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Vous avez sélectionné:
Music's Alive in Me!
Partitions à imprimer
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Music's Alive in Me!
Chorale 3 parties
3-part mixed choir, Piano - Digital Download SKU: LX.15-3486H Composed by Joseph M.…
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3-part mixed choir, Piano - Digital Download SKU: LX.15-3486H Composed by Joseph M. Martin. Educational. Octavo. 8 pages. Heritage Music Press #e15/3486H. Published by Heritage Music Press (LX.15-3486H). ISBN 9780787757656. Text: Charlotte Lee.This title is a highly energized Joseph M. Martin program opener or festival selection expertly written to get the very best sound from your middle school voices. The song is an excellent choice for introducing independent parts, and a syncopated piano scoring throughout sets the foundation for fun, creative vocal interplay. Your students will love digging into this one!
$2.40
2.2 €
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Chorale 3 parties
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Joseph M
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Music's Alive in Me!
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Heritage Music Press
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SheetMusicPlus
Music Makes Me Feel Alive
Chorale TTBB
TTBB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3341H
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TTBB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3341H Composed by Mark Hayes. Educational. Octavo. 16 pages. Heritage Music Press #e15/3341H. Published by Heritage Music Press (LX.15-3341H). ISBN 9780787731960.Mark Hayes's brilliant celebration of music's power to uplift, refresh, and recharge our lives is full of endless excitement and boundless vitality. A dynamic optional orchestration provides the effective backdrop for a scintillating Broadway sound in this perfect festival or concert opener. (The sample recording for this piece is the SATB voicing.).
$2.75
2.53 €
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Chorale TTBB
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Mark Hayes
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Music Makes Me Feel Alive
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Heritage Music Press
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SheetMusicPlus
Tell Me the Story of Jesus
Chorale Unison
Unison, Piano, Narration, Reproducible - Digital Download SKU: LX.239327 A Child…
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Unison, Piano, Narration, Reproducible - Digital Download SKU: LX.239327 A Children's Christmas Program. Composed by Addy Forrest and Dan Forrest. Choral Cantatas. General. 44 pages. SoundForth #e239327. Published by SoundForth (LX.239327). UPC: 821617010806.In this short musical play, you'll join the Ponder family as they invite a young boy, Mike, to share Christmas with them. Through their family traditions, including the reading of the Christmas story, the gospel comes alive. The music, a blend of traditional carols and new compositions, is carefully crafted for success with young singers. Fourteen characters have costumed speaking roles, and up to 28 different narrators can be used to give everyone in your church, school, or homeschool group an opportunity to participate. This program is designed as a Sunday school program with sections for the preschool children, K-3rd graders, and 4-6th graders. The age categories are flexible. Many small speaking parts allow a large number of children to participate. In a smaller church, more than one narrator part can be given to each child.
Song List: Away In A Manger Come And See Narration Oh, Give Me Your Heart Tell Me the Story
$19.95
18.32 €
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Chorale Unison
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Addy Forrest and Dan Forrest
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Tell Me the Story of Jesus
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SoundForth
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SheetMusicPlus
St Patrick's Day Medley
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1358075 By Irish Traditional. By S…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1358075 By Irish Traditional. By SCMusic. Arranged by SCMusic. Celtic,Children,Folk,Holiday,Irish,Traditional. Score and part. 6 pages. SCMusic #942583. Published by SCMusic (A0.1358075). A St Patrick's Day medley, featuring 5 beloved Irish folk songs: Molly Malone (Alive, Alive-oh), The Rocky Road to Dublin, Londonderry Air (O Danny Boy), The Foggy Dew and I'll Tell Me Ma. Arranged for cello and piano. Separate 'cello part included in print out.
