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Motet: Cello
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Motet: Cello
Partitions à imprimer
99 partitions trouvées
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Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Violoncelle
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published ...
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Cello - Level 3 - SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Josquin: 22 Duets for Clarinet & Cello
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Clarinette, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instruc...
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678278. Published by jmsgu3 (A0.1074010). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Violin & Cello
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Violon, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Violin &
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Re...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678264. Published by jmsgu3 (A0.1073996). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Viola and Cello
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Alto, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Viola an
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Ren...
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Cello,Instrumental Duet,Viola - Level 2 - SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Oboe & Cello
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Hautbois, Violoncelle
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe &am
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Rena...
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Cello,Instrumental Duet,Oboe - Level 2 - SKU: A0.1074014 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678282. Published by jmsgu3 (A0.1074014). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Almighty God, who through thy only begotten Son (Easter motet) for 4 cellos
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Violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Thomas Clark
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David Warin Solomons
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Almighty God, who through thy
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David Warin Solomons
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.580707 Composed by Thomas Clark. Arranged by David Warin Solomons. Baroque,Christian,Easter,Sacred. Individual part. 11 p...
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Cello Solo - Level 3 - SKU: A0.580707 Composed by Thomas Clark. Arranged by David Warin Solomons. Baroque,Christian,Easter,Sacred. Individual part. 11 pages. David Warin Solomons #5989023. Published by David Warin Solomons (A0.580707). Instrumental arrangement of an Easter motet by Thomas Clark
$7.00
O Vos Omnes motet for cello quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Musique Sacrée
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Tomas Luis de Victoria
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Judith Fleet
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O Vos Omnes motet for cello qu
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Judith Fleet
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.950090 Composed by Tomas Luis de Victoria. Arranged by Judith Fleet. Classical,Praise & Worship,Sacred...
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String Quartet String Quartet - Level 3 - SKU: A0.950090 Composed by Tomas Luis de Victoria. Arranged by Judith Fleet. Classical,Praise & Worship,Sacred,Spiritual. Score and parts. 7 pages. Judith Fleet #6142325. Published by Judith Fleet (A0.950090). A cello quartet arrangement of this glorious motet.Also suitable for cello ensemble/orchestra of mixed player levels.Duration: 4 minutes.
$6.99
Mozart Ave Verum Corpus K. 618 for Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Paul Wood
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Mozart Ave Verum Corpus K. 618
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MyMusicScores.com
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.1118622 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Wood. Classical. Score and parts. ...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.1118622 Composed by Wolfgang Amadeus Mozart. Arranged by Paul Wood. Classical. Score and parts. 8 pages. MyMusicScores.com #720127. Published by MyMusicScores.com (A0.1118622). Ave Verum Corpus (Hail, true body), (K. 618), is a motet in D major composed by Wolfgang Amadeus Mozart in 1791. It is the setting of the Latin hymn Ave Verum Corpus. Mozart wrote it for Anton Stoll, a friend who was the church musician of St. Stephan in Baden bei Wien. The motet was composed for the feast of Corpus Christi; the autograph is dated 17 June 1791. It is scored for SATB choir, string instruments, and organ. Here is a an arrangement for cello quartet. The PDF file contains the score and all instrumental part.
$7.99
Audivi vocem de coelo "I heard a voice coming from Heaven" for cello quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Thomas Tallis
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Michael O
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8 pages
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Audivi vocem de coelo "I
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Michael O. Shaw
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.877056 Composed by Thomas Tallis (c. 1505-1585). Arranged by Michael O. Shaw. Christian,Renaissance,Sacred. Sc...
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String Ensemble Cello - Level 3 - SKU: A0.877056 Composed by Thomas Tallis (c. 1505-1585). Arranged by Michael O. Shaw. Christian,Renaissance,Sacred. Score and parts. 8 pages. Michael O. Shaw #4596481. Published by Michael O. Shaw (A0.877056). Audivi vocem de coelo, I heard a Voice Coming from Heaven for Cello QuartetWritten approximately in 1550, this Renaissance sacred motet as originally written for four voices. This adaption/arrangement capitalizes on the richly textured work of Thomas Tallis and re-voiced for cello quartet. A great piece for intermediate ensembles playing in performance, recitals, or for fun! 1st and 2nd cellos are written in Tenor clef. Duration is 2:30. Score and parts; 8 pages. Comments: https://www.facebook.com/michael.shaw.3150 .
