English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
75
Partitions
Numériques
1 352
Librairie
Musicale
0
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
161
PIANO & CLAVIERS
Piano seul
145
Orgue
54
Accordéon
34
Piano, Voix
19
Piano Facile
14
Piano, Voix et Guitare
10
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
2
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accompagnement Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
21
Guitare
11
2 Guitares (duo)
10
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Paroles et Accords
1
Ukulele
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
36
Chorale 2 parties
24
Chorale 3 parties
11
Voix duo
8
Voix duo, Piano
8
Chorale Unison
8
Chorale TTBB
2
Voix basse, Piano
1
Voix moyenne, Piano
1
Voix haute
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
17
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone (partie séparée)
15
Clarinette (partie séparée)
13
Quatuor de Saxophones: 4 saxophones
11
Clarinette et Piano
11
Quatuor de Flûtes : 4 flûtes
10
Flûte traversière
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Hautbois, Piano (duo)
7
2 Saxophones (duo)
7
Ensemble de Clarinettes
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
5
3 Saxophones (trio)
4
Quatuor de Flûtes à bec
4
2 Flûte à bec (duo)
4
Flute (partie séparée)
4
Saxophone Alto et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Clarinette (duo)
3
Ensemble de saxophones
3
Saxophone Tenor et Piano
3
Hautbois
3
3 Flûtes à bec (trio)
2
Saxophone Soprano et Piano
2
3 Clarinettes (trio)
2
Clarinette
2
Hautbois (partie séparée)
2
Saxophone Baryton, Piano
2
Cor anglais, Piano
2
5 Flûtes à bec
2
2 Clarinettes (duo)
2
Flûte à Bec
2
2 Hautbois (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson (duo)
1
Piccolo
1
2 Flûtes traversières, Piano
1
Saxophone et Orgue
1
Flûte traversière, Orchestre
1
Flûte à bec Soprano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte, Harpe et Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Flûte irlandaise
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Alto
1
Flûte et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Trombone (partie séparée)
15
Trompette (partie séparée)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor (partie séparée)
6
Trombone et Piano
5
Tuba
5
Trompette
4
Tuba (partie séparée)
3
Cor
2
Cor et Piano
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
2
Trompette, Piano
2
4 Tubas
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Cors (duo)
1
Trombone
1
2 Trompettes (duo)
1
Trombone basse et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
64
Violon et Piano
28
Harpe
19
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
7
Violon
6
Violoncelle (partie séparée)
5
Violon (partie séparée)
5
2 Violons (duo)
5
Alto, Piano
4
4 Violoncelles
4
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Alto seul
3
Violoncelle
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
97
Orchestre à Cordes
45
Orchestre
24
Ensemble Jazz
5
Percussion (partie séparée)
4
Timbales (partie séparée)
3
Cloches
3
Ensemble de cuivres
3
Percussion
2
Marimba
2
Orchestre de chambre
2
Ensemble de Percussions
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Music of Asia
SheetMusicPlus
Partitions à imprimer
1 352 partitions trouvées
<
1
26
51
....
1351
Phantasia
Cor
Horn solo - advanced - Digital Download SKU: S9.Q20894 On the Romance from W.A. …
(+)
Horn solo - advanced - Digital Download SKU: S9.Q20894 On the Romance from W.A. Mozart's Horn Concerto KV 447. Composed by Michael Hoeltzel. This edition: Sheet music. Il Corno. Downloadable. Duration 3 minutes. Schott Music - Digital #Q20894. Published by Schott Music - Digital (S9.Q20894). The Romanze from Mozart’s Horn Concerto in E flat, K 447, is known and loved by all. And it doesn’t require a great master to make it ‘sound’.The lyrical solo part is interwoven with orchestral episodes ranging from lively to dramatic, and this has long motivated the author to transform it into a technically daring and musically pleasing Fantasia for horn solo.With an informed knowledge of appoggiaturas and ornaments for stylistically authentic play, the hornist can concentrate on developing the minute details of this challenging score. Then both performer and audience will experience the sense of adventurous fun that infuses this Fantasia.
$6.99
6.54 €
#
Cor
#
Michael Hoeltzel
#
Phantasia
#
Schott Music - Digital
#
SheetMusicPlus
Fantasia for Strings
Orchestre à Cordes
String orchestra - Digital Download From the film Young Torless by Volker Schlondorff…
(+)
String orchestra - Digital Download From the film Young Torless by Volker Schlondorff. Composed by Hans Werner Henze (1926-). This edition: study score. Music Of Our Time. Downloadable. Duration 15 minutes. Schott Music - Digital #Q3134. Published by Schott Music - Digital
Hans Werner Henze has composed several film scores for Volker Schlondorff's literary adaptations. 'In 1966 I wrote the music of Volker Schlondorff's first film Der junge Torless. I then thought the sound of the old early instruments that I chose could be understood as a metaphor for the early immature, almost childishly youthful and endangered of the protagonists of Musil's novella. Later I arranged several pieces from the score for string sextet and even made a string orchestra version of it.' (Hans Werner Henze).
