English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 020
Partitions
Numériques
793
Librairie
Musicale
643
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
135
PIANO & CLAVIERS
Piano seul
1
Accompagnement Piano
1
Orgue
1
GUITARES
Mandoline
1
VOIX
Chorale SATB
7
Soli, choeur mixte et accompagnement
1
VENTS
Ensemble de saxophones
1
Clarinette
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière et Piano
1
Flûte et Trio à cordes
1
Instrumentations suivantes
Retracter
CUIVRES
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
Quintette à cordes: 2 violons, alto, violoncelle, basse
86
Alto (partie séparée)
14
Violon
14
Violon, Alto (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Violon et Piano
11
Alto seul
10
Alto, Piano
8
Trio à cordes: 3 violins
7
Violon (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Violoncelle, Piano
4
Ensemble d'Altos
3
Violon, Guitare (duo)
3
2 Altos (duo)
3
Trio à Cordes: 3 violoncelles
2
Alto et orchestre
2
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Contre Basse
1
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
233
Orchestre
33
Orchestre de chambre
14
Orchestre d'harmonie
3
Ensemble de Percussions
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Orchestre, Violon
2
Piano et Orchestre
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Music for Solo Viola and String Orchestra
Partitions à imprimer
793 partitions trouvées
<
1
26
51
....
776
Music for Solo Viola and String Orchestra
Alto et orchestre
Composed by Scott Slapin. 150, 20th Century, Classical, Contemporary, Romantic Period.…
(+)
Composed by Scott Slapin. 150, 20th Century, Classical, Contemporary, Romantic Period. Score and parts. 84 pages. Violacentric Publications #747322. Published by Violacentric Publications
$50.00
45.28 €
#
Alto et orchestre
#
Scott Slapin
#
Music for Solo Viola and String Orchestra
#
Violacentric Publications
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
Ensemble d'Altos
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Co…
(+)
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209851. Published by Regis Bookshar (A0.813408). Viola Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
31.69 €
#
Ensemble d'Altos
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Viola Quintet)
Ensemble d'Altos
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813383 Co…
(+)
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813383 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209773. Published by Regis Bookshar (A0.813383). Viola Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
31.69 €
#
Ensemble d'Altos
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.72 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Andante For Solo Violin and Strings (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1309855 Composed by Geraldine…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1309855 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #899003. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309855). ALL PURCHASES COME WITH SCORE AND PARTSDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$23.00
20.83 €
#
Orchestre à Cordes
#
Geraldine Green
#
Geraldine Green
#
Andante For Solo Violin and Strings
#
Geraldine
#
SheetMusicPlus
Andante For Solo Violin and Strings (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1309761 Composed by Geraldine…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #898925. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309761). ALL PURCHASES COME WITH SCORE AND PARTSAndante For Solo Violin and Strings - School ArrangementDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$24.00
21.73 €
#
Orchestre à Cordes
#
Geraldine Green
#
Geraldine Green
#
Andante For Solo Violin and Strings
#
Geraldine
#
SheetMusicPlus
Broken - for solo viola and string orchestra | Score
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.931787 Composed by Khongchai …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.931787 Composed by Khongchai Greesuradej. 20th Century,Contemporary,Romantic Period. Score and parts. 27 pages. KhongtheFork #4738565. Published by KhongtheFork (A0.931787). This version includes the score and parts (solo included). To purchase only the solo part, please visit https://www.sheetmusicplus.com/title/broken-for-solo-viola-and-string-orchestra-digital-sheet-music/....The score and both the mp3 and the YouTube video contain some minor differences in the harmony and orchestration. This piece was not composed with playability in mind, so I had to make some adjustments. (the changes in harmony are mainly chord extensions)
$50.00
45.28 €
#
Orchestre à Cordes
#
Khongchai Greesuradej
#
Broken - for solo viola and string orchestra | Score
#
KhongtheFork
#
SheetMusicPlus
Broken - for solo viola and string orchestra
Alto seul
Viola Solo - Digital Download SKU: A0.931785 Composed by Khongchai Greesuradej. Con…
(+)
Viola Solo - Digital Download SKU: A0.931785 Composed by Khongchai Greesuradej. Contemporary. Individual part. 2 pages. KhongtheFork #3589799. Published by KhongtheFork (A0.931785). Original composition for solo viola and string orchestra. (sheet music for solo viola) For an accompaniment track please go to https://www.youtube.com/watch?v=EuyQYWThRa8
$5.00
4.53 €
#
Alto seul
#
Khongchai Greesuradej
#
Broken - for solo viola and string orchestra
#
KhongtheFork
#
SheetMusicPlus
Andante For Solo Violin and Strings (Violin and Piano Arrangement)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1309858 Composed by Geraldine Gre…
(+)
Piano,Violin - Level 4 - Digital Download SKU: A0.1309858 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 23 pages. Geraldine (Denny) Green at Oakmountmusic #899006. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309858). Duration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$9.00
8.15 €
#
Violon et Piano
#
Geraldine Green
#
Geraldine Green
#
Andante For Solo Violin and Strings
#
Geraldine
#
SheetMusicPlus
Viola Concertino 1
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1297251 Composed by Michael Patter…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1297251 Composed by Michael Patterson. Classical. Score and part. 9 pages. Moonmusic #887324. Published by Moonmusic (A0.1297251). This piece is also available for solo viola and string orchestra.
