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--INSTRUMENTS--
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Money - Alto Sax
Non classifié
30
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Saxophone Soprano et Piano
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Flûte à bec Tenor
1
Flûte à bec Soprano
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Hautbois (partie séparée)
1
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--INSTRUMENTS--
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Vous avez sélectionné:
Money - Alto Sax
Partitions à imprimer
104 partitions trouvées
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101
Money, Money, Money
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Saxophone Tenor
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FACILE
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ABBA
#
Adriel Verçosa
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Money, Money, Money
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Adriel Verçosa
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SheetMusicPlus
Tenor Saxophone Solo - Level 2 - SKU: A0.1359749 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Adriel Verçosa. Disco,Film/TV,Halloween,P...
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Tenor Saxophone Solo - Level 2 - SKU: A0.1359749 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Adriel Verçosa. Disco,Film/TV,Halloween,Pop. Individual part. 3 pages. Adriel Verçosa #944225. Published by Adriel Verçosa (A0.1359749). This sheet music is a new edition of the song Money, Money, Money by ABBA, specially arranged for Bb Saxophone (Tenor Sax or Soprano Sax). Released in 1976, this song is a pop sensation that captures the glamorous essence of the era. Money, Money, Money reflects the theme of financial aspirations and the pursuit of a life of luxury. This striking hit quickly became one of ABBA's most recognizable successes, standing out as an iconic piece in the musical scene of the 1970s.
$4.99
Money
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Saxophone (partie séparée)
#
DÉBUTANT
#
Rock
#
Pink Floyd
#
Kevin Busse
#
Money
#
Kevin Busse
#
SheetMusicPlus
Baritone Saxophone Solo - Level 1 - SKU: A0.600325 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse ...
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Baritone Saxophone Solo - Level 1 - SKU: A0.600325 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #3468014. Published by Kevin Busse (A0.600325). This is an exact transcription of the Tenor Saxophone Solo in Money by Pink Floyd in the easy key of C for Bari Sax
$9.99
Money
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Saxophone Tenor
#
DÉBUTANT
#
Rock
#
Pink Floyd
#
Kevin Busse
#
Money
#
Kevin Busse
#
SheetMusicPlus
Tenor Saxophone Solo - Level 1 - SKU: A0.600323 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #34...
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Tenor Saxophone Solo - Level 1 - SKU: A0.600323 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #3468010. Published by Kevin Busse (A0.600323). This is an exact transcription of the Tenor Saxophone Solo in Money by Pink Floyd in the easy key of C for Tenor Sax
$9.99
Money
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Saxophone (partie séparée)
#
DÉBUTANT
#
Rock
#
Pink Floyd
#
Kevin Busse
#
Money
#
Kevin Busse
#
SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.600324 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #...
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Soprano Saxophone Solo - Level 1 - SKU: A0.600324 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #3468012. Published by Kevin Busse (A0.600324). This is an exact transcription of the Tenor Saxophone Solo in Money by Pink Floyd in the easy key of C for Soprano Sax
$9.99
Money
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Saxophone (partie séparée)
#
AVANCÉ
#
Rock
#
Pink Floyd
#
Kevin Busse
#
Money
#
Kevin Busse
#
SheetMusicPlus
Baritone Saxophone Solo - Level 5 - SKU: A0.598014 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse ...
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Baritone Saxophone Solo - Level 5 - SKU: A0.598014 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #3129709. Published by Kevin Busse (A0.598014). This is an exact transcription of the Tenor Sax solo in Pink Floyd's Money. This sheet music is for Bari players and can be played along with this official recording of this song.
$9.99
Money
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Rock
#
Pink Floyd
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Jorge Juárez
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Money
#
Georgie Guitar
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.766266 By Pink Floyd. By Roger Waters. Arranged by Jorge Juárez. Rock. Individual part. 5 pages. Georgie Gui...
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Tenor Saxophone Solo - Level 4 - SKU: A0.766266 By Pink Floyd. By Roger Waters. Arranged by Jorge Juárez. Rock. Individual part. 5 pages. Georgie Guitar #5709571. Published by Georgie Guitar (A0.766266). An accurate note for note transcription of the vocals to be played Instrumental on Tenor Sax.
