jazz, Latin Jazz, Funk Jazz, Method, Etudes and Exercises. 102 pages. Published by Faded Duck Music
A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.
$19.95
18.17 €
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Trompette
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Eric Bolvin
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The Modern Jazz Trumpet Method
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Faded Duck Music
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SheetMusicPlus
The Classical Piano Method
Piano Facile
Piano - easy - Digital Download Repertoire Collection 1. This edition: Sheet music. T…
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Piano - easy - Digital Download Repertoire Collection 1. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q25481. Published by Schott Music - Digital
Drill & Excel On the Piano Book 3 is a 145-page book for the early intermediate student. This includes everything a student will need for their lesson and learning the skill and concepts of playing the piano. It starts with 2 assignment pages for the week’s assignments. Followed by note pages for the student or the instructor to make. The first chapter starts with a recap for books 1 and 2, so no important foundational steps are missed if the intermediate student starts with this book. Then starting with chapter 2, Drill & Excel On the Piano Book 3 introduces new rhythms, the 16th notes and rests, and triplets. The exercises get more challenging for the intermediate student, with lots of special exercises for skills needed. Special exercises include dynamic training, finger independence, finger pedaling, and more. For the scales, playing them in multiple octaves are introduced, along with the 2 new scales, A and F. What’s new in Drill & Excel On the Piano book 3 is TONS of new theory! Diatonic intervals were introduced in the 3rd chapter of book 2, so chromatic (altered) intervals are introduced in the 2nd chapter, along with triads and triad numbers in the 3rd chapter. It doesn’t stop there; it also includes plenty of assignment worksheets, so the student has a repetitive written assignment for deeper learning! And the best part, 60 original songs beautifully written to teach what is taught in each chapter. Songs are melodic and fun to play, introducing a new style of music with each song. The author gives commentary for each song. Most method books merely offer songs with little information, but the “Drill & Excel On the Piano” book series offers not only plenty of songs, but everything the student needs for all concepts, information, and skill needed to take the early intermediate student to the next level.Drill & Excel On the Piano Book 3 is a 145-page book for the early intermediate student. This includes everything a student will need for their lesson and learning the skill and concepts of playing the piano. It starts with 2 assignment pages for the week’s assignments. Followed by note pages for the student or the instructor to make. The first chapter starts with a recap for books 1 and 2, so no important foundational steps are missed if the intermediate student starts with this book. Then starting with chapter 2, Drill & Excel On the Piano Book 3 introduces new rhythms, the 16th notes and rests, and triplets. The exercises get more challenging for the intermediate student, with lots of special exercises for skills needed. Special exercises include dynamic training, finger independence, finger pedaling, and more. For the scales, playing them in multiple octaves are introduced, along with the 2 new scales, A and F. What’s new in Drill & Excel On the Piano book 3 is TONS of new theory! Diatonic intervals were introduced in the 3rd chapter of book 2, so chromatic (altered) intervals are introduced in the 2nd chapter, along with triads and triad numbers in the 3rd chapter. It doesn’t stop there; it also includes plenty of assignment worksheets, so the student has a repetitive written assignment for deeper learning! And the best part, 60 original songs beautifully written to teach what is taught in each chapter. Songs are melodic and fun to play, introducing a new style of music with each song. The author gives commentary for each song. Most method books merely offer songs with little information, but the “Drill & Excel On the Piano” book series offers not only plenty of songs, but everything the student needs for all concepts, information, and skill needed to take the early intermediate student to the next level.
