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Vous avez sélectionné:
Music for Lent and Easter
Partitions à imprimer
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Organ Music for Lent and Easter
Orgue
Organ: 3-staff - Intermediate SKU: LO.KK375 Composed by Raymond H Haan. Sacred, Eas…
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Organ: 3-staff - Intermediate SKU: LO.KK375 Composed by Raymond H Haan. Sacred, Eastertide, Lent. Sacred Music Press #KK375. Published by Sacred Music Press (LO.KK375). UPC: 000308003444.
Song List: Glory Be To Jesus (Caswall) How Calm and Beautiful the Morn I Know That My Redeemer Lives (Calm) (Bradford) Jesu, Grant Me This, I Pray Look, Ye Saints! The Sight Is (Song 13) Glorious (Bryn Calfaria) On Wings of Living Light The Head That Once Was Crowned With (Rhosymedre) Thorns (St. Magnus) There Is A Green Hill Far Away (Horsley)
$25.00
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Orgue
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Raymond H Haan
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Organ Music for Lent and Easter
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Sacred Music Press
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.82 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Four-Hand Favorites for Lent and Easter
1 Piano, 4 mains
Piano 4-hand - Intermediate - Digital Download SKU: LX.70-2027L Hymns and Sacred…
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Piano 4-hand - Intermediate - Digital Download SKU: LX.70-2027L Hymns and Sacred Classics celebrating the Passion and Triumph of Christ. Composed by Various. Edited by Larry Shackley. Sacred, Easter, Holy Week, Lent. Church Piano. 108 pages. Lorenz Publishing - Digital Sheet Music #e70/2027L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2027L). ISBN 9780787753559.Add some variety to your Lent, Holy Week, and Eastertide services with this colorful collection of four-hand duets. The pages are filled with a wide selection of tunes arranged by some of your favorite composers.
$34.95
31.79 €
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1 Piano, 4 mains
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Various
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Four-Hand Favorites for Lent and Easter
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Violin Solos for Lent and Easter - 9 Hymns Arranged for Solo Violin with Piano Accompaniment
Violon et Piano
Composed by Various. Arranged by K.L. Phillips. Christian, Easter, Sacred. 72 pages. K L…
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Composed by Various. Arranged by K.L. Phillips. Christian, Easter, Sacred. 72 pages. K L Phillips #6710201. Published by K L Phillips
This compilation of hymns arranged for violin solo with piano accompaniment is perfect for the church musician looking for material for the Lenten/Easter season. Included are: "O, the Deep, Deep Love of Jesus", "In the Garden", "Were You There", "When I Survey the Wondrous Cross", "What Wondrous Love Is This", "Jesus Paid It All", "Shall We Gather at the River", "Christ Arose" and "Christ the Lord Is Risen Today". These hymns are also appropriate for Christian services throughout the year.
$15.95
14.51 €
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Violon et Piano
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Various
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Violin Solos for Lent and Easter - 9 Hymns Arranged for Solo Violin with Piano Accompaniment
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SheetMusicPlus
Wood Works for Lent and Easter
Orgue
Organ: 3-staff - Moderately Advanced SKU: LO.70-1318S Composed by Dale Wood. Sacred…
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Organ: 3-staff - Moderately Advanced SKU: LO.70-1318S Composed by Dale Wood. Sacred, Eastertide, Lent, Palm/Palm-Passion Sunday. Sacred Music Press #70/1318S. Published by Sacred Music Press (LO.70-1318S). UPC: 000308047981.This volume of organ arrangements is from the bestselling Wood Works Series. It contains stunning settings of familiar hymn tunes that will serve not only for Lent and Easter but general occasions as well.
