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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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PIANO & CLAVIERS
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
GUITARES
VOIX
VENTS
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
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4
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Quatuor de Flûtes à bec
1
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Vous avez sélectionné:
Much Ado - String Quartet
Partitions à imprimer
33 partitions trouvées
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26
Much Ado - Wind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.824726 Composed by Phil Rawle. Concert,Contemporary,Jazz. 13 pages. Phillip Rawle #6424641. Published by Phillip Rawle (A0.824726). A short, lively piece for wind quartet - Flute, Oboe, Clarinet in Bb, Bassoon.
$3.00
2.69 €
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Flûte, Hautbois, Clarinette, Basson
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Phil Rawle
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Much Ado - Wind Quartet
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Phillip Rawle
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SheetMusicPlus
Much Ado - Sax Quartet (SAAT)
Quatuor de Saxophones: 4 saxophones
Composed by Phil Rawle. Concert, Jazz. 13 pages. Phillip Rawle #4325799. Published b…
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Composed by Phil Rawle. Concert, Jazz. 13 pages. Phillip Rawle #4325799. Published by Phillip Rawle
$4.00
3.58 €
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Quatuor de Saxophones: 4 saxophones
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Phil Rawle
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Much Ado - Sax Quartet
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Phillip Rawle
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SheetMusicPlus
Variations on O Come all ye faithful (Adeste fideles) for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Level 4 - Digital Download SKU: A0.1136494 By Budapest Scoring. By Traditional. Arr…
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Level 4 - Digital Download SKU: A0.1136494 By Budapest Scoring. By Traditional. Arranged by David Warin Solomons. Christmas,Classical. Full Performance. Duration 206. David Warin Solomons #736493. Published by David Warin Solomons (A0.1136494). Based on a Christmas carol composed/arranged by various composers including King John IV of Portugal (1604–1656) and John Francis Wade (1711–1786) but probably going back to much earlier times. My variations are as follows: Verse 1: 4 time, major mode, tune on flute 1 (Wade's harmonisation) Verse 2: 4 time, minor mode, decorated tune on flute 1 Verse 3: 3 time, major mode, tune on alto flute Verse 4: 3 time, minor mode, tune on bass flute Verse 5: 4 time, major mode, tune on flute 2 O come, all ye faithful, joyful and triumphant! O come ye, O come ye to Bethlehem; Come and behold him Born the King of Angels: O come, let us adore Him, (3×) Christ the Lord. God of God, light of light, Lo, he abhors not the Virgin's womb; Very God, begotten, not created: O come, let us adore Him, (3×) Christ the Lord. Sing, choirs of angels, sing in exultation, Sing, all ye citizens of Heaven above! Glory to God, glory in the highest: O come, let us adore Him, (3×) Christ the Lord. Yea, Lord, we greet thee, born this happy morning; Jesus, to thee be glory given! Word of the Father, now in flesh appearing! O come, let us adore Him, (3×) Christ the Lord. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
4.03 €
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Quatuor de Flûtes : 4 flûtes
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Budapest Scoring
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David Warin Solomons
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Variations on O Come all ye faithful
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David Warin Solomons
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SheetMusicPlus
Ode to Joy by Beethoven for Recorder Quartet
Quatuor de Flûtes à bec
Recorder Quartet Recorder - Level 2 - Digital Download SKU: A0.1140791 Composed by …
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Recorder Quartet Recorder - Level 2 - Digital Download SKU: A0.1140791 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Recorder Ensemble. 12 pages. Woods Only, Arrangements #741046. Published by Woods Only, Arrangements (A0.1140791). This arrangement adapted for recorder quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
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Quatuor de Flûtes à bec
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Recorder Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.114079…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1140794 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741050. Published by Woods Only, Arrangements (A0.1140794). This arrangement adapted for clarinet quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
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Quatuor de Clarinettes: 4 clarinettes
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Clarinet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741060. Published by Woods Only, Arrangements (A0.1140803). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
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Ander
#
Ode to Joy by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1140800 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741056. Published by Woods Only, Arrangements (A0.1140800). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
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Ander
#
Ode to Joy by Beethoven for Tenor Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1140798 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741054. Published by Woods Only, Arrangements (A0.1140798). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
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Ander
#
Ode to Joy by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1140801 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741057. Published by Woods Only, Arrangements (A0.1140801). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
O Holy Night for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Ad…
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Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$39.95
