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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
More Than Words - Guitar
Sheetmusicplus
Non classifié
57
Piano & claviers
Piano seul
54
Piano Facile
18
Piano, Voix
18
Instruments en Do
9
Orgue
2
Accompagnement Piano
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
2
Mandoline
2
Voix
Chorale SATB
50
Chorale SSAA
12
Chorale TTBB
10
Chorale 3 parties
7
Chorale 2 parties
6
Pack Instrumental pour Chorale
4
Chorale Unison
4
Chorale
2
Voix duo, Piano
1
Chorale SSATTB
1
Chorale SSAATTBB
1
Voix haute
1
+ 7 instrumentations
Retracter
Vents
Clarinette
7
Saxophone Tenor
5
Flûte traversière
5
Saxophone Alto
5
Saxophone Alto et Piano
5
Saxophone (partie séparée)
4
Saxophone Soprano et Piano
4
Hautbois
3
Cor Anglais
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière et Piano
2
2 Clarinettes, Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Baryton, Piano
2
Clarinette et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
2
Hautbois, Piano (duo)
2
Saxophone Soprano
2
Flûte, Hautbois, Clarinette, Basson
2
3 Clarinettes (trio)
1
Saxophone Tenor et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Baryton
1
Cor anglais, Piano
1
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 25 instrumentations
Retracter
Cuivres
Trompette
7
Trombone
7
Cor
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor Anglais
2
Trombone et Piano
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Cor anglais, Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
7
Violon et Piano
6
Alto seul
6
Violon
6
2 Violons (duo)
3
Violoncelle, Piano
3
Contre Basse
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
Alto, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
8
Orchestre
6
Orchestre d'harmonie
5
Orchestre à Cordes
4
Marimba
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
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Vous avez sélectionné:
More Than Words - Guitar
SheetMusicPlus
Partitions à imprimer
464 partitions trouvées
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451
More Than Words
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Chorale TTBB
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INTERMÉDIAIRE
#
Extreme
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Danny Spindler
#
More Than Words
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Spindler Music
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.945805 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Danny Spindler. A Cappella,Metal. Octavo. 4...
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Choral Choir (TTBB) - Level 3 - SKU: A0.945805 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Danny Spindler. A Cappella,Metal. Octavo. 4 pages. Spindler Music #6057205. Published by Spindler Music (A0.945805). TTBB arrangement of 'More Than Words' by Extreme. C. 4'.00Suitable for Acapella ensemble or Barbershop quartet/chorus.For learning tracks/commissions please contact: dannyspindlermd@gmail.com.
$2.00
More Than Words
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Chorale 2 parties
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DÉBUTANT
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Extreme
#
Carolyn Goates
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More Than Words
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Carolyn Goates
#
SheetMusicPlus
Choral Choir,Choral (TB) - Level 1 - SKU: A0.762575 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Carolyn Goates. 20th Century,Pop,Rock....
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Choral Choir,Choral (TB) - Level 1 - SKU: A0.762575 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Carolyn Goates. 20th Century,Pop,Rock. 6 pages. Carolyn Goates #6687793. Published by Carolyn Goates (A0.762575). More Than Words for male voices. This song was originally an acoustic rendition by two members of the band. This version is mostly in TB voices with tenor divisi in parts.
$2.99
More Than Words
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Piano Facile
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FACILE
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Extreme
#
Renny Gamarra
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More Than Words
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Renny Gamarra Loaiza
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.984912 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Renny Gamarra. Multicultural,Singer/Songwriter,Stand...
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Easy Piano - Level 2 - SKU: A0.984912 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Renny Gamarra. Multicultural,Singer/Songwriter,Standards,Traditional,Wedding,World. Score. 5 pages. Renny Gamarra Loaiza #6275003. Published by Renny Gamarra Loaiza (A0.984912). More than words by Extreme is a beautiful song that has been arranged especially for singers who want to cover this romantic song. The chords are displayed as such the original song written by Gary Cherone, Nuno Bettencourt. Notice that the original song is in the Key of G flat and this arrangement is in normal G
$4.99
More Than Words
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Piano Facile
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FACILE
#
Extreme
#
eduardo
#
More Than Words
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O_Talentoso
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1244091 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 4 pages. ...
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Easy Piano - Level 2 - SKU: A0.1244091 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 4 pages. O_Talentoso #839068. Published by O_Talentoso (A0.1244091). Extreme-More Than Words (Piano Cover) + SHEET Partitura Intermediary.
