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Vous avez sélectionné:
Music from Nowhere - Score Only
Partitions à imprimer
5 partitions trouvées
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Music for Solo Clarinet (2001)
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Clarinette
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AVANCÉ
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Bill Whitley
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Bill Whitley
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Music for Solo Clarinet
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Musica Semplice
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1266397 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,Classical,Contemporary. Indivi...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1266397 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 20th Century,Classical,Contemporary. Individual part. 9 pages. Musica Semplice #859152. Published by Musica Semplice (A0.1266397). A tip of the hat to Stravinsky's Three Pieces,  this and my String Trio (also 2001) I see now as my last 20th Century composition.  Not only was the 20th century over, but these two were the last to fit the 20th century, avant-garde ethos.  By 2003, I'd already begun to move away from most of the Western European Art Music tradition.1. Dance2. Verset3. RantMusic for Solo Clarinet was written in the fall of 2001. These were spontaneous, uncommissioned, un-requested works that seemed to come from nowhere. But looking back, I see that they encapsulate a lot of what I was feeling (what everyone was feeling) in the fall of 2001: confusion, sadness, anger, disappointment... Each movement features one of the three primary ‘colors’ produced by the three different registers of the clarinet, and each is a sonata-allegro form, where tiny gestural figures are used as themes.
$10.99
Miles From Nowhere
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Paroles et Accords
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Folk Rock
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Cat Stevens
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Pop
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Miles From Nowhere
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Cat Stevens. Folk; Pop. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.351460). - Guitar (chords only) - Folk; Pop - Hal L...
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By Cat Stevens. Folk; Pop. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.351460). - Guitar (chords only) - Folk; Pop - Hal Leonard - Digital Sheet Music
$1.99
Out Of Nowhere
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Instruments en Do
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Buddy De Franco
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Mark W
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Out Of Nowhere
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.1465656 By Buddy De Franco. By Edward Heyman and Johnny Green. Arranged by Mark W. Huxhold. Film/TV,Jazz,Standards. Lead Sheet / ...
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C Instrument - SKU: A0.1465656 By Buddy De Franco. By Edward Heyman and Johnny Green. Arranged by Mark W. Huxhold. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #1044268. Published by Mark Wayne Music, LLC (A0.1465656). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$4.99
A Thousand Miles From Nowhere
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Piano, Voix et Guitare
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Country
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Dwight Yoakam
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Pop
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A Thousand Miles From Nowhere
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dwight Yoakam. For piano, voice, and guitar (chords only). Country; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Dwight Yoakam. For piano, voice, and guitar (chords only). Country; Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
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