35.79 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Adam
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James M
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O Holy Night for Piano Quartet
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jmsgu3
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SheetMusicPlus
Lady Madonna
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584051 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. 15 pages. Jeff Tincher #5293217. Published by Jeff Tincher (A0.584051). Here is one of the last singles on the Capital label before The Beatles started their own Apple label. In the original key, this lively song also appeared on The Beatles Again (or Hey Jude) and 1 albums. This arrangement includes the sax solo. This is a song that is as much to perform as it is to listen to it. Duration = 2:22. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.64 €
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Quatuor de Saxophones: 4 saxophones
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The Beatles
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Jeff Tincher
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Lady Madonna
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Jeff Tincher
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.19 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Lady Madonna
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584053 By…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584053 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 16 pages. Jeff Tincher #5293223. Published by Jeff Tincher (A0.584053). Here is one of the last singles on the Capital label before The Beatles started their own Apple label. In the original key, this lively song also appeared on The Beatles Again (or Hey Jude) and 1 albums. This arrangement includes the sax solo. This is a song that is as much to perform as it is to listen to it. Duration = 2:22. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.64 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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The Beatles
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Jeff Tincher
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Lady Madonna
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Jeff Tincher
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SheetMusicPlus
Ode to Joy by Beethoven for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1140783 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1140783 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741037. Published by Woods Only, Arrangements (A0.1140783). This arrangement adapted for woodwind quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Woodwind Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Bassoon Quartet
4 Bassons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - Digital Download SKU: A0.1140796…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - Digital Download SKU: A0.1140796 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741052. Published by Woods Only, Arrangements (A0.1140796). This arrangement adapted for bassoon quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.16 €
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4 Bassons
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Bassoon Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Lady Madonna
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584052 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. 16 pages. Jeff Tincher #5293221. Published by Jeff Tincher (A0.584052). Here is one of the last singles on the Capital label before The Beatles started their own Apple label. In the original key, this lively song also appeared on The Beatles Again (or Hey Jude) and 1 albums. This arrangement includes the sax solo. This is a song that is as much to perform as it is to listen to it. Duration = 2:22. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.64 €
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Flûte, Hautbois, Clarinette, Basson
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The Beatles
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Jeff Tincher
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Lady Madonna
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Jeff Tincher
#
SheetMusicPlus
Purple Baby Dragon Parade, Piano Quartet, one piano - eight hands
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.906693 Composed by …
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.906693 Composed by Laura Swagerty. Children,Concert,Contemporary,Standards. Score. 17 pages. Laura Swagerty #4640697. Published by Laura Swagerty (A0.906693). Purple Baby Dragon Parade is an adorable piano ensemble written for eight little hands at one Piano! The piano quartet is perfect for a combination of late elementary students and early intermediate students. Performance suggestion - the two primo players share a notebook while the two secondo players share a notebook. Page turns are much easier.
$6.50
5.82 €
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1 Piano, 4 mains
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Laura Swagerty
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Purple Baby Dragon Parade, Piano Quartet, one piano - eight hands
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Laura Swagerty
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.09 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
8 Russian Folksongs Cradle Song
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.647015…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.647015 Composed by Lyadov, Anatoly. Arranged by Nick Lacanski. Romantic Period. 6 pages. Theupperstaff #2031313. Published by theupperstaff (A0.647015). This somber movement has a reflective melody with much chromaticism underneath. Arranged for E flat, B flat, Alto and Bass clarinets. This may be used for a quartet or in an ensemble setting.
$3.99
3.57 €
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Quatuor de Clarinettes: 4 clarinettes
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Lyadov, Anatoly
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Nick Lacanski
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8 Russian Folksongs Cradle Song
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theupperstaff
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SheetMusicPlus
Sones y Jarabes Mixes - Cuarteto para Clarinetes