$5.00
More Than Words
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Flûte, Hautbois, Clarinette, Basson
#
INTERMÉDIAIRE
#
Metal/Hard Rock
#
Extreme
#
Ben Mulholland
#
More Than Words
#
Benjamin D Mulholland
#
SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.934862 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Ben Mulholl...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.934862 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Ben Mulholland. Metal. Score and parts. 10 pages. Benjamin D Mulholland #6351711. Published by Benjamin D Mulholland (A0.934862). This arrangement More than Words by Extreme works really well with brass trio, quartet, or quintet. The entire trumpet melody line can be played as written or down an octave until measure 50. The duration at the tempo listed is 2'45 but would likely be a little longer depending on tempo preferences. Parts for Bb and C trumpet included.
$14.99
More Than Words
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Extreme
#
Steven Booth
#
More Than Words
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SB-Music Steven Booth
#
SheetMusicPlus
Brass Ensemble,Trombone Quartet Baritone Horn TC,Euphonium - Level 3 - SKU: A0.1157477 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Ste...
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Brass Ensemble,Trombone Quartet Baritone Horn TC,Euphonium - Level 3 - SKU: A0.1157477 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Steven Booth. 20th Century,Pop,Rock. Score and parts. 19 pages. SB-Music Steven Booth #757811. Published by SB-Music Steven Booth (A0.1157477). More Than Words by Extreme, arranged for baritone or euphonium quartet.
$35.00
More Than Words
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Quatuor de cuivres: 4 cors
#
INTERMÉDIAIRE/AVANCÉ
#
Extreme
#
Edition Maulwurf
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More Than Words
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Edition Maulwurf
#
SheetMusicPlus
French Horn Quartet Horn - Level 4 - SKU: A0.1259834 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Edition Maulwurf. 21st Century,Contem...
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French Horn Quartet Horn - Level 4 - SKU: A0.1259834 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Edition Maulwurf. 21st Century,Contemporary,Pop,Rock. 12 pages. Edition Maulwurf #853113. Published by Edition Maulwurf (A0.1259834). Extreme - More Than WordsArrangement for French horn quartet by Edition Maulwurf Duration: 3:30 min. See also:https://www.youtube.com/channel/UCJQFZ7B6aoDsGW1mRje9n_A https://www.edition-maulwurf.de/.
$12.99
More Than Words
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Extreme
#
Isaac Gonçalves
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More Than Words
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Simple Score
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.612702 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by I...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.612702 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Isaac Gonçalves. Folk,Pop,Rock,Standards. Score and parts. 22 pages. Simple Score #221893. Published by Simple Score (A0.612702). More Than Words by Extreme for String Quintet. Score and parts. 22 pages.
$13.00
More Than Words
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Piano Facile
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FACILE
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Extreme
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Jim Lansing
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More Than Words
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Jim Lansing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.896100 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jim Lansing. Instructional,Pop,Rock. Score. 3 pages....
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Easy Piano - Level 2 - SKU: A0.896100 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jim Lansing. Instructional,Pop,Rock. Score. 3 pages. Jim Lansing #6534931. Published by Jim Lansing (A0.896100). Early Intermediate level arrangement of Extreme's 1990 power ballad More Than Words transposed to G for ease of playing.  Syncopation has been simplifed for easier reading; once notes are learned, encourage player to use their ear to fix the rhythms to match the artist's recording. RH plays in C, G, Am, and Bm positions and has leap of 7th in mm. 27-28 and 35-36.  Slightly challenging fingering in mm.20-22 due to accidentals.  LH plays in G, Am, and C positions.  Movement achieved by changing fingers on repeated notes or expanding/contracting fingers during phrases.
$4.99
Words
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Andrew Mc Donald
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Words
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842214 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #58990...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842214 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #5899025. Published by Andrew Mc Donald (Macka Records) (A0.842214). Words is a song about when we say we love Jesus we have to mean it. Sometimes words are not enough cause they can be spoken so often and without care they can lose their meaning. This is a love song to Jesus. To me He means more than words.
$4.99
O Holy Art, Aria for Soprano with Piano Accompaniment, James Nathaniel Holland
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Accompagnement Piano
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, Aria for Soprano w
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Instrumental Solo,Piano - Level 5 - SKU: A0.730447 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and i...
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High Voice,Instrumental Solo,Piano - Level 5 - SKU: A0.730447 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and individual part. 10 pages. James Nathaniel Holland #3530543. Published by James Nathaniel Holland (A0.730447). The title aria for soprano from the moving one act opera, O Holy Art by American composer James Nathaniel Holland (Words and music). Meets opera contemporary aria in English and 21st century. Optional orchestral accompaniment available. Great showpiece for lyric or dramatic soprano.O Holy Art! If symphony or simple tone,How can I be alone?When what you give is more than kind...Range: C4 to Bb5 (D6 segment optional.)Duration: 7 minutesYouTube presentation: Â https://youtu.be/Oe5R0W0UhKc.
