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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
SYNTHETISEUR
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PIANO & CLAVIERS
Piano seul
913
Piano Facile
263
Piano, Voix
155
Orgue
137
Piano, Voix et Guitare
92
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
31
Instruments en Do
20
2 Pianos, 4 mains
13
Accompagnement Piano
9
Piano grosses notes
8
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano (partie séparée)
4
Accordéon, Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
3
Clavier
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
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GUITARES
Guitare
101
Guitare notes et tablatures
72
Piano, Guitare (duo)
22
2 Guitares (duo)
22
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
13
Paroles et Accords
13
Guitare (partie séparée)
8
Mandoline
7
Basse electrique
6
4 Guitares (Quatuor)
4
Ensemble de guitares
2
Dulcimer
2
3 Guitares (trio)
1
Cithare
1
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VOIX
Chorale SATB
378
Chorale 3 parties
68
Chorale 2 parties
56
Chorale TTBB
46
Chorale SSAA
40
Chorale Unison
31
Voix duo
6
Voix Baryton, Piano
5
Voix Soprano, Piano
5
Voix duo, Piano
4
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
2
Voix Tenor, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Chorale SSAATTBB
2
Chorale SSATB
1
Voix Soprano
1
Voix seule
1
Voix moyenne, Piano
1
Chorale
1
Voix haute
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
199
Quatuor de Saxophones: 4 saxophones
112
Flûte traversière et Piano
111
Quintette de Saxophone: 5 saxophones
108
Clarinette et Piano
87
Quatuor de Clarinettes: 4 clarinettes
77
Hautbois, Piano (duo)
77
2 Saxophones (duo)
67
Saxophone Alto et Piano
62
Clarinette
60
Saxophone (partie séparée)
58
Flûte, Hautbois, Clarinette, Basson
56
2 Flûtes traversières (duo)
53
Ensemble de saxophones
47
2 Clarinettes (duo)
40
Ensemble de Clarinettes
40
Saxophone Tenor et Piano
37
Flûte traversière
32
Saxophone Soprano et Piano
32
3 Saxophones (trio)
29
Hautbois (partie séparée)
28
Quatuor de Flûtes : 4 flûtes
27
2 Flûtes traversières, Piano
27
Saxophone Baryton, Piano
24
Saxophone Alto
22
Quintette de Flûte : 5 flûtes
22
Flûte, Clarinette (duo)
22
Cor anglais, Piano
21
Ensemble de Flûtes
19
3 Clarinettes (trio)
18
Quintette de Clarinettes: 5 clarinettes
18
Saxophone, Clarinette (duo)
17
2 Hautbois (duo)
15
Clarinette Basse, Piano
15
Flûte et Guitare
15
Hautbois, Basson (duo)
14
2 Flûte à bec (duo)
14
Trio de Flûtes: 3 flûtes
13
Hautbois, Flûte
12
Clarinette, Violon (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Clarinette (duo)
9
Clarinette, Trompette (duo)
8
Quatuor de Flûtes à bec
8
Clarinette (partie séparée)
8
Clarinette, Guitare (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
6
Flûte, Saxophone (duo)
6
Clarinette, Basson (duo)
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto
5
Flute (partie séparée)
5
Clarinette et Alto
5
Flûte, Violon
5
Flûte irlandaise
5
Flûte à bec Soprano, Piano
4
Flûte, Alto (duo)
4
Hautbois
4
Flûte, Trompette (duo)
4
Hautbois, Guitare (duo)
4
5 Flûtes à bec
4
Flûte à Bec
4
Saxophone et Orgue
4
Saxophone
3
Flûte à bec Soprano
3
Piccolo, Piano
3
Flûte à bec Tenor
3
2 Saxophones, Piano
2
Flûte, Violoncelle
2
Hautbois, Harpe
2
3 Hautbois
2
Clarinette, Violoncelle (duo)
2
2 Clarinettes, Piano
2
Harmonica
2
Flûte, Trombone (duo)
2
Saxophone Tenor
2
Saxophone Baryton
2
Clarinette, Harpe (duo)
2
Flûte, Violon, Piano
2
Cor anglais, Guitare (duo)
2
Ensemble de Hautbois
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Tuba
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
2 Cors Anglais Et Pianoforte
1
Flûte, Basson et Piano
1
Cor Anglais
1
Saxophone, Tuba (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Saxophone Soprano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
154
Quatuor de Cuivres : 2 trompettes, trombone, tuba
123
Trombone et Piano
69
Trompette, Piano
57
Ensemble de Trompettes
51
Trompette
46
Cor et Piano
40
Trombone (partie séparée)
37
Trombone
34
Ensemble de Trombones
29
Trompette (partie séparée)
28
Tuba et Piano
27
Euphonium, Piano (duo)
27
Cor anglais, Piano
21
Tuba
20
Cor
18
Quatuor de Cuivres
18
2 Trombones (duo)
17
2 Trompettes (duo)
17
Trompette, Trombone (duo)
14
Trompette, Saxophone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Cor (partie séparée)
10
2 Cors (duo)
9
Ensemble de Cors
8
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