$5.99
5.5 €
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Violoncelle, Piano
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Irish Traditional
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SCMusic
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St Patrick's Day Medley
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SCMusic
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SheetMusicPlus
St Patrick's Day Medley
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1360326 By Irish Traditional. By …
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Piano,Violin - Level 3 - Digital Download SKU: A0.1360326 By Irish Traditional. By Anon. Arranged by SCMusic. Celtic,Folk,Holiday,Irish,Standards,Traditional. 6 pages. SCMusic #944820. Published by SCMusic (A0.1360326). A St Patrick's Day medley, featuring 5 beloved Irish folk songs: Molly Malone (Alive, Alive-oh), The Rocky Road to Dublin, Londonderry Air (O Danny Boy), The Foggy Dew and I'll Tell Me Ma. Arranged for violin and piano. Separate violin part included in print out.
$5.99
5.5 €
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Violon et Piano
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Irish Traditional
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SCMusic
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St Patrick's Day Medley
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SCMusic
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SheetMusicPlus
St Patrick's Day Medley
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1358616 By Irish Traditional. By Anon. Arranged by SCMusic. Celtic,Classical,Folk,Holiday,Irish,Traditional. 14 pages. SCMusic #943078. Published by SCMusic (A0.1358616). A St Patrick's Day medley, featuring 5 beloved Irish folk songs: Molly Malone (Alive, Alive-oh), The Rocky Road to Dublin, Londonderry Air (O Danny Boy), The Foggy Dew and I'll Tell Me Ma. Arranged for string quartet. Separate parts included in print out.
$12.99
11.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Irish Traditional
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SCMusic
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St Patrick's Day Medley
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SCMusic
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SheetMusicPlus
Galop Infernal (Can-can) (EASY PIANO) Orpheus in the Underworld [Jacques Offenbach]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1276440 By Jacques Offenbach. By Ja…
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Easy Piano - Level 2 - Digital Download SKU: A0.1276440 By Jacques Offenbach. By Jacques Offenbach. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868178. Published by Darek (A0.1276440). Galop Infernal (Can-can) (EASY PIANO) Orpheus in the Underworld [Jacques Offenbach]Arrangement for beginner pianists of Galop Infernal (Can-can) Orpheus in the Underworld by Jacques Offenbach. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Music | Romantic Period | Simple arrangement | Piano | Keyboard | For Novice Pianists. Included: Fingering, Articulation, Dynamics and simple video YouTube tutorial. Experience the exuberant world of music with meticulously curated piano sheet music for Galop Infernal (Can-can) from Jacques Offenbach's beloved masterpiece, Orpheus in the Underworld. Immerse yourself in the playful melodies of this iconic composition, thoughtfully arranged for beginner pianists seeking a delightful challenge. Journey back to the enchanting sounds of the 19th century as you explore this timeless piece. With intricate fingering, articulation, and dynamics markings, each note comes alive, allowing you to infuse your interpretation with depth and nuance. This arrangement ensures a seamless transition from novice to performer, enabling you to capture the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, unveiling the subtleties and intricacies of the composition. Whether you're seated at a piano or exploring on other instruments, the vivacious energy of this captivating song transcends time and generations. Embrace the joy of music and embark on a musical journey that will leave both you and your listeners smiling. Join me in celebrating the art of melody, as you explore Offenbach's era through a performance that captures the essence of his genius. Keywords: Galop Infernal, Can-can, Orpheus in the Underworld, Jacques Offenbach, beginner pianists, piano sheet music, fingering, articulation, dynamics, YouTube tutorial, captivating song, musical interpretation, 19th-century music, delightful challenge, essence, musical journey.