$36.99
34.62 €
#
Orchestre à Cordes
#
Hans Werner Henze (1926-)
#
Fantasia for Strings
#
Schott Music - Digital
#
SheetMusicPlus
Hearts of Asia - Chinese Folk Songs
Piano seul
Piano - Digital Download SKU: AX.98-DYA9013 Arranged by Emilie Lin. 15 pages. Alfre…
(+)
Piano - Digital Download SKU: AX.98-DYA9013 Arranged by Emilie Lin. 15 pages. Alfred Music - Digital Sheet Music #98-DYA9013. Published by Alfred Music - Digital Sheet Music (AX.98-DYA9013). UPC: 241444405772.
$3.95
3.7 €
#
Piano seul
#
Emilie Lin
#
Hearts of Asia - Chinese Folk Songs
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
An Brenton
Alto seul
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1…
(+)
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7281. Published by Schott Music - Digital
Hans Werner Henze's output is primarily dominated by large-scale, representative musical genres with a richly differentiated instrumental tonal palette: opera and other forms of musical theatre works, ballet, solo concertos and cantatas and also music for large-scale orchestra or chamber ensemble. In contrast, the chamber music works which Henze has composed throughout his entire compositional career right up to the present day have always remained somewhat on the sidelines. Many of these chamber music works had been composed for specific occasions, chiefly to honour figures who had accompanied him on longer or shorter stretches of his journey through life.<br> <br> Henze composed An Brenton in July 1993 for an event commemorating the Australian violinist Brenton Langbein who had just died. The violinist had been a long-standing leader of the Collegium Musicum Zurich, the orchestra established and conducted by Paul Sacher, and was subsequently also the leader of the Basel Chamber Orchestra [Basler Kammerorchester].He additionally held a violin class at the Music Academy in Basel for a substantial period of his career. Interestingly enough, this piece is not composed for the violinist's instrument, but instead for solo viola. The work was given its first performance on 15 July 1993 by Jurg Dahler, one of the two viola players of the Chamber Musicians of Zurich [KammermusikerZurich]. This ensemble had been formed by Langbein in 1962: it frequently included compositions by Henze in its programmes and had given the premiere of Henze's music for Volker Schlondorffs Film Der junge Torless in its transformation as the Fantasia of the same name for string sextet (1967) in 1968. Langbein was the soloist in the first performance of Henze's Violin Concerto No. 2 in 1972 which had been commissioned by Paul Sacher. Henze had already made acquaintance with Langbein during the 1960s.
$9.99
9.35 €
#
Alto seul
#
Hans Werner Henze
#
An Brenton
#
Schott Music - Digital
#
SheetMusicPlus
The Complete Fantasias of Luys Milan
Guitare
Guitar (classical and lute) - Beginning-Intermediate - Digital Download Composed by D…
(+)
Guitar (classical and lute) - Beginning-Intermediate - Digital Download Composed by David Grimes. Edited by David Grimes. Editiones Classicae. Early Music / Renaissance. E-book. 180 pages. Mel Bay Publications - Digital Sheet Music #99227EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116955. 8.5 X 11 inches.<br> <br> In his quest to compile an anthology of the best pieces by vihuela composers, David Grimes encountered the rich complexity of the music of Luys Milan. He also noticed many discrepancies in fingering and in the notes themselves in various existing transcribed editions. Following a period of exhaustive research the author prepared this authoritative guitar edition of the fifty fantasias in Milan's seminal 1536 book, El Maestro. The resulting edition provides a more accurate sense of the virtuosity of this music. These extraordinary pieces are presented here in standard notation only with extensive historical and performance notes. Of this collection the author writes, It is my sincere hope that this new edition will help bring this glorious repertoire to the attention of more of today's many outstanding performers, and that Milan's fantasias will more often take their deserved place on recital programs, alongside the masterworks of John Dowland and Francesco da Milano.