7
3 Trombones (trio)
7
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
5
4 Tubas
5
Trombone, Orgue
5
Tuba (partie séparée)
4
3 Tubas (trio)
4
Trombone basse
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
3
3 Cors (trio)
3
2 Tubas (duo)
3
2 Euphoniums (duo)
2
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
3 Euphoniums
2
Tuba et Orgue
2
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Cor et Harpe
1
Trombone basse et Piano
1
Trio de Cuivres
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
278
Violon et Piano
152
Violoncelle, Piano
87
Alto, Piano
68
Violon
62
2 Violons (duo)
51
Violon, Violoncelle (duo)
45
Violon, Alto (duo)
44
Harpe
39
Trio à Cordes: violon, alto, violoncelle
36
Violoncelle (partie séparée)
35
Alto seul
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
2 Altos (duo)
19
Violoncelle
17
Alto (partie séparée)
17
2 Violoncelles (duo)
16
Contrebasse, Piano (duo)
15
Contrebasse (partie séparée)
15
Contre Basse
15
Violoncelle, Contrebasse (duo)
10
Violon (partie séparée)
10
Ensemble de Violons
10
Trio à cordes: 3 violins
9
Ensemble d'Altos
9
Harpe, Flûte (duo)
9
Trio à Cordes: 3 violoncelles
8
Alto, Violoncelle (duo)
7
Trio à cordes: 3 altos
7
Violon, Guitare (duo)
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 2 violons, alto
5
Piano Trio: Violon, Alto, Piano
4
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
3 Contrebasses
2
Harpe, Violoncelle (duo)
2
2 Harpes (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto et Harpe
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Violoncelle, Orchestre
1
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
Harpe, Trombone (duo)
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Voix
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
599
Orchestre
254
Orchestre à Cordes
166
Orchestre de chambre
126
Ensemble de cuivres
81
Ensemble Jazz
34
Cloches
30
Percussion (partie séparée)
21
Ensemble de Percussions
19
Batterie
15
Jazz combo
7
Fanfare
6
Marimba
5
Batterie (partie séparée)
4
Vibraphone
4
Vibraphone et Marimba
2
Orchestre, Violon
2
Xylophone, Piano
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Move On
Partitions à imprimer
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9976
Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
Voix Tenor
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.
$10.35
9.54 €
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Voix Tenor
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Suck It Up And Move On (Rehearsal Track)
Voice - Digital Download SKU: A0.1051464 By Stephen DeCesare. By Stephen DeCesare. …
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Voice - Digital Download SKU: A0.1051464 By Stephen DeCesare. By Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Full Performance. Duration 146. Exultet Music #667. Published by Exultet Music (A0.1051464). This is the rehearsal track for Suck It Up And Move On that is featured in Peter Rabbit: the musical which is available on this site. An accompaniment track as well as the individual sheet music for this piece is also available.
$3.99
3.68 €
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Stephen DeCesare
#
Suck It Up And Move On
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Exultet Music
#
SheetMusicPlus
Suck It Up And Move On (Accompaniment Track)
Digital Download SKU: A0.1051465 By Stephen DeCesare. By Stephen DeCesare. Children…
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Digital Download SKU: A0.1051465 By Stephen DeCesare. By Stephen DeCesare. Children,Contemporary,Film/TV. Accompaniment. Duration 146. Exultet Music #669. Published by Exultet Music (A0.1051465). This is the accompaniment track for Suck It Up And Move On that is featured in Peter Rabbit: the musical which is available on this site. A rehearsal track as well as the individual sheet music for this piece is also available.
$3.99
3.68 €
#
Stephen DeCesare
#
Suck It Up And Move On
#
Exultet Music
#
SheetMusicPlus
Ghosts (how Can I Move On)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1173068 Composed by Matthew …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1173068 Composed by Matthew Bellamy. Arranged by Kenneth Pasciak. Pop,Rock. Score. 15 pages. Kenneth Pasciak #773267. Published by Kenneth Pasciak (A0.1173068). Ghosts (How Can I Move On) by Matthew Bellamy and Muse for voice and piano. Includes 13-page score with lyrics. Kenneth Pasciak Music Publishing, ASCAPkenpasciak.com.
