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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Movement for Clarinet and Piano
Non classifié
283
Piano & claviers
Piano seul
16
Piano Facile
5
Piano, Voix et Guitare
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
1
Guitares
Voix
Chorale SATB
9
Voix Soprano, Piano
1
Chorale 2 parties
1
Chorale TTBB
1
Chorale SSAA
1
Vents
Clarinette et Piano
341
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Clarinette Basse, Piano
37
Flûte, Hautbois, Clarinette, Basson
29
Clarinette
27
Quatuor de Clarinettes: 4 clarinettes
20
2 Clarinettes (duo)
20
Flûte, Clarinette (duo)
16
Hautbois, Piano (duo)
16
Flûte traversière et Piano
11
Flûte, Clarinette, Piano (trio)
11
Quintette de Clarinettes: 5 clarinettes
10
Ensemble de Clarinettes
9
3 Clarinettes (trio)
8
Saxophone Alto et Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Saxophone Tenor et Piano
4
Saxophone Soprano et Piano
4
2 Flûtes traversières (duo)
4
Clarinette, Basson, Piano (trio)
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette et Basson
2
Clarinette, Basson (duo)
2
Flûte, Basson et Piano
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Clarinette, Alto et Piano (trio)
1
2 Hautbois (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violon (duo)
1
Clarinette Basse
1
Quatuor de Saxophones: 4 saxophones
1
+ 30 instrumentations
Retracter
Cuivres
Trompette, Piano
3
Trombone et Piano
3
Euphonium, Piano (duo)
2
Tuba et Piano
1
Cordes
Violon et Piano
16
Alto, Piano
13
Violoncelle, Piano
9
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon, Clarinette, Piano (trio)
3
2 Violons (duo)
2
Violon, Alto (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon
1
+ 4 instrumentations
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Orchestre & Percussions
Orchestre
28
Orchestre de chambre
26
Orchestre d'harmonie
15
Piano et Orchestre
3
Ensemble Jazz
1
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Movement for Clarinet and Piano
Partitions à imprimer
1 165 partitions trouvées
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1151
Sonata for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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James Pickering
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Sonata for Clarinet and Piano
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Forton Music - Digital
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SheetMusicPlus
Cl. Pft. - Intermediate-Advanced - SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - D...
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Cl. Pft. - Intermediate-Advanced - SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
$14.95
The Swan, (Le Cygne), by Saint-Saens, for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. S...
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Clarinet,Piano - Level 3 - SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221139. Published by David McKeown (A0.587363). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Marche for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Marche for Clarinet and Piano
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Sy Brandon
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.754912 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and part. 9 pages. Sy Brandon #3216417. Publi...
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Clarinet,Piano - Level 4 - SKU: A0.754912 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and part. 9 pages. Sy Brandon #3216417. Published by Sy Brandon (A0.754912). The Marche for clarinet and piano is not a piece that would be used in a parade. It is a march that exists in the mind of a child who is playing with toy soldiers; therefore there is playfulness and humor that would not occur in a functional march. This is the fourth movement of six contrasting movements for a woodwind doubler that was composed for and premiered by Bret Pimentel. Each movement can stand alone as a solo piece or it can be played by a woodwind doubler as part of a suite. The other movements are Intrada for Flute, Romanza for Oboe, Valse for Bassoon, Nocturne for Saxophone, and Galop for Piccolo.
$4.99
A Forest Fantasy Suite (Three enchanting movements for Bb Clarinet and Piano)
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Clarinette et Piano
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FACILE
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Emma Arandjelović
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A Forest Fantasy Suite
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Masquerade Music
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.761544 Composed by Emma Arandjelović. Children,Contemporary,Film/TV. Score and part. 20 pages. Masquerade Music #...
