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Das Rheingold
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
43.8 €
#
Piano, Voix
#
Richard Wagner (1813-1883)
#
Das Rheingold
#
Schott Music - Digital
#
SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.27 €
#
Piano, Voix
#
Richard Wagner (1813-1883)
#
Die Walkure
#
Schott Music - Digital
#
SheetMusicPlus
Goetterdaemmerung
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.8 €
#
Piano, Voix
#
Richard Wagner (1813-1883)
#
Goetterdaemmerung
#
Schott Music - Digital
#
SheetMusicPlus
La donna e mobile
Piano Facile
Piano - very easy to easy - Digital Download 50 famous opera melodies. Arranged by Ha…
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Piano - very easy to easy - Digital Download 50 famous opera melodies. Arranged by Hans-Guenter Heumann. This edition: Sheet music. Opera, Piano, Arrangement. Pianissimo. Downloadable. Schott Music - Digital #Q47390. Published by Schott Music - Digital
The anthology La donna e mobile is the follow-up volume to the best-seller Eine kleine Nachtmusik with masterpieces of classical music (ED 20764). The latest volume in the Pianissimo series contains 50 of the best known opera melodies and 'favourites of the public' by Mozart, Rossini, Puccini, Verdi and others. The arrangements by Hans-Gunter Heumann are easy to play, yet remain as close to the original as possible. A treasure trove for music lessons and playing for pleasure!The anthology La donna e mobile is the follow-up volume to the best-seller Eine kleine Nachtmusik with masterpieces of classical music (ED 20764). The latest volume in the Pianissimo series contains 50 of the best known opera melodies and 'favourites of the public' by Mozart, Rossini, Puccini, Verdi and others. The arrangements by Hans-Gunter Heumann are easy to play, yet remain as close to the original as possible. A treasure trove for music lessons and playing for pleasure!
$17.99
16.42 €
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Piano Facile
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Hans-Guenter Heumann
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La donna e mobile
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Schott Music - Digital
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SheetMusicPlus
Italian Opera Arias
Voix Mezzo-Soprano, Piano
Mezzo-soprano voice and piano - intermediate to difficult - Digital Download This edi…
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Mezzo-soprano voice and piano - intermediate to difficult - Digital Download This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11069. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume. A cross-section of the art of singing spanning three centuries.Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume. A cross-section of the art of singing spanning three centuries.
$19.99
18.24 €
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Voix Mezzo-Soprano, Piano
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Italian Opera Arias
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Schott Music - Digital
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SheetMusicPlus
First Exercises
Voix Baryton, Piano
Baritone voice and piano - intermediate to difficult - Digital Download This edition:…
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Baritone voice and piano - intermediate to difficult - Digital Download This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q10842. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing spanning three centuries.Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing spanning three centuries.
$19.99
18.24 €
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Voix Baryton, Piano
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First Exercises
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Schott Music - Digital
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SheetMusicPlus
Italian Opera Arias
Voix Soprano, Piano
Soprano voice and piano - intermediate to difficult - Digital Download This edition: …
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Soprano voice and piano - intermediate to difficult - Digital Download This edition: Sheet music. Schott VOCAL. Downloadable. Schott Music - Digital #Q11090. Published by Schott Music - Digital
Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.Drama, passion, a good dose of humour and, first and foremost, immortal melodies are the ingredients of the great masterpieces of Italian opera history. This collection of arias contains the most beautiful and popular solo pieces of music theatre in one volume each. A cross-section of the art of singing over three centuries.
$19.99
18.24 €
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Voix Soprano, Piano
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Italian Opera Arias
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Schott Music - Digital
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.75 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Encore Music ("Can-Can" from "Orpheus in the Underworld" for Brass Band
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.732952
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.732952 Composed by Jacques Offenbach. Arranged by Marc Oliver. Opera. Score and parts. 46 pages. Ayotte Custom Musical Engravings #2002339. Published by Ayotte Custom Musical Engravings (A0.732952).
$59.99
54.75 €
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Flûte, Hautbois, Clarinette, Basson
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Jacques Offenbach
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Marc Oliver
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Encore Music
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Verdi - Ballet Music for clarinet quartet (Jerusalem, Act III - Passo a Solo)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Solo - Level 3 - Digital Download SKU: A0.581694 Composed by Giuseppe Verd…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.581694 Composed by Giuseppe Verdi. Arranged by John Gibson. Opera,Romantic Period. Individual part. 32 pages. JB Linear #2034387. Published by JB Linear (A0.581694). Giuseppi Verdi's ballet music from his opera, Jerusalem 1847 - Passo a Solo (music for one dancer) set for clarinet quartet by John Gibson. Verdi's ballet music is often left out of opera productions now, but the music is delightful. This is a clarinet quartet for 3 Bb Soprano Clarinets and 1 Bass Clarinet. The bass part could also be played as a 4th clarinet part, but bass clarinet is preferred.
$15.00
13.69 €
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Quatuor de Clarinettes: 4 clarinettes
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Giuseppe Verdi
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John Gibson
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Verdi - Ballet Music for clarinet quartet
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JB Linear
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SheetMusicPlus
Verdi - Ballet Music for flute quartet (Jerusalem, Act III - Passo a Solo)
Quatuor de Flûtes : 4 flûtes
Flute Solo - Level 3 - Digital Download SKU: A0.581695 Composed by Giuseppe Verdi. …
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Flute Solo - Level 3 - Digital Download SKU: A0.581695 Composed by Giuseppe Verdi. Arranged by John Gibson. Opera,Romantic Period. Individual part. 37 pages. JB Linear #2034401. Published by JB Linear (A0.581695). Giuseppi Verdi's ballet music from his opera, Jerusalem 1847 - Passo a Solo (music for one dancer) set for flute quartet by John Gibson. Verdi's ballet music is often left out of opera productions now, but the music is delightful. This is a flute quartet for 3 flutes and 1 alto flute with an alternate 4th flute part if there is no alto.
$15.00
13.69 €
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Quatuor de Flûtes : 4 flûtes
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Giuseppe Verdi
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John Gibson
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Verdi - Ballet Music for flute quartet
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JB Linear
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SheetMusicPlus
The book of motifs
Piano, Voix
From Richard Wagner's operas and music dramas. Composed by Richard Wagner (1813-1…
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From Richard Wagner's operas and music dramas. Composed by Richard Wagner (1813-1883). This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q1328. Published by Schott Music - Digital
German.German.
$19.99
18.24 €
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Piano, Voix
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Richard Wagner
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The book of motifs
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Schott Music - Digital
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SheetMusicPlus
The Gypsy Baron
Piano Facile
Piano (with lyrics) - easy - Digital Download Popular Melodies. Composed by Johann St…
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Piano (with lyrics) - easy - Digital Download Popular Melodies. Composed by Johann Strauss Jr. (1825- 1899). Arranged by Richard Krentzlin. This edition: Sheet music. Edition Schott - Single Edition. Copyright Schott Music GmbH & Co. KG, Mainz. Downloadable. Schott Music - Digital #Q3981. Published by Schott Music - Digital
Das Lied vom Schweinespeck <br> Schatzwalzer <br> Lied des Zigeunermadchens <br> Wer uns getraut Das Lied vom Schweinespeck <br> Schatzwalzer <br> Lied des Zigeunermadchens <br> Wer uns getraut
$4.99
4.55 €
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Piano Facile
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Johann Strauss Jr
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Richard Krentzlin
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Co
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The Gypsy Baron
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Schott Music - Digital
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SheetMusicPlus
Verdi - Ballet Music - flexible woodwind quartet (from Jerusalem Act III)
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.581670 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.581670 Composed by Giuseppe Verdi. Arranged by John Gibson. Opera,Romantic Period. 43 pages. JB Linear #2029123. Published by JB Linear (A0.581670). Pas de Quatre (ballet music for 4 dancers) from the Giuseppi Verdi opera, Jerusalem, set for woodwind quartet (flexible instrumentation) by John Gibson. It is arranged for flute, oboe or flute 2, Bb clarinet, and bass clarinet or bassoon. There are five short ballet pieces that could be performed together or separately. Verdi and other Italian opera composers did not like to include ballet music in their operas, but if they wanted their piece to be performed in Paris, they were required to write ballet pieces. They are mostly left out of opera performances now, but the music is delightful and worth playing!
$15.00
13.69 €
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Flûte, Hautbois, Clarinette, Basson
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Giuseppe Verdi
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John Gibson
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Verdi - Ballet Music - flexible woodwind quartet
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JB Linear
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SheetMusicPlus
Movie Music Medley (O For the Joy Ride of the King)
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1345144 By Ash. By …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1345144 By Ash. By Carl Orff, Edvard Grieg, Richard Wagner, Ludvig van Beethoven. Arranged by Ash. Classical,Film/TV,Opera,Romantic Period. 19 pages. Music by Ash #930079. Published by Music by Ash (A0.1345144). A unique choral medley of Carl Orff's O Fortuna (Carmina Burana), Edvard Grieg's In the Hall of the Mountain King, Richard Wagner's Ride of the Valkyries, and Ludvig van Beethoven's Ode to Joy choral finale. This arrangement is a great opportunity to show off your classical chops while having fun with iconic and familiar music frequently featured in film.General DetailsTTBB with piano only4 voice parts (brief T2 divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:20Vocal RangesTenor 1: C#3-C#5Tenor 2: B2-G4Baritone: A2-D4Bass: F#2-C#4 (optional E2)Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
$3.00
2.74 €
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Chorale TTBB
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Ash
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Ash
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Movie Music Medley
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Music by Ash
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SheetMusicPlus
Highlights from Opera and Concert
1 Piano, 4 mains
Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet m…
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Famous Pieces in Easy Arrangements. Arranged by Rainer Schrapers. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q42198. Published by Schott Music - Digital
This collection of classical 'highlights' arranged for piano duet fills a gap in the vast amount of teaching material avaliable in that it endeavours to combine the educational suitability of such arrangements with the artistic quality of the original works. What is new is not so much the selection of the pieces offered, but the reasons for which are obvious, but rather the attempt that has been made to provide material ranging from the very easy to the moderately difficult, without incurring the all too typical loss of structural complexity or richness of tonal quality, losses which can seriouly distort the original.This collection of classical 'highlights' arranged for piano duet fills a gap in the vast amount of teaching material avaliable in that it endeavours to combine the educational suitability of such arrangements with the artistic quality of the original works.
What is new is not so much the selection of the pieces offered, but the reasons for which are obvious, but rather the attempt that has been made to provide material ranging from the very easy to the moderately difficult, without incurring the all too typical loss of structural complexity or richness of tonal quality, losses which can seriouly distort the original.
$16.99
15.51 €
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1 Piano, 4 mains
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Rainer Schrapers
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Highlights from Opera and Concert
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Schott Music - Digital
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SheetMusicPlus
Medea - Akt 1
Tragedie lyrique in two acts based on the homonymous tragedy of Euripides. Composed …
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Tragedie lyrique in two acts based on the homonymous tragedy of Euripides. Composed by Mikis Theodorakis (1925-). This edition: study score. Music of Time. Downloadable. Duration 240 minutes. Schott Music - Digital #Q54418. Published by Schott Music - Digital
$79.99
73 €
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Mikis Theodorakis (1925-)
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Medea - Akt 1
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Schott Music - Digital
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SheetMusicPlus
Antigone
Tragedie lyrique in two acts. Composed by Mikis Theodorakis (1925-). This edition: stu…
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Tragedie lyrique in two acts. Composed by Mikis Theodorakis (1925-). This edition: study score. Music Of Our Time. Downloadable. Duration 135 minutes. Schott Music - Digital #Q53861. Published by Schott Music - Digital
$79.99
73 €
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Mikis Theodorakis (1925-)
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Antigone
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Schott Music - Digital
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SheetMusicPlus
Great Fantasy
Piano seul
From the opera Die tote Stadt. Composed by Erich Wolfgang Korngold (1897- 1957). This…
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From the opera Die tote Stadt. Composed by Erich Wolfgang Korngold (1897- 1957). This edition: Sheet music. Downloadable. Op. 12. Duration 15 minutes. Schott Music - Digital #Q1537. Published by Schott Music - Digital
$12.99
11.86 €
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Piano seul
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Erich Wolfgang Korngold
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Great Fantasy
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Schott Music - Digital
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SheetMusicPlus
Le Grand Macabre
Opera in 4 scenes. Composed by Gyorgy Ligeti (1923-2006). This edition: study score. …
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Opera in 4 scenes. Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 120 minutes. Schott Music - Digital #Q3079. Published by Schott Music - Digital
German - English.German - English.
$55.99
51.1 €
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Le Grand Macabre
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Schott Music - Digital
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SheetMusicPlus
Drei Volkslieder
Voix Mezzo-Soprano, Piano
Soprano (mezzo-soprano) and piano - advanced - Digital Download From the opera "…
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Soprano (mezzo-soprano) and piano - advanced - Digital Download From the opera "Sturmnacht". Composed by Wolfgang-Andreas Schultz. This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q54522. Published by Schott Music - Digital
$9.99
9.12 €
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Voix Mezzo-Soprano, Piano
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Wolfgang-Andreas Schultz
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Drei Volkslieder
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Schott Music - Digital
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SheetMusicPlus
The Opera Collection
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - easy to intermediate - Digital Download 8 Famous Opera Themes Arranged…
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String quartet - easy to intermediate - Digital Download 8 Famous Opera Themes Arranged for String Quartet. This edition: score and parts. The Schott String Quartet Series. Downloadable. Schott Music - Digital #Q25912. Published by Schott Music - Digital
Author and arranger Barrie Carson Turner presents a selection of 8 Famous Opera themes arranged for string quartet. The collection includes: Non piu andrai (Mozart), Intermezzo (Mascagni), Toreador Song (Bizet), Oh! mio babbino caro (Puccini), Lascia ch'io pianga (Handel), Chorus of the Hebrew Slaves (Verdi), Bei Mannern, welche Liebe fuhlen (Mozart), and Per poco fra le tenebre (Donizetti). The collection comes with separate part inserts for each instrument.Author and arranger Barrie Carson Turner presents a selection of 8 Famous Opera themes arranged for string quartet. The collection includes:
Non piu andrai (Mozart), Intermezzo (Mascagni), Toreador Song (Bizet), Oh! mio babbino caro (Puccini), Lascia ch'io pianga (Handel), Chorus of the Hebrew Slaves (Verdi), Bei Mannern, welche Liebe fuhlen (Mozart), and Per poco fra le tenebre (Donizetti).
The collection comes with separate part inserts for each instrument.
$19.99
18.24 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Opera Collection
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Schott Music - Digital
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SheetMusicPlus
Ombra mai fu
Piano seul
Piano - advanced - Digital Download From Serse, HWV 40. Composed by George Frideric H…
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Piano - advanced - Digital Download From Serse, HWV 40. Composed by George Frideric Handel (1685-1759). Arranged by Martin Stadtfeld. This edition: performance score. Downloadable. Schott Music - Digital #Q52283. Published by Schott Music - Digital
$3.99
3.64 €
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Piano seul
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Martin Stadtfeld
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Ombra mai fu
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Schott Music - Digital
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SheetMusicPlus
Hansel und Gretel - New Urtext Edition
Piano seul
Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This …
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Fairy-tale Opera in three acts. Composed by Engelbert Humperdinck (1854-1921). This edition: vocal/piano score. Klavierauszug, Marchen, Oper. Downloadable. Duration 120 minutes. Schott Music - Digital #Q16445. Published by Schott Music - Digital
German - English.<br> <br> For the first time, all available sources of Engelbert Humperdinck's fairy-tale opera, Hansel und Gretel, have been consulted in the preparation of the present new edition. In evaluating them it became clear that a great number of corrections needed to be taken into account, for which the composer was indebted to the experiences of conductors known to him - Richard Strauss (Weimar), Hermann Levi (Munich) and Ludwig Rottenberg (Frankfurt) - as well as hiw own insight. In this way, a critical edition has been produced which not only offers an Urtext entirely faithful to the sources, but also provides important new improvements, tested on the stage an approved by the composer. Where, previously, slight alterations have unquestionably been necessary in order to prevent the vocal lines from being covered by the large-scale orchestration, convincing and authentic solutions are now available. Also, for the first time, the work's 'Desau-Finale' has been published, which Humperdinck composed for the production by Cosima Wagner.<br> <br> The edition is part of the ABRSM syllabus (grades 6,8).German - English.<br> <br> For the first time, all available sources of Engelbert Humperdinck's fairy-tale opera, Hansel und Gretel, have been consulted in the preparation of the present new edition. In evaluating them it became clear that a great number of corrections needed to be taken into account, for which the composer was indebted to the experiences of conductors known to him - Richard Strauss (Weimar), Hermann Levi (Munich) and Ludwig Rottenberg (Frankfurt) - as well as hiw own insight. In this way, a critical edition has been produced which not only offers an Urtext entirely faithful to the sources, but also provides important new improvements, tested on the stage an approved by the composer. Where, previously, slight alterations have unquestionably been necessary in order to prevent the vocal lines from being covered by the large-scale orchestration, convincing and authentic solutions are now available. Also, for the first time, the work's 'Desau-Finale' has been published, which Humperdinck composed for the production by Cosima Wagner.<br> <br> The edition is part of the ABRSM syllabus (grades 6,8).
$33.99
31.02 €
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Piano seul
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Engelbert Humperdinck
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Hansel und Gretel - New Urtext Edition
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Schott Music - Digital
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SheetMusicPlus
Purcell - Music for a while - From Orpheus Britannicus - For Clavecin and Voice With Lyrics
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1312079 Composed by Henry Pu…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1312079 Composed by Henry Purcell. Arranged by poon. Classical,Opera. Score. 4 pages. Poon #900976. Published by poon (A0.1312079). Purcell - Music for a while - From Orpheus Britannicus - For Clavecin and Voice With Lyrics.
$1.99
1.82 €
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Piano, Voix
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Henry Purcell
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poon
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Purcell - Music for a while - From Orpheus Britannicus - For Clavecin and Voice With Lyrics
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poon
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SheetMusicPlus
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