$2.00
1.84 €
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Piano Facile
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Jacques Offenbach
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Darek
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Galop Infernal
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Darek
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SheetMusicPlus
All the Way My Savior Leads Me
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1434268 By John Cavicchio. By Based…
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Piano Solo - Level 3 - Digital Download SKU: A0.1434268 By John Cavicchio. By Based on a tune by Robert Lowry, 1875. Arranged by John Cavicchio. Christian,Jazz,Praise & Worship,Sacred,Spiritual. Score. 4 pages. John Cavicchio #1014486. Published by John Cavicchio (A0.1434268). All the Way My Savior Leads Me - A Modern Swing on a Timeless HymnExperience a fresh, vibrant take on the classic hymn All the Way My Savior Leads Me, originally penned in 1875. This unique arrangement reimagines the traditional melody with an upbeat, jazzy swing style, perfect for today's church pianists and intermediate piano students seeking a contemporary twist on sacred music.Why Choose This Arrangement?- Engaging Style: Dive into the smooth, lively rhythms that make classic hymnody come alive in a modern context. Whether you're leading a congregation or practicing at home, this piece retains its singable quality while infusing each note with infectious energy.- Versatile Performance: Crafted for the piano yet ideal for any worship setting, this arrangement offers both challenge and delight to pianists looking to expand their repertoire with something uniquely spirited.- Spiritual Depth: While the arrangement skips the vocals, the soul of the hymn’s message—Jesus led me all the way—echoes through its dynamic tempo and jubilant beats, offering a musical journey of divine guidance and joy.Key Features:- Composer: John Cavicchio redefines a sacred classic with his signature jazzy flair.- Difficulty: Intermediate, perfect for church performers or students expanding their musical expression.- Format: Piano solo sheet music, instantly printable and ready for worship or concert settings.Invoke heavenly peace and divine comfort as you play through each measure of All the Way My Savior Leads Me. Ideal for church services, religious events, or personal meditation, this piece not only entertains but uplifts and inspires. Purchase Today and bring a touch of modernity to your musical offerings, ensuring your performances resonate with contemporary grace and timeless spirituality.
$4.99
4.58 €
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Piano seul
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John Cavicchio
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John Cavicchio
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All the Way My Savior Leads Me
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John Cavicchio
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Besame Mucho (Kiss Me Much) for Cello & Piano
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download By Andrea Bocelli. Arran…
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Piano Accompaniment, Cello - Intermediate - Digital Download By Andrea Bocelli. Arranged by Ziya Mete Demircan. Score, Set of Parts, Solo Part. 7 pages. Published by Ziya Mete Demircan
For Cello and Piano, it is a professional quality arrangement.<br> <br> The unique accompaniment style keeps the listener's interest alive.<br> <br> It is an enjoyable arrangement for both playing and listening.<br> <br> It doesn't require a special playing style. When you play the notes (score), you play the exact melody. The same applies to the Piano accompaniment.<br> <br> A intermediate-level cello player can play the melody part. A more advanced player can play the melody with his own interpretation.<br> A intermediate-level or advanced piano player can play the piano-accompaniment part.<br> <br> Can be used in concerts. <br> <br> Total duration (approx) 4.25
$4.99
4.58 €
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Violoncelle, Piano
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Andrea Bocelli
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Besame Mucho
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Ziya Mete Demircan
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SheetMusicPlus
It Is Not Death to Die - Orchestration
Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contempo…
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Small Ensemble - Digital Download SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
68.87 €
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Robert Myers
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It Is Not Death to Die - Orchestration
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WheatMyer Music
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SheetMusicPlus
It Is Not Death to Die
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
2.07 €
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Chorale SATB
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
A Joyful Sound
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1448445 By Kimb…
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Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1448445 By Kimberly Joy Minarich. By Kimberly Joy Minarich. Arranged by Kimberly Joy Minarich. Christian,Contest,Festival,Sacred,Spiritual. 8 pages. Kimberly Joy Minarich #1028355. Published by Kimberly Joy Minarich (A0.1448445). Psalm 100 ~ my absolute favorite verses in the Bible and what I claim as my life verses! As a young girl, I remember memorizing them and how they forever imprinted on my heart to live a life through service, surrender, JOY, and love for my eternal Father, my King. Life is a gift that we get to live. Each breath is a gift that I dedicate to my heavenly Father as I walk closely with Him on this journey of life. He is with me, He inspires me through His Word, He directs my steps through the whispers of the Holy Spirit, and He pours from my soul through the joy and love that He has given me. Praise God for His gift of salvation and that every step I take is one step closer to an eternity with Him! Please enjoy this song that I was inspired to create because of its impact on my heart and throughout my life ~ I hope it is an encouragement to you and brings joy to those that learn, share, or listen!A Joyful Sound Ministries ~ the name of our family music ministry that began in the early 1980’s and remains alive in my heart to this very day. God called my parents when they were very young to live a life of service to our King, dedicating every moment of their lives, their children, their careers, and their hearts to living His Word and beaming the light of Christ wherever they were called to walk, with whomever God placed on their path. From nursing homes, churches, Cook County Prison, homeless missions…God used our family in a mighty way to show Himself through the music, verses, testimony, and simple conversations He would inspire us to share. Through endless prayer, hours of musical rehearsing, and a lot of fun along the way, God gave us the privilege of sharing His love through ministry. I am forever thankful, inspired, and transformed because of what HE did through us! It was always about HIM and I will forever live my life of service to the King, inspired by this incredible springboard of a magical childhood that God gave me through the surrendered heart of my parents.
