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9976
Andante For Solo Violin and Strings (Violin and Piano Arrangement)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1309858 Composed by Geraldine Gre…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1309858 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 23 pages. Geraldine (Denny) Green at Oakmountmusic #899006. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309858). Duration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$9.00
8.3 €
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Violon et Piano
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and Strings
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Geraldine
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.11 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Larghetto, for Solo Violin and Strings (School Arrangement)
Violon et Piano
String Orchestra - Level 3 - Digital Download SKU: A0.1297895 Composed by Geraldine…
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String Orchestra - Level 3 - Digital Download SKU: A0.1297895 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 37 pages. Geraldine (Denny) Green at Oakmountmusic #887868. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297895). ALL PURCHASES COME WITH SCORE AND PARTSFebruary 2012 – Duration Approx. 8 minutesThe Larghetto was specially written for violinist Julia Kiefner and the Banda Di Musica. It was adapted from the middle section of the second movement of an earlier work, The Thresher, Sonata For Strings, which has never yet been played. I had always felt that this Larghetto section of music was extra special somehow, needing to escape as a little piece in its own right. Writing it for Julia Kiefner gave me the special opportunity to achieve this. It is slow, beautiful and deeply passionate.There are three arrangements available;No.1 – School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double BassNo.3 – For violin and piano.
$23.00
21.2 €
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Violon et Piano
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Geraldine
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Larghetto, for Solo Violin and Strings
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Geraldine
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SheetMusicPlus
Easy to Play Viola Airs and Ballads
Strings - Beginning - Digital Download SKU: M0.31030EB Classical. E-book. 29 pages.…
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Strings - Beginning - Digital Download SKU: M0.31030EB Classical. E-book. 29 pages. Mel Bay Publications - Digital Sheet Music #31030EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31030EB). ISBN 9781513476759. 8.75X11.75 inches.Easy to Play Viola Airs and Balladsáis a collection of 25 nineteenth-century and early twentieth-century folk and popular songs from England, Scotland, Ireland, and the United States.á All the songs are written in easy rhythms, entirely in first position, with bowing indications and suggested guitar chords. Each tune corresponds with the same song ináEasy to Play Violin Airs and BalladsáandáEasy to Play Cello Airs and Ballads.
Song List: All The Pretty Horses Barbara Allen Bonnie Dundee Botany Bay In The Days Of Forty-Nine George Collins Handsome Molly I Am A Pilgrim I Ride An Old Paint In the Good Old Summertime Listen To The Mockingbird The Little Old Log Cabin In The Woods Lynchburg Town The Old Oaken Bucket Only A Bird In A Gilded Cage Over The Garden Wall Pretty Saro Sweet Polly Oliver The Banks Of The Ohio The Letter Edged In Black The Mermaid's Song The Mist-Covered Mountains The Parting Glass The Rose Of Tralee The Wagoner's Lad
$12.99
11.97 €
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Easy to Play Viola Airs and Ballads
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
La Musica Notturna Della Strada di Madrid, from Master and Commander - Violin and Viola
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.747594 Composed by L…
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Instrumental Duet Instrumental Duet - Digital Download SKU: A0.747594 Composed by Luigi Boccherini. Arranged by John Bass. Baroque. Score and parts. 9 pages. Music & Strings #3587383. Published by Music & Strings (A0.747594). John Bass offers a professional string music arranging service based in the UK. He studied at Royal Academy of Music in London and is an active professional string player with years of experience producing string quartet, string trio and string duo arrangements. His arrangements are extremely popular, particularly with professional groups who play for weddings and events. www.fb.com/musicandstrings john@musicandstrings.co.uk.
