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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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avec vidéo
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Non classifié
8872
PIANO & CLAVIERS
Piano seul
5803
Piano Facile
5217
Piano, Voix
2464
Piano, Voix et Guitare
1697
Accordéon
722
Orgue
701
Instruments en Do
591
1 Piano, 4 mains
315
Accompagnement Piano
283
Piano Trio: piano, violon, violoncelle
160
Piano Quatuor: piano, 2 violons, violoncelle
67
2 Pianos, 4 mains
48
Piano grosses notes
39
1 Piano, 6 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
23
Piano Quintette: piano, 2 violons, alto, violoncelle
23
Piano (partie séparée)
22
Orgue, Piano (duo)
17
Orgue, Trompette (duo)
12
Ensemble d'Accordéons
6
Tous Les Instruments
5
2 Pianos, 8 mains
5
Clavecin
3
Accordéon, Piano
2
2 Accordéons
2
Clavier
1
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GUITARES
Guitare notes et tablatures
2660
Ligne De Mélodie, (Paroles) et Accords
931
Ukulele
784
Guitare
736
Paroles et Accords
296
Mandoline
203
Basse electrique
159
2 Guitares (duo)
131
Piano, Guitare (duo)
53
Banjo
41
4 Guitares (Quatuor)
34
Dulcimer
34
3 Guitares (trio)
26
Guitare (partie séparée)
24
Ensemble de guitares
20
2 Ukuleles
6
3 Dulcimers (trio)
5
Mandoline, Guitare (duo)
5
Ensemble de Ukulélés
4
Mandoline, Piano (duo)
4
2 Dulcimers (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Ukulele Baryton
1
Cithare
1
Dobro
1
Guitare, Flûte, Clarinette
1
Instrumentations suivantes
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VOIX
Chorale SATB
2334
Chorale 2 parties
1258
Chorale 3 parties
1108
Voix duo, Piano
414
Chorale Unison
411
Chorale TTBB
321
Voix duo
196
Chorale SSAA
147
Voix Soprano, Piano
131
Chorale
113
Voix Tenor, Piano
98
Voix Alto, Piano
86
Voix Baryton, Piano
68
Voix basse, Piano
36
Voix haute
25
Voix moyenne, Piano
23
Voix seule
23
Voix haute, Piano
22
Chorale SSAATTBB
9
Chorale SSATB
7
Voix basse
6
Voix Tenor
5
Chorale SSATTB
4
Chorale SSAB a cappella
3
Voix, Guitare
3
Chorale SAATB A Cappella
2
Voix duo, Orgue
1
Pack Instrumental pour Chorale
1
Voix Mezzo-Soprano, Piano
1
Chorale SATBB
1
Chorale, Orgue
1
Voix Moyenne
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
958
2 Saxophones (duo)
737
Clarinette et Piano
728
Quatuor de Saxophones: 4 saxophones
705
2 Flûtes traversières (duo)
638
Saxophone Alto et Piano
610
Flûte traversière
569
Hautbois, Piano (duo)
546
Saxophone Tenor et Piano
525
Flûte, Hautbois, Clarinette, Basson
499
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
457
Saxophone Soprano et Piano
448
2 Clarinettes (duo)
364
Quatuor de Clarinettes: 4 clarinettes
357
Clarinette
340
Quatuor de Flûtes : 4 flûtes
279
Saxophone Alto
277
Saxophone (partie séparée)
272
Flûte, Clarinette (duo)
267
3 Saxophones (trio)
261
3 Clarinettes (trio)
261
Quintette de Saxophone: 5 saxophones
251
Ocarina
236
Trio de Flûtes: 3 flûtes
219
Flûte à bec Soprano
217
Saxophone Tenor
206
Harmonica
191
Flûte à bec Alto
170
Saxophone Baryton, Piano
159
Hautbois (partie séparée)
144
2 Hautbois (duo)
142
Hautbois
113
2 Flûte à bec (duo)
102
Quintette de Clarinettes: 5 clarinettes
95
Clarinette, Violon (duo)
94
2 Flûtes traversières, Piano
93
Hautbois, Basson (duo)
92
Ensemble de Clarinettes
86
Saxophone, Clarinette (duo)
78
Hautbois, Clarinette (duo)
72
Ensemble de Flûtes
72
Clarinette, Basson (duo)
70
Flûte, Hautbois, Clarinette (trio)
63
Flûte, Violoncelle
63
Clarinette (partie séparée)
62
Flûte, Clarinette, Piano (trio)
61
Flûte, Violon
59
Ensemble de saxophones
56
Hautbois, Violoncelle
54
Flûte et Guitare
54
Clarinette, Violoncelle (duo)
52
Flute (partie séparée)
51
Clarinette, Trompette (duo)
50
Flûte, Violon, Piano
49
Cor anglais, Piano
48
Quatuor de Flûtes à bec
47
Saxophone Soprano
47
Flûte, Clarinette et Basson
44
2 Clarinettes, Piano
42
Flûte, Hautbois, Basson
41
Hautbois, Clarinette, Basson (trio d'anches)
39
Flûte à bec Alto, Piano
39
Clarinette et Alto
35
Clarinette, Violoncelle, Piano (trio)
35
Flûte, Violoncelle, Piano (trio)
33
Flûte, Alto (duo)
32
Flûte, Hautbois, Piano (trio)
32
Hautbois, Flûte
32
Flûte, Hautbois (duo)
31
Flûte, Violon et Violoncelle
31
Saxophone Baryton
31
Clarinette, Harpe (duo)
30
Clarinette Basse, Piano
28
Flûte, Saxophone (duo)
28
Flûte à Bec
28
Ensemble De Flûte à bec
28
Saxophone et Harpe
27
Hautbois, Harpe
27
Flûte, trombone et piano
27
Quintette de Flûte : 5 flûtes
26
Flûte, Trompette (duo)
25
Flûte, Alto et Piano
24
2 Saxophones, Piano
24
3 Flûtes à bec (trio)
24
Clarinette, Guitare (duo)
23
Saxophone
20
Cor Anglais
18
Flûte à bec Tenor
18
Cornemuse
16
Flûte, Basson et Piano
16
Piccolo
16
Saxophone et Piano
15
Saxophone et Orgue
14
Piccolo, Piano
13
Flûte irlandaise
13
5 Flûtes à bec
12
Flûte, Trombone (duo)
12
Flûte à bec Soprano, Piano
12
Clarinette, trompette et piano