$4.99
O Holy Night for Tenor Sax & Piano
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Saxophone Tenor et Piano
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DÉBUTANT
#
Noël
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Adam
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James M
#
O Holy Night for Tenor Sax &am
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for T
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
O Holy Night for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
DÉBUTANT
#
Noël
#
Adam
#
James M
#
O Holy Night for Soprano Sax &
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages....
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Sullivan: The Lost Chord for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
(+)
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
O Holy Night for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Noël
#
Adam
#
James M
#
O Holy Night for Baritone Sax
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
8 Jazzy Xmas Carols for Bb Tenor Saxophone & Piano
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Saxophone Tenor et Piano
#
INTERMÉDIAIRE
#
Noël
#
patrick paul
#
Keith Terrett
#
Piano
#
8 Jazzy Xmas Carols for Bb Ten
#
Keith Terrett
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Tradit...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.1314541 By patrick paul. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. Score and part. 31 pages. Keith Terrett #903294. Published by Keith Terrett (A0.1314541). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Tenor Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs. Contact Publisher.
$15.99
8 Swinging Xmas Carols for Bb Soprillo Saxophone & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bb
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1315135 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Praise & W...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1315135 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christian,Christmas,Praise & Worship. Score and part. 39 pages. Keith Terrett #903878. Published by Keith Terrett (A0.1315135). An exciting arrangement of eight popular swinging xmas carols arranged for Bb Soprillo/Soprano Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
Money
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Rock
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Pink Floyd
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Kevin Busse
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Money
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Kevin Busse
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SheetMusicPlus
Soprano Saxophone Solo - Level 3 - SKU: A0.597987 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #...
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Soprano Saxophone Solo - Level 3 - SKU: A0.597987 By Pink Floyd. By Roger Waters. Arranged by Kevin Busse. Rock. Individual part. 1 pages. Kevin Busse #3129469. Published by Kevin Busse (A0.597987). This is an exact transcription of the Tenor Saxophone Solo in Money by Pink Floyd for Soprano Saxophone. This sheet music can be played along with the solo in the recording of this song.
$9.99
She Works Hard For The Money
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Saxophone Tenor
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AVANCÉ
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Donna Summer
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David Lartey
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She Works Hard For The Money
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David Lartey
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SheetMusicPlus
Tenor Saxophone Solo - Level 5 - SKU: A0.1049223 By Donna Summer. By Donna Summer and Michael Omartian. Arranged by David Lartey. Disco. Individual part...
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Tenor Saxophone Solo - Level 5 - SKU: A0.1049223 By Donna Summer. By Donna Summer and Michael Omartian. Arranged by David Lartey. Disco. Individual part. 2 pages. David Lartey #653608. Published by David Lartey (A0.1049223).
$10.00
Pink Floyd : Money (niveau difficile, sax soprano)
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Saxophone
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AVANCÉ
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Rock
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Pop musique
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Pink Floyd
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Money
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Tomplay
Telechargez la partition Saxophone Money (niveau difficile, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Money (niveau difficile, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Pink Floyd : Money (niveau intermédiaire, sax soprano)
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Saxophone
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INTERMÉDIAIRE
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Rock
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Pop musique
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Pink Floyd
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Money
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Tomplay
Telechargez la partition Saxophone Money (niveau intermediaire, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Money (niveau intermediaire, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Pink Floyd : Money (niveau débutant, sax soprano)
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Saxophone
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DÉBUTANT
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Rock
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Pop musique
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Pink Floyd
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Money
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Tomplay
Telechargez la partition Saxophone Money (niveau debutant, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Money (niveau debutant, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Pink Floyd : Money (niveau facile, sax soprano)
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Saxophone
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FACILE
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Rock
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Pop musique
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Pink Floyd
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Money
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Tomplay
Telechargez la partition Saxophone Money (niveau facile, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
(+)
Telechargez la partition Saxophone Money (niveau facile, sax soprano) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
Pink Floyd : Money (niveau intermédiaire, sax ténor)
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Saxophone
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INTERMÉDIAIRE
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Rock
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Pop musique
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Pink Floyd
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Money
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Tomplay
Telechargez la partition Saxophone Money (niveau intermediaire, sax tenor) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock...
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Telechargez la partition Saxophone Money (niveau intermediaire, sax tenor) de Pink Floyd. Partition pour Saxophone avec accomp. orchestre -- Pop/rock
5.99€
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Money - Alto Sax
