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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Vous avez sélectionné:
Movement II - Rachmaninoff Second Piano Concerto
Partitions à imprimer
19 partitions trouvées
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1
Mozart K467 "Andante" Mvt.II from Piano Concerto No. 21 ("Elvira Madigan") Bb Clarinet and Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.809183 By Glenn Martin. …
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.809183 By Glenn Martin. By Wolfgang Amadeus Mozart. Arranged by Glenn Martin. Chamber,Classical,Contest,Festival,Film/TV,Instructional. Score and part. 11 pages. Cornelius edition #6083131. Published by Cornelius edition (A0.809183). Mozart's Piano Concerto No 21 is often used in films and the second movement marked Andante has become known as the Elvira Madigan as it was used in a romantic film featuring a circus performer. This arrangement for Bb clarinet and piano accompaniment has some suggested ornamentation suitable for the period and is useful additional repertoire for classroom study , concert, competition or a church interlude.Duration 5:10.
$4.45
3.99 €
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Clarinette et Piano
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Glenn Martin
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Glenn Martin
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Mozart K467 "Andante" Mvt.II from Piano Concerto No. 21
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Cornelius edition
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SheetMusicPlus
Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante.
Clarinette et Piano
Clarinet,Piano - Level 5 - Digital Download SKU: A0.713175 Composed by Doug Clyde. …
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Clarinet,Piano - Level 5 - Digital Download SKU: A0.713175 Composed by Doug Clyde. 20th Century,Contemporary. Score and part. 12 pages. ALBEDO MUSIC #4278341. Published by ALBEDO MUSIC (A0.713175). Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante. Second Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Piano Score & Clarinet Part. Contents: Movement II. Andante. Instrumentation: Piano, Solo Clarinet in Bb and Chair (metal chair, wooden chair, or plastic chair). Performance Duration 4:30. AMSM114. © 2018 by Doug Clyde of ALBEDO MUSIC.
$10.00
8.96 €
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Clarinette et Piano
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Doug Clyde
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Clarinet Part
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Concerto for Clarinet, Chair, and Orchestra. Piano Reduction. Movement II. Andante.
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ALBEDO MUSIC
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SheetMusicPlus
Adagio (from Concerto in D minor, BWV 974) - arr for 2 Violins and Piano ("I'll Second This" Series)
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1162720 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Traditional. Score and parts. 11 pages. Pietro Prugna #763090. Published by Pietro Prugna (A0.1162720). JS Bach arranged Alessandro Marcello's Oboe Concerto in D minor for keyboard. This is an arrangement of the second movement, Adagio, for Organ for Violin (melody) and Piano (accompaniment). I'll Second This is a series of arrangements for Violin (melody) and Piano (accompaniment). An optional Violin II is added to harmonise the melody. The arrangements can also be played without Violin II, with just melody and accompaniment. The PDF contains Full Score and Set of Parts (Violin I, Violin II and Piano).
$1.99
1.78 €
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Violon et Piano
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Johann Sebastian Bach
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Pietro Prugna
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Adagio
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Pietro Prugna
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SheetMusicPlus
Concerto for Clarinet, Chair, and Orchestra. Minus Track. Movement II. Andante.
Piano seul
Piano - Digital Download SKU: A0.1071226 Composed by Doug Clyde. 20th Century,Conte…
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Piano - Digital Download SKU: A0.1071226 Composed by Doug Clyde. 20th Century,Contemporary. Accompaniment. Duration 275. ALBEDO MUSIC #5988987. Published by ALBEDO MUSIC (A0.1071226). Minus Track. Concerto for Clarinet, Chair, and Orchestra. Piano Reduction MP3 Accompaniment. Movement II. Andante. Second Movement only. Composed by Doug Clyde of ALBEDO MUSIC from Thanksgiving 2018 to Christmas 2018. Performance Duration 4:30. AMMT2. © 2018 by Doug Clyde of ALBEDO MUSIC.
$1.99
1.78 €
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Piano seul
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Doug Clyde
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Concerto for Clarinet, Chair, and Orchestra. Minus Track. Movement II. Andante.
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ALBEDO MUSIC
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SheetMusicPlus
Violin Concerto in A Minor RV 356 II. Largo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1029399 Composed by Antonio Vivaldi…
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Piano Solo - Level 4 - Digital Download SKU: A0.1029399 Composed by Antonio Vivaldi. Arranged by Mira Loescher. Baroque,Concert,Instructional,Standards. Score. 1 pages. Mira Loescher #4883131. Published by Mira Loescher (A0.1029399). Antonio Vivaldi first published the violin concerto in a minor in 1711 as part of a collection of string concertos known as L'estro armonico, Op. 3. There are 12 concertos in the collection and the a minor violin concerto is the 6th concerto in the set. It was originally scored for solo violin, small string orchestra, and continuo. The popularity of these concertos was rivaled only by the Four Seasons from his Opus 8 collection. This arrangement of the second movement captures the detailed melodic line of the solo violin with the simplicity of the accompaniment.