$10.99
10.01 €
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Piano Facile
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
Fourth Position Study Method for the Cello
Violoncelle
Cello - Early Intermediate - Digital Download Composed by Cassia Harvey. Method, Etud…
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Cello - Early Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. Individual Part. 76 pages. Published by Cassia Harvey
Are you tired of first position and ready to start playing at an intermediate level? Are you ready to learn and play new notes on the cello and perfect your shifting technique? Fourth Position Study Method for the Cello can help!<br> <br> This book is a method for learning fourth position on the cello. Using short exercises and related pieces, skills such as shifting to fourth position, playing in extended fourth position, and more are taught. Pictures are included to show where the notes are on the cello. Tips for maintaining good form are included, as well as a section on how to get good tone in fourth position.Are you tired of first position and ready to start playing at an intermediate level? Are you ready to learn and play new notes on the cello and perfect your shifting technique? Fourth Position Study Method for the Cello can help!<br> <br> This book is a method for learning fourth position on the cello. Using short exercises and related pieces, skills such as shifting to fourth position, playing in extended fourth position, and more are taught. Pictures are included to show where the notes are on the cello. Tips for maintaining good form are included, as well as a section on how to get good tone in fourth position.
$12.95
11.79 €
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Violoncelle
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Cassia Harvey
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Fourth Position Study Method for the Cello
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Cassia Harvey
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SheetMusicPlus
The Classical Piano Method
Piano seul
Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadabl…
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Finger Fitness 3. This edition: Sheet music. The Classical Piano Method. Downloadable. Schott Music - Digital #Q42533. Published by Schott Music - Digital
English.<br> <br> Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break. This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality. The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops.English.<br> <br> Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break. This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality. The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops.
$10.99
10.01 €
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Piano seul
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The Classical Piano Method
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Schott Music - Digital
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SheetMusicPlus
Rubank Advanced Method - Saxophone Vol.1
Saxophone
Saxophone SKU: HL.4470370 Concert Band Method. Rubank Advanced Method. Instructiona…
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Saxophone SKU: HL.4470370 Concert Band Method. Rubank Advanced Method. Instructional. Instructional book. With introductory text, instructional text, performance notes and illustrations. 72 pages. Rubank Publications #RUBL93. Published by Rubank Publications (HL.4470370). ISBN 9781423444329. UPC: 073999703702. 9x12 inches.An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a a complete pedagogy: â?¢ Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course â?¢ Melodic Interpretation Including 20 contest level duets in each book â?¢ Solo Preparation Six contest level solos included â?¢ Articulation Studies Specialized for each instrument â?¢ Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) â?¢ Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods â?? join the tradition!
$9.99
9.1 €
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Saxophone
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Rubank Advanced Method - Saxophone Vol.1
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Rubank Publications
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SheetMusicPlus
Ernest Clarke - Updated Method for Trombone with F-attachment
Trombone
Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernes…
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Trombone Solo - Level 2 - Digital Download SKU: A0.810917 Composed by CLARKE, Ernest & Biddlecome, and James. Arranged by Biddlecome, James. Instructional. Individual part. 108 pages. Gordon Cherry #3820409. Published by Gordon Cherry (A0.810917). The Ernest Clarke Updated Method for Trombone is the result of James Biddlecome’s study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarke’s exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original.Mr. Biddlecome’s edition is very well thought out and should be a staple for any serious young performer of the Trombone.
$20.00
18.21 €
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Trombone
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CLARKE, Ernest & Biddlecome, and James
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Biddlecome, James
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Ernest Clarke - Updated Method for Trombone with F-attachment
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Gordon Cherry
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SheetMusicPlus
Modern Guitar Method, Chords In Position
Guitare
Guitar (all) - Intermediate - Digital Download SKU: M0.21792EB Composed by William …
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Guitar (all) - Intermediate - Digital Download SKU: M0.21792EB Composed by William Bay. Modern Guitar Method. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21792EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21792EB). ISBN 9781609746841. 8.75x11.75 inches.This Modern Guitar Supplement segments the guitar fretboard into five zones/positions. Basic chord progressions are presented in each zone. The material in this book is applicable to all styles of contemporary music.