Song List: My Song is Love Unknown When I Survey the Wondrous Cross Ah Holy Jesus All Glory Laud and Honor That Easter Day With Joy Was Bright Jesus Walked This Lonesome Valley Way To Calvary Leadeth A
$28.00
25.47 €
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Orgue
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Dale Wood
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Wood Works for Lent and Easter
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Sacred Music Press
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SheetMusicPlus
A Savior's Love (2 octave handbell & piano accompaniment)
Cloches
Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712577 Compos…
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Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712577 Composed by American Folk Hymn, Johann Sebastian Bach, and Wilson. Arranged by Sandra Zylstra. Christian,Easter,Praise & Worship,Sacred. Score and individual part. 7 pages. Sandra dee zylstra #6135303. Published by sandra dee zylstra (A0.712577). A Savior's Love is arranged with three songs: Alas! And Did My Savior Bleed; What Wondrous Love Is This; and O Sacred Head Now Wounded. This piece would be great for a Palm Sunday service or a communion service. A Savior's Love is a level 2 arrangement for 2 octaves of handbells (16 bells). A separate handbell part is also included. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. This arrangement is also available in the book Ring At Lent And Easter. (Approximately 3 minutes, 6 pages) Â You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855Â and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$19.00
17.28 €
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Cloches
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American Folk Hymn, Johann Sebastian Bach, and Wilson
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Sandra Zylstra
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What Wondrous Love Is This
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A Savior's Love
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sandra dee zylstra
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SheetMusicPlus
Hymn Descants for Ringers and Singers, Vol. II
Cloches
Handbell - Digital Download SKU: JX.00-11528 Lent, Holy Week, & Easter. Arra…
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Handbell - Digital Download SKU: JX.00-11528 Lent, Holy Week, & Easter. Arranged by Anna Laura Page. This edition: Handbell Part. Choral Worship Collection; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Easter; Holy Week; Lent; Sacred; Spring. Part(s). 16 pages. Jubilate Music Group - Digital #00-11528. Published by Jubilate Music Group - Digital (JX.00-11528). English.Hymn Descants for Ringers and Singers is a wonderful worship resource that provides fresh opportunities for programming with handbells, singers, and keyboard. The collection is presented in four volumes focusing on seasonal applications: -Volume I---Advent, Christmas & Epiphany -Volume II---Lent, Holy Week & Easter -Volume III---All Saints', Ascension, Christ the King, Communion, Pentecost, Reformation & Trinity Sunday -Volume IV---Patriotism, Stewardship & Thanksgiving. Each volume contains 10 tunes arranged for 3-octaves handbells. Each tune was selected based upon its appropriateness to both festal days and special events in the church year as well as to its common usage in most major denominational hymnals. The handbell arrangements may serve as hymn introductions, interludes, postludes, or accompaniments. The rich harmonizations are based upon the standard harmonic structures of each hymn, enhancing them without straying too far afield. Thus, they may be used to accompany hymn singing, inspiring rather than frightening the average congregant! These arrangements may also be performed as separate handbell pieces without singing.
$4.95
4.5 €
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Cloches
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Anna Laura Page
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Performance Music Ensemble
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Hymn Descants for Ringers and Singers, Vol. II
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Jubilate Music Group - Digital
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SheetMusicPlus
Ring with 6 for Lent and Easter
Cloches
Handbell, Sextet 5-6 Ringers (B4-A6)-Digital Version (5-6 ringers, B4-A6) - Digital …
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Handbell, Sextet 5-6 Ringers (B4-A6)-Digital Version (5-6 ringers, B4-A6) - Digital Download Arranged by Martha Lynn Thompson. Handbell Collection. Ring with 6. Lent, Easter Sunday. Collection. 16 pages. Hope Publishing - Digital #2348DP. Published by Hope Publishing - Digital
$39.95
36.34 €
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Cloches
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Martha Lynn Thompson
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Ring with 6 for Lent and Easter
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Hope Publishing - Digital
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SheetMusicPlus
Twelve Bells +1 for Lent and Easter
Cloches
Handbell 13 Bells-Digital Version (4-6 ringers, 13 bells) - Digital Download Arranged…
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Handbell 13 Bells-Digital Version (4-6 ringers, 13 bells) - Digital Download Arranged by Patricia Cota. Handbell Collection. Twelve Bells Series. Lent, Easter Sunday. Collection. 16 pages. Hope Publishing - Digital #2473DP. Published by Hope Publishing - Digital
$39.95
36.34 €
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Cloches
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Patricia Cota
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Twelve Bells +1 for Lent and Easter
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Hope Publishing - Digital
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SheetMusicPlus
Piano Solos for Lent and Easter - Seven Hymns Arranged for Worship
Piano seul
Composed by Various. Arranged by K.L. Phillips. Christian, Praise & Worship, Gener…
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Composed by Various. Arranged by K.L. Phillips. Christian, Praise & Worship, General Worship, Easter, Lent. Solo Part. 32 pages. Published by K L Phillips
This compilation of hymns arranged for piano solo are perfect for the church pianist looking for music for the Lenten/Easter season. Included are: "My Jesus, I Love Thee", "Be Thou My Vision", "How Great Thou Art", "It is Well with My Soul", "Holy, Holy, Holy", "Christ Arose" and "Christ the Lord Is Risen Today". These hymns are also appropriate for Christian services throughout the year.