$13.00
Nolo mortem peccatoris (I do not wish a sinner to die) for 4 cellos
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Violoncelle
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INTERMÉDIAIRE
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Thomas Morley
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David Warin Solomons
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Nolo mortem peccatoris
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David Warin Solomons
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.580912 Composed by Thomas Morley. Arranged by David Warin Solomons. Christian,Easter,Renaissance,Sacred. Individual part....
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Cello Solo - Level 3 - SKU: A0.580912 Composed by Thomas Morley. Arranged by David Warin Solomons. Christian,Easter,Renaissance,Sacred. Individual part. 9 pages. David Warin Solomons #6339593. Published by David Warin Solomons (A0.580912). Possibly the finest motet by Thomas Morley, originally published in the collection Tristitiae Remedium Cantiones Selectissimae
$8.00
Oculus non vidit (Eye hath not seen) - 2 cellos
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Violoncelle
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FACILE
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Orlande De Lassus
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David Warin Solomons
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Oculus non vidit
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David Warin Solomons
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.580232 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Christian,Renaissance,Sacred. Individual part. 2 ...
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Cello Solo - Level 2 - SKU: A0.580232 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Christian,Renaissance,Sacred. Individual part. 2 pages. David Warin Solomons #3636373. Published by David Warin Solomons (A0.580232). Instrumental arrangement of the 2 part motet by Lassus (Orlando di Lasso)
$6.00
Motet: Cello
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Orchestre
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Classique
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Johannes Brahms
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Jerry Brubaker
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Motet: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0000996_VC1 Cello. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music...
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Full Orchestra - SKU: AX.00-PC-0000996_VC1 Cello. Composed by Johannes Brahms. Arranged by Jerry Brubaker. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000996_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000996_VC1). UPC: 038081271583.Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from the same period as his famous German Requiem. Much of the beautiful solemnity of the Reqiem is evident in this Motet asA scored for orchestra by Jerry Brubaker.Concert/Contest.
$3.00
Almighty God, who through thy only begotten Son (Easter motet) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Thomas Clark
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David Warin Solomons
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Almighty God, who through thy
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.580709 Composed by Thomas Clark. Arranged by David Warin Solomons. Baroque,Christian,Easter,Sacred. Sc...
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String Quartet String Quartet - Level 2 - SKU: A0.580709 Composed by Thomas Clark. Arranged by David Warin Solomons. Baroque,Christian,Easter,Sacred. Score and parts. 9 pages. David Warin Solomons #5989031. Published by David Warin Solomons (A0.580709). Instrumental arrangement of an Easter motet by Thomas Clark
$7.00
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards...
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String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Alleluia (from "Exsultate, Jubilate") (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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Alleluia
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.627483 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Christmas,Classical,Easter,Sacred. S...
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Cello,Piano - Level 2 - SKU: A0.627483 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Christmas,Classical,Easter,Sacred. Score and part. 13 pages. Exultet Music #6012643. Published by Exultet Music (A0.627483). The popular Alleluia section from Wolfgang Amadeus Mozart's motet Exsultate, jubilate (Exult, rejoice), K. 165 has been freshly arranged in its entirety for a Cello solo with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. Can be used at many times throughout the year but especially during the season of Easter. An accompaniment track is also available.
$4.99
Ave Verum Corpus (Cello solo - Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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Ave Verum Corpus
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.629045 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Easter,Sacred. Score and p...
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Cello,Piano - Level 2 - SKU: A0.629045 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Easter,Sacred. Score and part. 7 pages. Exultet Music #6257175. Published by Exultet Music (A0.629045). The beautiful motet by Wolfgang Amadeus Mozart that is widely used all over the world, especially during the Easter season, has been freshly adapted for a Cello solo with Piano accompaniment while staying true to the original source material. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Alleluia (from "Exsultate, Jubilate" - Duet for Violin and Cello)
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Piano Quatuor: piano, 2 violons, violoncelle
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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Alleluia
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.620806 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesar...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.620806 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Easter,Sacred. Score and parts. 17 pages. Exultet Music #3465608. Published by Exultet Music (A0.620806). The popular Alleluia section from Wolfgang Amadeus Mozart's motet Exsultate, jubilate (Exult, rejoice), K. 165 has been freshly arranged in its entirety as a duet for Violin and Cello with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. Can be used at many times throughout the year but especially during the season of Easter.
$4.99
Ave Verum for Solo Cello and Organ
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Violoncelle, Piano
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FACILE
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Classique
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David Brown
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David Brown
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Ave Verum for Solo Cello and O
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David P. Brown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1308413 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical,Easter,Wedding. Score and...
