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Vous avez sélectionné:
Minor Blues Harmonica
Partitions à imprimer
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Minor Blues Harmonica
Harmonica
Composed by David Barrett. Technique, Theory and Reference. Style. E-book and online…
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Composed by David Barrett. Technique, Theory and Reference. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30453MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118799.<br> <br> Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysaa challenge for harmonica players, but less difficult in 3rd Position. In this book weall explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and moving around the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning astudya songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand whatas technically going on. (This is at the end of the book, so itas not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). Youall need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.
$12.99
11.68 €
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Harmonica
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David Barrett
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Minor Blues Harmonica
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica Essentials
Harmonica
Harmonica - Beginning - Digital Download SKU: M0.30573EB Gig Savers Complete Edi…
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Harmonica - Beginning - Digital Download SKU: M0.30573EB Gig Savers Complete Edition. Composed by David Barrett. Harmonica: Diatonic, Adult Contemporary. Gig Savers. Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30573EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30573EB). ISBN 9781619116887. 8.75x11.75 inches.The Gig Savers series has been designed to provide harmonica players with answers to common questions in a concise, user-friendly fashion. This complete edition is comprised of six books written by David Barrett and Fritz Hasenpusch. Part One, Essential Theory, covers the main body of musical knowledge needed by all harmonica players. Subjects covered include reading notation, how to build chromatic and diatonic scales, triad chord qualities, position theory and the 12-bar blues progression. Part Two, Essential Scales, includes lessons on building chromatic/diatonic scales, position theory and scales/modes such as major, minor, mixolydian, dorian and blues. Part Three, Essential Quick Charts, presents important reference charts that cover specific topics such as diatonic keys, bending, over-bending, positions, major/minor scales and Lee Oskar special tuning. Part Four, Harmonica Microphones, includes discussions on microphone usage, such as popular microphones, bodies, elements, accessories, interchangeability/customization and how microphones are paired with amplifiers. Part Five, Harmonica Amplifiers, discusses amp heads, equalizers, effects, speakers, extension cabinets, tube substitutions and how to select an amp depending on a venue. Part Six, First Gig, shows the harmonica player what to do from the beginning until the end of a gig. Topics covered include jam session etiquette, amps, mic and harp choices, building set lists and other issues which may confront the performer.
$14.99
13.48 €
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Harmonica
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David Barrett
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Harmonica Essentials
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Blues Bass Method - School of the Blues
Basse electrique
Electric bass - Beginning - Intermediate - Digital Download Composed by David Barrett…
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Electric bass - Beginning - Intermediate - Digital Download Composed by David Barrett. School of Blues. Blues. E- book and online audio. 40 pages. Mel Bay Publications - Digital Sheet Music #21063MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610653039.<br> <br> Blues Bass Level 1, within the School of the Blues Lesson Series, is an exciting method that contains the most common grooves used in blues bands today. Areas covered are: Tuning, Achieving Good Tone, Major & Minor Scales & Movable Scale Forms, 12 Bar Blues Progression, Major Blues Bass Lines, Jump Blues, Swing Blues, Box Patterns, Slow Blues, Chicago Shuffles, Two Beat, Rumba Beat, Tramp Beat, Minor Blues, Introductions, Turnarounds & Endings. This series is designed for students of other instruments to play together. If you have friends that play harmonica, guitar, keyboard or drums, tell them about this series so that you can play together.Book is accompanied by online audio recording of all examples (played by author Frank De Rose) along with the background music. For the beginning to intermediate bass player. Includes access to online audio.
$12.99
11.68 €
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Basse electrique
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David Barrett
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Blues Bass Method - School of the Blues
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Pi, Why?
Jazz combo
Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Centu…
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Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
2.7 €
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
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