$4.99
4.6 €
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Luigi Boccherini
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John Bass
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La Musica Notturna Della Strada di Madrid, from Master and Commander - Violin and Viola
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Music & Strings
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SheetMusicPlus
Elegy Sentimentale for Concert Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contempor…
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.65 €
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert Band
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Keith Terrett
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SheetMusicPlus
A Thousand Years - String Duo/Duet (Violin & Viola)
Violon, Alto (duo)
By Christina Perri. Arranged by Music and Strings - John Bass. Score. 1 pages. Published b…
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By Christina Perri. Arranged by Music and Strings - John Bass. Score. 1 pages. Published by Music & Strings (H0.225285-221373). - Score - - Music & Strings
$6.99
6.44 €
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Violon, Alto (duo)
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Christina Perri
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Music and Strings - John Bass
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A Thousand Years - String Duo/Duet
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Music & Strings
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SheetMusicPlus
A Thousand Years by Christina Perri - String Trio (Violin, Viola & 'Cello)
By Christina Perri. Arranged by Music and Strings - John Bass. Score, Set of Parts. 5 page…
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By Christina Perri. Arranged by Music and Strings - John Bass. Score, Set of Parts. 5 pages. Published by Music & Strings (H0.227853-221373). - Score,Set of Parts - - Music & Strings
$12.99
11.97 €
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Christina Perri
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Music and Strings - John Bass
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A Thousand Years by Christina Perri - String Trio
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Music & Strings
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SheetMusicPlus
Andante For Solo Violin and Strings (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1309855 Composed by Geraldine…
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String Orchestra - Level 2 - Digital Download SKU: A0.1309855 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #899003. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309855). ALL PURCHASES COME WITH SCORE AND PARTSDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$23.00
21.2 €
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Orchestre à Cordes
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and Strings
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Geraldine
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SheetMusicPlus
Andante For Solo Violin and Strings (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1309761 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #898925. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309761). ALL PURCHASES COME WITH SCORE AND PARTSAndante For Solo Violin and Strings - School ArrangementDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$24.00
22.12 €
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Orchestre à Cordes
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and Strings
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Geraldine
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SheetMusicPlus
The Sands of Time Movement II: Go Down Moses
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Star…
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Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
18.44 €
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Orchestre d'harmonie
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Peyton T
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The Sands of Time Movement II: Go Down Moses
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Starkweather Arts Publications
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SheetMusicPlus
Handel in the Strand: Mallets
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_M1 Mallets. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_M1 Mallets. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_M1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 1st Flugel Horn
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_FLH1 1st Flugel Horn. …
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Concert Band - Digital Download SKU: AX.00-PC-0017051_FLH1 1st Flugel Horn. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_FLH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_FLH1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 1st Flugel Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 2nd F Horn
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_H2 2nd F Horn. Compose…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_H2 2nd F Horn. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_H2). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 2nd F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 1st B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_T1 1st B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_T1 1st B-flat Trumpet. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_T1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: B-flat Soprano Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_SX B-flat Soprano Saxophon…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_SX B-flat Soprano Saxophone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_SX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_SX). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: B-flat Soprano Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: Timpani
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_TMP Timpani. Composed …
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Concert Band - Digital Download SKU: AX.00-PC-0017051_TMP Timpani. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_TMP). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_BBC1 Baritone B.C.. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_BBC1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
#
Percy Aldridge Grainger
#
Thomas P
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Handel in the Strand: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 1st B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_C1 1st B-flat Clarinet. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_C1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
#
Percy Aldridge Grainger
#
Thomas P
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Handel in the Strand: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 3rd B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_T3 3rd B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_T3 3rd B-flat Trumpet. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_T3). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
#
Thomas P
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Handel in the Strand: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0017051_F1 Flute. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_F1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
#
Thomas P
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Handel in the Strand: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 3rd B-flat Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_C3 3rd B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_C3 3rd B-flat Clarinet. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_C3). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
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Orchestre d'harmonie
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 3rd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_BTX E-flat Baritone Saxophone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_BTX). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
#
Orchestre d'harmonie
#
Percy Aldridge Grainger
#
Thomas P
#
Handel in the Strand: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Handel in the Strand: 2nd Bassoon
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_B2 2nd Bassoon. Compos…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_B2 2nd Bassoon. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_B2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_B2). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
#
Orchestre d'harmonie
#
Percy Aldridge Grainger
#
Thomas P
#
Handel in the Strand: 2nd Bassoon
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Handel in the Strand: Piccolo
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017051_P1 Piccolo. Composed b…
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Concert Band - Digital Download SKU: AX.00-PC-0017051_P1 Piccolo. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_P1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00
2.77 €
#
Orchestre d'harmonie
#
Percy Aldridge Grainger
#
Thomas P
#
Handel in the Strand: Piccolo
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
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