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Clarinet,Piano - Level 2 - SKU: A0.761544 Composed by Emma Arandjelović. Children,Contemporary,Film/TV. Score and part. 20 pages. Masquerade Music #6364091. Published by Masquerade Music (A0.761544). Join us on an enchanting venture into the forest (and all that might await us there...) A Forest Fantasy Suite for Bb Clarinet and Piano was published April 2021 and is full of twists, turns, lyrical melodies, and an unexpected surprise or two! The suite, aimed at clarinettists of grade 3-6 standard (the first two movements are the easier of the three) consists of: Forest Fantasy (movement 1), Waltz by moonlight (movement 2), and A Witch's Joke (movement 3), were expertly written by Emma Arandjelović (Scotland, UK). The suite works both as a whole, or as individual stand alone movements. .
$8.99
Korean Simple Suite No.1 (For Clarinet and Piano)
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. 27 pages...
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Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. 27 pages. Han-Ki Kim #6362061. Published by Han-Ki Kim (A0.511806). Korean Simple Suite No.1 For Clarinet(in B flat) and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon ...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
Bach: Wachet auf for Clarinet & Piano
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Weber C. M. Grand Duo Concertant Op 48. Duet for 2 Clarinets in Bb. WOODWIND DUO.
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2 Clarinettes (duo)
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INTERMÉDIAIRE/AVANCÉ
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Carl Maria von Weber
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Glenn Martin
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Weber C. M. Grand Duo Concerta
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Cornelius edition
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SheetMusicPlus
Clarinet Duet Clarinet - Level 4 - SKU: A0.809190 Composed by Carl Maria von Weber. Arranged by Glenn Martin. 19th Century,Chamber,Classical,Contest,Fes...
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Clarinet Duet Clarinet - Level 4 - SKU: A0.809190 Composed by Carl Maria von Weber. Arranged by Glenn Martin. 19th Century,Chamber,Classical,Contest,Festival,Instructional. 2 scores. 15 pages. Cornelius edition #6326755. Published by Cornelius edition (A0.809190). Original: C.M. von Weber opus 48Â Grand Duo Concertant (three movements) for clarinet and piano. This edition: First movement marked Allegro con fuoco transcribed for two equal clarinets.) Weber wrote this virtuosic piece during 1815 and 1816 for himself to perform the piano accompaniment and Heinrich Baermann the solo clarinet part. With a performance time of approximately five and half minutes this first movement clarinet duet would make a perfect encore or contest piece.
$6.95
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Sonatina for Clarinet and Piano
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Clarinette et Piano
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Classique
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Chris Brammeld
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Sonatina for Clarinet and Pian
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Forton Music - Digital
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SheetMusicPlus
Clarinet and Piano - Level 6-7 - SKU: F2.FM1141 Composed by Chris Brammeld. 3 movement sonatina, attractive and effective. Classical. Score and Part. 28...
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Clarinet and Piano - Level 6-7 - SKU: F2.FM1141 Composed by Chris Brammeld. 3 movement sonatina, attractive and effective. Classical. Score and Part. 28 pages. Forton Music - Digital #FM1141. Published by Forton Music - Digital (F2.FM1141). ISBN 9790570790401. 8.25 x 11.75 inches.
$14.95
Korean Simple Suite No.3 "Happy Wedding" (For Clarinet and Piano)
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructional,Multicultura...
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Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1303612 Composed by Han-Ki Kim. Classical,Instructional,Multicultural,Standards,Traditional,World. 35 pages. Han-Ki Kim #893186. Published by Han-Ki Kim (A0.1303612). “Korean Simple Suite†No.3  <Happy Wedding>  For Clarinet and Piano Op.273It consists of 5 movements in total, and all of them mainly used the traditional 5 notes of “Do,Re,Mi,Sol,Ra†in Korea as far as the melody is concerned. It shows the wedding ceremony of the bride and groom held in the traditional Korean front yard and the surrounding scenery. The original Music was composed for violin and was composed by the composer's own teacher, violinist  Dr. Walter Verdehr.1st mov. : The Front Yard: In F minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events.2nd mov. : Yeonzi – Gonzi: In F major in 4/4 time. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony.3rd mov. : Joyful Dance: 3/4 time F minor, composed in ABA form, expressed the joy of dancing in Korea.4th mov. : Longing: In D minor in 6/4 time, tried to express the feeling of oriental waiting.5th mov. : The Bride and Groom: B minor, composed of 4/4 and 6/4 time signatures. Like the title The Groom and the Bride, it is composed in a rondo format that intersects the theme of liveliness and the theme of calm.Attached Music file is 1st mov. and recorded by Violin and Piano, it's just for a reference.