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Com…
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Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Composed by Rito Marcelino Rovirosa. Arranged by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 17 pages. Everardo GarcÃa Vargas #836352. Published by Everardo GarcÃa Vargas (A0.1240957). Sones y Jarabes Mixes - Cuarteto para ClarinetesLa obra musical ceremonial “Sones y Jarabes Mixesâ€, compuesta por Rito Marcelino Rovirosa, es ampliamente reconocida como uno de los himnos representativos de la región Mixe. Además de ser una pieza musical, también es un baile que forma parte integral de la cultura Mixe del estado de Oaxaca, México. El mismo autor también compuso un himno especÃfico para la región titulado “Himno Mixeâ€. En la tradición y costumbres de esta región, se realizan ceremonias y ritos para agradecer o pedir a las potencias naturales como el rayo, el viento, el agua, el sol, la montaña, la madre tierra y al rey “Konk ëy†(rey bueno), quien representa el vÃnculo con lo sagrado. Estas ceremonias pueden tener como objetivo tener una buena cosecha, alejar un mal sobrenatural, mejorar las condiciones de vida, tener abundancia económica o un buen año. Durante estas ceremonias se ofrendan bebidas como tepache y mezcal, alimentos y música, incluyendo sones y jarabes para bailar.Rito Marcelino Rovirosa, es un ilustre compositor mexicano conocido como el “hijo de la sierra mixeâ€, nació en Asunción Cacalotepec, Mixe, Oaxaca el 07 de abril de 1908 y falleció en Santiago Zacatepec Mixe, Oaxaca el 05 de julio de 2000 a la edad de 92 años. Rovirosa dejó un legado de más de 200 obras que se extendieron más allá de su región y fueron interpretadas por las bandas filarmónicas de casi todos los estados de la República Mexicana. Entre sus creaciones se encuentran sones y jarabes mixes, himno mixe, los mixes, fandango mixe, raza mixe, rey condoy, lustre, fiesta animada, viuda alegre, alegrÃa de mi alma, nueva esperanza, mi paisano y pájaro montañero. Sin embargo, no todas sus obras fueron conocidas o grabadas; dejó muchas inéditas e incluso escribió varias piezas a petición de otros músicos quienes le solicitaron que las dejara sin tÃtulo ni autorÃa. Marcelino Rovirosa vivió como cualquier otro campesino; dedicaba su tiempo a cuidar sus cultivos de café, maÃz y frijol. Las noches eran sus momentos favoritos para escribir sus obras inspirándose en la naturaleza, el canto de los pájaros y las convivencias con sus paisanos. Nadie hubiera imaginado que un indÃgena mixe iba a trascender con su música más allá de la frontera mixe. En la década de los años cuarenta del siglo pasado fue humillado por el mandamás de su pueblo quien lo envió a la cárcel acusándolo falsamente. Fue llevado a pie amarrado de las manos y sujetado por una cuerda por los guardianes desde su natal Asunción Cacalotepec hasta la cabecera distrital de Santiago Zacatepec un pueblo que lo adoptarÃa más tarde, después de caminar más de 10 horas en plena serranÃa fue conducido directamente a la cárcel donde permaneció durante tres años. Mientras estaba en la cárcel su creciente fama como buen músico llegó a oÃdos de las autoridades del pueblo, del agente del ministerio público, del juez que llevaba su caso y también de don Luis RodrÃguez Jacob, lÃder de la comunidad y del distrito mixe. A pesar de estar privado de su libertad gozaba de algunos tratos preferenciales que los demás no tenÃan. Fue incluido en la banda de música que viajó a la ciudad de Oaxaca, junto con las autoridades municipales para participar en un evento oficial que resultó ser todo un éxito. Al término de la misión y de regreso a Zacatepec don Luis RodrÃguez encomendó a los maestros de música y al distinguido Marcelino Rovirosa que escribieran una melodÃa representativa de la región mixe. Rito regresó como era natural a la cárcel municipal y puso manos a la obra; le facilitaron papel pautado y pluma y en pocos dÃas la obra solicitada quedó lista y lo tituló “fandango mixe†nombre sugerido por don Luis RodrÃguez.
$38.50
34.49 €
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Quatuor de Clarinettes: 4 clarinettes
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Rito Marcelino Rovirosa
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Everardo GarcÃa Vargas
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Sones y Jarabes Mixes - Cuarteto para Clarinetes
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Everardo GarcÃa Vargas
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SheetMusicPlus
Amelia
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1403729 By Joni Mitchell. By Joni Mitchell. Arranged by Jeff Tincher. Contemporary,Folk,Jazz,Singer/Songwriter. 33 pages. Jeff Tincher #986942. Published by Jeff Tincher (A0.1403729). This is one of Joni's ballads with some heart. In the original key from her live Shadows And Light project, this song is about Amelia Earhart and how Joni's life was so much like Amelia's. The song is simple in structure bu has some beautiful transistions. Duration = 7:27. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.64 €
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Quatuor de Saxophones: 4 saxophones
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Joni Mitchell
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Jeff Tincher
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Amelia
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Jeff Tincher
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SheetMusicPlus
Amelia
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1403736 By…
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1403736 By Joni Mitchell. By Joni Mitchell. Arranged by Jeff Tincher. Contemporary,Folk,Jazz,Singer/Songwriter. 32 pages. Jeff Tincher #986949. Published by Jeff Tincher (A0.1403736). This is one of Joni's ballads with some heart. In the original key from her live Shadows And Light project, this song is about Amelia Earhart and how Joni's life was so much like Amelia's. The song is simple in structure bu has some beautiful transistions. Duration = 7:27. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.64 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Joni Mitchell
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Jeff Tincher
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Amelia
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Jeff Tincher
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SheetMusicPlus
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