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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Non classifié
3379
PIANO & CLAVIERS
Piano seul
2597
Piano, Voix
1207
Piano Facile
1140
Orgue
237
Instruments en Do
93
Piano Trio: piano, violon, violoncelle
85
1 Piano, 4 mains
81
Accompagnement Piano
74
Piano, Voix et Guitare
73
2 Pianos, 4 mains
52
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Clavier
12
1 Piano, 6 mains
12
Accordéon
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Piano (duo)
4
Ensemble d'Accordéons
4
Piano grosses notes
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue et Orchestre
1
Piano (partie séparée)
1
2 Accordéons
1
Clavecin
1
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GUITARES
Guitare
224
Guitare notes et tablatures
171
2 Guitares (duo)
72
Ukulele
45
Ligne De Mélodie, (Paroles) et Accords
39
Piano, Guitare (duo)
20
Basse electrique
16
3 Guitares (trio)
14
4 Guitares (Quatuor)
10
Guitare, Violon, Violoncelle (trio)
10
Mandoline
7
Ensemble de guitares
7
Ukulele Baryton
3
Dulcimer
3
Guitare (partie séparée)
2
Guitare Pedal Steel
2
2 Ukuleles
1
Banjo
1
Guitare, Flûte, Clarinette
1
Paroles et Accords
1
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VOIX
Chorale SATB
257
Chorale 3 parties
129
Chorale 2 parties
61
Chorale TTBB
50
Chorale SSAA
29
Chorale Unison
22
Voix duo, Piano
21
Voix Tenor, Piano
18
Voix Soprano, Piano
18
Voix duo
13
Voix basse, Piano
13
Voix haute
8
Voix Baryton, Piano
5
Voix moyenne, Piano
5
Voix Alto, Piano
4
Voix, Guitare
3
Voix seule
3
Voix basse
3
Voix Tenor
3
Chorale
2
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix Soprano
1
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VENTS
Flûte traversière et Piano
695
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
445
Clarinette et Piano
443
Quatuor de Saxophones: 4 saxophones
401
Hautbois, Piano (duo)
381
Saxophone Alto et Piano
324
Flûte, Hautbois, Clarinette, Basson
291
Quatuor de Clarinettes: 4 clarinettes
288
Clarinette
276
2 Saxophones (duo)
223
Saxophone Tenor et Piano
198
Saxophone Soprano et Piano
191
Quintette de Saxophone: 5 saxophones
176
Flûte traversière
173
Quatuor de Flûtes : 4 flûtes
150
2 Flûtes traversières (duo)
131
Saxophone Alto
128
2 Clarinettes (duo)
114
Saxophone (partie séparée)
112
Hautbois (partie séparée)
112
Cor anglais, Piano
85
3 Saxophones (trio)
82
Saxophone Baryton, Piano
81
Ensemble de Clarinettes
75
Ensemble de saxophones
71
Ensemble de Flûtes
59
Flûte, Clarinette (duo)
59
2 Hautbois (duo)
57
3 Clarinettes (trio)
56
Quintette de Clarinettes: 5 clarinettes
53
Trio de Flûtes: 3 flûtes
50
Hautbois
50
2 Flûte à bec (duo)
44
Flûte et Guitare
42
Clarinette, Guitare (duo)
39
Clarinette Basse, Piano
39
Quatuor de Flûtes à bec
33
Flûte à bec Soprano
31
Saxophone Tenor
31
Clarinette, Basson (duo)
30
Hautbois, Basson (duo)
28
Saxophone Baryton
26
Hautbois, Clarinette (duo)
26
Saxophone Soprano
26
Clarinette, Violon (duo)
26
5 Flûtes à bec
25
Quintette de Flûte : 5 flûtes
24
Cor Anglais
22
2 Flûtes traversières, Piano
20
Flûte, Clarinette et Basson
19
Flûte à bec Alto
19
Flûte, Hautbois, Clarinette (trio)
18
Flûte, Violoncelle
18
Flûte, Clarinette, Piano (trio)
18
Flûte, Violon
17
Saxophone, Clarinette (duo)
17
Flûte, Violon, Piano
16
Flûte, Hautbois (duo)
15
Flûte à Bec
15
2 Clarinettes, Piano
15
Clarinette, Violoncelle (duo)
14
Hautbois, Violoncelle
14
Hautbois, Clarinette, Basson (trio d'anches)
12
3 Flûtes à bec (trio)
10
Piccolo