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Cello,Piano - Level 2 - SKU: A0.1308413 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical,Easter,Wedding. Score and part. 5 pages. David P. Brown #897653. Published by David P. Brown (A0.1308413). This arrangement for Solo Cello and Organ of the beautiful Ave Verum Corpus, is from a motet by Mozart orginally for choir, strings, and organ. Perfect for any church service, quiet moment, wedding, or any prelude or postlude music.
$3.00
Ave Verum Corpus (Cello solo - Organ Accompaniment)
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Violoncelle, Orgue
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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Ave Verum Corpus
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Exultet Music
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Organ - Level 2 - SKU: A0.629059 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,...
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Instrumental Duet Cello,Instrumental Duet,Organ - Level 2 - SKU: A0.629059 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christian,Classical,Easter,Sacred. Score and parts. 9 pages. Exultet Music #6257535. Published by Exultet Music (A0.629059). The beautiful motet by Wolfgang Amadeus Mozart that is widely used all over the world, especially during the Easter season, has been freshly adapted for a Cello solo with Organ accompaniment while staying true to the original source material. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Alleluia - Ave Maria - Virga Jesse floruit - string quintet (2 violins, 2 violas, 1 cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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William Byrd
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David Warin Solomons
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Alleluia - Ave Maria - Virga J
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.578772 Composed by William Byrd. Arranged by David Warin Solomons. Christian,Christma...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.578772 Composed by William Byrd. Arranged by David Warin Solomons. Christian,Christmas,Easter,Renaissance,Spiritual. Score and parts. 14 pages. David Warin Solomons #4635213. Published by David Warin Solomons (A0.578772). Instrumental arrangement of a motet by William Byrd originally intended for the Feast of the Annunciation, but also appropriate for both Christmas and Easter.
$9.00
Fürchte dich nicht (motette) by J.S. Bach (Double String Orchestra)
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Fürchte dich nicht
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830807 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5817993. Published b...
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String Orchestra - SKU: A0.830807 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5817993. Published by Richard Byrnes (A0.830807). The motet, Fürchte dich nicht (Fear not) is structured in two sections. The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.  This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 2 Violins, Viola, Cello & Choir 2 - 2 Violins, Viola, Cello). In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99
Komm, Jesu, komm (motette) by J.S. Bach (Double String Orchestra)
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Vierne.
Â
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Komm, Jesu, komm
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830811 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 69 pages. Richard Byrnes #5887271. Published b...
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String Orchestra - SKU: A0.830811 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 69 pages. Richard Byrnes #5887271. Published by Richard Byrnes (A0.830811).  The motet, Komm, Jesu, komm is structured in four sections.  The first is in the Venetian polychoral style. The second section is a light and detached section alternating between voices and choirs.  The third section is in a dance rhythm (menuet). The final section, rather than being a chorale, is a chorale setting of an aria.  This double string orchestra arrangement is for: (2 Violins, Viola, Cello / 2 Violins, Viola, Cello.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99
Hodie Christus Natus Est (2 String Quintets - 4 Violins, 2 Violas, 2 Cellos, 2 Basses)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.812991 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultu...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.812991 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. Score and parts. 44 pages. Regis Bookshar #5996849. Published by Regis Bookshar (A0.812991). Two String Quintets - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged for two String Quintets, each consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, by Regis Bookshar. I envision this arrangement to be performed antiphonally. It is perfect for Christmas concerts or church services but could also be performed for other festive occasions as well and is suitable for high school or college students. Included is a score and a complete set of parts (44 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will definitely enjoy playing this arrangement.
$30.00
Hodie Christus Natus Est (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Jan P
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Regis Bookshar
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Hodie Christus Natus Est
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813024 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christian,Christmas,Renaissance,Stan...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813024 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christian,Christmas,Renaissance,Standards,World. Score and parts. 27 pages. Regis Bookshar #6050905. Published by Regis Bookshar (A0.813024). String Quintet - Intermediate - . This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged by Regis Bookshar for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass. It is perfect for Christmas concerts and church services but could be performed for other festive occasions as well. It is suitable for high school and college students. Included is a score and a complete set of parts (27 pages). Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel feel to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this selection.
$24.00
Mouton: Christmas Motet for Flute Choir
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Ensemble de Flûtes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Fl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.550372 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616051. Published by jmsgu3 (A0.550372). A quadruple canon at the fifth. Duration: ca. 3:00, Score: 7 pages, Parts 2 pages each. Instrumentation: 3 concert flutes, 3 alto flutes, 2 bass flutes, 1 cello (optional).
$49.95
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Motet: Cello
