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Vous avez sélectionné:
Milonga en Do
Partitions à imprimer
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Milonga en Do
Solo Guitar - Level 3 - Digital Download SKU: A0.1335818 Composed by José Pierri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1335818 Composed by José Pierri Sapere. Arranged by Leonardo Ramos. Folk,Multicultural,World. Individual part. 2 pages. Leonardo Ramos #921645. Published by Leonardo Ramos (A0.1335818). Milonga en Do - José Pierri Sapere.
$2.50
2.3 €
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José Pierri Sapere
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Leonardo Ramos
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Milonga en Do
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Leonardo Ramos
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SheetMusicPlus
Entradora [piano 4 hands]
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575 Composed by Juan MarÃÂa Solare. 20th Century,Jazz,World. Score and parts. 12 pages. Juan Maria Solare #4794271. Published by Juan Maria Solare (A0.596575). About the title: - First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador. - Second, entradora can be understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a more scientific explanation check yor favorite English grammar book). - Third, entradora is a wink to Argentine composer Julián Plaza, who used adjectives as one-word title of several of his milongas and tangos, for instance Nocturna, DanzarÃÂn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of. - And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know!The milonga Entradora was composed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃÂa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Second version: for 8 instruments. Premiere: Orquesta No TÃÂpica, 22 January 2019, theatre of the university of Bremen. Third version: for piano four hands. Bremen, 16 January 2019. Premiere: Selma Hande Gade and Juan MarÃÂa Solare, Bellapais Spring Music Festival, Kyrenia, Cyprus, 16 April 2019. Video by the composer in his private Studiohttps://www.youtube.com/watch?v=4f89TCd3di8 Entradora is dedicated to Gudrun Zelle.
$4.00
3.68 €
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1 Piano, 4 mains
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Juan MarÃÂa Solare
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Entradora [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Entradora [piano solo]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.596546 Composed by Juan MarÃÂa So…
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Piano Solo - Level 4 - Digital Download SKU: A0.596546 Composed by Juan MarÃÂa Solare. 20th Century,Jazz,Latin,World. Score. 6 pages. Juan Maria Solare #4276305. Published by Juan Maria Solare (A0.596546). Entradora -- Milonga for solo piano, music by Juan MarÃÂa SolareComposed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃÂa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Video by the composer in his private Studio: https://www.youtube.com/watch?v=4f89TCd3di8About the title:- First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador.- Second, entradora can understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a scientific explanation check yor favorite English grammar book).- Third, entradora is a wink to Argentine composer Julián Plaza, who used one-word adjectives as title of several of his milongas and tangos, for instance Nocturna, DanzarÃÂn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of.- And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know! (http://juanmariasolare.com/contact.html)
$2.50
2.3 €
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Piano seul
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Juan MarÃÂa Solare
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Entradora [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.85 €
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Orchestre
#
Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.57 €
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Orchestre
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Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Evocación (Suite del Recuerdo (No. 1)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1404707 Composed by José Luis Me…
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Piano Solo - Level 2 - Digital Download SKU: A0.1404707 Composed by José Luis Merlin. Arranged by Thomas Ling of Sibu. 19th Century,Folk,Romantic Period. Score. 2 pages. Thomas Swee Chin #987774. Published by Thomas Swee Chin (A0.1404707). Evocación is the first movement of the Suite del Recuerdo by José Luis Merlin, a contemporary Argentine composer and guitarist. The piece is a beautiful and nostalgic homage to the composer's homeland, drawing on traditional Argentine musical elements such as the milonga and the chacarera. It's characterized by its intricate fingerpicking patterns, rich harmonies, and evocative melodies, which transport the listener to the landscapes and emotions of Argentina. Overall, Evocación captures the essence of Argentine culture and folklore through the language of the guitar. Adapted here for the piano, the piano keys can't do slides like the guitar, but it has the damper pedal. 2 versions: in E minor and F minor.
$6.00
5.52 €
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Piano seul
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José Luis Merlin
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Thomas Ling of Sibu
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Evocación
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Thomas Swee Chin
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SheetMusicPlus
PRA DON VENTURA
Solo Guitar - Level 3 - Digital Download SKU: A0.1214854 By Lúcio Yanel. By LÅ
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Solo Guitar - Level 3 - Digital Download SKU: A0.1214854 By Lúcio Yanel. By Lúcio Yanel. Arranged by Leonardo Nunes. Multicultural,Traditional,World. Individual part. 3 pages. Leonardo Nunes #811787. Published by Leonardo Nunes (A0.1214854). Pra Don Ventura é uma das músicas mais conhecidas, composta pelo gênio do violão gaúcho e latinoamericano, Lúcio Yanel. Tem como ritmo a milonga.
$9.99
9.19 €
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Lúcio Yanel
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Leonardo Nunes
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PRA DON VENTURA
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Leonardo Nunes
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SheetMusicPlus
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