11
Flûte, Violon, Violoncelle et Piano
11
Hautbois, violon (duo)
10
2 Hautbois, Piano
9
Hautbois, Guitare (duo)
9
Hautbois et alto (duo)
8
Hautbois, Clarinette et Piano (Trio)
8
Clarinette, Trombone (duo)
7
Clarinette, Basson, Piano (trio)
7
4 Hautbois
7
Clarinette Basse
7
2 Flûtes à bec, Piano
6
Flûte, Violoncelle, Guitare
6
3 Hautbois
6
2 Clarinettes, Basson
5
Flûte à Bec, Piano
5
Instruments en Mib
5
Clarinette, Alto et Piano (trio)
5
Flûte, Guitare, Piano
5
Clarinette, Contrebasse (duo)
5
Clarinette, Tuba
5
Flûte et Trio à cordes
4
Flûte à bec, Guitare (duo)
4
Hautbois, Basson et Piano
4
Hautbois, Violoncelle et Piano
4
Hautbois, trombone (duo)
4
2 Flûtes traversières, Harpe
3
Hautbois, Trompette (duo)
3
Flûte, Violon, Guitare
3
Flûte, Harpe et Violoncelle
3
Flûte, Tuba (duo)
3
Hautbois, Violon, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
2 Cors Anglais Et Pianoforte
2
Flûte, Hautbois, Violon
2
Flûte de Pan
2
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
1
Flute, harpe et violon
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Guitare
1
Saxophone et Guitare
1
Clarinette, Orgue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
746
Trompette, Piano
680
Trombone et Piano
629
Trompette
430
Cor et Piano
398
Quatuor de Cuivres : 2 trompettes, trombone, tuba
349
2 Trompettes (duo)
294
Trombone
270
2 Trombones (duo)
252
Quatuor de Cuivres: 2 trompettes, Cor, trombone
207
Tuba et Piano
203
Cor
201
2 Cors (duo)
165
Quatuor de cuivres: 4 trombones
165
Trompette, Cor (duo)
161
Tuba
144
Trompette, Trombone (duo)
142
Trompette (partie séparée)
122
Trombone (partie séparée)
120
4 Tubas
111
Quatuor de Cuivres
107
2 Euphoniums et 2 Tubas
91
Quatuor de cuivres: 4 cors
73
Quatuor de cuivres: 4 trompettes
59
Trompette, Saxophone (duo)
55
2 Tubas (duo)
50
Cor anglais, Piano
48
3 Trombones (trio)
45
3 Trompettes (trio)
44
Euphonium, Piano (duo)
44
Trio de Cuivres
44
Quatuor de cuivres: 2 trompettes, 2 trombones
40
Euphonium
37
Cor, Violoncelle (duo)
34
Cor et Harpe
33
2 Trompettes, Clavier (piano ou orgue)
27
Trompette, Harpe
26
Ensemble de Trombones
26
Cor (partie séparée)
25
Tuba (partie séparée)
25
Ensemble de Trompettes
25
Trompette, Violoncelle et Piano
23
Trompette, Basson (duo)
22
Trompette, Violoncelle (duo)
20
Cor Anglais
18
Tuba et Orgue
17
Trombone, Cor (duo)
16
Cor et Basson (duo)
16
Ensemble de Cors
13
Trombone, Orgue
13
3 Cors (trio)
12
2 Euphoniums (duo)
10
Trombone, Tuba (duo)
10
Euphonium, Tuba (duo)
9
Cor, Tuba (duo)
8
Trombone basse
8
Trompette, Tuba (duo)
8
2 Trombones, Piano
7
Trompette, Trombone, Piano
7
Bass Clef Instruments
5
Trombone basse et Piano
5
Cor et Orgue
5
Trompette, violon (duo)
5
Instruments en Sib
5
4 Euphoniums
4
Instruments en Fa
4
Ensemble de Tubas
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Cornet A Pistons
4
3 Tubas (trio)
4
Cor, Violoncelle et Piano
4
2 Cors, Piano
3
Trombone, Violon (duo)
3
2 Cors Anglais Et Pianoforte
2
Cor, Trompette, Trombone (trio)
2
Trombone, Alto (duo)
1
Trombone, violoncelle (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1429
Violon et Piano
1190
Violoncelle, Piano
790
Alto, Piano
707
Violon
679
Harpe
594
Violoncelle
442
Violon, Violoncelle (duo)
433
2 Violons (duo)
412
2 Violoncelles (duo)
330
Alto seul
311
Trio à Cordes: violon, alto, violoncelle
248
2 Harpes (duo)
248
Violon, Alto (duo)
248
2 Altos (duo)
222
Contrebasse, Piano (duo)
166
Contre Basse
161
Quintette à cordes: 2 violons, alto, violoncelle, basse
133
Violon (partie séparée)
127
Piano Trio: Violon, Alto, Piano
121
Alto, Violoncelle (duo)
118
Trio à cordes: 3 violins
115
Trio à Cordes: 2 violons, violoncelle
109
4 Violoncelles
103
Alto (partie séparée)
83
Trio à Cordes: 3 violoncelles
64
Quatuor à cordes: 4 violons
57
Harpe, Flûte (duo)
55
Contrebasse (partie séparée)
53
Violoncelle (partie séparée)
49
Harpe, Violoncelle (duo)
47
Harpe, Violon (duo)
46
Violon, Basson (duo)
46
Violon, Guitare (duo)
38
Alto et Basson
38
2 Contrebasses (duo)
36
Trio à cordes: 3 altos
34
Alto et Harpe
31
2 Violons, Piano
29
Quatuor à cordes : 4 altos
28
Violoncelle , Guitare (duo)
19
Alto, Guitare (duo)
18
Violon, Clarinette, Piano (trio)
17
Violoncelle, Contrebasse (duo)
12
2 Violoncelles, Piano
12
Trio à cordes
11
Ensemble de Violons
10
Trio à Cordes: 2 violons, alto
9
Harpe et mandoline
7
Violoncelle, Orgue
7
Flûte, Contrebasse (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Violon, Trompette et Piano
6
3 Harpes
5
2 Altos, Piano
5
Violon, Tuba (duo)
4
4 Harpes
3
Harpe, Trombone (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
3
Violon, Violoncelle, Clarinette
3
Harpe, Violon, Violoncelle
3
5 Harpes
2
3 Contrebasses
2
Harpe, Voix
2
Harpe et Piano
2
Violon, Orgue
2
4 Contrebasses
2
Autoharp
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1916
Orchestre à Cordes
564
Cloches
395
Orchestre
369