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Violoncelle, Piano (trio)
9
Piccolo, Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette, Trompette (duo)
8
Flûte, Alto (duo)
8
Clarinette et Alto
8
Flûte, Hautbois, Basson
8
Flûte, trombone et piano
7
Flûte, Saxophone (duo)
7
Flûte à Bec, Piano
7
Flûte, Hautbois, Piano (trio)
7
Hautbois, Guitare (duo)
6
Flûte à bec, Guitare (duo)
6
Clarinette, Harpe (duo)
6
Hautbois, Flûte
6
Flûte à bec Alto, Piano
6
Flûte à bec Tenor
6
Clarinette Basse
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Trompette (duo)
5
2 Saxophones, Piano
5
Clarinette, trompette et piano
5
Flûte, Basson et Piano
5
Flûte, Alto et Piano
4
Ensemble De Flûte à bec
4
Hautbois, violon (duo)
4
Flûte, Violon et Violoncelle
4
Clarinette, Basson, Piano (trio)
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Piano
3
Saxophone et Orgue
3
Flûte traversière, Orgue (duo)
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Ensemble de Hautbois
3
Flûte à bec Soprano, Piano
3
Saxophone et Guitare
3
2 Clarinettes, Basson
3
Hautbois et alto (duo)
3
Flute (partie séparée)
3
Flûte, Violon, Guitare
3
Clarinette, Orgue
2
Ensemble à vent
2
Flûte, Trombone (duo)
2
Saxophone et Harpe
2
Flûte, Violoncelle, Guitare
2
Hautbois, Harpe
2
Flûte et Trio à cordes
2
2 Hautbois et Cor anglais
2
Flûte et Quatuor à Cordes
1
Flûte, alto et harpe
1
2 Hautbois, Piano
1
Hautbois, Orgue
1
Harmonica
1
Flute, harpe et violon
1
Saxophone
1
Harmonica, Piano
1
Clarinette, Trombone (duo)
1
Flûte irlandaise
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes à bec, Piano
1
4 Hautbois
1
Flûte de Pan
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
410
Trombone et Piano
313
Trompette, Piano
282
Cor et Piano
250
Trompette
215
Quatuor de Cuivres : 2 trompettes, trombone, tuba
197
Cor
166
Tuba et Piano
136
Trombone
134
Tuba
133
Quatuor de cuivres: 4 cors
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
95
Cor anglais, Piano
85
Euphonium, Piano (duo)
83
2 Trompettes (duo)
64
2 Trombones (duo)
61
Quatuor de cuivres: 4 trombones
52
Ensemble de Trombones
49
2 Cors (duo)
47
Quatuor de Cuivres
44
Trompette, Trombone (duo)
44
Ensemble de Cors
26
Trompette, Cor (duo)
24
Quatuor de cuivres: 4 trompettes
23
Cor Anglais
22
2 Tubas (duo)
20
Ensemble de Trompettes
18
Tuba et Orgue
16
Euphonium
14
3 Trombones (trio)
10
2 Euphoniums et 2 Tubas
10
Cor, Violoncelle (duo)
10
Trompette (partie séparée)
10
Trombone, Cor (duo)
10
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
4 Tubas
9
3 Cors (trio)
8
Trio de Cuivres
8
Trombone basse
8
3 Trompettes (trio)
8
Trompette, Violoncelle (duo)
8
Trombone basse et Piano
7
Cor et Basson (duo)
7
3 Tubas (trio)
6
Trompette, Basson (duo)
6
2 Trompettes, Clavier (piano ou orgue)
5
Trompette et Guitare
5
Euphonium, Tuba (duo)
4
Trombone, Orgue
4
Trompette, Trombone, Piano
4
Cor, Tuba (duo)
3
Trombone et orchestre
3
Trombone, Tuba (duo)
2
Cor et Orgue
2
2 Euphoniums (duo)
2
Cor et Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Euphonium (duo)
1
Trompette, Orchestre
1
Trompette, Tuba (duo)
1
Tuba (partie séparée)
1
Cornet et orchestre
1
Cor, Violoncelle et Piano
1
Cor (partie séparée)
1
Ensemble de Tubas
1
Trompette, Violoncelle et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1048
Violon et Piano
732
Violoncelle, Piano
507
Alto, Piano
438
Violon
276
Violon, Violoncelle (duo)
178
Alto seul
153
Violoncelle (partie séparée)
140
Trio à Cordes: violon, alto, violoncelle
135
2 Violons (duo)
134
Contre Basse
118
Harpe
108
Contrebasse, Piano (duo)
106