$24.99
23.39 €
#
Guitare
#
David Grimes
#
The Complete Fantasias of Luys Milan
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23.35 €
#
Trio à Cordes: violon, alto, violoncelle
#
John Bull
#
James M
#
Bull: Fantasia upon a Plainsong for String Trio
#
jmsgu3
#
SheetMusicPlus
United States of Eurasia (+ Collateral Damage)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012704 By Muse. By Matthew Bel…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0012704 By Muse. By Matthew Bellamy. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0012704. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012704). ISBN 9780739068496. UPC: 038081385891.Piano/vocal/guitar sheet music transcriptions for every song on Muse's 2009 hit album! (Guitar TAB edition also available) Titles: Uprising * Resistance * Undisclosed Desires * United States of Eurasia (+ Collateral Damage) * Guiding Light * Unnatural Selection * MK Ultra * I Belong to You/Mon Coeur s'Ouvre a Ta Voix * Exogenesis: Symphony, Part 1: Overture * Exogenesis: Symphony, Part 2: Cross-Pollination * Exogenesis: Symphony, Part 3: Redemption.
$3.99
3.73 €
#
Piano, Voix et Guitare
#
Muse
#
United States of Eurasia
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23.35 €
#
Trio à Cordes: violon, alto, violoncelle
#
Dr
#
James M
#
Bull: Fantasia CXIII for String Trio
#
jmsgu3
#
SheetMusicPlus
Fantasia gregoriana
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 …
(+)
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Vibr. · Trgl. · 3 hg. Beck. · Sizzle-Beck. · Gong · Tamt.) (2 Spieler) - Hfe. - Str. orchestra - Digital Download SKU: S9.Q7087 Für großes Orchester. Composed by Bertold Hummel. This edition: study score. Music Of Our Time. Downloadable, study score. Op. 65. Duration 8 minutes. Schott Music - Digital #Q7087. Published by Schott Music - Digital (S9.Q7087). The brief Fantasia gregoriana, op.65, is based on the Gregorian Easter Hallelujah. Like a mosaic, the individual heterogenic episodes, lyrical, dance-like, hymnal and dramatic in turn, are combined through the permanent presence of the theme into a unified whole. The Gregorian Hallelujah is present as a type of mode in every bar of the work. The subdued introduction, characterised by the tritonically transposed structure of the original material, is followed by a sharply accentuated presentation of the theme in the bass. Over the partially engarlanded resolved variants, a first bitonal climax is reached (F minor and D major simultaneously). The dramatic development is repeated, interspersed with arioso interruptions, until the main idea is brought to culmination in brilliant instrumentation. The final chord consists of all notes of the theme.
$22.99
21.51 €
#
Bertold Hummel
#
Fantasia gregoriana
#
Schott Music - Digital
#
SheetMusicPlus
Fantasia for Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1354084 Composed by Dean Raskin. Cl…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1354084 Composed by Dean Raskin. Classical,Contemporary,New Age,Romantic Period. Score. 4 pages. Dean Raskin Music Publishing Company #938797. Published by Dean Raskin Music Publishing Company (A0.1354084). This is a solo piano rendition of Fantasia by Dean Raskin. Fantasia won first place in the Brian Israel Composition Competition sponsored by the New York Federation of Music Clubs in 1991.
$4.99
4.67 €
#
Piano seul
#
Dean Raskin
#
Fantasia for Solo Piano
#
Dean Raskin Music Publishing Company
#
SheetMusicPlus
Sounds of Asia: 6 Melodic Piano Solos
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1026372 Composed by Hannah E. Adhik…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1026372 Composed by Hannah E. Adhikari. Children,Classical,Contemporary,Folk,Instructional. Score. 18 pages. Hannah E. Adhikari #6081211. Published by Hannah E. Adhikari (A0.1026372). Each Solo progresses from Beginner to Intermediate, showcasing a theme, term, and fun facts from Countries in Asia!Studio Piano Solos Volume 4, Sounds of Asia: 6 Melodic Piano Solos. Composed and Edited by Hannah Heaton Adhikari (b. 2000). Educational Piano Library. New Age Piano Solos. Female Composers. Digital Sheet Music. Recital. Â 18 pages.Level: Level 1 - 5, Beginner - Intermediate Piano Solo Book, Progressive Piano Book.Type: Digital Sheet Music
$8.00
7.49 €
#
Piano seul
#
Hannah E
#
Sounds of Asia: 6 Melodic Piano Solos
#
Hannah E. Adhikari
#
SheetMusicPlus
Ahmad Zahir: Guitar Music Tabs with Chords (Music of Afghanistan) نوتهای موسیقی هنری گیتاراحمد ظ
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download Arranged by Arranged by Daud Oma…
(+)
Guitar Tab - Early Intermediate - Digital Download Arranged by Arranged by Daud Omar Nayab. 20th Century, World, Asian, Pop. Lead Sheet, Set of Parts. 53 pages. Published by David Nayab
Ahmad Zahir is considered an icon of Afghan music. Guitar Music Tabs Score with chords. 20 selected hit songs are included in this booklet. For guitar melody or playing the songs with chords.
