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Music for Bass Trombone and Piano
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Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.45 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Music for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811032 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811032 Composed by Wolking, Henry. 20th Century,Contemporary,Romantic Period. Score and individual part. 25 pages. Gordon Cherry #4728693. Published by Gordon Cherry (A0.811032). Bass Trombone Music by Henry Wolking is a four-movement Sonata for Bass Trombone & Piano written in 2007 for Professor Donn Schaefer of the University of Utah. The work was premiered at the 2008 Eastern Trombone Workshop by Professor Schaefer.The 1st movement entitled Roger is about Roger Miller the country singer.Movement II is after Lou Harrison a mystic classical composer. Mr. Wolking's English Setter Simon is the star of movement III and Thelonius Monk's Blue Monk legendary jazz composition is the inspiration for movement IV.This work is written for virtuoso performers and can be a main work on a recital or concert. Professor Wolking's Sonata is a brilliant piece of music and should become a standard of the repertoire over the course of time.
$22.50
21.05 €
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Trombone basse et Piano
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Wolking, Henry
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Music for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Bass Trombone and piano with chords
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964496 Composed by Jo…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964496 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6330803. Published by Leyandder Trustworthy (A0.964496). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Bass Trombone, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
4.67 €
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Piano, Voix et Guitare
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by Bach - easy version for Bass Trombone and piano with chords
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Leyandder Trustworthy
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SheetMusicPlus
Four Rags for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811196 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811196 Composed by Scott Joplin. Arranged by Ralph Sauer. Blues,Jazz,Ragtime. Score and individual part. 24 pages. Gordon Cherry #6118435. Published by Gordon Cherry (A0.811196). Ralph Sauer has brilliantly arranged Four Rags for BassTrombone and Piano by the great American King of Ragtime, Scott Joplin. They are:1. The Entertainer, 2. Reflection Rag, 3. Pleasant Moments, and 4. The CascadesThese works are so pleasant to perform and to listen to. They are appropriate for advanced performers and include about 15 minutes of music.
$22.50
21.05 €
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Trombone basse et Piano
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Scott Joplin
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Ralph Sauer
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Four Rags for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
21.05 €
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Whitewater for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1448286 By George B Chave.…
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Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1448286 By George B Chave. By George B Chave. Arranged by George B Chave. 21st Century,Chamber,Classical,Contemporary. Score and part. 13 pages. BrassMagicMusic.com #1028226. Published by BrassMagicMusic.com (A0.1448286). Commissioned by Dennis Bubert, Bass Trombonist, Mr. and Mrs. Lee M. Bass Chair,Fort Worth Symphony Orchestra, and premiered at the 2024 International Trombone Festival. Whitewater is an exciting work featuring changing meters and driving rhythms. Brief program notes: What can compare to whitewater rafting on one of the many fast rivers in the United States? Whether in Georgia, Alaska, Colorado, Washington, or Texas, each river offers a unique experience of fast water excitement interspersed with moments of extraordinary calm, unparalleled scenery, and wildlife encounters. Whitewater for bass trombone and piano attempts to capture some of the essence of that experience. Whirling eddies and rapids along with calmer waters may all be imagined. The listener is invited to don their personal flotation device, wedge their foot in place, grab a paddle and come along for the ride.
$11.99
11.22 €
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Trombone basse et Piano
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George B Chave
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George B Chave
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Whitewater for Bass Trombone and Piano
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BrassMagicMusic.com
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.75 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1401920 Composed by Johann…
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Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1401920 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 3 pages. Rika K. #985117. Published by Rika K. (A0.1401920). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Bass Trombone and Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$3.99
3.73 €
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Trombone basse et Piano
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano
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Rika K.
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SheetMusicPlus
Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1401917 Composed by Johann…
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Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1401917 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 3 pages. Rika K. #985113. Published by Rika K. (A0.1401917). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Bass Trombone and Piano.This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers looking for enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers.Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$3.99
3.73 €
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Trombone basse et Piano
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano
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Rika K.
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SheetMusicPlus
Illusion for Trumpet, Trombone and Piano
Trombone et Piano
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Dow…
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
$37.50
35.09 €
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Trombone et Piano
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Elizabeth Raum
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Illusion for Trumpet, Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Sonata No. 1 for Bass Trombone and Piano
Trombone et Piano
Bass Trombone,Piano - Level 4 - Digital Download SKU: A0.1259263 Composed by P. F. …
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Bass Trombone,Piano - Level 4 - Digital Download SKU: A0.1259263 Composed by P. F. Strohm. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 40 pages. Pete Strohm Music #852535. Published by Pete Strohm Music (A0.1259263). Sonata No. 1 for Bass Trombone and Piano from American composer P. F. Strohm is in three movements and tonal throughout, using various modes to weave familiar yet unpredictable lines and harmonies.The first movement, in F, is a brisk and energetic sonata form, using various major and minor modes. The second movement is a Larghetto in simple ABA song form. The somber, reflective opening section is in f minor. The lush middle section builds through major keys, cascading back to the original f minor theme to close. The third movement opens with a solo statement that leads into a dance-like 6/8 rondo in F, alternating its energetic themes between minor and major. Dedicated to trombonist Eric Wallace, it's difficulty level is medium-advanced. Sonata No. 1 for Bass Trombone and Piano is perfect for bass trombone recital or contest. Total performance time is 13:35.  Member, ASCAP.
