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Music from Enchanted - Piano
Partitions à imprimer
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Hebrew Slaves from Nabucco by Verdi for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1378877 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1378877 Composed by Giuseppe Verdi. Arranged by Ander. 19th Century,Chamber,Christian,Opera,Romantic Period. 16 pages. Woods Only, Arrangements #963593. Published by Woods Only, Arrangements (A0.1378877). Enjoy our arrangement of the famous song Hebrew Slaves Chorus, extracted from the acclaimed opera Nabucco by Giuseppe Verdi. This arrangement has been carefully adapted for a Woodwind Quintet, remaining faithful to the original composition of the maestro. This arrangement brings the grandeur of the opera to the unique environment of a chamber group. The beauty and complexity of this work are captured authentically, providing an enriching musical experience for both musicians and the audience. Ideal for teachers looking to expand their students’ didactic repertoire, this arrangement offers a unique opportunity to explore the depth and emotion of Verdi’s music. In addition, it is perfect for chamber groups wishing to present something special in their recitals or concerts. Verdi’s music has enchanted audiences for centuries, and this arrangement allows you to bring this experience to your audience in a new and exciting way. Don’t miss the chance to add this valuable piece to your musical repertoire. Get your arrangement of the Hebrew Slaves Chorus now and discover the magic of Verdi in its purest and most enchanting form.
$9.99
9.24 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Giuseppe Verdi
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Ander
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Hebrew Slaves from Nabucco by Verdi for Woodwind Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Some Enchanted Evening
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853869 Composed by Richard…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853869 Composed by Richard Rodgers. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 6 pages. Larry Wright #4725503. Published by Larry Wright (A0.853869). A MEN'S 4-part, a cappella, CONTESTABLE, barbershop arrangement of this beautiful and popular song from the Broadway Musical South Pacific. IMPORTANT NOTE: by first purchasing the $100 Arrmt/Trax COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for a low $1.89 per-each-copy price,... NOT the currently posted much higher $14.25 per-each-copy price,... PLUS you also get a second Arrmt/Trax COMBO of your choice from my website FREE!!!! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.87 €
#
Chorale TTBB
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Richard Rodgers
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Larry Wright
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Some Enchanted Evening
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Larry Wright
#
SheetMusicPlus
Some Enchanted Evening
Quatuor de cuivres: 4 cors
French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1252436 By Various Ar…
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French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1252436 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Petey C. 20th Century,Broadway,Musical/Show. 10 pages. Petey C. #846407. Published by Petey C. (A0.1252436). Hey Friends!As always, I have a couple public domain arrangements on my website, peteyc.com. Check them out, they're cheaper and support me more than what little percentage I get from here.The music from South Pacific is so beautiful. I've always loved this song in particular. It has a gorgeous melody and it suits the horn very well. Intermediate level. Thanks for checking it out!
$12.99
12.01 €
#
Quatuor de cuivres: 4 cors
#
Various Artists
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Petey C
#
Some Enchanted Evening
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Petey C.
#
SheetMusicPlus
That's Amore (That's Love) (from Enchanted)
Voix seule
Voice - Digital Download SKU: HX.390193 By James Marsden. This edition: scorch. Pro…
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Voice - Digital Download SKU: HX.390193 By James Marsden. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 5 pages. Hal Leonard - Digital #822750. Published by Hal Leonard - Digital (HX.390193).
$4.99
4.61 €
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Voix seule
#
James Marsden
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That's Amore
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Hal Leonard - Digital
#
SheetMusicPlus
Happy Working Song (from Enchanted)
Voix seule
Voice - Digital Download SKU: HX.390196 By Amy Adams. This edition: scorch. Pro Voc…
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Voice - Digital Download SKU: HX.390196 By Amy Adams. This edition: scorch. Pro Vocal. Children,Disney,Film/TV,Musical/Show. Score. 4 pages. Hal Leonard - Digital #129206. Published by Hal Leonard - Digital (HX.390196).
$4.99
4.61 €
#
Voix seule
#
Amy Adams
#
Happy Working Song
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Hal Leonard - Digital
#
SheetMusicPlus
Badder (from Disenchanted) (arr. Mac Huff)
Choral Accompaniment Only,Choral - Digital Download SKU: HX.1249597 Composed by Ala…
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Choral Accompaniment Only,Choral - Digital Download SKU: HX.1249597 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Concert,Musical/Show. Duration 204. Hal Leonard - Digital #345661. Published by Hal Leonard - Digital (HX.1249597).
$26.99
24.96 €
#
Alan Menken & Stephen Schwartz
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Mac Huff
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Badder
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Hal Leonard - Digital
#
SheetMusicPlus
Badder (from Disenchanted) (arr. Mac Huff)
Choral Choral - Digital Download SKU: HX.1249596 Composed by Alan Menken & Stephen …
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Choral Choral - Digital Download SKU: HX.1249596 Composed by Alan Menken & Stephen Schwartz. Arranged by Mac Huff. Comedy,Disney,Film/TV,Jazz,Light Concert,Musical/Show. Duration 204. Hal Leonard - Digital #345661. Published by Hal Leonard - Digital (HX.1249596).