$8.99
8.18 €
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Piano seul
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Various
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Piano Solos for Lent and Easter - Seven Hymns Arranged for Worship
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K L Phillips
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SheetMusicPlus
When I Survey the Wondrous Cross (Tune name - Hamburg) (2 octave Handbells)
Cloches
Handbell - Level 2 - Digital Download SKU: A0.707952 Composed by Lowell Mason. Arra…
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Handbell - Level 2 - Digital Download SKU: A0.707952 Composed by Lowell Mason. Arranged by Kristine Johanek. Easter,Sacred. Score. 4 pages. Kristine Johanek #3436477. Published by Kristine Johanek (A0.707952). 'When I Survey the Wondrous Cross' is an excellent choice for any time in the Christian Liturgical year, but is especially appropriate for Lent and Holy Week. This arrangement uses a basic 2 octave set of handbells, tone chimes, hand chimes or belle plates. Beginning simply and building to a triumphant finish, it is three and a half minutes of inspiring music! This piece uses 22 bells, and would work for a small intermediate ensemble (8 or 9 member group who can switch out bells during key changes) or would be an excellent piece for a larger beginning group, where the stately tempo can help build strong ringing skills. It has been published using large print, to facilitate reading in darkened spaces.This is a reproducible product. This piece may be purchased as a score for one performing group, and copies made for the members of that one performing group. Save money and space while allowing for more flexibility in annotating from year to year.
$3.99
3.63 €
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Cloches
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Lowell Mason
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Kristine Johanek
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When I Survey the Wondrous Cross
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Kristine Johanek
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SheetMusicPlus
Christ The Lord Is Risen Today (2 octave handbell + piano accompaniment)
Cloches
Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712569 Compos…
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Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712569 Composed by adapted from Lyra Davidica. Arranged by Sandra Zylstra. Christian,Easter,Praise & Worship,Sacred. Score and individual part. 7 pages. Sandra dee zylstra #6099289. Published by sandra dee zylstra (A0.712569). Enjoy playing this long-time traditional Easter hymn as a level 2 (18 bell) Â arrangement with piano accompaniment in the keys of C and D. A separate handbell part is included. You can also purchase an instrument solo or duet that will fit with this bell arrangement. Purchase of this piece gives permission to make copies for your bell choir only, it may not be duplicated for multiple groups. Christ The Lord Is Risen Today is also available in the book Ring At Lent And Easter. (Approximately 2:30 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$19.00
17.28 €
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Cloches
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adapted from Lyra Davidica
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Sandra Zylstra
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Christ The Lord Is Risen Today
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sandra dee zylstra
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SheetMusicPlus
Christ Arose (2 octave handbell + piano accompaniment)
Cloches
Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712571 Compos…
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Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712571 Composed by Lowry. Arranged by Sandra Zylstra. Christian,Easter,Praise & Worship,Sacred. Score and individual part. 7 pages. Sandra dee zylstra #6104107. Published by sandra dee zylstra (A0.712571). Low in the grave He lay, Jesus my Savior…Hallelujah! Christ Arose! Enjoy playing this long-time traditional Easter hymn as a level 2 (22 bell) arrangement with piano accompaniment in the keys of Bb and C. You can also purchase an instrument solo or duet that will fit with this bell arrangement. A separate handbell part is also included. Purchase of this piece gives permission to make copies for your bell choir only, it may not be duplicated for multiple groups. Christ Arose is also available in the book Ring At Lent And Easter. (Approximately 3:00 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$22.00
20.01 €
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Cloches
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Lowry
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Sandra Zylstra
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Christ Arose
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sandra dee zylstra
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SheetMusicPlus
When I Survey The Wondrous Cross (2 octave handbell & piano accompaniment)
Cloches
Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712575 Compos…
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Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.712575 Composed by Watts. Arranged by Sandra Zylstra. Christian,Easter,Praise & Worship,Sacred. Score and individual part. 7 pages. Sandra dee zylstra #6132199. Published by sandra dee zylstra (A0.712575). May I never boast except in the cross of our Lord Jesus Christ (Galatians 6:14). This Bible verse was the basis for this communion song which is used in several denominations. Enjoy playing this long-time traditional hymn as a level 2 (16 bell) arrangement with piano accompaniment. You can also purchase an instrument solo that will fit with this bell arrangement. A separate handbell part is also included. Purchase of this piece gives permission to make copies for your bell choir only, it may not be duplicated for multiple groups. This arrangement is also available in the book Ring At Lent And Easter. (Approximately 3:00 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$19.00
17.28 €
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Cloches
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Watts
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Sandra Zylstra
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When I Survey The Wondrous Cross
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sandra dee zylstra
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SheetMusicPlus
The Passion and Glory of the Risen Christ
Orchestre
(Orchestra) - Digital Download SKU: H1.8464DP Arranged by Jack Schrader. Lent and E…
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(Orchestra) - Digital Download SKU: H1.8464DP Arranged by Jack Schrader. Lent and Easter Musicals. Lent and Easter Musicals. Lent, Easter Sunday. Set of Instrumental Parts. 452 pages. Hope Publishing - Digital #8464DP. Published by Hope Publishing - Digital (H1.8464DP). Lent and Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 and 2, Viola, Cello, Bass, Piano, and Electric Bass.
