Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D � Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer

ISBN 9781513459585. 8.75x11.75 inches.

A Clawhammer Christmas by Dan Levenson is a collection of 30 of the most loved Christmas songs transcribed in tablature for the 5-string banjo in the clawhammer style with chords provided for accompaniment instruments. Written in his clear and traditional style, Dan has finally made these holiday favorites accessible to all clawhammer banjo players with good basic skills. All songs have been written in one of the three basic old-time banjo tunings of G, double-C or G modal. This will allow you to find the tune in a fingering you know and easily capo to your preferred singing key.Build your skills as you entertain family and friends and maybe even yourself! Ring in the holiday season with the joyful sound of the 5-string banjo played clawhammer style and have a double-thumb, drop-thumb Clawhammer Christmas!

ISBN 9781513455754. 8.75 x 11.75 inches.

Lyrical Solos from the British Isles is a collection of folk and traditional songs and dances with one hymn and a few original pieces added, all with the aspiring young clarinetist in mind. The authors 2018 English Sonatina is prominently featured. The modal and folk song-like character of the sonatina is reflected in the clarinet and piano arrangements of the other eleven songs in the collection, including such stalwarts as: The Maidens Lament, Emerald Jig, Wild Mountain Thyme, and Scarborough Fair plus two more Marshall originals Ballad and The Highlands. The folk influence in this music is further enhanced by the innate lyrical quality of the clarinet in combination with stylistically complimentary piano accompaniment. All in all, these arrangements of well-known tunes together with the author's original compositions and performance notes present an engaging recital repertoire for the young clarinetist.

ISBN 9781619119789.

Eleven marvelous baroque settings for two guitars. Includes compositions by Bach, Handel, Scarlatti, and Vivaldi. Includes access to online audio that contains all of the songs from the book.

ISBN 9781609743949. This comprehensive reference work illustrates chords in all common forms from basic major to 13-flat-5-flat-9, grouped by root note and presented alphabetically. Each page in the encyclopedia contains one chord displayed at different positions on the guitar. Large, clear photographs show each chord position from the player's point of view, creating a comfortable familiar perspective conducive to recognition and comprehension. Each page also features large guitar fretboard diagrams, a keyboard layout graphic, and a diatonic grid depicting roots, thirds, fifths, sevenths, ninths, elevenths, and thirteenths used for that particular chord. The combination of all of these components creates a cross-reference to which all the members of the band can relate, helping them communicate musically.