$7.99
7.34 €
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Chorale 3 parties
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Kimberly Joy Minarich
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Kimberly Joy Minarich
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A Joyful Sound
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Kimberly Joy Minarich
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
2.62 €
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Shiver
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.919404 By Coldplay. By Chris Martin…
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Easy Piano - Level 3 - Digital Download SKU: A0.919404 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Cameron Duncan. Rock. Score. 8 pages. Cameron Duncan #5361929. Published by Cameron Duncan (A0.919404). Coldplay's hit tune, Shiver. This simplified piano arrangement makes the 12/8 groove come alive in a way that is simple, yet engaging for a developing player.For more information, send me an email at: camerond1997@aim.comorCheck out my website for original compositions: cameronduncanmusic.com.
$4.99
4.58 €
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Piano Facile
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Coldplay
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Cameron Duncan
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Shiver
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Cameron Duncan
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SheetMusicPlus
Bee Gees - How Deep Is Your Love (Piano Solo)
Piano seul
Piano Solo - Intermediate - Digital Download By Bee Gees. Arranged by Mario Stallbaum…
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Piano Solo - Intermediate - Digital Download By Bee Gees. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "How Deep Is Your Love" by the Bee Gees on piano!<br> <br> With this sheet music, you can play "How Deep Is Your Love" in an accurate piano arrangement which is not too hard to play, and sounds fantastic!<br> <br> The full melody is included in the piano part, so it makes for a great instrumental (piano solo) version.<br> <br> You can also get this arrangement with a system for the singer, as well as the full lyrics & chords on my publisher page:<br> https://www.sheetmusicplus.com/publishers/mario-stallbaumer/10808<br> <br> "How Deep Is Your Love" is one of the most famous songs by the Bee Gees (besides "Stayin' Alive" and "Night Fever").<br> It was released in 1977 as a single, and also appeared on the soundtrack of the film "Saturday Night Fever" (starring John Travolta) in the same year.<br> <br> "How Deep Is Your Love" is listed on Billboard's All Time Top 100, as well as on Rolling Stone's list of the 500 Greatest Songs of All Time.<br> <br> It's certainly one of the greatest pop ballads to play on piano - with this piano sheet music, you can play it too!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot to me.<br> <br> Here are the full lyrics to the Bee Gees' "How Deep Is Your Love":<br> <br> I know your eyes in the morning sun<br> I feel you touch me in the pouring rain<br> And the moment that you wander far from me<br> I want to feel you in my arms again<br> And you come to me on a summer breeze<br> Keep me warm in your love, then you softly leave<br> And it's me you need to show<br> How deep is your love, how deep is your love<br> How deep is your love?<br> I really mean to learn<br> 'Cause we're living in a world of fools<br> Breaking us down when they all should let us be<br> We belong to you and me<br> I believe in you<br> You know the door to my very soul<br> You're the light in my deepest, darkest hour<br> You're my savior when I fall<br> And you may not think I care for you<br> When you know down inside that I really do<br> And it's me you need to show<br> How deep is your love, how deep is your love<br> How deep is your love?<br> I really mean to learn<br> 'Cause we're living in a world of fools<br> Breaking us down when they all should let us be<br> We belong to you and me<br> And you come to me on a summer breeze<br> Keep me warm in your love, then you softly leave<br> And it's me you need to show<br> How deep is your love, how deep is your love<br> How deep is your love?<br> I really mean to learn<br> 'Cause we're living in a world of fools<br> Breaking us down when they all should let us be<br> We belong to you and me
$4.99
4.58 €
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Piano seul
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Bee Gees
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Mario Stallbaumer
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Bee Gees - How Deep Is Your Love
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Mario Stallbaumer
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SheetMusicPlus
Ain't No Mountain High Enough
Piano, Voix et Guitare