$325.00
295.62 €
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Orchestre
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Jack Schrader
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The Passion and Glory of the Risen Christ
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Hope Publishing - Digital
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SheetMusicPlus
The Passion and Glory of the Risen Christ
Chorale SATB
SATB choir - Digital Download SKU: H1.8461DP Arranged by Jack Schrader. Musicals fo…
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SATB choir - Digital Download SKU: H1.8461DP Arranged by Jack Schrader. Musicals for Adults. Lent & Easter Musicals. Lent, Easter Sunday. Score. 69 pages. Hope Publishing - Digital #8461DP. Published by Hope Publishing - Digital (H1.8461DP). Lent & Easter Musical This new 45-minute, Easter musical from Jack Schrader utilizes three powerful devices to dramatically portray Christ's passion and glory: well-conceived choral music, scintillating orchestral accompaniment, and passionate narrations, with much detail drawn from the gospels. The story begins before the Triumphal Entry of Christ, and ends, by implication, beyond his Ascension. Chorally you will find many poignant and powerful moments. Talented orchestrator, Mark Kellner, has provided exquisite instrumental mosaics to underscore and support both choir and narration. Yet the simple use of piano accompaniment would also be very satisfying. At the most high and holy time of the Christian year, this musical presentation powerfully proclaims the truth of the Gospel, and confronts listener and performer alike with the claims of Jesus Christ, the Son of God. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Timpani, Harp, Violin 1 & 2, Viola, Cello, Bass, Piano, and Electric Bass.
$12.95
11.78 €
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Chorale SATB
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Jack Schrader
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The Passion and Glory of the Risen Christ
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Hope Publishing - Digital
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SheetMusicPlus
Music for Lent and Easter
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.885484 Composed by Gerard…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.885484 Composed by Gerard Willmes. Christian,Easter,Praise & Worship,Sacred. Octavo. 46 pages. Gerard Willmes #4286585. Published by Gerard Willmes (A0.885484). These five choral works have been composed for the Lent and Easter season. Create in Me, Psalm 51, set for SAB and Piano, Let My Cry Come to You, Psalm 102 set for 3 Part, Mixed Voices, My Soul Waits, Psalm 130, set for SAB, Hosanna, and Easter Hymn, are accessible by large and small choirs of a wide range of ability. Enjoy.The Markdale Collection has been composed for the congregation of Christ Church Anglican in Markdale, Ontario. Each of the choral works has been part of the worship services and presented by the small but mighty choir of Christ Church.
$9.99
9.09 €
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Chorale SATB
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Gerard Willmes
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Music for Lent and Easter
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Gerard Willmes
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SheetMusicPlus
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Marti…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
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Clarinette et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
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Flûte traversière et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
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Saxophone Alto et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Tuba & Piano
Tuba et Piano
Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. A…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
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Tuba et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Tuba & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Marti…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
#
Saxophone Tenor et Piano
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Martin Luther
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James M
#
Luther: Out of the Depths for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
#
Saxophone Soprano et Piano
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Martin Luther
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James M
#
Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luthe…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.69 €
#
Trombone et Piano
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Martin Luther
#
James M
#
Luther: Out of the Depths for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
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