2 Violoncelles (duo)
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Violon, Alto (duo)
79
2 Altos (duo)
68
Violon, Guitare (duo)
67
Violoncelle
66
Alto, Violoncelle (duo)
41
Alto (partie séparée)
41
Violoncelle , Guitare (duo)
41
Trio à Cordes: 2 violons, violoncelle
40
4 Violoncelles
39
2 Harpes (duo)
35
Piano Trio: Violon, Alto, Piano
32
Trio à cordes: 3 violins
27
Alto, Guitare (duo)
26
Quatuor à cordes: 4 violons
24
Trio à Cordes: 3 violoncelles
22
Quatuor à cordes : 4 altos
17
2 Contrebasses (duo)
16
Violon, Basson (duo)
15
Violon (partie séparée)
14
Harpe, Violon (duo)
14
Trio à cordes: 3 altos
14
Harpe, Flûte (duo)
12
Alto et Basson
10
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
5
Flûte, Contrebasse (duo)
5
Violoncelle, Orchestre
5
Ensemble d'Altos
4
Contrebasse (partie séparée)
4
Violoncelle, Contrebasse (duo)
4
Ensemble de Violoncelles
4
Violoncelle, Orgue
4
Violon, Orgue
3
Alto, Orgue
3
2 Violons, Piano
3
Trio à cordes
3
4 Contrebasses
3
Violon, Clarinette, Piano (trio)
3
2 Violoncelles, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Orchestre
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violoncelle (duo)
2
Harpe, Trombone (duo)
1
Alto et Harpe
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
381
Orchestre à Cordes
346
Orchestre
253
Ensemble de cuivres
136
Orchestre de chambre
116
Ensemble Jazz
42
Cloches
19
Marimba
16
Fanfare
13
Ensemble de Percussions
13
Xylophone
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Xylophone, Piano
6
Quatuor à Vent : 4 instruments à vents
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
4
Instrumentation Flexible
3
Jazz combo
3
Orchestre, Violon
2
Batterie
2
Ensemble d'École
2
Piano et Orchestre
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Music of Romantic
SheetMusicPlus
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10 Easy Romantic Pieces - for Flute and Piano
Flûte traversière et Piano
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, …
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820315. Published by Glissato Edizioni Musicali
This collection of 10 easy pieces from the Romantic Period arranged for Flute and Piano is the perfect resource for students of the first courses in music. Not only is it ideal for essay writing and concerts, but it also provides an excellent introduction to the music of the Romantic Period. With pieces from composers such as Beethoven, Schumann, Brahms, Tchaikovsky, Mussorgsky, Rubinstein, Paganini and Dvorak, this collection offers an exciting and accessible way to explore the music of the Romantic Period. The pieces are easy enough for students of the first courses to play, but still provide enough challenge to keep them engaged. With this collection, students will be able to develop their skills and knowledge of the music of the Romantic Period, making it invaluable for any beginner musician.Complete parts for Flute and Piano.<br> Easy keys and range for Flute<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.83 €
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Flûte traversière et Piano
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Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann
#
Francesco Leone
#
10 Easy Romantic Pieces - for Flute and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Music of Romantic
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra …
(+)
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2661. Published by Schott Music - Digital (S9.Q2661).