$14.90
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Pie Jesus, from Fauré's Requiem, for Clarinet and Piano
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Clarinette et Piano
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FACILE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards....
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Clarinet,Piano - Level 2 - SKU: A0.587706 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810595. Published by David McKeown (A0.587706). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Clarinet with Piano accompaniment. Both the piano score and the solo part are included in the pdf file.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
Jesu, Joy of Man's Desiring for Clarinet and Piano (Not Chords) - Score and Parts
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring fo
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Cassio Silva
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843207 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Ins...
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Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843207 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6345809. Published by Cassio Silva (A0.843207). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, Joy of Man's Desiring for Clarinet and Piano (Arpeggios With Chords) - Score and Parts
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, Joy of Man's Desiring fo
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Cassio Silva
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843209 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Ins...
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Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843209 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6345805. Published by Cassio Silva (A0.843209). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Jesu, joy of man's Desiring for Clarinet and Piano (With Chords) - Score and Parts
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Clarinette et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Cássio Silva Chaves
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Jesu, joy of man's Desiring fo
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Cassio Silva
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843210 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Ins...
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Small Ensemble Clarinet,Piano,Voice - Level 2 - SKU: A0.843210 Composed by Johann Sebastian Bach. Arranged by Cássio Silva Chaves. Baroque,Gospel,Instructional,Standards. Score and parts. 10 pages. Cassio Silva #6345813. Published by Cassio Silva (A0.843210). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.This song has an Intermediate Level of difficulties and can serve as a new step forward in the training of a musician.
$4.99
Sonatina for Clarinet and Piano
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Clarinette et Piano
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Richard E Brown
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Sonatina for Clarinet and Pian
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Dacker Music
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SheetMusicPlus
Clarinet,Piano - SKU: A0.814694 Composed by Richard E Brown. Standards. Score and part. 31 pages. Dacker Music #2959589. Published by Dacker Music (A0.8...
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Clarinet,Piano - SKU: A0.814694 Composed by Richard E Brown. Standards. Score and part. 31 pages. Dacker Music #2959589. Published by Dacker Music (A0.814694). As the title suggests, Sonatina for Clarinet and Piano is a 3-movement composition employing sonata forms on a somewhat smaller scale. It is useful recital repertoire for intermediate level students and soloists. The movements are:I. Allegro agitato - sonata-allegro - G minorII. Andante tranquillo - chaconne - C majorIII. Allegro - abridged sonata-rondo - G minor Grade 4 - Duration 9:30
$14.00
To A Wild Rose - Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Edward MacDowell
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Andrew Middleton
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To A Wild Rose - Clarinet and
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Andrew Middleton
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.736209 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 2 pages. Andrew M...
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Clarinet,Piano - Level 3 - SKU: A0.736209 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. Score and part. 2 pages. Andrew Middleton #6666877. Published by Andrew Middleton (A0.736209). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for clarinet in B flat and piano is ideal for the intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99
Episodes - for Alto Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Daniel Basford
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Episodes - for Alto Clarinet &
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Daniel Basford
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - SKU: A0.1120538 Composed by Daniel Basford. Chamber,Classical,Contemporary. Score and part. 44 pages. Daniel Basford #...