Ensemble de cuivres
296
Ensemble Jazz
182
Orchestre de chambre
124
Fanfare
72
Percussion (partie séparée)
47
Jazz combo
39
Ensemble de Percussions
38
Marimba
35
Percussion
26
Batterie
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Batterie (partie séparée)
13
Xylophone
12
2 Xylophones
10
Quintette à Vent
9
Timbales
9
Quatuor à Vent : 4 instruments à vents
7
Timbales (partie séparée)
7
Xylophone, Piano
6
Quintette de Cuivres: autres combinaisons
5
Piano et Orchestre
3
Vibraphone
3
Instrumentation Flexible
2
Caisse Claire
2
3 Marimbas
2
Trio à Vent: 3 instruments à vents
2
Xylophone ou Marimba ou Vibraphone
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
2
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9976
La Formation Vocale Tout Simplement Volume 2
Formation musicale - Solfège
Composed by Christian Champeil. Classical Period, Repertoire, European, Children…
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Composed by Christian Champeil. Classical Period, Repertoire, European, Children's Musicals. Individual Part. 23 pages. Published by MCM Editions Musicales France
Vocal training simply<br> traditional baroque and classical european chantVocal training simply<br> traditional baroque and classical european chant
$9.00
8.21 €
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Formation musicale - Solfège
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Christian Champeil
#
La Formation Vocale Tout Simplement Volume 2
#
MCM Editions Musicales France
#
SheetMusicPlus
La Formation Vocale Tout Simplement Volume 1
Formation musicale - Solfège
Composed by Christian Champeil. Classical Period, Repertoire, European, Children…
(+)
Composed by Christian Champeil. Classical Period, Repertoire, European, Children's Music. Individual Part. 22 pages. Published by MCM Editions Musicales France
Vocal training simply<br> traditional baroque and classical european chantVocal training simply<br> traditional baroque and classical european chant
$9.00
8.21 €
#
Formation musicale - Solfège
#
Christian Champeil
#
La Formation Vocale Tout Simplement Volume 1
#
MCM Editions Musicales France
#
SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitare
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.86 €
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Guitare
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Flute Quartet sheet music: Levanta Poeira (score & parts)
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509398
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509398 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. 20th Century,Latin. 24 pages. Glissato Edizioni Musicali #1084637. Published by Glissato Edizioni Musicali (A0.1509398). Dive into the heart of Brazilian Chorinho with Levanta Poeira, an exuberant piece by Zequinha de Abreu, the illustrious composer behind the iconic Tico Tico. This vibrant composition has been masterfully arranged for Flute Quartet by Francesco Leone, targeting intermediate-level flutists who wish to explore the rhythmic complexities and melodic richness of Brazilian music.This ebook provides a complete package, including the score and parts for C Flutes 1-4, meticulously arranged to capture the essence of Chorinho's spirited melodies and harmonies. Each part is designed to challenge and engage the musicians, encouraging a deep dive into the nuances of Brazilian musical tradition while ensuring an enjoyable and rewarding ensemble experience.An audio demo of this engaging arrangement is available on www.glissato.it, offering a glimpse into the lively and captivating performance that awaits. This resource is invaluable for understanding the intended articulation, dynamics, and tempo, serving as an excellent learning tool for ensembles preparing to bring Levanta Poeira to the stage.Additionally, this edition is enhanced with informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These materials offer insights into the history of Chorinho, the legacy of Zequinha de Abreu, and the cultural significance of Levanta Poeira, enriching the musician's connection to the piece. Whether you are a performer, a music educator, or a fan of Brazilian music, these resources provide a comprehensive understanding of the genre, the composer, and the arrangement itself.Levanta Poeira for Flute Quartet by Francesco Leone is not just sheet music; it's an invitation to journey through the captivating world of Chorinho, bringing the lively streets of Brazil to your concert hall. Embrace this opportunity to expand your musical horizons with the enchanting rhythms and melodies of one of Brazil's most cherished musical traditions.- Querflöten-Noten, partitions pour flûte, partituras para flauta, partituras para flauta, spartiti per flauto, flüt notaları, nuty na flet, noter for fløyte, noter för flöjt, 플루트 악보, フルートの楽譜 -.