$10.00
9.06 €
#
Alto, Piano
#
Michael Patterson
#
Viola Concertino 1
#
Moonmusic
#
SheetMusicPlus
Larghetto, for Solo Violin and Strings (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1297900 Composed by Geraldine…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1297900 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 37 pages. Geraldine (Denny) Green at Oakmountmusic #887873. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297900). ALL PURCHASES COME WITH SCORE AND PARTSFebruary 2012 – Duration Approx. 8 minutesThe Larghetto was specially written for violinist Julia Kiefner and the Banda Di Musica. It was adapted from the middle section of the second movement of an earlier work, The Thresher, Sonata For Strings, which has never yet been played. I had always felt that this Larghetto section of music was extra special somehow, needing to escape as a little piece in its own right. Writing it for Julia Kiefner gave me the special opportunity to achieve this. It is slow, beautiful and deeply passionate.There are three arrangements available;No.1 – School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double BassNo.3 – For violin and piano.
$23.00
20.83 €
#
Orchestre à Cordes
#
Geraldine
#
Larghetto, for Solo Violin and Strings
#
Geraldine
#
SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.813376 Composed…
(+)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.813376 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209757. Published by Regis Bookshar (A0.813376). String Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a String Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
31.69 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Concerto
Alto et orchestre
For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: pia…
(+)
For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: piano reduction with solo part. Downloadable. Duration 35 minutes. Schott Music - Digital #Q54004. Published by Schott Music - Digital
Peteris .Vasks supports the solo part with a string orchestra accompaniment, employing a warm, sonorous tone that is particularly effective during the slow movements. The two central movements pose exciting technical challenges as the soloist is confronted with extended cadenzas in the 'Allegro moderato' and the following 'Andante'. The rhythmically dominated fast movement is demanding for the soloist who plays in almost uninterrupted polyphony.
$40.99
37.12 €
#
Alto et orchestre
#
Peteris Vasks
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Kreisler Liebesleid for Solo Violin and String Orchestra
Orchestre, Violon
Violin, String Orchestra - Advanced Intermediate - Digital Download Composed by Fritz…
(+)
Violin, String Orchestra - Advanced Intermediate - Digital Download Composed by Fritz Kreisler (1875-1962). Arranged by Paul Wood. 20th Century, Romantic Period. Score, Set of Parts. 21 pages. Published by MyMusicScores.com
Kreisler published his three Alt-Wiener Tanzweisen in 1905 though it is not known when he wrote the. Kreisler deliberately misattributed to Joseph Lanner, a game he played for several years! <br> <br> Liebesleid or Love's Sorrow is the second of the three pieces. Originally composed for violin and piano and arranged here for violin and string orchestra.<br> <br> The PDF file contains the Score, Solo Violin, Violin 1, Violin 2, Viola, Cello and Bass parts.
$19.99
18.1 €
#
Orchestre, Violon
#
Fritz Kreisler (1875-1962)
#
Paul Wood
#
Kreisler Liebesleid for Solo Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
Larghetto, for Solo Violin and Strings (School Arrangement)
Violon et Piano
String Orchestra - Level 3 - Digital Download SKU: A0.1297895 Composed by Geraldine…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1297895 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 37 pages. Geraldine (Denny) Green at Oakmountmusic #887868. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297895). ALL PURCHASES COME WITH SCORE AND PARTSFebruary 2012 – Duration Approx. 8 minutesThe Larghetto was specially written for violinist Julia Kiefner and the Banda Di Musica. It was adapted from the middle section of the second movement of an earlier work, The Thresher, Sonata For Strings, which has never yet been played. I had always felt that this Larghetto section of music was extra special somehow, needing to escape as a little piece in its own right. Writing it for Julia Kiefner gave me the special opportunity to achieve this. It is slow, beautiful and deeply passionate.There are three arrangements available;No.1 – School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double BassNo.3 – For violin and piano.
$23.00
20.83 €
#
Violon et Piano
#
Geraldine
#
Larghetto, for Solo Violin and Strings
#
Geraldine
#
SheetMusicPlus
Weber Andante e Rondo Ongarese Solo Viola and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1374400 Composed by Carl Mari…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1374400 Composed by Carl Maria von Weber. Arranged by Paul Wood. Romantic Period. 66 pages. MyMusicScores.com #959004. Published by MyMusicScores.com (A0.1374400). Carl Maria von Weber, composed the Andante e Rondo Ongarese, Op. 35, initially for viola and orchestra in 1809. Later, in 1813, Weber reworked the piece for bassoon and orchestra following the success of his Bassoon Concerto.The work consists of two movements, seamlessly interconnected yet contrasting in character. The first movement, Andante, set in the somber key of C minor, unfolds with a lyrical and expressive quality. Weber's use of the viola allows for a rich exploration of the instrument's capabilities, revealing both its melodic and expressive qualitiesThe second movement, Allegretto, in key of C major, introducing a lively and spirited theme. The playful and dance-like character of the rondo is enriched by Weber's use of Hungarian elements, reflecting the influence of the popular ongaresque style in European music during the early 19th century. The rhythmic vitality and infectious energy of this movement contribute to the overall charm of the composition.The PDF file contains the score and all parts.