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E-Flat Clarinet,Piano - Level 4 - SKU: A0.1120538 Composed by Daniel Basford. Chamber,Classical,Contemporary. Score and part. 44 pages. Daniel Basford #721780. Published by Daniel Basford (A0.1120538). 4-movement chamber work for solo alto clarinet and piano. Duration approx. 15'30 Please note that the alto clarinet part is included within this PDF file. A separate purchase is not necessary. Introductory note: The alto clarinet is one of the most unfairly maligned woodwind instruments. Frequently derided and ignored, it has suffered decades of unjust ridicule and several times even the notion that it should be made completely extinct has been suggested. Thankfully, many clarinettists and composers feel differently; the alto clarinet is a beautiful instrument full of expression with a great variety of tone. The four movements of Episodes showcase the alto clarinet’s potential as a solo voice and to demonstrate that it can and should have a place on the concert stage. Each movement of Episodes may be performed separately.
$15.99
Arioso by Bach for Clarinet and Piano
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Clarinette et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Clarinet an
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Woods Only, Arrangements
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SheetMusicPlus
Clarinet,Piano - Level 1 - SKU: A0.1047122 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and pa...
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Clarinet,Piano - Level 1 - SKU: A0.1047122 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #651651. Published by Woods Only, Arrangements (A0.1047122). This easy arrangement for clarinet and piano was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains. The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part.
$1.99
Sonata Pathetique, Adagio Cantabile, by Beethoven, for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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David McKeown
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Sonata Pathetique, Adagio Cant
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.587808 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pa...
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Clarinet,Piano - Level 4 - SKU: A0.587808 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pages. David McKeown #4979355. Published by David McKeown (A0.587808). Adagio Cantabile is the second movement of Ludwig van Beethoven’s Piano Sonata No.8, named by his publisher, the Sonata Pathetique. This example of Eighteenth Century marketing was successful! The Sonata was a hit with both critics and the buying public and did much to establish the young composer’s reputation. This arrangement transcribes the piano score as a Solo for Clarinet with Piano accompaniment. There is a separate solo part included with the score. Soloists at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are mostly straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. There is one high F sharp. Since the main melody is played by the clarinet the piano part is easier than the original. The overall performance time is around four and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Six Bagatelles for Beethoven 250
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Clarinette
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AVANCÉ
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Classique
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by J...
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Clarinet Solo - Level 5 - SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
Movement for Clarinet and Piano
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Clarinette et Piano
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AVANCÉ
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Contemporain
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Gregory Hamilton
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Movement for Clarinet and Pian
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Dr. Gregory Hamilton
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SheetMusicPlus
Clarinet,Piano - Level 5 - SKU: A0.771970 Composed by Gregory Hamilton. Contemporary. Score and part. 13 pages. Dr. Gregory Hamilton #3535123. Published...
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Clarinet,Piano - Level 5 - SKU: A0.771970 Composed by Gregory Hamilton. Contemporary. Score and part. 13 pages. Dr. Gregory Hamilton #3535123. Published by Dr. Gregory Hamilton (A0.771970). Sonata in One Movement for Clarinet and Pianowww.gregoryhamilton.org
$20.00
Clarinet Sonata, op. 78
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Clarinet Sonata, op. 78
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Adrian Gagiu
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.1004722 Composed by Adrian Gagiu. 20th Century,Contemporary,Jewish. Score and part. 48 pages. Adrian Gagiu #6204609. ...
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Clarinet,Piano - Level 4 - SKU: A0.1004722 Composed by Adrian Gagiu. 20th Century,Contemporary,Jewish. Score and part. 48 pages. Adrian Gagiu #6204609. Published by Adrian Gagiu (A0.1004722). Sonata for Clarinet and Piano in E flat (2020), a neoclassical, modal composition based on the Klezmer and Romanian musical traditions. It is a peculiar mix of classical forms and procedures, melodic directness, learned character and whimsical dance-like sections, majesty, ponderousness, lyricism, bittersweet humor, and vivaciousness. The movements: Andante ma non troppo, Allegro moderato, Allegro vivace e scherzando. The mp3 audio clip is the third movement.
$20.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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Movement for Clarinet and Piano