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marvin Gaye &am…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marvin Gaye & Tammi Terrell. Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here’s how to play “Ain't No Mountain High Enough” on piano!<br> <br> This piano arrangement follows the famous 1967 recording by Marvin Gaye and Tammi Terrell.<br> <br> "Ain't No Mountain High Enough" was written in 1966 by Nickolas Ashford & Valerie Simpson, and became one of the greatest hits for the Motown record label.<br> <br> Marvin Gaye and Tammi Terrell recorded the song in 1967, and Diana Ross released her version in 1970.<br> <br> These piano sheets come with separate systems for both singers, full lyrics and chords!<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> <br> Here are the full lyrics for “Ain't No Mountain High Enough”:<br> <br> <br> “Listen baby, ain't no mountain high<br> <br> Ain't no valley low, ain't no river wide enough baby<br> <br> If you need me call me no matter where you are<br> <br> No matter how far don't worry baby<br> <br> Just call my name I'll be there in a hurry<br> <br> You don't have to worry<br> <br> 'Cause baby there ain't no mountain high enough<br> <br> Ain't no valley low enough<br> <br> Ain't no river wide enough<br> <br> To keep me from getting to you babe<br> <br> Remember the day I set you free<br> <br> I told you you could always count on me darling<br> <br> From that day on, I made a vow<br> <br> I'll be there when you want me<br> <br> Some way, some how<br> <br> 'Cause baby there ain't no mountain high enough<br> <br> Ain't no valley low enough<br> <br> Ain't no river wide enough<br> <br> To keep me from getting to you babe<br> <br> Oh no darling<br> <br> No wind, no rain<br> <br> Or winters cold can stop me baby, na na baby<br> <br> 'Cause you are my goal<br> <br> If you're ever in trouble<br> <br> I'll be there on the double<br> <br> Just send for me, oh baby, ha<br> <br> My love is alive<br> <br> Way down in my heart<br> <br> Although we are miles apart<br> <br> If you ever need a helping hand<br> <br> I'll be there on the double<br> <br> Just as fast as I can<br> <br> Don't you know that there<br> <br> Ain't no mountain high enough<br> <br> Ain't no valley low enough<br> <br> Ain't no river wide enough<br> <br> To keep me from getting to you babe<br> <br> Don'tcha know that there<br> <br> Ain't no mountain high enough<br> <br> Ain't no valley low enough<br> <br> Ain't no river wide enough<br> <br> Ain't mountain high enough<br> <br> Ain't no valley low enough”
$4.99
4.58 €
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Piano, Voix et Guitare
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Marvin Gaye & Tammi Terrell
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Mario Stallbaumer
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Tammi Terrell
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Ain't No Mountain High Enough
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Mario Stallbaumer
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SheetMusicPlus
Should I Stay Or Should I Go
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clas…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
45.91 €
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Ensemble Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.37 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
No More Pain by Anton
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanla…
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
10.09 €
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Piano seul
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
The Great Healer (lead sheet)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by Da…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David Kai (A0.893858). This song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone and later by the Sellwoods gospel group. Both versions can be found on Youtube.The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife, he’s the great healer, and he can mend a broken life And though your hurts be too much to bear, he can heal your wounds with loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live, good and bad look the same And you’re walking around more dead than alive, life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus: I’ve had a heart transplant with a bit of a difference...
$2.00
1.84 €
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Piano, Voix et Guitare
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David Kai
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Chorus:
 
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The Great Healer
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David Kai
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SheetMusicPlus
The Great Healer
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - …
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99
1.83 €
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
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