$17.99
16.38 €
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Guitare
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William Bay
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Modern Guitar Method, Chords In Position
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
When to use Left E flat? Oboe Method Book
2 Hautbois (duo)
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.899652 Composed by Jessica Wilk…
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.899652 Composed by Jessica Wilkins. Instructional. Score. 12 pages. JDW Sheet Music #4833195. Published by JDW Sheet Music (A0.899652). Author: Jessica WilkinsInstrumentation: oboe duetLevel: Intermediatetags: oboe method book, oboe music
$8.00
7.28 €
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2 Hautbois (duo)
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Jessica Wilkins
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When to use Left E flat? Oboe Method Book
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JDW Sheet Music
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SheetMusicPlus
Modern Fiddle Method, Grade 2
Violon
Fiddle - Intermediate - Digital Download Composed by Mary Ann Harbar Willis. Modern M…
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Fiddle - Intermediate - Digital Download Composed by Mary Ann Harbar Willis. Modern Method. Bluegrass & Country. E-book and online audio. 104 pages. Mel Bay Publications - Digital Sheet Music #21773BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116092. 8.5 X 11 inches.<br> <br> A very comprehensive book study into the pan flute. This book, made in cooperation with the Dutch Ministry of Culture, covers such topics as the history of the pan flute, today's pan flute, posture and embouchure, breathing, extending and improving tone quality, intervals, the technique of chromatics, staccato, legato, vibrato, diatonic scales, adjacent and nearby keys, arpeggios, difficult keys, technical formulas, ornaments, chromatic scales and exercises, special effects, phrasing and difficult technical exercises. This is an essential book for the pan flutist.ISBN 9781619116092. 8.5 X 11 inches.<br> <br> A very comprehensive book study into the pan flute. This book, made in cooperation with the Dutch Ministry of Culture, covers such topics as the history of the pan flute, today's pan flute, posture and embouchure, breathing, extending and improving tone quality, intervals, the technique of chromatics, staccato, legato, vibrato, diatonic scales, adjacent and nearby keys, arpeggios, difficult keys, technical formulas, ornaments, chromatic scales and exercises, special effects, phrasing and difficult technical exercises. This is an essential book for the pan flutist.
$17.99
16.38 €
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Violon
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Mary Ann Harbar Willis
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Country
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Modern Fiddle Method, Grade 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.726446 Composed by Kenneth Baird. Arranged by Kenneth Baird Music. Instructional. Individual part. 69 pages. Kenneth Baird Music #6322401. Published by Kenneth Baird Music (A0.726446). Designed to be a companion volume to any standard intermediate band method book (books 2 and 3) or to a book of etudes, Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Player focuses on developing mastery in the keys and instrument range of what an intermediate player is likely to encounter in his or her everyday playing. The keys covered here in detail range from those with three flats to those with three sharps. Keys with more sharps or more flats are only very briefly touched upon. In addition to the usual major, minor and chromatic scales, studies on pentatonic and blues scales are also included. The book also includes interval studies, flexibilities, double and triple tonguing, range building, swing style basics, and a suggested warm-up. Additionally, several pages of technical studies inspired by H. L. Clarke's renowned book are included. Another notable feature is a section on expressive playing, including vocalises, traditional melodies, and melodies from symphonic composers.Book Contents:Key Signatures.
$7.95
7.24 €
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Trompette
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Kenneth Baird
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Kenneth Baird Music
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Scales, Arpeggios, and Beneficial Studies for Intermediate Trumpet Players
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Kenneth Baird Music
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SheetMusicPlus
The Doflein Method - Volume 3
Violon
Violin - intermediate - Digital Download A course of violin instruction combined with…
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Violin - intermediate - Digital Download A course of violin instruction combined with musical theory and practice in duet-playing.. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q45588. Published by Schott Music - Digital
$15.99
14.56 €
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Violon
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The Doflein Method - Volume 3
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Schott Music - Digital
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SheetMusicPlus
Harpsichord Method
Clavecin
Harpsichord or spinet - intermediate - Digital Download Based on 16th to 18th-century…
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Harpsichord or spinet - intermediate - Digital Download Based on 16th to 18th-century sources. This edition: Sheet music. Downloadable. Schott Music - Digital #Q54919. Published by Schott Music - Digital
The edition is part of the ABRSM syllabus (grade 5).The edition is part of the ABRSM syllabus (grade 5).