$1.99
1.84 €
#
Alan Menken & Stephen Schwartz
#
Mac Huff
#
Badder
#
Hal Leonard - Digital
#
SheetMusicPlus
Some Enchanted Evening
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.751076 Composed by Richard Rodg…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.751076 Composed by Richard Rodgers. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 56 pages. BJE Music #6570877. Published by BJE Music (A0.751076). An orchestral version of Some Enchanted Evening from South Pacific - a 1949 Rodgers and Hammerstein musical. A shimmering and mysterious beginning to this arrangement develops into a full exposition of this well-known tune from the stage and screen musical. The audio was recorded with NotePerformer 3.Grade = 4 Durations = 3:55 mins.
$59.99
55.47 €
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Orchestre
#
Richard Rodgers
#
Brendan Elliget MAGA 537
#
Some Enchanted Evening
#
BJE Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.47 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.47 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.47 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Ever Ever After For Solo Jazz Alto Sax From The Movie Enchanted Performed By Carrie Underwood
Saxophone Alto
By Written By Alan Menkin & Stephen Schwartz Performed By Carrie Underwood From Th…
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By Written By Alan Menkin & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
4.61 €
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Saxophone Alto
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz Alto Sax From The Movie Enchanted Performed By Carrie Underwood
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Bobby Hesch
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SheetMusicPlus
Ever Ever After For Solo Jazz Tenor Sax From The Movie Enchanted Performed By Carrie Underwood
Saxophone Tenor
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From Th…
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
4.61 €
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Saxophone Tenor
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz Tenor Sax From The Movie Enchanted Performed By Carrie Underwood
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Bobby Hesch
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SheetMusicPlus
Ever Ever After For Solo Jazz Flute From The Movie Enchanted Performed By Carrie Underwood
Flûte traversière
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From Th…
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
4.61 €
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Flûte traversière
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz Flute From The Movie Enchanted Performed By Carrie Underwood
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Bobby Hesch
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SheetMusicPlus
Ever Ever After For Solo Jazz Trumpet From The Movie Enchanted Performed By Carrie Underwood
Trompette
By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From Th…
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By Written By Alan Menken & Stephen Schwartz Performed By Carrie Underwood From The Movie Enchanted. Arranged by Bobby Hesch. Solo Part. 3 pages. Published by Bobby Hesch
$4.99
4.61 €
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Trompette
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Written
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Bobby Hesch
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Ever Ever After For Solo Jazz Trumpet From The Movie Enchanted Performed By Carrie Underwood
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Bobby Hesch
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SheetMusicPlus
Some Enchanted Evening
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1231784 By Vari…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1231784 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Wendy Loder, ASCAP. Broadway,Chamber,Film/TV,Musical/Show,Standards,Wedding. 2 pages. LarkAngel Productions #827487. Published by LarkAngel Productions (A0.1231784). This romantic song from South Pacific is arranged here for String Trio. In score form to expedite sight reading cues, this arrangement passes the melody from voice to voice. Fun to play and beautiful!
$14.99
13.86 €
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Trio à Cordes: violon, alto, violoncelle
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Various Artists
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Wendy Loder, ASCAP
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Some Enchanted Evening
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LarkAngel Productions
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SheetMusicPlus
Some Enchanted Evening
2 Clarinettes (duo)
Clarinet Duet Clarinet - Digital Download SKU: A0.985497 Composed by Richard Rodger…
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Clarinet Duet Clarinet - Digital Download SKU: A0.985497 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 2 scores. 3 pages. Louise Braithwaite #6302193. Published by Louise Braithwaite (A0.985497). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
6.01 €
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2 Clarinettes (duo)
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Some Enchanted Evening
2 Flûtes traversières (duo)
Flute Duet Flute - Digital Download SKU: A0.985494 Composed by Richard Rodgers. Arr…
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Flute Duet Flute - Digital Download SKU: A0.985494 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. Score. 4 pages. Louise Braithwaite #6302181. Published by Louise Braithwaite (A0.985494). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
6.01 €
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2 Flûtes traversières (duo)
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Some Enchanted Evening
Woodwind Ensemble - Digital Download SKU: A0.985496 Composed by Richard Rodgers. Ar…
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Woodwind Ensemble - Digital Download SKU: A0.985496 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #6302191. Published by Louise Braithwaite (A0.985496). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
6.01 €
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
Some Enchanted Evening
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.985493 Composed by Richard R…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.985493 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 3 pages. Louise Braithwaite #6302179. Published by Louise Braithwaite (A0.985493). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
6.01 €
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Richard Rodgers
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Louise Braithwaite
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Some Enchanted Evening
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Louise Braithwaite
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SheetMusicPlus
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