$13.00
12.16 €
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Trombone et Piano
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P
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Sonata No. 1 for Bass Trombone and Piano
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Pete Strohm Music
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SheetMusicPlus
Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano with Chords
Trombone et Piano
Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1311244 Composed by Johann…
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Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1311244 Composed by Johannes Brahms. Arranged by Rika K. 19th Century,Chamber,Folk,Romantic Period,Traditional. Score and part. 2 pages. Rika K. #900240. Published by Rika K. (A0.1311244). We present the sheet music for the arrangement of Johannes Brahms’ Hungarian Dance No. 5, adapted for Bass Trombone and Piano with Chords. This piece, one of Brahms’ most popular, was inspired by the Hungarian folk dance Czárdás. It has now been simplified to cater to a variety of musicians and settings. Ideal for music teachers seeking enriching teaching material, parents wishing to introduce their children to this classic repertoire, or professional musicians looking for a practical piece for quick performances. This arrangement is also perfect for academic recitals or public events. Take this opportunity to delve into the rich history of classical music and experience the joy of playing a work by one of the world’s greatest composers. Don’t miss the chance to add this essential sheet music to your musical collection. Get your arrangement of Hungarian Dance No. 5 now!
$3.99
3.73 €
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Trombone et Piano
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Johannes Brahms
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Rika K
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Hungarian Dance No. 5 by Brahms for Bass Trombone and Piano with Chords
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Rika K.
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SheetMusicPlus
We Wish you a Merry Christmas for Bass Trombone and Piano
Trombone et Piano
Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1337283 Composed by Unknow…
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Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1337283 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Rika K. #923094. Published by Rika K. (A0.1337283). We present to you an exclusive arrangement of the classic Christmas song, We Wish You a Merry Christmas. This is a traditional English Christmas song that dates back to the 16th century Victorian era. This arrangement has been meticulously wrote for Bass Trombone and Piano; making it a perfect choice for beginner ensembles. The simplicity and beauty of this piece will allow novice musicians to shine, captivating the audience with the joy of Christmas. Moreover, this arrangement is not just a musical piece, but also an excellent educational resource. Music teachers can use it as teaching material in their classes, helping students to hone their musical skills while preparing for the festive season. Ideal for recitals, concerts, or performances, this arrangement of We Wish You a Merry Christmas will certainly add a festive touch to any event. By purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music. Don’t miss the opportunity to acquire this exclusive arrangement and bring the magic of Christmas to your music.
$3.99
3.73 €
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Trombone et Piano
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purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music
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Unknown
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Rika K
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We Wish you a Merry Christmas for Bass Trombone and Piano
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Rika K.
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SheetMusicPlus
We Wish you a Merry Christmas for Bass Trombone and Piano
Trombone et Piano
Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1337280 Composed by Unknow…
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Bass Trombone,Piano - Level 2 - Digital Download SKU: A0.1337280 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. Score and part. 2 pages. Rika K. #923091. Published by Rika K. (A0.1337280). We present to you an exclusive arrangement of the classic Christmas song, We Wish You a Merry Christmas. This is a traditional English Christmas song that dates back to the 16th century Victorian era. This arrangement has been meticulously wrote for Bass Trombone and Piano- with Chords; making it a perfect choice for beginner ensembles. The simplicity and beauty of this piece will allow novice musicians to shine, captivating the audience with the joy of Christmas. Moreover, this arrangement is not just a musical piece, but also an excellent educational resource. Music teachers can use it as teaching material in their classes, helping students to hone their musical skills while preparing for the festive season. Ideal for recitals, concerts, or performances, this arrangement of We Wish You a Merry Christmas will certainly add a festive touch to any event. By purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music. Don’t miss the opportunity to acquire this exclusive arrangement and bring the magic of Christmas to your music.
$3.99
3.73 €
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Trombone et Piano
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purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music
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Unknown
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Rika K
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We Wish you a Merry Christmas for Bass Trombone and Piano
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Rika K.
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SheetMusicPlus
Blockbuster for Bass Trombone and Piano reduction
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792171 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792171 Composed by Frith, John. 20th Century,Contemporary. Score and individual part. 21 pages. Gordon Cherry #3881617. Published by Gordon Cherry (A0.792171). Blockbuster for Bass Trombone and Piano reduction (the original is scored for wind ensemble) is a new work from UK composer John Frith dedicated to Bass Trombonist virtuoso Jonathan Warburton. The work of about 6 minutes in length is for virtuoso performers, featuring a huge range from low to high on the Bass Trombone and a variety of technical and lyrical styles that will keep the interest of both musicians and the audience.