$14.00
12.78 €
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Quatuor de Flûtes : 4 flûtes
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Francesco Leone
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Francesco Leone
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Flute Quartet sheet music: Levanta Poeira
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Glissato Edizioni Musicali
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SheetMusicPlus
Li'l Liza Jane - New Orleans Parade Band Music (Traditional Jazz Combo) - Intermediate
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734502 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734502 Composed by Countess Ada De Lachau. Arranged by Dennis Ruello. Contemporary,Jazz,Wedding. Score and parts. 38 pages. Chicory Music #6069733. Published by Chicory Music (A0.734502). Li'l Liza Jane, also known as Little Liza Jane, Liza Jane, and Goodbye Liza Jane, is a song dating back at least to the 1910s. It has become a perennial standard both as a song and an instrumental in traditional jazz, folk music, and bluegrass, and versions have repeatedly appeared in other genres including rock and roll. Numerous scholars and musicologists have written about the song, and it is one of the standards of the New Orleans brass band tradition. It is frequently played at Second Line Parades, wedding receptions, parties and at the end of jazz funerals. This arrangement is written for a traditional New Orleans jazz combo and includes an optional Banjo / Guitar part. The tune is fun and easy to play for students or professionals. Performance Time Approx. 3 minutes.
$19.99
18.24 €
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Ensemble Jazz
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Countess Ada De Lachau
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Dennis Ruello
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Li'l Liza Jane - New Orleans Parade Band Music
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Chicory Music
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SheetMusicPlus
Appalachian Fiddle Music
Violon
Fiddle - Multiple Levels - Digital Download Appalachian. E-book. 212 pages. Mel Bay P…
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Fiddle - Multiple Levels - Digital Download Appalachian. E-book. 212 pages. Mel Bay Publications - Digital Sheet Music #30091EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459936. 8.75 x 11.75 inches.<br> <br> Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.ISBN 9781513459936. 8.75 x 11.75 inches.<br> <br> Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
$22.99
20.98 €
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Violon
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Appalachian Fiddle Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hammerklavier
Piano Facile
Piano - difficult - Digital Download Part I-VI. Composed by Moritz Eggert. This editi…
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Piano - difficult - Digital Download Part I-VI. Composed by Moritz Eggert. This edition: Sheet music. Downloadable. Duration 40 minutes. Schott Music - Digital #Q3086. Published by Schott Music - Digital
'Hammerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hammer' of the title refers not to the action of the pianoforte nor to Beethoven's 'Hammerklaviersonate' but to the mental approach required of the performer who needs to be a true<br> 'performance artist'.<br> The composer has recorded the entire cycle for WERGO (WER 6611-2).'Hammerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hammer' of the title refers not to the action of the pianoforte nor to Beethoven's 'Hammerklaviersonate' but to the mental approach required of the performer who needs to be a true<br> 'performance artist'.<br> The composer has recorded the entire cycle for WERGO (WER 6611-2).
$33.99
31.02 €
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Piano Facile
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Moritz Eggert
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Hammerklavier
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Schott Music - Digital
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SheetMusicPlus
Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys (volume 3)
Flûte, Clarinette (duo)
Composed by American Traditional, Catalan traditional, Chinese traditional, Ivan Lar…
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Composed by American Traditional, Catalan traditional, Chinese traditional, Ivan Larionov, Norwegian Traditional, Welsh Traditional, English Traditional, Scottish Traditional, and Irish Traditional. Arranged by Francesco Leone. Instructional, Multicultural, Traditional, World. 67 pages. Glissato Edizioni Musicali #819581. Published by Glissato Edizioni Musicali
(64 duets - Volume 3) This amazing collection of 16 traditional and popular music duets for C flute and Bb clarinet offers a wonderful selection of easy melodies for your ensemble. Explore the instrument in its different ranges as you transpose each song in four different tones. Get lost in the melodies and let them transport you to a different time and place as they speak to you of love, nature, and happiness. Enjoy creating a unique medley of your favorite songs and make it your own. With limitless combinations and possibilities, this flute and clarinet duets collection allows you to make your recital truly special.<br> one title per pagewide notationeasy keyscomfortable rangetime signatures 2/4 3/4 4/4Contents Titles:<br> Bamboo Flute, the<br> Big Rock Candy Mountain<br> Down By The Sally Gardens<br> El Noi de la Mare<br> Foggy Dew<br> Galway Piper, the<br> Homeward from the Mountains<br> Kalinka<br> Mary Don't You Weep<br> Rising of the Moon,the<br> Scarborough Fair<br> Skye Boat Song,the<br> Suo Gân<br> Twinkle, Twinkle, Little Star<br> Water is wide,the<br> Yankee Doodle(64 duets - Volume 3) This amazing collection of 16 traditional and popular music duets for C flute and Bb clarinet offers a wonderful selection of easy melodies for your ensemble. Explore the instrument in its different ranges as you transpose each song in four different tones. Get lost in the melodies and let them transport you to a different time and place as they speak to you of love, nature, and happiness. Enjoy creating a unique medley of your favorite songs and make it your own. With limitless combinations and possibilities, this flute and clarinet duets collection allows you to make your recital truly special.<br> one title per pagewide notationeasy keyscomfortable rangetime signatures 2/4 3/4 4/4Contents Titles:<br> Bamboo Flute, the<br> Big Rock Candy Mountain<br> Down By The Sally Gardens<br> El Noi de la Mare<br> Foggy Dew<br> Galway Piper, the<br> Homeward from the Mountains<br> Kalinka<br> Mary Don't You Weep<br> Rising of the Moon,the<br> Scarborough Fair<br> Skye Boat Song,the<br> Suo Gân<br> Twinkle, Twinkle, Little Star<br> Water is wide,the<br> Yankee Doodle
