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Vous avez sélectionné:
Motet: 1st Violin
Partitions à imprimer
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Motet: 1st Violin
Violon (partie séparée)
By Johannes Brahms (1833-1897). Arranged by Jerry Brubaker. For Full Orchestra. Classical.…
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By Johannes Brahms (1833-1897). Arranged by Jerry Brubaker. For Full Orchestra. Classical. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
2.7 €
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Violon (partie séparée)
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Johannes Brahms
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Jerry Brubaker
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Motet: 1st Violin
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Abendlied for String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.934501 Composed by Josef Gabriel Rheinb…
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String Orchestra - Digital Download SKU: A0.934501 Composed by Josef Gabriel Rheinberger. Arranged by Jason A. Taurins. Christian,Christmas,Easter,Romantic Period,Sacred. Score and parts. 13 pages. Jason Allan Taurins #6319097. Published by Jason Allan Taurins (A0.934501). Accessible by any advanced, community, collegiate, or professional orchestra, this charming German motet will be a highlight of any program! Arranged for 2 violins, 2 violas, cello, and bass. The 1st viola can be replaced with a 3rd violin part (included) and the violas can play the second viola part. The bass part can be performed by the cellos as a second part at the written octave if necessary.
$29.99
27.01 €
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Orchestre à Cordes
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Josef Gabriel Rheinberger
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Jason A
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Abendlied for String Orchestra
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Jason Allan Taurins
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
4.46 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.11111…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95
8.96 €
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
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