$24.99
22.76 €
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Clavecin
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Harpsichord Method
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Schott Music - Digital
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SheetMusicPlus
Tomas Cruz Conga Method Volume 2 - Intermediate
Conga
Essential Cuban Conga Rhythms. Composed by Tomas Cruz. Percussion: Hand Percussion a…
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Essential Cuban Conga Rhythms. Composed by Tomas Cruz. Percussion: Hand Percussion and Bodhran. 0. E-book and online video. Mel Bay Publications - Digital Sheet Music #20300MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117426.<br> <br> Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero.Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the big picture of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of clave with an unprecedented level of clarity and insight. Includes access to online video.ISBN 9781619117426.<br> <br> Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero.Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the big picture of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of clave with an unprecedented level of clarity and insight. Includes access to online video.
$19.99
18.2 €
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Conga
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Tomas Cruz
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Tomas Cruz Conga Method Volume 2 - Intermediate
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.43 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.43 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Flat-Picking and Finger-Picking on the Mountain Dulcimer
Dulcimer
Mountain dulcimer - Intermediate - Digital Download Arranged by JM Bolton. Method, …
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Mountain dulcimer - Intermediate - Digital Download Arranged by JM Bolton. Method, General Instructional, Technique Training, World, Folk. Individual Part, Tablature. 70 pages. Published by JM Bolton
FLATPICKING &FINGERPICKING ON THE MOUNTAIN DULCIMER shareswhat JM Bolton has learned not just from playing the mountain dulcimer but alsofrom some fifty-odd years of studying music and playing in small groups andorchestras. She developed this method of teaching flat-picking for herstudents, and the lessons are intended for the beginner as well as intermediateand advanced dulcimer players.FLATPICKING &FINGERPICKING ON THE MOUNTAIN DULCIMER shareswhat JM Bolton has learned not just from playing the mountain dulcimer but alsofrom some fifty-odd years of studying music and playing in small groups andorchestras. She developed this method of teaching flat-picking for herstudents, and the lessons are intended for the beginner as well as intermediateand advanced dulcimer players.
$16.00
14.57 €
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Dulcimer
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JM Bolton
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Flat-Picking and Finger-Picking on the Mountain Dulcimer
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JM Bolton
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.43 €
#
Tuba
#
Eric Bolvin
#
Flex on the Move-Tuba Edition
#
Faded Duck Music
#
SheetMusicPlus
Daily Exercises
Clarinette
Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. …
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Clarinet in Bb - easy to intermediate - Digital Download From the Clarinet Method. This edition: Sheet music. Musikpadagogik, Klarinette, Clarinet. Downloadable. Op. 63. Schott Music - Digital #Q25351. Published by Schott Music - Digital
When the clarinet method was revised and newly published, the Daily Exercises, which were originally a part of the Clarinet Method Op. 63 by Carl Baermann, were published as a separate edition. The essential improvement consists in the arrangement of the individual exercises, which simplifies their use in teaching practice. As with the two volumes of the Clarinet Method, the musical text is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. By adding exercises with fourths, fifths, sevenths and octaves, the Daily Exercises contain everything that is necessary for the thorough technical education of a clarinettist and thus are an independent volume that can be used either as a supplement to the Baermann method or totally independently of it.<br> <br> Thanks to the revision by Robert Erdt, the result is a textbook that is oriented towards the original as regards content and, at the same time, has been adjusted to the current times with regard to language, education and instrumental technique so that this clarinet method by Carl Baermann can maintain its position in modern clarinet lessons as important educational literature for the classical clarinet.When the clarinet method was revised and newly published, the Daily Exercises, which were originally a part of the Clarinet Method Op. 63 by Carl Baermann, were published as a separate edition. The essential improvement consists in the arrangement of the individual exercises, which simplifies their use in teaching practice. As with the two volumes of the Clarinet Method, the musical text is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. By adding exercises with fourths, fifths, sevenths and octaves, the Daily Exercises contain everything that is necessary for the thorough technical education of a clarinettist and thus are an independent volume that can be used either as a supplement to the Baermann method or totally independently of it.<br> <br> Thanks to the revision by Robert Erdt, the result is a textbook that is oriented towards the original as regards content and, at the same time, has been adjusted to the current times with regard to language, education and instrumental technique so that this clarinet method by Carl Baermann can maintain its position in modern clarinet lessons as important educational literature for the classical clarinet.