$13.99
12.77 €
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Flûte, Clarinette (duo)
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American Traditional, Catalan traditional, Chinese traditional, Ivan Larionov, Norwegian Traditional, Welsh Traditional, English Traditional, Scottish Traditional, and Irish Traditional
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Francesco Leone
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Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys
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Glissato Edizioni Musicali
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SheetMusicPlus
Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys (volume 2)
Flûte, Clarinette (duo)
Composed by Daniel Alomia Robles, Daniel E. Kelley, Filipino Traditional, Italian Tr…
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Composed by Daniel Alomia Robles, Daniel E. Kelley, Filipino Traditional, Italian Traditional, Jamaican traditional, Korean Traditional, Newfoundland traditional, Peruvian traditional, and Spanish Traditional. Arranged by Francesco Leone. Instructional,Multicultural,Tr aditional,World. 67 pages. Glissato Edizioni Musicali #819578. Published by Glissato Edizioni Musicali
(64 duets - Volume 2) This beautiful and unique collection of 16 easy melodies offers a wonderful way to explore the traditional and popular music of different parts of the world. Featuring a C flute and Bb clarinet duet, these songs are both familiar and simple to listen to and can help create vivid images of landscapes, characters, and emotions. Transposed in four different tones, you can customize each piece to fit your needs and explore the instrument's range. With this collection, you can create a medley of your favorite songs with endless possibilities and combinations, making it perfect for your next recital. Enjoy your journey through traditional and popular music with this amazing duets collection!<br> one title per page<br> wide notation<br> easy keys<br> comfortable range<br> time signatures 4/4 3/4 6/8<br> Contents Titles:<br> Arirang<br> Bella Ciao<br> Day-O<br> El Cóndor Pasa<br> El vito<br> Furusato<br> Home on the range<br> I’se the B’y That Builds the Boat<br> Manang Biday<br> Oak and the Ash, the<br> Raggle Taggle Gypsy,the<br> Santa Lucia<br> Siúil a Rún<br> Star of the County Down<br> Waltzing Matilda<br> When Johnny Comes Marching Home(64 duets - Volume 2) This beautiful and unique collection of 16 easy melodies offers a wonderful way to explore the traditional and popular music of different parts of the world. Featuring a C flute and Bb clarinet duet, these songs are both familiar and simple to listen to and can help create vivid images of landscapes, characters, and emotions. Transposed in four different tones, you can customize each piece to fit your needs and explore the instrument's range. With this collection, you can create a medley of your favorite songs with endless possibilities and combinations, making it perfect for your next recital. Enjoy your journey through traditional and popular music with this amazing duets collection!<br> one title per page<br> wide notation<br> easy keys<br> comfortable range<br> time signatures 4/4 3/4 6/8<br> Contents Titles:<br> Arirang<br> Bella Ciao<br> Day-O<br> El Cóndor Pasa<br> El vito<br> Furusato<br> Home on the range<br> I’se the B’y That Builds the Boat<br> Manang Biday<br> Oak and the Ash, the<br> Raggle Taggle Gypsy,the<br> Santa Lucia<br> Siúil a Rún<br> Star of the County Down<br> Waltzing Matilda<br> When Johnny Comes Marching Home
$13.99
12.77 €
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Flûte, Clarinette (duo)
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Daniel Alomia Robles, Daniel E
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Francesco Leone
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Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys
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Glissato Edizioni Musicali
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SheetMusicPlus
Traditional Christmas Carols for solo violin, Book 1
Violon
Composed by Various. Arranged by Susie Winkworth winkmusic.co.uk. Christmas, Holiday…
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Composed by Various. Arranged by Susie Winkworth winkmusic.co.uk. Christmas, Holiday, Religious, Sacred. 15 pages. Winkmusic.co.uk #743674. Published by winkmusic.co.uk
Perfect for those events where you need to sound like a whole choir all by yourself, these classic Christmas carols are arranged for solo violin, but both satisfying to play and to listen to. Carols included: Once In Royal David's City, Away In A Manger, O Holy Night, The Coventry Carol (Lully, Lulla), Deck The Halls, In The Bleak Midwinter and Joy To The World. (Note: audio taster file is of the sister arrangements for solo cello) Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.Perfect for those events where you need to sound like a whole choir all by yourself, these classic Christmas carols are arranged for solo violin, but both satisfying to play and to listen to. Carols included: Once In Royal David's City, Away In A Manger, O Holy Night, The Coventry Carol (Lully, Lulla), Deck The Halls, In The Bleak Midwinter and Joy To The World. (Note: audio taster file is of the sister arrangements for solo cello) Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$25.00
22.82 €
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Violon
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Various
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Traditional Christmas Carols for solo violin, Book 1
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winkmusic.co.uk
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SheetMusicPlus
50 Traditional - collection for solo Soprano Recorder
Flûte à bec Soprano
Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,…
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Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,Multicultural,Spirit ual,World. Individual part. 52 pages. Glissato Edizioni Musicali #6539929. Published by Glissato Edizioni Musicali
