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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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Non classifié
362
PIANO & CLAVIERS
Piano seul
669
Piano, Voix
177
Piano Facile
171
Piano, Voix et Guitare
165
Orgue
27
Accordéon
27
Instruments en Do
10
1 Piano, 4 mains
8
Piano Trio: piano, violon, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Clavecin
2
2 Pianos, 8 mains
1
2 Accordéons
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
187
Guitare
136
Basse electrique
99
Paroles et Accords
20
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
15
Ensemble de guitares
4
2 Guitares (duo)
4
Piano, Guitare (duo)
3
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
2 Mandolines (duo)
1
Dulcimer
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
58
Chorale TTBB
21
Voix seule
15
Chorale SSAA
15
Chorale 3 parties
12
Voix Soprano, Piano
8
Voix haute
6
Chorale Unison
5
Voix duo
5
Voix Tenor, Piano
4
Voix duo, Piano
2
Voix haute, Piano
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
Voix Soprano
1
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VENTS
Cornemuse
63
Quatuor de Saxophones: 4 saxophones
35
Flûte traversière
29
Flûte traversière et Piano
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Clarinette
19
Hautbois, Piano (duo)
17
Saxophone Alto
16
Saxophone (partie séparée)
15
Saxophone Tenor
15
Clarinette et Piano
15
Saxophone Alto et Piano
14
2 Clarinettes (duo)
13
Saxophone Soprano
9
Clarinette (partie séparée)
9
2 Flûtes traversières (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
2 Saxophones (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
Ensemble de Flûtes
7
Saxophone Baryton, Piano
7
Hautbois (partie séparée)
7
Saxophone Soprano et Piano
7
Quatuor de Flûtes à bec
6
Quintette de Saxophone: 5 saxophones
6
Cor anglais, Piano
5
Flute (partie séparée)
5
Ensemble de Clarinettes
5
Clarinette Basse, Piano
5
5 Flûtes à bec
4
Flûte, Clarinette (duo)
4
3 Clarinettes (trio)
3
Ensemble de saxophones
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûte à bec (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
2
Flûte et Guitare
2
Flûte, Violoncelle
1
Piccolo
1
Piccolo, Piano
1
Flûte, Violon
1
Flûte, Violon, Piano
1
Flûte à bec Alto
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
3 Saxophones (trio)
1
2 Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Ensemble De Flûte à bec
1
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CUIVRES
Trompette
29
Trombone
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Cor et Piano
9
Trompette (partie séparée)
9
Euphonium, Piano (duo)
8
Cor (partie séparée)
7
Trombone (partie séparée)
7
Trombone et Piano
6
Cor anglais, Piano
5
Trompette, Piano
5
Quatuor de Cuivres
3
2 Trompettes (duo)
3
Tuba (partie séparée)
3
2 Tubas (duo)
2
Cor
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Trompette, Violoncelle et Piano
1
2 Trombones (duo)
1
Tuba
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon et Piano
47
Violon
32
Violoncelle, Piano
22
Violoncelle
20
Alto, Piano
13
Trio à Cordes: violon, alto, violoncelle
12
Harpe
11
Violon, Violoncelle (duo)
11
Violon (partie séparée)
11
Alto seul
9
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
4 Violoncelles
4
Violoncelle (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Contrebasse (partie séparée)
3
Trio à cordes
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Contre Basse
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
123
Orchestre d'harmonie
110
Orchestre à Cordes
47
Orchestre
35
Ensemble Jazz
16
Orchestre de chambre
12
Ensemble de cuivres
11
Fanfare
8
Percussion (partie séparée)
5
Batterie (partie séparée)
4
Ensemble de Percussions
2
Vibraphone (partie séparée)
1
Jazz combo
1
Xylophone
1
Marimba
1
Cloches
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Muse
Trio à Cordes: violon, alto, violoncelle
Partitions à imprimer
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Musette
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.648…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.648444 Composed by Leopold Mozart. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and parts. 6 pages. Theupperstaff #3456245. Published by theupperstaff (A0.648444). A great trio  from the pen of papa Mozart.
$3.99
3.57 €
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Trio à Cordes: violon, alto, violoncelle
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Leopold Mozart
#
Nick Lacanski
#
Musette
#
theupperstaff
#
SheetMusicPlus
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.) *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
$20.00
17.91 €
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Trio à Cordes: violon, alto, violoncelle
#
Arthur Breur
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Glacier Bay - String Trio
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Floating Home Music
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SheetMusicPlus
Ambrosia 7 for String Trio
Trio à Cordes: violon, alto, violoncelle
Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1082179 …
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Small Ensemble Cello,Viola,Violin - Level 5 - Interactive Download SKU: A0.1082179 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 5 pages. Duration 54. Father Ambrose Press #5nY9JMs4BmKn6dGASk9ygi. Published by Father Ambrose Press (A0.1082179). Key: F major.Introduction to a brilliant, reluctant muse.
$19.99
17.9 €
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Trio à Cordes: violon, alto, violoncelle
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Celebrity Chamber Players
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Ambrosia 7 for String Trio
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Father Ambrose Press
#
SheetMusicPlus
Pirate
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.103…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1031804 Composed by Elizabeth Bunker. 20th Century,Children,Rock,Standards. Score and parts. 7 pages. Elizabeth Bunker #3569961. Published by Elizabeth Bunker (A0.1031804). This piece is about a young man who works at an amusement park operating a pirate ride. He appears to be deeply unsatisfied with his work. He is, in fact, unsatisfied, but as you travel deeper into his life you learn that even though his career is not where he wished, he does have a lot of things in his life that are really good. He has a family who loves him a lot and he is a very talented artist who has yet to be discovered. For intermediate string orchestra (Violin, Viola, Cello). Duration: 1:18. Individual parts available upon request- contact at 20ebunker@wpsstudents.org.
$3.00
2.69 €
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Trio à Cordes: violon, alto, violoncelle
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Elizabeth Bunker
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Pirate
#
Elizabeth Bunker
#
SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio No.1 in E flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.88 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No.1 in E flat major
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Artaria Editions
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SheetMusicPlus
Feeling Good for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Ni…
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String Trio - Advanced Intermediate - Digital Download By Michael Buble. Arranged by Nina Kopparhed. Score, Set of Parts. 13 pages. Published by Stringtastic Publications
"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint ? The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.[1] Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You. The song has also been covered by Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, EDEN, Muse, and Black Cat Bones, among others.
$12.99
11.63 €
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Trio à Cordes: violon, alto, violoncelle
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Michael Buble
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Feeling Good for String Trio
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Stringtastic Publications
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SheetMusicPlus
Musette - String Trio
Trio à Cordes: violon, alto, violoncelle
Composed by Johann Sebastian Bach (1685-1750). Arranged by Kate Agioritis. Baroque Period,…
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Kate Agioritis. Baroque Period, Repertoire. Score, Set of Parts. 6 pages. Published by Musika Publishing Australia (S0.280959). - Score,Set of Parts - Baroque Period,Repertoire - Musika Publishing Australia
$1.99
1.78 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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Kate Agioritis
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Musette - String Trio
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Musika Publishing Australia
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SheetMusicPlus
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