$4.95
O Holy Art, Aria for Soprano with Orchestra Accompaniment, James Nathaniel Holland
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, Aria for Soprano w
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730448 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 40 pages. James Nathaniel Holla...
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Full Orchestra - Level 5 - SKU: A0.730448 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 40 pages. James Nathaniel Holland #3530585. Published by James Nathaniel Holland (A0.730448). The title aria for soprano from the moving one act opera, O Holy Art by American composer James Nathaniel Holland (Words and music). Meets opera contemporary aria in English and 21st century. Optional orchestral accompaniment available. Great showpiece for lyric or dramatic soprano.O Holy Art! If symphony or simple tone,How can I be alone?When what you give is more than kind...Range: C4 to Bb5 (D6 segment optional.)Duration: 7 minutesInstrumentation: picc, fl12,ob12,clBb 12, bsn, hrn 12, tpt, trm, tim, perc (hand cym, ride cym w/mallet, tri. glock., bs drm) pno, voice, stringsYouTube presentation:  https://youtu.be/Oe5R0W0UhKc.
$15.95
More Than Words (Extreme) SSAA a cappella
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Chorale SSAA
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INTERMÉDIAIRE
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Rock
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Extreme
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Julie Gaulke
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More Than Words
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Julie Gaulke
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SheetMusicPlus
SSAA a cappella - Intermediate - Digital Download By Extreme. Arranged by Julie Gaulke. Score. 6 pages. Published by Julie Gaulke...
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SSAA a cappella - Intermediate - Digital Download By Extreme. Arranged by Julie Gaulke. Score. 6 pages. Published by Julie Gaulke
This is Julie Gaulke's original arrangement of "More Than Words" (by Extreme) scored for SSAA a cappella quartet. See full performance video here: https://youtu.be/beHqFfEyQ8Y
NOTE: You are allowed FOUR print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! -Julie Gaulke
$2.99
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Songs Without Words (20 Intermediate-Level Piano Solos in Contemporary Styles)
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Piano seul
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INTERMÉDIAIRE
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Peter Saltzman
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Songs Without Words
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Salt Muse, Inc
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1452650 By Peter Saltzman. By Peter Saltzman. Blues,Classical,Folk,Jazz,Pop. Score. 56 pages. Salt Muse, Inc #1031941. Pu...
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Piano Solo - Level 3 - SKU: A0.1452650 By Peter Saltzman. By Peter Saltzman. Blues,Classical,Folk,Jazz,Pop. Score. 56 pages. Salt Muse, Inc #1031941. Published by Salt Muse, Inc (A0.1452650). Dive into Peter Saltzman’s Songs Without Words, a captivating collection of intermediate piano pieces that traverse contemporary styles, from the pulse of dance-pop to the grace of ballads and the imaginative worlds of movie and video game music to the soul of the blues.Listen to the composer's recordings of all the tracks here. More than a series of compositions, this collection comes with the composer's insights into each piece's structure and challenges, providing players with a deeper understanding of technical and musical expression. It also includes exercises for improvisation and composition, offering avenues to enhance and personalize the learning experience.In the introductory remarks, the composer states: “Each composition in this collection found first life during lessons with my students, mainly over the last two years, always serving a dual purpose: to educate and to enchant. They were not originally intended to fill a book; they were crafted in the moment to offer something beyond the confines of the method books – a piece that resonated with the individual in front of me.”The result is a rich collection of highly lyrical piano music accessible to intermediate and advanced intermediate pianists of all ages.
$19.95
The Seven Words of Jesus Christi
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Heinrich Schuetz
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The Seven Words of Jesus Chris
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir and basso continuo - SKU: S9.Q12450 Biblische Historie. Composed by Heinrich Schuetz. This edition: study score. Ernst Eulenburg ...
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Soloists, choir and basso continuo - SKU: S9.Q12450 Biblische Historie. Composed by Heinrich Schuetz. This edition: study score. Ernst Eulenburg - Industrial fair - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 20 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12450. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12450). German.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
You Were More Thank a Pal To Me
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Scotty Latham
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You Were More Thank a Pal To M
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice; with ukulele arrangement - SKU: LV.13798 Composed by Scotty Latham. Mothers & children, Domestic life. Lester S. Levy Collection. 4 pag...
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Piano and voice; with ukulele arrangement - SKU: LV.13798 Composed by Scotty Latham. Mothers & children, Domestic life. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13798). You Were More Thank a Pal To Me. Words and Music by Scotty Latham. A Rube Bennett Arrangement. Published 1926 by Latham & Co. in Muscatine, Iowa. Composition of strophic with chorus with piano and voice; with ukelele arrangement instrumentation. Subject headings for this piece include Mothers & children, Domestic life. First line reads Oft times I dream of a wonderful pal, Mother of mine, what a wonderful gal.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Classique
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
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More Than Words - Guitar