$2.99
2.68 €
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Piano seul
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Antonio Vivaldi
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Mira Loescher
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Violin Concerto in A Minor RV 356 II. Largo
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Mira Loescher
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SheetMusicPlus
Largo From Double Concerto, Bwv 1043
(Double Concerto, Movement II). By Johann Sebastian Bach (1685-1750). Arranged by Bill Sch…
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(Double Concerto, Movement II). By Johann Sebastian Bach (1685-1750). Arranged by Bill Schuetter. For violin duet, keyboard. Level 4. Score and parts. Duration 5 minutes 30 seconds. Published by Imagine Music - Digital
$8.00
7.17 €
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Johann Sebastian Bach
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Bill Schuetter
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Largo From Double Concerto, Bwv 1043
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Imagine Music - Digital
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
26.83 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
69.83 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata for Alto Saxophone and Piano, Op. 4
Saxophone Alto et Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.102…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00
17.92 €
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Saxophone Alto et Piano
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Tyler J
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Sonata for Alto Saxophone and Piano, Op. 4
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TJHoltMusic
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SheetMusicPlus
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
23.25 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
19.66 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.08 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Concerto in modo antico (2011) for recorder (soprano or tenor) and strings, full sco
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.775953 Composed by Carson Coo…
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String Orchestra - Level 3 - Digital Download SKU: A0.775953 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 27 pages. Musik Fabrik Music Publishing #2033577. Published by Musik Fabrik Music Publishing (A0.775953). Concerto in modo antico (2011) for recorder and strings was commissioned by and is dedicated to recorderist John Turner. The five movements of the work draw upon stylistic elements of Medieval and Renaissance music. I. Estampie II. Aria III. Echo Gigue IV. Ground (in memoriam Lee Hoiby) V. Estampie da capo Orchestra details: A small string orchestra is suggested. String quintet may be used if necessary (although the first violin part in the second movement will be nearly entirely double stops). Though it is not preferred, the recorder may be discretely amplified if necessary, particularly if using a large string orchestra. A piano reduction is provided primarily for rehearsal purposes. If absolutely necessary, the work may be performed in concert with piano, although the string scoring is vastly preferred.
$16.85
15.09 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman - Concerto in modo antico
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto No. 4 - Orchestra Parts (First Edition)
Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - Digital Download SKU: A0.86464…
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Large Ensemble Cello,Flute,Oboe,Viola,Violin - Level 1 - Digital Download SKU: A0.864647 Composed by Alexander Peskanov. Classical. Score and parts. 36 pages. Classical Video Concepts, Inc. #2014519. Published by Classical Video Concepts, Inc. (A0.864647). The package includes: FLUTE - 1 Copy OBOE - 1 Copy VIOLIN I - 6 Copies VIOLIN II - 6 Copies VIOLA - 4 Copies CELLO/BASS - 4 Copies Concerto No. 4 for Piano and Orchestra is written in classical style. The first movement is reminiscent of Haydn's Symphonies. The music is light and humorous. The second movement reminds of arias from Gluck's operas. The music is filled with nostalgia and sorrow. The third movement is written in rondo form. It's filled with vigor and joy.
$50.00
44.79 €
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Alexander Peskanov
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Concerto No. 4 - Orchestra Parts
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Classical Video Concepts, Inc.
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SheetMusicPlus
Italian Concerto arrangement for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.902425 Composed by Johann …
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String Quartet String Quartet - Digital Download SKU: A0.902425 Composed by Johann Sebastian Bach. Arranged by Sofia Zaitseva. Baroque,Concert,Standards,World. Score and parts. 92 pages. Sofia Zaitseva #6207345. Published by Sofia Zaitseva (A0.902425). J S Bach Italian Concerto arrangement for String QuartetThe Italian Concerto, BWV 971, originally titled Concerto nach Italienischen Gusto (Concerto in the Italian taste), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Ãœbung II (the second half being the French Overture). The Italian Concerto has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano.
$19.99
17.91 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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Sofia Zaitseva
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Italian Concerto arrangement for String Quartet
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Sofia Zaitseva
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SheetMusicPlus
Bach: Italian Concerto BWV971 Mvt.I - symphonic wind/bass
Large Ensemble - Level 4 - Digital Download SKU: A0.553930 Composed by Johann Sebas…
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Large Ensemble - Level 4 - Digital Download SKU: A0.553930 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque. Score and parts. 28 pages. RayThompsonMusic #6255129. Published by RayThompsonMusic (A0.553930). The Italian Concerto, BWV 971, originally titled Concerto nach Italienischen Gusto (Concerto in the Italian taste), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Ãœbung II (the second half being the French Overture). The Italian Concerto has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano.
$14.95
13.39 €
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Johann Sebastian Bach
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Ray Thompson
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Bach: Italian Concerto BWV971 Mvt.I - symphonic wind/bass
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RayThompsonMusic
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SheetMusicPlus
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12
Instrumental Duet,Piano Instrumental Duet,Oboe d'Amore,Piano - Digital Download SKU: A0…
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Instrumental Duet,Piano Instrumental Duet,Oboe d'Amore,Piano - Digital Download SKU: A0.955181 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 46 pages. Chamber Ensemble of Minnesota, Inc. #6414415. Published by Chamber Ensemble of Minnesota, Inc. (A0.955181). Oboe d’amore I and II parts, soloists score plus Piano + Piano Score of the Oboe d’amore arrangement of Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$9.75
8.73 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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Double Oboe d’amore Concerto in A Major, Op. 9 No. 12
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Double English horn Concerto in D Major, Op. 9 No. 12
Small Ensemble English Horn,Piano Accompaniment - Level 4 - Digital Download SKU: A0.95…
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Small Ensemble English Horn,Piano Accompaniment - Level 4 - Digital Download SKU: A0.955179 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 29 pages. Chamber Ensemble of Minnesota, Inc. #6409601. Published by Chamber Ensemble of Minnesota, Inc. (A0.955179). English horn I and II parts, soloists score plus Piano Reduction of the English horn arrangement for Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$9.75
8.73 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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Double English horn Concerto in D Major, Op. 9 No. 12
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
8.95 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
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