$17.99
16.38 €
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Clarinette
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Daily Exercises
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Schott Music - Digital
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SheetMusicPlus
Drill & Excel On the Piano Book 3
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Kathi Kerr. Method, …
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Piano Solo - Early Intermediate - Digital Download Composed by Kathi Kerr. Method, Repertoire, Classroom, General Instructional, Technique Training. Individual Part. 112 pages. Published by Melody Music Publishers
Drill & Excel On the Piano Book 3 is a 145-page book for the early intermediate student. This includes everything a student will need for their lesson and learning the skill and concepts of playing the piano. It starts with 2 assignment pages for the week’s assignments. Followed by note pages for the student or the instructor to make. The first chapter starts with a recap for books 1 and 2, so no important foundational steps are missed if the intermediate student starts with this book. Then starting with chapter 2, Drill & Excel On the Piano Book 3 introduces new rhythms, the 16th notes and rests, and triplets. The exercises get more challenging for the intermediate student, with lots of special exercises for skills needed. Special exercises include dynamic training, finger independence, finger pedaling, and more. For the scales, playing them in multiple octaves are introduced, along with the 2 new scales, A and F. What’s new in Drill & Excel On the Piano book 3 is TONS of new theory! Diatonic intervals were introduced in the 3rd chapter of book 2, so chromatic (altered) intervals are introduced in the 2nd chapter, along with triads and triad numbers in the 3rd chapter. It doesn’t stop there; it also includes plenty of assignment worksheets, so the student has a repetitive written assignment for deeper learning! And the best part, 60 original songs beautifully written to teach what is taught in each chapter. Songs are melodic and fun to play, introducing a new style of music with each song. The author gives commentary for each song. Most method books merely offer songs with little information, but the “Drill & Excel On the Piano” book series offers not only plenty of songs, but everything the student needs for all concepts, information, and skill needed to take the early intermediate student to the next level.Drill & Excel On the Piano Book 3 is a 145-page book for the early intermediate student. This includes everything a student will need for their lesson and learning the skill and concepts of playing the piano. It starts with 2 assignment pages for the week’s assignments. Followed by note pages for the student or the instructor to make. The first chapter starts with a recap for books 1 and 2, so no important foundational steps are missed if the intermediate student starts with this book. Then starting with chapter 2, Drill & Excel On the Piano Book 3 introduces new rhythms, the 16th notes and rests, and triplets. The exercises get more challenging for the intermediate student, with lots of special exercises for skills needed. Special exercises include dynamic training, finger independence, finger pedaling, and more. For the scales, playing them in multiple octaves are introduced, along with the 2 new scales, A and F. What’s new in Drill & Excel On the Piano book 3 is TONS of new theory! Diatonic intervals were introduced in the 3rd chapter of book 2, so chromatic (altered) intervals are introduced in the 2nd chapter, along with triads and triad numbers in the 3rd chapter. It doesn’t stop there; it also includes plenty of assignment worksheets, so the student has a repetitive written assignment for deeper learning! And the best part, 60 original songs beautifully written to teach what is taught in each chapter. Songs are melodic and fun to play, introducing a new style of music with each song. The author gives commentary for each song. Most method books merely offer songs with little information, but the “Drill & Excel On the Piano” book series offers not only plenty of songs, but everything the student needs for all concepts, information, and skill needed to take the early intermediate student to the next level.