$14.99
14.03 €
#
Guitare notes et tablatures
#
Ahmad Zahir: Guitar Music Tabs with Chords
#
David Nayab
#
SheetMusicPlus
Fantasia in G
Piano seul
Piano - difficult - Digital Download For piano. Composed by Nino Rota (1911-1979). Th…
(+)
Piano - difficult - Digital Download For piano. Composed by Nino Rota (1911-1979). This edition: Sheet music. Melodik, Manuskript, Piano. Downloadable. Duration 14 minutes. Schott Music - Digital #Q5977. Published by Schott Music - Digital
This "Fantasia in G" was only recently discovered among the last manuscripts to be examined in the Nino Rota archive in Venice. Together with the "15 Preludes" (ED 9386), it is one of the few works by this Italian composer for piano solo. It was composed in the oppressive atmosphere of the last years of the war.<br> The first and closing sections conjure up a feeling of late Romanticism from the distant past, while the middle section is characterised by melancholy melodies typical of Rota.
$12.99
12.16 €
#
Piano seul
#
Nino Rota
#
Fantasia in G
#
Schott Music - Digital
#
SheetMusicPlus
Fantaisie
Clarinette et Piano
Clarinet and piano - intermediate to advanced - Digital Download Composed by Gioachin…
(+)
Clarinet and piano - intermediate to advanced - Digital Download Composed by Gioachino Rossini (1792-1868). Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 17 pages. Schott Music - Digital #Q53274. Published by Schott Music - Digital
Rossini was born in Pesaro (Italy) and died in Paris. Today he is one of the most famous Italian composers. His operas are performed and celebrated frequently. Clarinettists will be familiar with the piece 'Introduction, Theme and Variations' of 1819 by Rossini. The Fantasia for clarinet and piano is not as well known. The first edition of 'Fantasia per clarinetto e pianoforte' was printed in 1829 by Ricordi in Milan. The work was reprinted by Schott with the title Fantaisie pour piano et Clarinette ou Violon ou Flute in 1890 (plate number 3109) - proof of the popularity of the piece. The Fantasia has a free form with four sections: A dramatic Introduction - a light, exhilarating Theme and two Variations (the first for piano) - an Aria over tremolo chords - and a powerful Finale.
$3.99
3.73 €
#
Clarinette et Piano
#
Gioachino Rossini (1792-1868)
#
Co
#
Fantaisie
#
Schott Music - Digital
#
SheetMusicPlus
First Fantasia on an "In Nomine" of John Taverner
2.2.2.2-2.Dtpt.1.1.btbn.1-handbells-str orchestra - Digital Download SKU: S9.Q3361 …
(+)
2.2.2.2-2.Dtpt.1.1.btbn.1-handbells-str orchestra - Digital Download SKU: S9.Q3361 Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 19. Schott Music - Digital #Q3361. Published by Schott Music - Digital (S9.Q3361).
$23.99
22.45 €
#
Sir Peter Maxwell Davies
#
First Fantasia on an "In Nomine" of John Taverner
#
Schott Music - Digital
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.45 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) （Parts）
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1040111 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 1019 pages. DoReMi Edition #644935. Published by DoReMi Edition (A0.1040111). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$300.00
280.74 €
#
Orchestre
#
An-lun Huang
#
Dream of Dunhuang - Ballet in 3 Acts, O,p.29
#
DoReMi Edition
#
SheetMusicPlus
Farnaby: Fantasia CXXIX for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed…
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$24.95
23.35 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Far…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
30.83 €
#
Orchestre à Cordes
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
#
jmsgu3
#
SheetMusicPlus
Farnaby: Fantasia CXXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Far…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
37.39 €
#
Orchestre à Cordes
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for String Orchestra
#
jmsgu3
#
SheetMusicPlus
STREETS OF SHANGHAI
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1415784 By ROBERT VAN HORNE. By ROB…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994357. Published by White Piano International Publishing (A0.1415784). STREETS OF SHANGHAI (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4 minutes.In 1984, while aboard the cruise ship MS PEARL OF SCANDINAVIA navigating the waters of Asia, I had the privilege of exploring the vibrant city of Shanghai, China. Immersed in its bustling streets, I was struck by the energetic chaos: packed buses, swarms of bicycles darting in every direction, and people bustling about, engaged in shopping or hurrying to various destinations. The vivid memory of this scene inspired me to compose the music for STREETS OF SHANGHAI.My aim was to craft an album comprising ten piano pieces, each resonating with the captivating essence of Chinese music. Hence, I titled the album “CHINA LOVE.â€The sheet music for STREETS OF SHANGHAI is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and pertinent musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical journey.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of STREETS OF SHANGHAI can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in experiencing the performance firsthand, an original 2009 YouTube video of Robert performing STREETS OF SHANGHAI can be found at: http://www.youtube.com/watch?v=6OEb3RWJp_IFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
4.67 €
#
Piano seul
#
ROBERT VAN HORNE
#
#
STREETS OF SHANGHAI
#
White Piano International Publishing
#
SheetMusicPlus
Three-Part Fantasias for Brass Trio
Euphonium,Horn,Trombone,Trumpet - Digital Download SKU: A0.1119354 Composed by Henr…
(+)
Euphonium,Horn,Trombone,Trumpet - Digital Download SKU: A0.1119354 Composed by Henry Purcell. Arranged by Richard Decker. Baroque,Chamber,Contest,Festival. 35 pages. Charles Decker Music Press #720769. Published by Charles Decker Music Press (A0.1119354). One of the most prominent English composers of the Baroque period, Henry Purcell showed a mastery of instrumental writing particularly in his Fantasias written early in his career. As organist, organ maker and keeper of the King's instruments to several English Kings, Purcell's instrumental composing highlighted his creativity in contrapuntal writing, harmonic inventiveness including chromaticism and his understanding of the virtuosic capabilities of the instruments. Scored for trumpet in B-flat with alternate C trumpet part, horn in F, and trombone with substitute treble clef euphoniium part, these arrangements for can be performed separately or even as a suite as each Fantasia has its own character. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99
14.03 €
#
Henry Purcell
#
Richard Decker
#
Three-Part Fantasias for Brass Trio
#
Charles Decker Music Press
#
SheetMusicPlus
Sonatasia for Two Harps
2 Harpes (duo)
Instrumental Duet Harp,Instrumental Duet - Level 5 - Digital Download SKU: A0.755170
(+)
Instrumental Duet Harp,Instrumental Duet - Level 5 - Digital Download SKU: A0.755170 Composed by Sy Brandon. 20th Century,Contemporary,Multicultural,World. Score and parts. 21 pages. Sy Brandon #3409347. Published by Sy Brandon (A0.755170). This piece was composed for Harpsody. The title is a combination of the words sonata and fantasia suggesting a loosely structured sonata form as well as a combination of the words sonata and Asia that is referring to the Japanese and Malaysian folk music source of the melodic material. Both musicians play from the score.
$14.99
14.03 €
#
2 Harpes (duo)
#
Sy Brandon
#
Sonatasia for Two Harps
#
Sy Brandon
#
SheetMusicPlus
Travel to Asia \| Piano Album
Piano seul
Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. 21st Century, Classro…
(+)
Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. 21st Century, Classroom, Birthday, Wedding, Recital. Sheet Music Single, Solo Part. 32 pages. Published by Lena Orsa
Travel to Asia \| Piano Album<br> 10 pieces for a good mood dedicated to travellings:<br> Issyk-Kul Lake<br> Indian Bird<br> The Green Hills of Bandarban<br> Krishnachura<br> Beihai Park<br> Guilin<br> Hainan<br> Ruby Korean Maples<br> Japanese Pagoda with Reflection in Water<br> Blooming Sakura
$12.99
12.16 €
#
Piano seul
#
Lena Orsa
#
Lena Orsa
#
Travel to Asia \| Piano Album
#
Lena Orsa
#
SheetMusicPlus
A Treasury of Hymn Settings for Organ
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1447S Composed by Gilbert M. Martin. Sacre…
(+)
Organ: 3-staff - Intermediate SKU: LO.70-1447S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1447S. Published by Sacred Music Press (LO.70-1447S). UPC: 000308071115.Whatever the reason, whatever the application, whether for a specific theme for worship or for pleasure at home, this organ collection is filled with magnificent arrangements of beloved hymn melodies, favorites of performers and listeners alike. A glorious and ravishing addition to every organist's library featuring a veritable who's who of composers for organ.
Song List: Prelude on an American Folk Melody Meditation on Arlington Prelude on Guidance Prelude on Heinlein Steal Away Fantasia on Old Hundredth Blessed Assurance Jesus Is Mine Bread Of Heaven On Thee We Feed Variations on a Hymn for Lent
$25.00
23.4 €
#
Orgue
#
Gilbert M
#
A Treasury of Hymn Settings for Organ
#
Sacred Music Press
#
SheetMusicPlus
<
1
26
51
....
1351
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
