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Mood Swing in D and B Minor
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Vous avez sélectionné:
Mood Swing in D and B Minor
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4 partitions trouvées
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Mood Swing in D and B Minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kathi Kerr
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Mood Swing in D and B Minor
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Melody Music Publishers
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.950529 Composed by Kathi Kerr. Baroque,Classical,Contemporary,Romantic Period. Score. 2 pages. Melody Music Publishers #6...
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Piano Solo - Level 4 - SKU: A0.950529 Composed by Kathi Kerr. Baroque,Classical,Contemporary,Romantic Period. Score. 2 pages. Melody Music Publishers #6490633. Published by Melody Music Publishers (A0.950529). Every major key has a relative minor key, which keeps the same key signature but has a different key name. In the Mood Swing in D and B Minor the same song in D is transposed to the relative minor key, B minor. Major keys have a happy sound, while minor keys have a sad sound. Hence the title Mood Swing..
$4.99
Mood Swing in D Flat and B Flat Minor
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kathi Kerr
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Mood Swing in D Flat and B Fla
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Melody Music Publishers
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.950534 Composed by Kathi Kerr. Baroque,Classical,Contemporary,Romantic Period. Score. 2 pages. Melody Music Publishers #6...
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Piano Solo - Level 4 - SKU: A0.950534 Composed by Kathi Kerr. Baroque,Classical,Contemporary,Romantic Period. Score. 2 pages. Melody Music Publishers #6490651. Published by Melody Music Publishers (A0.950534). Every major key has a relative minor key, which keeps the same key signature but has a different key name. In the Mood Swing in D Flat and B Flat Minor the same song in D flat is transposed to the relative minor key, B flat minor. Major keys have a happy sound, while minor keys have a sad sound. Hence the title Mood Swing..
$4.99
Orange
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Piano Facile
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FACILE
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Lynne Cox
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Orange
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Lynne Coc Publications
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638885. P...
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Easy Piano - Level 2 - SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638885. Published by Lynne Coc Publications (A0.1033577). 'ORANGE'! Oh, my! SWINGING!!! 'This one is for late elementary or medium difficulty. One of the most fun-to play solos I've ever created. Inspired by my granddaughters' love of the knock-knock jokes based on the phrases; 'Knock-knock, who's there? Orange-orange who? orange you glad you're...' This is a rollicking piece with a swinging intro (repeated as bridge going into second A section) but segueing into a B section at a slower tempo and comprised completely of major sevenths! (all in broken chords and/or rolled chords with help for small hands by the use of damper pedal). Structure of a major 7th chord being: maj 3rd, m3rd, maj 3rd requires many accidentals in the B section. The mood surprises with a dramatic shift into this dreamy sequence created by these major sevenths which LH breaks up and RH answers with rolled same chord. Intro is sassy and attention-grabbing. With hands in unison, this familiar rhythmic pattern beginning with a very quick note (16th) with emphasis on the second note, introduces the first A section consisting of melody of broken chords with fun, fun lyrics that are tossed around between the hands in an antiphonal question/answer style. Interspersed are 5-finger position descending motifs as well as accompanying chords (or pieces of chords) placed on predictable beats for continuity and ease of learning. Chord progressions are unexpected and surprising, as are the 5-finger position motifs. Coda creates excitement by building D major full chord with hands in unison with much crescendo. Great for analyzing chords and 5-finger position melodies. Did you know the word 'orange' has no English rhyming word? I took that as a challenge and had FUN with the lyrics! Form: intro A interlude/bridge A coda Key of G harmonic minor w/lots of exploration into other majors and minors. Time signature 4/4. When singing the lyrics, I envision the first phrase being sung in a normal voice, the 2nd in an operatic voice, 3rd in a voice much like the 'Cookie Monster', and the 4th in a very childish voice. Tempo indication moderato, quarter note at 108 Lots of dynamic contrast. I also perform just the instrumental version of this piece on you tube entitled, 'Orange Instrumental' and the you tube link is: https://youtu.be/A1moEpClsYI.
$3.40
The Chase by Neil Awasthi
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Neil Awasthi
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The Chase by Neil Awasthi
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Neil Awasthi
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033...
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Piano Solo - Level 4 - SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033340). The chase is afoot! A rather large cat attempts to hunt a wily mouse. The mouse tries to escape the cat’s clutches. Who succeeds?This piece’s ternary form follows the chase between a cat and mouse. Section A is lively and fast-paced because the cat is on the hunt for the mouse. Since this piece is written from the mouse’s perspective, C-sharp minor conveys the mouse’s fright and fear. The time signature is 4/4 to allow for 16th notes, which denote running steps. The theme in m.19 repeats several times throughout Section A to signify the large cat’s ominous stalking. Tenutos and staccatos punctuate the cat’s heavy steps. In m.14-15, the chromatic scale represents the cat’s momentum. The constantly changing dynamics showcase the various movements and emotions in a chase. Specifically, in m.28-31, the dynamic changes to piano and pedal is employed to signify the mouse’s despair. Section B stands alone, representing the mouse’s successful escape from the cat. The section’s key signature D-flat major is light and happy. A time signature of 6/8 swings, furthering the carefree mood of the mouse. The beginning of Section B repeats to emphasize the mouse’s joyous escape. However, at the end of the section, the cat returns. In m.61-68, varying speeds and descriptors contrast the movements of the cat and mouse. In m.68, the cat’s theme is an octave lower to draw attention to the cat’s threatening, heavy steps. In m.70-71, the notes accelerate to show that the mouse begins to run again. Section A’s refrain recaps the cat chasing the mouse. In m.89-100, the end, tells the mouse’s fate. The climatic ending is highlighted by the speeding tempo. The treble-clef notes are an octave higher to build excitement. In m.95-96, notes descend 4 octaves to indicate the mouse’s ultimate demise. The piece ends with grand chords to mark the mouse’s death.
$2.99
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Mood Swing in D and B Minor