Collection of 50 traditional melodies for solo Soprano Recorder, comfortable range and key, easy for beginners.<br> <br> Contents: Amazing Grace - Arirang - Bamboo Flute, the - Banks of the Don, the - Bella Ciao - Big Rock Candy Mountain - Cockles and Mussels - Day-O - Down By The Sally Gardens- Drink to Me Only with Thine Eyes - El Cóndor Pasa - El Noi de la Mare - El Testament d'Amèlia - El vito - Foggy Dew - Frère Jacques - Furusato - Galway Piper, the - Happy Birthday! - Home on the range - Homeward from the Mountains - House of rising sun,The - I’se the B’y That Builds the Boat - Indiana - Kalinka - Londonderry Air -Manang Biday - Mary Don't You Weep - Mexican Hat Dance - Oh! Susanna - Old MacDonald - Raggle Taggle Gypsy,the - Rising of the Moon,the - Sakura Sakura - Santa Lucia - Scarborough Fair - Simple Gifts - Siúil a Rún - Skye Boat Song,the - Spanish Romance - Star of the County Down - Suo Gân - The Oak and the Ash -Turkey in the Straw - Waltzing Matilda -Water is wide,the - Wayfaring Stranger,the - When Johnny Comes Marching Home -Yankee Doodle - Yellow Rose of Texas,the.Collection of 50 traditional melodies for solo Soprano Recorder, comfortable range and key, easy for beginners.<br> <br> Contents: Amazing Grace - Arirang - Bamboo Flute, the - Banks of the Don, the - Bella Ciao - Big Rock Candy Mountain - Cockles and Mussels - Day-O - Down By The Sally Gardens- Drink to Me Only with Thine Eyes - El Cóndor Pasa - El Noi de la Mare - El Testament d'Amèlia - El vito - Foggy Dew - Frère Jacques - Furusato - Galway Piper, the - Happy Birthday! - Home on the range - Homeward from the Mountains - House of rising sun,The - I’se the B’y That Builds the Boat - Indiana - Kalinka - Londonderry Air -Manang Biday - Mary Don't You Weep - Mexican Hat Dance - Oh! Susanna - Old MacDonald - Raggle Taggle Gypsy,the - Rising of the Moon,the - Sakura Sakura - Santa Lucia - Scarborough Fair - Simple Gifts - Siúil a Rún - Skye Boat Song,the - Spanish Romance - Star of the County Down - Suo Gân - The Oak and the Ash -Turkey in the Straw - Waltzing Matilda -Water is wide,the - Wayfaring Stranger,the - When Johnny Comes Marching Home -Yankee Doodle - Yellow Rose of Texas,the.
$12.99
11.86 €
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Flûte à bec Soprano
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Christmas Traditional
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Glissato Music Publishing
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50 Traditional - collection for solo Soprano Recorder
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SheetMusicPlus
Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys (volume 1)
Flûte, Clarinette (duo)
Composed by Canadian Traditional, Catalan traditional, French Traditional, Irish T…
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Composed by Canadian Traditional, Catalan traditional, French Traditional, Irish Traditional, Japanese traditional, Jesús González Rubio, John Newton, Patty Smith Hill, and Stephen Foster. Arranged by Francesco Leone. Instructional,Multicultural,Tr aditional,World. 67 pages. Glissato Edizioni Musicali #819569. Published by Glissato Edizioni Musicali
(64 Easy duets - volume 1) This beautiful collection of 16 easy traditional and popular melodies for C flute and Bb clarinet duet will transport you to different parts of the world. As you listen to these songs, imagine the landscapes, characters, and emotions they evoke. The simple yet powerful combination of these two instruments is perfect for creating a medley of your own. With transpositions in four tones, you can explore the instruments in their various ranges. Make your recital unique with this collection of melodies and enjoy the countless possible combinations.<br> <br> Titles:<br> Amazing Grace <br> Banks of the Don, the<br> Cockles and Mussels<br> Drink to Me Only with Thine Eyes<br> El Testament d'Amèlia<br> Frère Jacques<br> Happy Birthday!<br> House of rising sun,The<br> Londonderry Air<br> Mexican Hat Dance<br> Old MacDonald<br> Sakura Sakura<br> Simple Gifts<br> Spanish Romance<br> Turkey in the Straw<br> Wayfaring Stranger,the(64 Easy duets - volume 1) This beautiful collection of 16 easy traditional and popular melodies for C flute and Bb clarinet duet will transport you to different parts of the world. As you listen to these songs, imagine the landscapes, characters, and emotions they evoke. The simple yet powerful combination of these two instruments is perfect for creating a medley of your own. With transpositions in four tones, you can explore the instruments in their various ranges. Make your recital unique with this collection of melodies and enjoy the countless possible combinations.<br> <br> Titles:<br> Amazing Grace <br> Banks of the Don, the<br> Cockles and Mussels<br> Drink to Me Only with Thine Eyes<br> El Testament d'Amèlia<br> Frère Jacques<br> Happy Birthday!<br> House of rising sun,The<br> Londonderry Air<br> Mexican Hat Dance<br> Old MacDonald<br> Sakura Sakura<br> Simple Gifts<br> Spanish Romance<br> Turkey in the Straw<br> Wayfaring Stranger,the
$13.99
12.77 €
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Flûte, Clarinette (duo)
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Canadian Traditional, Catalan traditional, French Traditional, Irish Traditional, Japanese traditional, Jesús González Rubio, John Newton, Patty Smith Hill, and Stephen Foster
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Francesco Leone
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Flute and Clarinet 64 easy duets - 16 Traditional tunes scored in four keys
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Glissato Edizioni Musicali
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SheetMusicPlus
16 Traditional Tunes - 64 easy soprano recorder duets (VOL.2)
2 Flûte à bec (duo)
Arranged by Glissato Music Publishing. Concert,Holiday,World. Score and parts. 66 pa…
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Arranged by Glissato Music Publishing. Concert,Holiday,World. Score and parts. 66 pages. Glissato Edizioni Musicali #6562003. Published by Glissato Edizioni Musicali
Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature.<br> This 64 Soprano recorder duets, of 16 easy melodies (Vol.2), offers simple ideas for ensemble music, the transpositions in 4 keys (the most comfortable) are useful for exploring the instrument in its different ranges. Have fun creating a personal medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! Volume 2 contents: Arirang, Bella Ciao,Day-O, El Cóndor Pasa,El vito,Furusato,Home on the range, I’se the B’y That Builds the Boat,Manang Biday,The Oak and the Ash, The Raggle Taggle Gypsy,Santa Lucia,Siúil a Rún,Star of the County Down,Waltzing Matilda,When Johnny Comes Marching Home.Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature.<br> This 64 Soprano recorder duets, of 16 easy melodies (Vol.2), offers simple ideas for ensemble music, the transpositions in 4 keys (the most comfortable) are useful for exploring the instrument in its different ranges. Have fun creating a personal medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! Volume 2 contents: Arirang, Bella Ciao,Day-O, El Cóndor Pasa,El vito,Furusato,Home on the range, I’se the B’y That Builds the Boat,Manang Biday,The Oak and the Ash, The Raggle Taggle Gypsy,Santa Lucia,Siúil a Rún,Star of the County Down,Waltzing Matilda,When Johnny Comes Marching Home.
$11.99
10.94 €
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2 Flûte à bec (duo)
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Glissato Music Publishing
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16 Traditional Tunes - 64 easy soprano recorder duets
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Glissato Edizioni Musicali
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SheetMusicPlus
Amygdalotsakísmata.Greek traditional music.Mixed Choir a Capella
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.958892 Composed by Dimitris Minakaki…
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Choral Choir (SATB) - Digital Download SKU: A0.958892 Composed by Dimitris Minakakis. 20th Century,A Cappella,Contemporary,Folk,World. Octavo. 9 pages. Dimitris Minakakis #4758117. Published by Dimitris Minakakis (A0.958892). Greek traditional music TTraditional song from the Cyclades Islands (Ageranos, Paros) Traditional/Folk music Suitable for concerts that have Traditional music content Music for Mixed Choir a Capella It is appropriate for Mixed Chorus Minakakis1951@gmail.com www.dimitrisminakakis.gr
$3.99
3.64 €
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Chorale SATB
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Dimitris Minakakis
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Amygdalotsakísmata.Greek traditional music.Mixed Choir a Capella
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Dimitris Minakakis
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SheetMusicPlus
Elements of Indian Music
Piano seul
Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB T…
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Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB The Melakarta System. Composed by Radhika Iyer. Theory and Reference. E-book and online audio. 101 pages. Mel Bay Publications - Digital Sheet Music #30603MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30603MEB). ISBN 9781619118232. 8.75x11.75 inches.Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one’s musical perspective beyond traditional diatonic scales. Indian music has intrigued the West for a long time, but hasn’t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio
$19.99
18.24 €
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Piano seul
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Radhika Iyer
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Elements of Indian Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
16 Traditional Tunes - 64 easy flute duets (VOL.2)
2 Flûtes traversières (duo)
Composed by Traditionals, Daniel Robles Alomía,Daniel Kelley. Arranged by Franc…
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Composed by Traditionals, Daniel Robles Alomía,Daniel Kelley. Arranged by Francesco Leone. Classroom, World, Folk, Recital. Score. 66 pages. Published by Glissato Music Publishing
Traditional / popular music is full of beautiful simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This 64 flute duets collection of 16 easy melodies (vol.2) offers simple ideas for ensemble music, the transpositions in 4 keys (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! VOLUME 2 contents: Arirang, Bella Ciao,Day-O, El Cóndor Pasa,El vito,Furusato,Home on the range, I’se the B’y That Builds the Boat,Manang Biday,The Oak and the Ash, The Raggle Taggle Gypsy,Santa Lucia,Siúil a Rún,Star of the County Down,Waltzing Matilda,When Johnny Comes Marching Home.Traditional / popular music is full of beautiful simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This 64 flute duets collection of 16 easy melodies (vol.2) offers simple ideas for ensemble music, the transpositions in 4 keys (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! VOLUME 2 contents: Arirang, Bella Ciao,Day-O, El Cóndor Pasa,El vito,Furusato,Home on the range, I’se the B’y That Builds the Boat,Manang Biday,The Oak and the Ash, The Raggle Taggle Gypsy,Santa Lucia,Siúil a Rún,Star of the County Down,Waltzing Matilda,When Johnny Comes Marching Home.
$11.99
10.94 €
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2 Flûtes traversières (duo)
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Traditionals, Daniel Robles Alomía,Daniel Kelley
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Francesco Leone
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16 Traditional Tunes - 64 easy flute duets
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Glissato Music Publishing
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SheetMusicPlus
16 Traditional Tunes - 64 easy flute duets (VOL.3)
2 Flûtes traversières (duo)
Composed by traditionals, Ivan Larionov, Stephen Foster. Arranged by Francesco Leone. …
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Composed by traditionals, Ivan Larionov, Stephen Foster. Arranged by Francesco Leone. World, Folk, Graduation, Recital. Score. 66 pages. Published by Glissato Music Publishing
Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This flute duets collection of 16 easy melodies (vol.3) offers simple ideas for ensemble music, the transpositions in 4 tones (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless!<br> VOLUME 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide,Yankee Doodle.Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This flute duets collection of 16 easy melodies (vol.3) offers simple ideas for ensemble music, the transpositions in 4 tones (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless!<br> VOLUME 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide,Yankee Doodle.