$14.95
13.61 €
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Piano seul
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Kathi Kerr
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Drill & Excel On the Piano Book 3
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Melody Music Publishers
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SheetMusicPlus
The Complete Book of Modes for Guitar Book 1 The Major Scale Modes
Guitare notes et tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by Remo Moretto. Jaz…
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Guitar Tab - Advanced Intermediate - Digital Download Composed by Remo Moretto. Jazz, Blues, Method, General Instructional, Technique Training. Lead Sheet, Set of Parts, Tablature. 109 pages. Published by Remo Moretto
The Complete Book of Modes for Guitar : like no other book this book contains all the modes in every Major key with notation, tabs and fingerings. There are also exercises uniting each mode from the key across the fret-board and the arpeggios for each chord of the modes, the arpeggios are 5 voicing 1-3 -5-7-9. No other method has been written in this way. This is for intermediate advanced players.The Complete Book of Modes for Guitar : like no other book this book contains all the modes in every Major key with notation, tabs and fingerings. There are also exercises uniting each mode from the key across the fret-board and the arpeggios for each chord of the modes, the arpeggios are 5 voicing 1-3 -5-7-9. No other method has been written in this way. This is for intermediate advanced players.
$30.00
27.32 €
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Guitare notes et tablatures
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Remo Moretto
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The Complete Book of Modes for Guitar Book 1 The Major Scale Modes
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Remo Moretto
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SheetMusicPlus
The Clarke Variations-bass clef edition
Bass Clef Instruments
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric…
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Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.43 €
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Bass Clef Instruments
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Eric Bolvin
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The Clarke Variations-bass clef edition
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Faded Duck Music
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SheetMusicPlus
attern Shifting for the Cello
Violoncelle
Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercis…
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Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 65 pages. Published by Cassia Harvey
Ready to improve your shifting? This book gives you exercises in rows and patterns that take you through the cello positions.<br> <br> The first part of the book gives you exercises in first through fourth position while the second part of the book works on first through eighth position.<br> <br> All of the exercises are in C major so that you can thoroughly learn the spaces on all four strings in this basic key.<br> <br> After you have studied the first few cello positions, this book is a great way to tie them all together and solidify your knowledge of the fingerboard.<br> <br> This cello study book is a counterpart to Serial Shifting for the Cello, giving you an all-new set of shifting in rows and patterns that will help you improve!<br> <br> Who this book can help: Intermediate cellists who want a structured approach to positions.<br> <br> How to use this book: Play one or more exercises after finger exercises and scales but before etudes and repertoire. <br> <br> by Cassia Harvey<br> <br> Level: Early-Intermediate and Late-IntermediateReady to improve your shifting? This book gives you exercises in rows and patterns that take you through the cello positions.<br> <br> The first part of the book gives you exercises in first through fourth position while the second part of the book works on first through eighth position.<br> <br> All of the exercises are in C major so that you can thoroughly learn the spaces on all four strings in this basic key.<br> <br> After you have studied the first few cello positions, this book is a great way to tie them all together and solidify your knowledge of the fingerboard.<br> <br> This cello study book is a counterpart to Serial Shifting for the Cello, giving you an all-new set of shifting in rows and patterns that will help you improve!<br> <br> Who this book can help: Intermediate cellists who want a structured approach to positions.<br> <br> How to use this book: Play one or more exercises after finger exercises and scales but before etudes and repertoire. <br> <br> by Cassia Harvey<br> <br> Level: Early-Intermediate and Late-Intermediate
$8.95
8.15 €
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Violoncelle
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Cassia Harvey
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attern Shifting for the Cello
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SheetMusicPlus
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