$6.95
6.4 €
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Piano, Voix
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Matthew Bellamy
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Kenneth Pasciak
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Ghosts
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Kenneth Pasciak
#
SheetMusicPlus
Move On
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.883827 By ABBA. …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.883827 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Sachiththa Fernando. Contemporary. Score and parts. 8 pages. Sachiththa Fernando #3681145. Published by Sachiththa Fernando (A0.883827). ABBA's Move On arranged for string quartet by Sachiththa FernandoThis is possibly the only string quartet arrangement of this song so far. The arrangement has been done while preserving the rhythmic element of the original song to the greatest extent so that it does not lack in forward momentum or in rhythmic feel. Concurrently, the themes (both principal and counter) have been included as much as possible. If you like this arrangement or if you have any comments/suggestions, feel free to get in touch! Email: sachiththa.fernando@gmail.comBandcamp: https://sachiththafernando.bandcamp.comFacebook: https://www.facebook.com/sachiththafernandocomposer
$15.00
13.82 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
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ABBA
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Sachiththa Fernando
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Move On
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Sachiththa Fernando
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SheetMusicPlus
Suck It Up And Move On (Vocal Trio)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.618167 By Stephen DeCesare. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.618167 By Stephen DeCesare. By Stephen DeCesare. Broadway,Children,Contemporary,Country,Musical/Show. Score. 10 pages. Exultet Music #2007695. Published by Exultet Music (A0.618167). Comical number of encouragement that is scored for a Vocal Trio with Piano accompaniment. Featured in: Peter Rabbit: the musical which is available on this site. A rehearsal and an accompaniment track are also available.
$12.99
11.97 €
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Piano, Voix
#
Stephen DeCesare
#
Suck It Up And Move On
#
Exultet Music
#
SheetMusicPlus
Opera Duet Go Let Him Go for Soprano and Mezzo Soprano from On the Wings of the Scarlet Messenger
Voix duo
Voice Duet Voice - Level 4 - Digital Download SKU: A0.730234 Composed by James Nath…
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Voice Duet Voice - Level 4 - Digital Download SKU: A0.730234 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 11 pages. James Nathaniel Holland #370919. Published by James Nathaniel Holland (A0.730234). Duet for Soprano and Mezzo Soprano (Piano Vocal Score) Go, Let Him Go from the American opera On the Wings of the Scarlet Messenger Music and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation (orchestrated): https://www.youtube.com/watch?v=GJ4Va9VP68M Beautiful duet between an Aunt (mezzo soprano) and her niece (soprano). Act IV opens as Mariana has been waiting two long years for the gay foreignor to die and for her lover to return with the money. But no word. Leila, her aunt, who is glad this ill fated love affair has ended tells her she must move on. American contemporary opera. Straddles opera and musical theater genres. Good for young voices or concert. Piano vocal score.
$5.95
5.48 €
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Voix duo
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James Nathaniel Holland
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Opera Duet Go Let Him Go for Soprano and Mezzo Soprano from On the Wings of the Scarlet Messenger
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James Nathaniel Holland
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SheetMusicPlus
Moving On
Small Ensemble Cello - Digital Download SKU: A0.483438 Composed by Jalin Graham. 20…
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Small Ensemble Cello - Digital Download SKU: A0.483438 Composed by Jalin Graham. 20th Century,Classical,New Age. Score and parts. 20 pages. Published by Villain Compositions (A0.483438). This piece is for those dealing with grief. Hopefully, we can all move on to better days.
$4.99
4.6 €
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Jalin Graham
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Moving On
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Villain Compositions
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SheetMusicPlus
Suite for First Position String Orchestra in Three Movements
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bo…
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String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and parts. 53 pages. Michael Butkus-Bomier #2032829. Published by Michael Butkus-Bomier (A0.862523). The GateWay Editions First Position String Orchestra Series presents this three-movement suite. A Moderato of about 4 mins duration, an Andante, the featured portion of the suite, running about 7 mins, and a final Allegro, all clocking in at just under 14 mins. ALL notes are playable in first position for ALL sections, of course! The basses sometimes shift to 1 1/2 position, as is the usual pedagogy for their instrument. No fast notes across strings or trills. A minimum of accidentals. These three pieces use tightly controlled rhythms, intervals, and melodic fragments, to create a maximum of symphonic euphony through the combination of just a few musical elements. The audio clip is the complete suite. This work can be the centerpiece of a concert for a youth orchestra, a community group, or a high school ensemble. The phrases are not longer than 4 notes, many are two-note groups, making the choices for bowings much easier than longer strings of notes. Each part has the first movement on page one, the second movement on two facing pages, and the third one the last page, making for easy organization of music onstage and in rehearsal. Score is 33 pgs. MBB.
$45.00
41.47 €
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Orchestre à Cordes
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Michael Bomier
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Suite for First Position String Orchestra in Three Movements
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Michael Butkus-Bomier
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Cor
#
Benjamin Harry Sajo
#
Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
#
Trompette
#
Benjamin Harry Sajo
#
Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
#
Cor
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Clarinet 1 in Bb
Clarinette
Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Har…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.1018946 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078675. Published by Benjamin Sajo (A0.1018946). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Clarinette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Flute 2
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry …
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
#
Flûte traversière
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Contrabass
Contre Basse
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Contre Basse
#
Benjamin Harry Sajo
#
Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violoncello
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry …
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Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Violoncelle (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry S…
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Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry S…
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Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Viola
Alto (partie séparée)
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry …
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Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Alto (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin II
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Violon
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Violin I
Violon
Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo.…
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Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Violon
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Benjamin Sajo
#
Kommos
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Benjamin Sajo
#
SheetMusicPlus
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