$11.99
10.94 €
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2 Flûtes traversières (duo)
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traditionals, Ivan Larionov, Stephen Foster
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Francesco Leone
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16 Traditional Tunes - 64 easy flute duets
#
Glissato Music Publishing
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.89 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Musica
Chorus - Digital Download SKU: AX.00-PO-0001660 Musica - TTBB a cappella
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Chorus - Digital Download SKU: AX.00-PO-0001660 Musica - TTBB a cappella. Composed by Matthew Armstrong. Lawson Gould Choral. 6 pages. Alfred Music - Digital Sheet Music #00-PO-0001660. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001660). UPC: 038081445199.This contemporary setting of the traditional Latin text will show all who hear it that music truly is the highest gift of God. A powerful choral work of great depth for upper level TTBB and SATB divisi choirs.A cappella.
$1.85
1.69 €
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Matthew Armstrong
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Musica
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Musica Dei
Chorale 2 parties
2-part choir - Digital Download SKU: LX.15-1299H Composed by Jerry Estes. New Horiz…
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2-part choir - Digital Download SKU: LX.15-1299H Composed by Jerry Estes. New Horizons Series. Educational. Octavo. 8 pages. Heritage Music Press #e15/1299H. Published by Heritage Music Press (LX.15-1299H). UPC: 000308036718.A joyous, original work with a traditional Latin text that glorifies music. The work features soaring melodic lines with independent parts and echo passages, along with ample unison singing.
$2.40
2.19 €
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Chorale 2 parties
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Jerry Estes
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Musica Dei
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Heritage Music Press
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SheetMusicPlus
Musica Dei
Chorale 3 parties
SSA choir - Digital Download SKU: LX.15-1584H The Gift of Music. Composed by…
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SSA choir - Digital Download SKU: LX.15-1584H The Gift of Music. Composed by Mary Lynn Lightfoot. Educational. Octavo. 12 pages. Heritage Music Press #e15/1584H. Published by Heritage Music Press (LX.15-1584H). UPC: 000308055979.A best-seller in a new voicing! Employing traditional Latin and English lyrics, this creative original gently moves between major and minor modes. Excellent for teaching lyrical singing, good tone quality and phrasing, this expressive work is accessible for any treble chorus. Also available: TTB (15/1419H).
$2.50
2.28 €
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Chorale 3 parties
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Mary Lynn Lightfoot
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Musica Dei
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Heritage Music Press
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SheetMusicPlus
Musica Dei
TTB/TBB choir - Digital Download SKU: LX.15-1419H The Gift of Music. Compose…
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TTB/TBB choir - Digital Download SKU: LX.15-1419H The Gift of Music. Composed by Mary Lynn Lightfoot. Educational. Octavo. 12 pages. Heritage Music Press #e15/1419H. Published by Heritage Music Press (LX.15-1419H). UPC: 000308044461.Employing traditional Latin and English lyrics, this creative original gently moves between major and minor modes. Excellent for teaching lyrical singing, good tone quality, and phrasing, this expressive work is accessible for any male chorus.
$2.50
2.28 €
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Mary Lynn Lightfoot
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Musica Dei
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Heritage Music Press
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SheetMusicPlus
International Folktunes and Traditionals
3 guitars or other instruments, percussion (ad libitum) - Digital Download SKU: S9.Q498…
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3 guitars or other instruments, percussion (ad libitum) - Digital Download SKU: S9.Q49892 Composed by Karlheinz Krupp. This edition: performance score. Kreidler Guitar Studio. Downloadable, performance score. Schott Music - Digital #Q49892. Published by Schott Music - Digital (S9.Q49892).
$13.99
12.77 €
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Karlheinz Krupp
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International Folktunes and Traditionals
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Schott Music - Digital
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SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
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Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, orEnglish.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
21.89 €
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Guitare
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Guitar Compendium
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Advance Music
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SheetMusicPlus
greensleeves sheet music for trombone duo Celtic traditional
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.1234322 By Traditional …
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.1234322 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Folk,Irish,Medieval,Traditional. Score. 3 pages. Arezzo Music #829866. Published by Arezzo Music (A0.1234322). Greensleeves sheet music for trombone duo Celtic traditional Greensleeves, a beloved traditional English folk song, carries an air of mystery surrounding its composer, as their identity remains unknown. With its haunting and memorable melody, Greensleeves has stood the test of time, becoming deeply intertwined with Celtic and folk music traditions. Our trombone duo sheet music for Greensleeves invites you to delve into the captivating allure of this timeless composition. Immerse yourself in the rich harmonies and expressive phrasing as the trombones weave together the enchanting melodies. Whether you're a seasoned trombonist or just beginning your musical journey, our sheet music ensures an authentic rendition of this classic piece. Experience the magic and allure of Greensleeves with our trombone duo sheet music and let the melodies weave their spell upon your soul.greensleeves sheet music for trombone duo Celtic traditional.
$3.99
3.64 €
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2 Trombones (duo)
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Traditional Music
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Arezzo Music
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greensleeves sheet music for trombone duo Celtic traditional
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Arezzo Music
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SheetMusicPlus
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