$5.99
5.53 €
#
Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Music of Romantic
Violon (partie séparée)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra …
(+)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22718. Published by Schott Music - Digital (S9.Q22718).
$5.99
5.53 €
#
Violon (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestr…
(+)
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2665. Published by Schott Music - Digital (S9.Q2665).
$5.99
5.53 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchest…
(+)
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2663. Published by Schott Music - Digital (S9.Q2663).
$5.99
5.53 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Basson (partie séparée)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestr…
(+)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2664. Published by Schott Music - Digital (S9.Q2664).
$5.99
5.53 €
#
Basson (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra …
(+)
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10826. Published by Schott Music - Digital (S9.Q10826).
$5.99
5.53 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Violon (partie séparée)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra p…
(+)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q50424. Published by Schott Music - Digital (S9.Q50424).
$5.99
5.53 €
#
Violon (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra p…
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Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2662. Published by Schott Music - Digital (S9.Q2662).
$5.99
5.53 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: …
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Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q2660. Published by Schott Music - Digital (S9.Q2660).
$21.99
20.3 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Or…
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Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10814. Published by Schott Music - Digital (S9.Q10814).
$5.99
5.53 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Alto (partie séparée)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra piec…
(+)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22719. Published by Schott Music - Digital (S9.Q22719).
$5.99
5.53 €
#
Alto (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
10 Easy Romantic Pieces for Bb Saxophone and Piano
Saxophone Tenor et Piano
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, J…
(+)
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.<br> Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.<br> Easy keys and range for Saxophone<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.83 €
#
Saxophone Tenor et Piano
#
Various
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10 Easy Romantic Pieces for Bb Saxophone and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Ten Romantics for Sax
Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middl…
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Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton Music - Digital #FM627. Published by Forton Music - Digital (F2.FM627). ISBN 9790570485260.From Chopin to Schumann, Ten Romantics for Sax is an exciting collection of pieces for alto sax with piano accompaniment, arranged by Andrew Middleton. All of the pieces are from the Romantic Period (1820 to 1910), exploring the music of both famous and lesser known composers of the time, as well as a range of styles from the period including: lieder, preludes and even music from ballet! Ideal for the intermediate student, each piece has been carefully selected and arranged to help develop good playing techniques as well as introduce the player to a range of styles of music.
$17.95
16.57 €
#
Andrew Middleton
#
Ten Romantics for Sax
#
Forton Music - Digital
#
SheetMusicPlus
10 Easy Romantic Pieces - for Oboe and Piano
Hautbois, Piano (duo)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethov…
(+)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820359. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for Oboe and Piano. It is a highly valuable resource for students in their first courses, as it provides excellent material for essays and performances. Whether you are looking to improve your skills in playing the oboe or studying the music of the Romantic period, this collection is a great starting point. The included piano accompaniments are designed to complement the oboe parts, creating a beautiful and harmonious sound.<br> Titles:<br> 1. Largo from “New World Symphony” – A. Dvorák <br> 2. Theme from "Le Streghe" - N. Paganini <br> 3. Melody in F – A. Rubinstein <br> 4. Soldier March – R. Schumann <br> 5. The Great Gate of Kiev - M. Mussorgsky <br> 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> 10.Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.83 €
#
Hautbois, Piano (duo)
#
Various
#
Francesco Leone
#
10 Easy Romantic Pieces - for Oboe and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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