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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Musica Solem
Partitions à imprimer
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Musica Solem
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.940106 Composed by Christian …
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String Orchestra - Level 3 - Digital Download SKU: A0.940106 Composed by Christian James Jesse. Contemporary. Score and parts. 21 pages. Christian James Jesse #3557021. Published by Christian James Jesse (A0.940106). A Short String Quintet/String Orchestra piece depicting moments of the sun cycle.Program Notes:I wanted this piece to emulate to sun cycle. Each subsection within the piece is labeled with stages of the sun daily movement, beginning with the sun setting. The piece, like many of my string works, takes major influence from Aaron Jay Kernis and his famous string orchestra piece, Musica Celestis.
$20.00
18.37 €
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Orchestre à Cordes
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Christian James Jesse
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Musica Solem
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Christian James Jesse
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.8 €
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Chorale SATB
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
146.92 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
78.96 €
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Orchestre
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Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
#
SheetMusicPlus
a solemn and appealing song of love and affection
String Trio Piano - Digital Download SKU: A0.1072504 Composed by vitalis. Arranged …
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String Trio Piano - Digital Download SKU: A0.1072504 Composed by vitalis. Arranged by vitalis. Blues,Christian,Christmas,Musical/Show,Romantic Period. Accompaniment. Duration 131. Vitalis #3213317. Published by Vitalis (A0.1072504). A solemn and appealing song of affection.
$4.50
4.13 €
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vitalis
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vitalis
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a solemn and appealing song of love and affection
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Vitalis
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SheetMusicPlus
Laudate Dominum - Solemn Vespers for a Confessor - K. 339
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1269412 By Wolfgang Amadeus Mozart.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1269412 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Sérgio Matias da Cunha. Christian,Classical,Praise & Worship,Religious,Sacred. Score. 2 pages. Sérgio Matias da Cunha #861933. Published by Sérgio Matias da Cunha (A0.1269412). Arranjo claro e objetivo, buscando a maior fidelidade com a obra original através das notas mais marcantes e caracterÃsticas desta maravilhosa obra musical, buscando o melhor resultado com simplicidade e harmonia. Elaborado para uma interpretação expressiva e de efeito respeitando os aspectos melódico-harmônicos, combinados com um acompanhamento marcado pela precisão e continuidade através de arpejos que evoluem por semicolcheias sobre as notas dos acordes em compasso binário composto, contribuindo para uma atmosfera reflexiva e religiosa desta arrebatadora melodia. Ornamentos, linhas de oitava e sinais de expressão, também contribuem para uma boa interpretação. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.58 €
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Piano seul
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Wolfgang Amadeus Mozart
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Sérgio Matias da Cunha
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Laudate Dominum - Solemn Vespers for a Confessor - K. 339
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Sérgio Matias da Cunha
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SheetMusicPlus
Solemn Winter
Large Ensemble Drum Set,Flute,Percussion,Piano and Keyboard,Tuba,Vibraphone,Viola - Level …
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Large Ensemble Drum Set,Flute,Percussion,Piano and Keyboard,Tuba,Vibraphone,Viola - Level 5 - Interactive Download SKU: A0.529331 By Alex Haynes. By Alex Haynes. This edition: Interactive Download. Christmas,Holiday,Musical/Show,World. Score and parts. 22 pages. Duration 149. Alex Haynes #VLvuwNyLO9ObXXjFNeWtG. Published by Alex Haynes (A0.529331). Key: A major.I made a holiday song this year that I didn't want to make sound happy or sad, so I made it formal and serious.
$50.00
45.91 €
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Alex Haynes
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Solemn Winter
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Alex Haynes
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SheetMusicPlus
Toccata N.1 from the Musical Flowers - for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1151496 Composed by Girolamo Frescobaldi. Arranged by Cristiano Vecchi. Chamber,Christian,Early Music,Religious,Renaissance. 6 pages. Cristiano Vecchi #751686. Published by Cristiano Vecchi (A0.1151496). The Musical Flowers is a very famous collection of Renaissance music to enhance sight-reading and polyphony skills in every student. Here the first piece has been arranged for String Quartet, adding bow indications, expression and interpretation that respect the original toccata style and the meditative also dramatic mood, perfect to opening a solemn celebration. Duration: 59 Score and Parts.
$2.99
2.75 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Girolamo Frescobaldi
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Cristiano Vecchi
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Toccata N.1 from the Musical Flowers - for String Quartet
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Cristiano Vecchi
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SheetMusicPlus
Panis Angelicus from the Solemn Mass op. 12
Piano, Voix
Composed by Cesar Auguste Franck (1822-1890). 4 pages. Published by Ayotte Custom Musical …
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Composed by Cesar Auguste Franck (1822-1890). 4 pages. Published by Ayotte Custom Musical Engravings (S0.263661). - - - Ayotte Custom Musical Engravings
$1.99
1.83 €
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Piano, Voix
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Cesar Auguste Franck
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Panis Angelicus from the Solemn Mass op. 12
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Marian Hymn Medley
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.964561 Composed by Nancy DeVries. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.964561 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Sacred. Score. 4 pages. Nancy DeVries #6606249. Published by Nancy DeVries (A0.964561). Marian Hymn Tribute is a contemporary piano work that includes three well known traditional hymns in honor of the Blessed Virgin Mary - O Sanctissima, Immaculate Mary and Hail, Holy Queen. This piece captures the essence of each of the three hymns, blending it into one cohesive work that is suitable for church, recital or home use. It is appropriate all year round for Marian feasts, solemnities or programs and was composed during October, the month dedicated to the Holy Rosary. Suitable for all ages at the intermediate plus/advanced intermediate level. This is an enjoyable piece to play and fun to interpret - a great opportunity to play expressively and musically. .
$4.99
4.58 €
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Piano seul
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Nancy DeVries
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St Raphael's Psaltery
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Marian Hymn Medley
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Nancy DeVries
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SheetMusicPlus
When I Grow Up
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minch…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829234 Composed by Tim Minchin. Arranged by Brianne Lundberg. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score. 6 pages. Brianne Lundberg #5288581. