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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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ASIE
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Note4Piano
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SheetMusicPlus
Tomplay
Virtualsheetmusic
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débutant
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expert
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Non classifié
3776
PIANO & CLAVIERS
Piano seul
5522
Piano, Voix
4093
Piano Facile
659
Piano, Voix et Guitare
340
Instruments en Do
164
Orgue
120
Accordéon
87
1 Piano, 4 mains
81
Piano Trio: piano, violon, violoncelle
60
Accompagnement Piano
47
Piano Quatuor: piano, 2 violons, violoncelle
37
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
5
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
3
Clavier
3
2 Pianos, 8 mains
3
Piano grosses notes
2
Fake Book
2
Orgue et Orchestre
1
Clavecin
1
Tous Les Instruments
1
1 Piano, 6 mains
1
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
265
Mandoline
217
Guitare
206
Ligne De Mélodie, (Paroles) et Accords
45
Ukulele
40
2 Guitares (duo)
32
Dulcimer
20
4 Guitares (Quatuor)
18
Basse electrique
16
Guitare (partie séparée)
14
Piano, Guitare (duo)
12
Banjo
10
3 Guitares (trio)
8
Ensemble de guitares
5
Guitare, Flûte, Clarinette
2
Cithare
1
Mandoline, Guitare (duo)
1
Paroles et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
1515
Chorale 2 parties
663
Chorale 3 parties
453
Voix duo, Piano
258
Chorale TTBB
187
Chorale Unison
158
Voix duo
113
Chorale SSAA
85
Voix Soprano, Piano
62
Voix Tenor, Piano
57
Voix Alto, Piano
57
Voix Baryton, Piano
31
Voix haute
16
Voix moyenne, Piano
8
Chorale
6
Voix seule
4
Chorale SSAATTBB
3
Voix basse
3
Voix Tenor
3
Voix, Guitare
2
Voix Soprano
2
Voix basse, Piano
2
Voix Baryton
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
393
Flûte traversière et Piano
358
Flûte, Hautbois, Clarinette, Basson
330
Saxophone Alto et Piano
327
Clarinette et Piano
302
Saxophone Tenor et Piano
286
Saxophone Soprano et Piano
273
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
263
Hautbois, Piano (duo)
261
2 Saxophones (duo)
258
Quatuor de Clarinettes: 4 clarinettes
193
Flûte à bec Alto
188
Flûte à bec Soprano
179
Flûte traversière
172
Clarinette
160
Quintette de Saxophone: 5 saxophones
158
Saxophone Alto
155
Harmonica
149
2 Flûtes traversières (duo)
139
Saxophone (partie séparée)
134
2 Clarinettes (duo)
124
Saxophone Tenor
116
Ensemble de Clarinettes
89
Saxophone Baryton, Piano
88
Flûte, Clarinette (duo)
87
Hautbois (partie séparée)
77
Quatuor de Flûtes : 4 flûtes
72
Ensemble de saxophones
62
3 Saxophones (trio)
61
Saxophone Soprano
52
Saxophone, Clarinette (duo)
49
Hautbois
49
Ensemble de Flûtes
41
2 Hautbois (duo)
38
Clarinette, Violon (duo)
38
Clarinette (partie séparée)
37
Trio de Flûtes: 3 flûtes
36
Cor anglais, Piano
35
3 Clarinettes (trio)
34
Clarinette, Trompette (duo)
33
Hautbois, Basson (duo)
30
2 Flûte à bec (duo)
29
Quintette de Clarinettes: 5 clarinettes
27
Flûte, Violon
27
Cor Anglais
27
Clarinette Basse, Piano
25
Ensemble De Flûte à bec
25
Flûte, Violon, Piano
24
Hautbois, Clarinette (duo)
23
Quatuor de Flûtes à bec
22
Flûte, Hautbois, Clarinette (trio)
21
Flûte, Saxophone (duo)
21
Flûte et Guitare
20
Hautbois, Flûte
18
Saxophone Baryton
18
Clarinette et Alto
16
Flûte, Trompette (duo)
16
Quintette de Flûte : 5 flûtes
15
Flute (partie séparée)
15
Flûte, Alto (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
13
Clarinette, Basson (duo)
13
Flûte, Violoncelle
10
2 Flûtes traversières, Piano
10
5 Flûtes à bec
10
Clarinette, Guitare (duo)
9
3 Flûtes à bec (trio)
9
Flûte, Clarinette et Basson
8
Flûte à bec Alto, Piano
8
Flûte, Hautbois (duo)
7
Clarinette, Violoncelle (duo)
7
2 Saxophones, Piano
7
Flûte, Basson et Piano
6
Flûte, Alto et Piano
6
2 Clarinettes, Piano
6
Flûte à Bec, Piano
5
Flûte, Hautbois, Piano (trio)
5
Flûte à bec, Guitare (duo)
5
Flûte, Trombone (duo)
5
Flûte, Clarinette, Piano (trio)
5
Flûte, Violon et Violoncelle
5
Flûte, Hautbois, Basson
5
Hautbois, Violoncelle
5
Piccolo
4
Flûte à bec Tenor
4
Piccolo, Piano
4
Flûte à Bec
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Guitare (duo)
4
Flûte, trombone et piano
3
Flûte à bec Soprano, Piano
3
Clarinette, Harpe (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone et Orgue
3
2 Clarinettes, Basson
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone
2
Hautbois, Harpe
2
Hautbois, violon (duo)
2
Clarinette Basse
2
2 Flûtes à bec, Piano
2
Cornemuse
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Alto, Basse continue
1
Flûte de Pan
1
Clarinette, Alto et Piano (trio)
1
Clarinette, trompette et piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instruments en Mib
1
Clarinette, Trombone (duo)
1
4 Hautbois
1
Flûte, Violoncelle, Guitare
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Flûtes traversières, Harpe
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Guitare
1
Flûte irlandaise
1
Clarinette, Orgue
1
2 Cors Anglais Et Pianoforte
1
Hautbois et alto (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
340
Trombone et Piano
324
Trompette, Piano
277
Trompette
229
Quatuor de Cuivres : 2 trompettes, trombone, tuba
227
Cor et Piano
199
Trombone
139
Quatuor de Cuivres: 2 trompettes, Cor, trombone
136
Cor
106
2 Trompettes (duo)
97
2 Trombones (duo)
84
Trompette (partie séparée)
69
Trombone (partie séparée)
65
Tuba et Piano
60
2 Cors (duo)
52
Trompette, Trombone (duo)
48
Euphonium, Piano (duo)
48
Tuba
41
Cor anglais, Piano
35
Trompette, Cor (duo)
35
Quatuor de Cuivres
32
Trompette, Saxophone (duo)
31
Cor Anglais
27
Quatuor de cuivres: 4 trombones
24
Ensemble de Trombones
19
Quatuor de cuivres: 4 cors
18
Cor (partie séparée)
17
Quatuor de cuivres: 2 trompettes, 2 trombones
16
Ensemble de Trompettes
14
2 Euphoniums et 2 Tubas
14
Tuba (partie séparée)
13
Quatuor de cuivres: 4 trompettes
13
3 Trompettes (trio)
11
Trio de Cuivres
10
4 Tubas
10
2 Tubas (duo)
9
3 Trombones (trio)
7
Euphonium
6
Trompette, Violoncelle et Piano
6
Trombone, Cor (duo)
5
Ensemble de Cors
5
Trombone basse
4
Cor, Tuba (duo)
4
2 Euphoniums (duo)
4
Trombone, Orgue
3
Trombone basse et Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor et Harpe
2
Trompette, Tuba (duo)
2
3 Tubas (trio)
2
Trombone, Tuba (duo)
2
Tuba et Orgue
2
Instruments en Sib
2
Euphonium, Tuba (duo)
2
Trompette, Harpe
2
Ensemble de Tubas
1
Trombone et orchestre
1
Trompette, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Tuba ou Euphonium ou Saxhorn
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1067
Violon et Piano
444
Violoncelle, Piano
346
Violon
326
Alto, Piano
302
Violon, Violoncelle (duo)
291
Trio à Cordes: violon, alto, violoncelle
288
Violoncelle
205
Alto seul
122
2 Violons (duo)
107
2 Violoncelles (duo)
100
Contre Basse
89
Harpe
80
Trio à Cordes: 2 violons, violoncelle
78
Violon, Alto (duo)
78
Piano Trio: Violon, Alto, Piano
67
Violon (partie séparée)
66
2 Altos (duo)
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
55
Contrebasse, Piano (duo)
51
Contrebasse (partie séparée)
41
Alto (partie séparée)
37
Violon, Guitare (duo)
29
4 Violoncelles
27
Trio à cordes: 3 violins
27
Alto, Violoncelle (duo)
19
Violon, Basson (duo)
13
Quatuor à cordes: 4 violons
13
Trio à Cordes: 3 violoncelles
12
2 Harpes (duo)
11
Harpe, Flûte (duo)
9
Ensemble de Violons
8
Violoncelle (partie séparée)
8
Trio à cordes: 3 altos
8
Violoncelle , Guitare (duo)
8
Quatuor à cordes : 4 altos
7
Alto, Guitare (duo)
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violoncelle, Contrebasse (duo)
5
Ensemble d'Altos
5
Autoharp
4
Violon, Clarinette, Piano (trio)
4
3 Harpes
3
2 Violons, Piano
3
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, alto
3
Alto et Harpe
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violon (duo)
2
Violon, Basse continue
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Harpe et Orgue
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1710
Orchestre à Cordes
405
Orchestre
227
Ensemble de cuivres
206
Fanfare
199
Ensemble Jazz
129
Cloches
75
Orchestre de chambre
51
Jazz combo
35
Percussion (partie séparée)
35
Batterie
20
Ensemble de Percussions
14
Batterie (partie séparée)
7
Marimba
5
3 Marimbas
4
Quintette de Cuivres: autres combinaisons
3
Xylophone, Piano
2
Vibraphone et Marimba
2
Big band
1
2 Marimbas
1
Percussion
1
Timbales (partie séparée)
1
Piano et Orchestre
1
Instrumentation Flexible
1
Xylophone
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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9976
Classical Music for Children
Violon et Piano
Violin and piano - very easy to easy - Digital Download 25 Easy Pieces. This edition: …
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Violin and piano - very easy to easy - Digital Download 25 Easy Pieces. This edition: Sheet music. Barock, Klassik, Romantik. Classical Music for Children. Downloadable. Schott Music - Digital #Q25349. Published by Schott Music - Digital
Item Number: S9.Q25349<br> <br> 25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. A treasure trove for auditions at schools and music schools.Item Number: S9.Q25349<br> <br> 25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. A treasure trove for auditions at schools and music schools.
$11.99
10.92 €
#
Violon et Piano
#
Classical Music for Children
#
Schott Music - Digital
#
SheetMusicPlus
Easy Baroque Piano Music
Piano Facile
Piano - easy - Digital Download Expanded edition. This edition: Sheet music. Barock, …
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Piano - easy - Digital Download Expanded edition. This edition: Sheet music. Barock, Piano, Sammlung. The European Piano Method. Downloadable. Schott Music - Digital #Q15826. Published by Schott Music - Digital
This popular volume has now been expanded to 31 pages.<br> As well as easy dances by Bach and Handel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experience an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of development.This popular volume has now been expanded to 31 pages.<br> As well as easy dances by Bach and Handel, this selection includes pieces by French, Italian and English baroque masters. Pupils will experience an uncomplicated first acquaintance with the polyphonic structure of baroque music. The ornaments are written out in full, in each case keeping within the technical boundaries of this level of development.
$12.99
11.83 €
#
Piano Facile
#
Easy Baroque Piano Music
#
Schott Music - Digital
#
SheetMusicPlus
Greensleeves (Green Leeves) Ukulele Finger Style (English folk music, broadside) BEGINNER
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1180255 Composed by Unknown. Arranged …
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Ukulele - Level 1 - Digital Download SKU: A0.1180255 Composed by Unknown. Arranged by Andre D Tuffo. Baroque,Celtic,Early Music,Film/TV,Folk,Irish. Score. 1 pages. Andre D. Tuffo #780171. Published by Andre D. Tuffo (A0.1180255). Greensleeves (Green Leeves) Ukulele Finger Style (English folk music, broadside) BEGINNERhttps://linktr.ee/andredtuffoGreenleeves is a traditional English folk song that has been popular for centuries. The origins of the song are uncertain, but it is believed to have been composed in the 16th century. The melody is simple and elegant, and the lyrics tell the story of a man who is rejecting the advances of a woman named Greenleeves.The song has been covered by many artists in a variety of styles, from classical to rock. One of the most famous versions of Greenleeves was recorded by British musician, composer and arranger, Vaughan Williams. This arrangement transformed the song into a haunting and melancholic piece, and it has been performed by many classical musicians ever since.Greenleeves has also been featured in many films, television shows, and video games, and has become a beloved part of popular culture. The song has been translated into several languages and remains popular all over the world.In addition to its musical popularity, Greenleeves has a rich cultural significance. It is often associated with Christmas and has been performed during the holiday season for many years. The song also has a strong connection to England's history and heritage, and is considered a classic piece of English folk music.Overall, Greenleeves is a timeless piece of music that continues to captivate audiences and evoke emotions. Whether you're a fan of classical music, folk music, or just enjoy beautiful melodies, Greenleeves is a song that is sure to touch your heart.
$10.00
9.11 €
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Ukulele
#
Unknown
#
Andre D Tuffo
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Greensleeves
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Andre D. Tuffo
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SheetMusicPlus
Children Of The Wind from the musical Rags - VOCAL SOLO (key of G) with 9 piece Band accompaniment
Piano, Voix et Guitare
By Stephen Schwartz. Arranged by W. Brent Sawyer. Score, Set of Parts. 50 pages. Pub…
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By Stephen Schwartz. Arranged by W. Brent Sawyer. Score, Set of Parts. 50 pages. Published by Diamond S Music
Item Number: H0.376331-SC001254883<br> <br> CHILDREN OF THE WIND from the musical RAGS. VOCAL SOLO (begins in the Key of G and ends in Eb - cast album key) and 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the beautiful powerful anthem from the musical RAGS is in the style of the original version and has the high ending that is on the original Cast Album of RAGS. T 9 piece accompaniment is scored for: REED 1 (Bb Clarinet, Flute, Piccolo), REED 2 (Bb Clarinet), Bb Trumpet (with opt. Piccolo Trumpet), Trombone, Violin, Piano, Bass, Drums, Percussion.<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940Item Number: H0.376331-SC001254883<br> <br> CHILDREN OF THE WIND from the musical RAGS. VOCAL SOLO (begins in the Key of G and ends in Eb - cast album key) and 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the beautiful powerful anthem from the musical RAGS is in the style of the original version and has the high ending that is on the original Cast Album of RAGS. T 9 piece accompaniment is scored for: REED 1 (Bb Clarinet, Flute, Piccolo), REED 2 (Bb Clarinet), Bb Trumpet (with opt. Piccolo Trumpet), Trombone, Violin, Piano, Bass, Drums, Percussion.<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99
39.15 €
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Piano, Voix et Guitare
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Stephen Schwartz
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Children Of The Wind from the musical Rags - VOCAL SOLO
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Diamond S Music
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SheetMusicPlus
Thank You For The Music
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809392 By ABBA. By Be…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809392 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Unimusic Group. Contemporary. Score. 10 pages. Unimusic Academy (Academia Unimusica) #6013531. Published by Unimusic Academy (Academia Unimusica) (A0.809392). ABBA (/ˈæbÉ™/, Swedish pronunciation: [ˈabËa]) is a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition.
$8.00
7.28 €
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Piano, Voix et Guitare
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ABBA
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Unimusic Group
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Thank You For The Music
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Unimusic Academy
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.83 €
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Gershwin Portrait! The Music of George and Ira Gershwin
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0003559 A Gershwin Portrait! The Music o…
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Chorus - Digital Download SKU: AX.00-PO-0003559 A Gershwin Portrait! The Music of George and Ira Gershwin - SATB. Composed by George Gershwin and Ira Gershwin. Arranged by Mac Huff. Choral. 16 pages. Alfred Music - Digital Sheet Music #00-PO-0003559. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003559). ISBN 9780769259901. UPC: 029156098013.Music must reflect the thoughts and aspirations of the people and the time. My people are American. My time is today. This quote from George Gershwin sets the tone for this spectacular 25-minute Feature Medley showcasing the amazing artistic range of George and Ira Gershwin. The six flexible sections of timeless melodies highlight not only their popular songs, but also music for the Broadway and concert stage, the jazz musician and even an opera (Porgy and Bess).Mac Huff's spectacular Gershwin extravaganzahas been designed for all ages with accompaniment options of full combo, rhythm section, piano only or the dynamic ShowTrax CD. A magnificent tribute to two American musical masters!
$8.99
8.19 €
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Chorale SATB
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George Gershwin and Ira Gershwin
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Mac Huff
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A Gershwin Portrait! The Music of George and Ira Gershwin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.84 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Bach for Guitar
Guitare
Guitar - easy to intermediate - Digital Download 27 Transcriptions for Guitar. Compos…
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Guitar - easy to intermediate - Digital Download 27 Transcriptions for Guitar. Composed by Johann Sebastian Bach (1685-1750). Arranged by Martin Hegel. This edition: Sheet music. Transkription, Popularitat, Guitar. Schott Guitar Classics. Downloadable. Schott Music - Digital #Q17856. Published by Schott Music - Digita
The advantages of Bach's music are that it is universal and to a certain extent independent of the instruments for which it was composed. His music is structured in such a brilliant and clear manner that it sounds good on any instrument. These compositions by Johann Sebastian Bach definitely are some of his best-known works and very popular. Therefore, also guitarists will certainly appreciate to be able to play this magnificent music on their instrument. All pieces are easy to play on the guitar and a valuable addition to the teaching and concert repertoire.The advantages of Bach's music are that it is universal and to a certain extent independent of the instruments for which it was composed. His music is structured in such a brilliant and clear manner that it sounds good on any instrument. These compositions by Johann Sebastian Bach definitely are some of his best-known works and very popular. Therefore, also guitarists will certainly appreciate to be able to play this magnificent music on their instrument. All pieces are easy to play on the guitar and a valuable addition to the teaching and concert repertoire.
$15.99
14.56 €
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Guitare
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Johann Sebastian Bach
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Martin Hegel
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Bach for Guitar
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Schott Music - Digita
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SheetMusicPlus
'Twas The Night Before Christmas (Solo and SAB)
Chorale 3 parties
Piano Accompaniment, Voice, Choir, SAB - Digital Download Composed by Stephen DeCesare.…
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Piano Accompaniment, Voice, Choir, SAB - Digital Download Composed by Stephen DeCesare. Broadway, Musicals, Movies, TV, Christmas. 34 pages. Published by Exultet Music
The ever popular Christmas poem "A Visit From St. Nicholas", has been arranged as a musical dialogue between a Narrator and an SAB choir with Piano accompaniment. Interspersed within the poem are three Christmas carols to help propel the story ("Jolly Old St. Nicholas with "Upon On The Housetop", "Jolly Santa Claus Is Here", and "We Wish You A Merry Christmas"). Accessible and appropriate for any school or concert setting.The ever popular Christmas poem "A Visit From St. Nicholas", has been arranged as a musical dialogue between a Narrator and an SAB choir with Piano accompaniment. Interspersed within the poem are three Christmas carols to help propel the story ("Jolly Old St. Nicholas with "Upon On The Housetop", "Jolly Santa Claus Is Here", and "We Wish You A Merry Christmas"). Accessible and appropriate for any school or concert setting.
$5.00
4.55 €
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Chorale 3 parties
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Stephen DeCesare
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'Twas The Night Before Christmas
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Exultet Music
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SheetMusicPlus
Children Of The Wind from the musical Rags - VOCAL SOLO (key of G) - PIANO/VOCAL
Piano, Voix
Piano/Vocal/Chords, Voice - Advanced - Digital Download By Stephen Schwartz. Arranged …
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Piano/Vocal/Chords, Voice - Advanced - Digital Download By Stephen Schwartz. Arranged by W. Brent Sawyer. Individual Part. 11 pages. Published by Diamond S Music
CHILDREN OF THE WIND from the musical RAGS. VOCAL SOLO (begins in the Key of G and ends in Eb - cast album key) and 9 piece Band Accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This arrangement of the beautiful powerful anthem from the musical RAGS is in the style of the original version and has the high ending that is on the original Cast Album of RAGS. T 9 piece accompaniment is scored for: REED 1 (Bb Clarinet, Flute, Piccolo), REED 2 (Bb Clarinet), Bb Trumpet (with opt. Piccolo Trumpet), Trombone, Violin, Piano, Bass, Drums, Percussion.<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940CHILDREN OF THE WIND from the musical RAGS. VOCAL SOLO (begins in the Key of G and ends in Eb - cast album key) and 9 piece Band Accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This arrangement of the beautiful powerful anthem from the musical RAGS is in the style of the original version and has the high ending that is on the original Cast Album of RAGS. T 9 piece accompaniment is scored for: REED 1 (Bb Clarinet, Flute, Piccolo), REED 2 (Bb Clarinet), Bb Trumpet (with opt. Piccolo Trumpet), Trombone, Violin, Piano, Bass, Drums, Percussion.<br> <br> <br> <br> RAGS was created by the writers of the musicals ANNIE and Wicked, Charles Strouse and Stephen Schwartz. It had a very short Broadway run in 1986 and has been reworked and proved to be very popular around the world in various theater productions.<br> <br> <br> <br> Other similar arrangements from DIAMOND S MUSIC available at:<br> <br> https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
9.1 €
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Piano, Voix
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Stephen Schwartz
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Children Of The Wind from the musical Rags - VOCAL SOLO
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Diamond S Music
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SheetMusicPlus
Six Bagatelles
Quatuor de Saxophones: 4 saxophones
Saxophone quartet (SATBar) - difficult - Digital Download From Musica ricercata for w…
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Saxophone quartet (SATBar) - difficult - Digital Download From Musica ricercata for wind quintet. Composed by Gyorgy Ligeti (1923-2006). Arranged by Fabian Oehrli. This edition: score and parts. Downloadable. Duration 13 minutes. Schott Music - Digital #Q6446. Published by Schott Music - Digital
These six character pieces come from Ligeti's famous piano cycle 'Musica ricercata'. Now wild, now cheerful, now contemplative, now excited - each of these miniatures is an unmistakable gem.<br> The minimalist bagatelles already exist in popular arrangements for wind quintet, wind ensemble and accordion. Their new arrangement for saxophone quartet by Fabio Oehrli sounds very convincing, as if the composition has almost been made for this instrumentation. These six character pieces come from Ligeti's famous piano cycle 'Musica ricercata'. Now wild, now cheerful, now contemplative, now excited - each of these miniatures is an unmistakable gem.<br> The minimalist bagatelles already exist in popular arrangements for wind quintet, wind ensemble and accordion. Their new arrangement for saxophone quartet by Fabio Oehrli sounds very convincing, as if the composition has almost been made for this instrumentation.
$29.99
27.31 €
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Quatuor de Saxophones: 4 saxophones
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Gyorgy Ligeti
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Fabian Oehrli
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Six Bagatelles
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Schott Music - Digital
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SheetMusicPlus
Eight Pieces
Accordéon
Accordion (M III) - difficult - Digital Download From Musica ricercata. Composed by G…
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Accordion (M III) - difficult - Digital Download From Musica ricercata. Composed by Gyorgy Ligeti (1923-2006). This edition: Sheet music. Downloadable. Duration 17 minutes. Schott Music - Digital #Q22726. Published by Schott Music - Digital
The use of this popular instrument adds an intriguing and fascinating dimension to these movements taken from a collection of early piano pieces.The use of this popular instrument adds an intriguing and fascinating dimension to these movements taken from a collection of early piano pieces.
$21.99
20.02 €
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Accordéon
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Gyorgy Ligeti (1923-2006)
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Eight Pieces
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Schott Music - Digital
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SheetMusicPlus
Acoustic Music Source Book
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time So…
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Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99
27.31 €
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Guitare
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Richard L
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Acoustic Music Source Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
You're the Top (from the musical Anything Goes)
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0003173 You're the Top (from the musical…
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Chorus - Digital Download SKU: AX.00-PO-0003173 You're the Top (from the musical Anything Goes) - SATB. Composed by Cole Porter. Arranged by Mark Hayes. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003173. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003173). UPC: 038081360935.This famous list song from the musical Anything Goes demonstrates Cole Porter's incredible rhyming ability and gives us a partial listing of what was popular in the '30s. (How about an extra credit assignment for your singers?) Charmingly arranged by Mark Hayes.Inst. Parts Available (choral); Recorded Acc. Available.
$1.85
1.68 €
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Chorale SATB
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Cole Porter
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Mark Hayes
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Recorded Acc. Available.
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You're the Top
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Classical Highlights
Cor et Piano
Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, inst…
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Arranged for Horn and Piano. This edition: Sheet music. Wedding Music, funeral, instrumental, sheet Music. Classical Highlights. Downloadable. Schott Music - Digital #Q41197. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.2 €
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Cor et Piano
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Classical Highlights
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Schott Music - Digital
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SheetMusicPlus
Classical Highlights
Trompette, Piano
Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrument…
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Arranged for Trumpet and Piano. This edition: Sheet music. Wedding songs, instrumental, funeral, sheet music, trumpet. Classical Highlights. Downloadable. Schott Music - Digital #Q19177. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for trumpet and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any trumpet player who is looking for a popular classical work for teaching or performing purposes.'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for trumpet and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach through to Schubert, Mendelssohn, Schumann and Wagner to Faure, Elgar, Debussy and Satie. There will be something for any trumpet player who is looking for a popular classical work for teaching or performing purposes.
$19.99
18.2 €
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Trompette, Piano
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Classical Highlights
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Schott Music - Digital
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: 1st B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_T1 1st B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_T1 1st B-flat Trumpet. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_T1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_BBC1 Baritone B.C.. Ar…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_BBC1 Baritone B.C.. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_BBC1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: Bassoon
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_B1 Bassoon. Arranged b…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_B1 Bassoon. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_B1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0002321_AX1 E-flat Alto Saxophone. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_AX1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: 1st Percussion
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_PC1 1st Percussion. Ar…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_PC1 1st Percussion. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_PC1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: 2nd Trombone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_TN2 2nd Trombone. Arra…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_TN2 2nd Trombone. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_TN2). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
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Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: E-flat Alto Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_AC1 E-flat Alto Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0002321_AC1 E-flat Alto Clarinet. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_AC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_AC1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
#
Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: E-flat Alto Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mamma Mia! -- Highlights from the Broadway Musical: Baritone T.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0002321_BTC1 Baritone T.C.. Ar…
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Concert Band - Digital Download SKU: AX.00-PC-0002321_BTC1 Baritone T.C.. Arranged by Roy Phillippe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002321_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002321_BTC1). ISBN 9780757932359. UPC: 654979034186.The musical is drawing acclaim on Broadway and throughout the world. The popular ABBA hits included in this medley are MAMMA MIA, S.O.S., I HAVE A DREAM and DANCING QUEEN. Your students will love this medley, your audiences will adore it!
$3.00
2.73 €
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Orchestre d'harmonie
#
Roy Phillippe
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Mamma Mia! -- Highlights from the Broadway Musical: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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