$24.99
22.63 €
#
Orchestre à Cordes
#
Carl Maria von Weber
#
Paul Wood
#
Weber Andante e Rondo Ongarese Solo Viola and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
Minuet For Margaret, for Strings. (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
22.64 €
#
Orchestre à Cordes
#
Geraldine
#
Minuet For Margaret, for Strings.
#
Geraldine
#
SheetMusicPlus
Minuet For Margaret, for Strings. (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
22.64 €
#
Orchestre à Cordes
#
Geraldine
#
Minuet For Margaret, for Strings.
#
Geraldine
#
SheetMusicPlus
Your Favorite Thanksgiving and Harvest Hymns for Strings
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
(+)
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Thanksgiving. Score, Set of Parts. 85 pages. Published by Colin Kirkpatrick Publications
Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It’s probably all you’ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches. <br> <br> Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.<br> <br> Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)
$24.99
22.63 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Various
#
Your Favorite Thanksgiving and Harvest Hymns for Strings
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Co…
(+)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
15.39 €
#
David Warin Solomons
#
Westerly for flute, violin and string orchestra
#
David Warin Solomons
#
SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE only)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Co…
(+)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
9.06 €
#
David Warin Solomons
#
Westerly for flute, violin and string orchestra
#
David Warin Solomons
#
SheetMusicPlus
An Brenton
Alto seul
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1…
(+)
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7281. Published by Schott Music - Digital
Hans Werner Henze's output is primarily dominated by large-scale, representative musical genres with a richly differentiated instrumental tonal palette: opera and other forms of musical theatre works, ballet, solo concertos and cantatas and also music for large-scale orchestra or chamber ensemble. In contrast, the chamber music works which Henze has composed throughout his entire compositional career right up to the present day have always remained somewhat on the sidelines. Many of these chamber music works had been composed for specific occasions, chiefly to honour figures who had accompanied him on longer or shorter stretches of his journey through life.<br> <br> Henze composed An Brenton in July 1993 for an event commemorating the Australian violinist Brenton Langbein who had just died. The violinist had been a long-standing leader of the Collegium Musicum Zurich, the orchestra established and conducted by Paul Sacher, and was subsequently also the leader of the Basel Chamber Orchestra [Basler Kammerorchester].He additionally held a violin class at the Music Academy in Basel for a substantial period of his career. Interestingly enough, this piece is not composed for the violinist's instrument, but instead for solo viola. The work was given its first performance on 15 July 1993 by Jurg Dahler, one of the two viola players of the Chamber Musicians of Zurich [KammermusikerZurich]. This ensemble had been formed by Langbein in 1962: it frequently included compositions by Henze in its programmes and had given the premiere of Henze's music for Volker Schlondorffs Film Der junge Torless in its transformation as the Fantasia of the same name for string sextet (1967) in 1968. Langbein was the soloist in the first performance of Henze's Violin Concerto No. 2 in 1972 which had been commissioned by Paul Sacher. Henze had already made acquaintance with Langbein during the 1960s.
$9.99
9.05 €
#
Alto seul
#
Hans Werner Henze
#
An Brenton
#
Schott Music - Digital
#
SheetMusicPlus
ROSEMUNDE - ENTR'ACTE NO. 3 - ANDANTINO String Orchestra, Intermediate Level for 2 violins, viola, c
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521860 Composed by Franz Schu…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.521860 Composed by Franz Schubert. Arranged by Sherry Lewis. Contemporary,Romantic Period,Spiritual,Wedding. Score and Parts. 26 pages. Sherry Lewis Publishing #6506149. Published by Sherry Lewis Publishing (A0.521860). ROSEMUNDE - ENTR'ACTE NO. 3 - ANDANTINO String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass Score: YES Parts: 15 pages Time: 7-8 min. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.89 €
#
Orchestre à Cordes
#
Franz Schubert
#
Sherry Lewis
#
https://www
#
ROSEMUNDE - ENTR'ACTE NO. 3 - ANDANTINO String Orchestra, Intermediate Level for 2 violins, viola, c
#
Sherry Lewis Publishing
#
SheetMusicPlus
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1300645 Composed by Geraldine…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1300645 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 54 pages. Geraldine (Denny) Green at Oakmountmusic #890382. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300645). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$25.00
22.64 €
#
Orchestre à Cordes
#
Geraldine
#
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings
#
Geraldine
#
SheetMusicPlus
The American Seasons (violas part – violin and string orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Con…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
13.58 €
#
Orchestre à Cordes
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
<
1
26
51
....
776
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
