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TRI ET FILTRES
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Vous avez sélectionné:
Mia Martini
Partitions à imprimer
7 partitions trouvées
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Gli Uomini non Cambiano (SSATB + Piano)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancar…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani. Arranged by Marco Borsoi. Pop. Octavo. 27 pages. Marco Borsoi #6167397. Published by Marco Borsoi (A0.904857). Gli uomini non cambiano è una canzone scritta da Giancarlo Bigazzi, Marco Falagiani e Giuseppe Beppe Dati. Fu presentata dalla stupenda voce di Mia Martini al 42o Festival di Sanremo, dove si piazzò al secondo posto nella classifica finale.Il brano racconta le delusioni di una donna nei rapporti con le figure maschili; a partire dal padre che, nonostante gli sforzi, non è mai riuscita a conquistare fino ai falsi e presunti amori. Storie nate dalla voglia di scappare da una famiglia divenuta ostile ma che evidenziano l'ingenuità di una ragazzina presa in giro e abbandonata dal playboy di turno. Sogni d’amore svaniti, lacrime versate e sensi colpa per aver stupidamente abboccato alle bugie di chi si diceva innamorato per poi andare a ridere di lei con gli amici del bar. Sconfitta da queste delusioni, la ragazza divenuta donna non riesce più a dare fiducia agli uomini; indurisce il proprio carattere diventando fredda e diffidente in ogni nuovo rapporto. Nel finale, però, rivolgendosi all’attuale compagno, la donna chiarisce che l'amore vero può esistere perché un uomo può davvero cambiare se innamorato.L’arrangiamento, per 5 voci miste (SMzATB) prende spunto dalla versione di Alessandro Cadario di Almeno tu nell’universo per coro femminile.Il brano parte dunque con un unisono di voci femminili che via via si aprono in 3 sezioni.Il piano regge l’armonia in queste prime 2 strofe.Gli uomini entrano solo nella battuta che precede il ritornello per sostenere il crescendo sulla dominante minore che risolve nella tonica maggiore.Nel ritornello l’armonizzazione è a 4 voci (SATB) con finale all’unisono con accordo vuoto del pianoforte per rendere la tristezza del testo (vanno a ridere di te).La seconda parte è pensata invece come un accompagnamento strumentale delle voci che alternandosi creano un arpeggio armonico. Al termine del secondo ritornello, un rallentato deciso e una modulazione secca che determina la revisione dell’andamento armonico delle parti centrali. Piccolo gioco con le parole a batt. 60 e finale classicheggiante.
$9.99
9.13 €
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Chorale SATB
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Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani
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Marco Borsoi
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Gli Uomini non Cambiano
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Marco Borsoi
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SheetMusicPlus
Minuetto
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.790514 By Mia Martini. By Da…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.790514 By Mia Martini. By Dario Baldan Bembo and Francesco Califano. Arranged by Maurizio Chiavaroli. Contemporary. Score. 5 pages. Maurizio Chiavaroli #4360029. Published by Maurizio Chiavaroli (A0.790514). Trascrizione per pianoforte e voceTranscription for piano and voice.
$4.99
4.56 €
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Piano, Voix
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Mia Martini
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Maurizio Chiavaroli
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Minuetto
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Maurizio Chiavaroli
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.13 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
John Cage I-VI (2023)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.13 €
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Piano, Voix
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
Prince of Denmark's March
Flûte traversière et Piano
Flute and piano - very easy to easy - Digital Download SKU: S9.Q20872 Composed by J…
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Flute and piano - very easy to easy - Digital Download SKU: S9.Q20872 Composed by Jeremiah Clarke. Edited by Gerda Koppelkamm-Martini. Arranged by Thomas Wagner. This edition: Sheet music. Copyright 2014 Schott Music GmbH & Co. KG, Mainz. Downloadable. 3 pages. Schott Music - Digital #Q20872. Published by Schott Music - Digital (S9.Q20872). Digital publication of the piece found in the following print music collection: Classical Music for Children - 26 Easy Pieces.
$3.99
3.65 €
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Flûte traversière et Piano
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Jeremiah Clarke
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Thomas Wagner
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Prince of Denmark's March
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Schott Music - Digital
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SheetMusicPlus
Trumpet Tune
Flûte traversière et Piano
Flute and piano - very easy to easy - Digital Download SKU: S9.Q20873 Composed by J…
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Flute and piano - very easy to easy - Digital Download SKU: S9.Q20873 Composed by Jeremiah Clarke. Edited by Gerda Koppelkamm-Martini. Arranged by Thomas Wagner. This edition: Sheet music. Copyright 2014 Schott Music GmbH & Co. KG, Mainz. Downloadable. 2 pages. Schott Music - Digital #Q20873. Published by Schott Music - Digital (S9.Q20873). Digital publication of the piece found in the following print music collection: Classical Music for Children - 26 Easy Pieces.
$2.99
2.73 €
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Flûte traversière et Piano
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Jeremiah Clarke
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Thomas Wagner
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Trumpet Tune
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Schott Music - Digital
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SheetMusicPlus
Delius: La Calinda (from Koanga) for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
45.7 €
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Orchestre
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
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