$20.00
18.71 €
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Trombone basse et Piano
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Frith, John
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Blockbuster for Bass Trombone and Piano reduction
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Gordon Cherry
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SheetMusicPlus
Morceau Symphonique for Bass Trombone and Piano
Trombone basse et Piano
Composed by Felix Alexandre Guilmant (1837-1911). Arranged by Wade Goodwin. 20th Centu…
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Composed by Felix Alexandre Guilmant (1837-1911). Arranged by Wade Goodwin. 20th Century, Romantic Period. Score and part. 13 pages. Gordon Cherry #790716. Published by Gordon Cherry
$22.50
21.05 €
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Trombone basse et Piano
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Felix Alexandre Guilmant
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Morceau Symphonique for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Adagio and Allegro for Bass Trombone and Piano
Trombone basse et Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792713 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792713 Composed by Robert Schumann. Arranged by Jaime Morales-Matos. Romantic Period. Score and individual part. 21 pages. Gordon Cherry #5955373. Published by Gordon Cherry (A0.792713). Originally written for Cello and Piano, Adagio and Allegro Opus 70 was edited by Schumann for the Horn in 1849. The original title of the work was Romance and Allegro and is one of the first major works of importance for the valve horn. In arranging this work for Bass Trombone, Mr. Morales-Matos has transposed the key down into C major. This exquisite piece of music is about nine minutes in length and suitable for advanced performers.
$27.50
25.73 €
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Trombone basse et Piano
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Robert Schumann
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Jaime Morales-Matos
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Adagio and Allegro for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Flowers for Dorothy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.73 €
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Piano seul
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.587582 Composed by Richard Wagn…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587582 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365488. Published by David McKeown (A0.587582). The Bridal March was written by Richard Wagne rin 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Trombone (Bass Clef) and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.3 €
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Trombone et Piano
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The Bride", for Solo Trombone and Piano
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David McKeown
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SheetMusicPlus
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Ar…
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
23.39 €
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Trombone
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Gordon Cherry
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SheetMusicPlus
Three Folksongs for Tuba or Bass Trombone and Piano
Tuba et Piano
Instrumental Solo,Piano,Tuba - Level 5 - Digital Download SKU: A0.1258819 Composed …
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Instrumental Solo,Piano,Tuba - Level 5 - Digital Download SKU: A0.1258819 Composed by Bela Bartok. Arranged by Ralph Sauer. 20th Century. Score and individual part. 6 pages. Gordon Cherry #852075. Published by Gordon Cherry (A0.1258819). Three Folksongs from the County of CsÃk by Béla Bartók is a set of twenty-two arrangements by Béla Bartók of traditional folk melodies from the region of CsÃk in Transylvania, which was then part of Hungary. Composed in 1915, the work features intricate harmonies and rhythmic motifs that reflect Bartók's deep interest in the music of Eastern Europe.Ralph Sauer has beautifully set 3 of the 22 melodies for Tuba or BassTrombone and Piano and they are appropriate for advanced performers.
$22.50
21.05 €
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Tuba et Piano
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Bela Bartok
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Ralph Sauer
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Three Folksongs for Tuba or Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Concertino for Alto Trombone and Piano
Trombone et Piano
Alto Trombone and Piano - Advanced - Digital Download Composed by Ernst Sachse (1810-…
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Alto Trombone and Piano - Advanced - Digital Download Composed by Ernst Sachse (1810-1849). Arranged by Charles Vernon. Romantic Period, Classical Period. Score, Solo Part. 25 pages. Published by Cherry Classics Music
Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone. <br> <br> Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.<br> <br> Charles Vernon has arranged an excellent sounding edition for Alto Trombone and Piano of about 12 minutes in length for advanced performers.
$27.50
25.73 €
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Trombone et Piano
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Ernst Sachse (1810-1849)
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Charles Vernon
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Concertino for Alto Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Aleluia (HALLELUJAH), of the Messiah - for Bass Trombone and accompaniment
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964444 Composed by Ge…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964444 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6326897. Published by Leyandder Trustworthy (A0.964444). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
2.8 €
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Piano, Voix et Guitare
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George Frideric Handel
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Leyandder Trustworthy
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
Impromptu for Tuba or Bass Trombone and Piano
Trombone et Piano
Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792549…
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Small Ensemble Bass Trombone,Piano,Tuba - Level 5 - Digital Download SKU: A0.792549 Composed by Antonin Dvorak. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period. Score and parts. 12 pages. Gordon Cherry #5008511. Published by Gordon Cherry (A0.792549). Impromptu is a piano work which Dvorak wrote in 1883 at the behest his friend Vaclav Juda Novotny to be inserted as a supplement into his music magazine. It has an A-B-A form containing some very beautiful melodies and much expression. The piece was forgotten and considered lost but then showed up decades later in a private collection. The music is about 6 minutes in duration and is appropriate for advanced performers.
$20.00
18.71 €
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Trombone et Piano
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Antonin Dvorak
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Ralph Sauer
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Impromptu for Tuba or Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
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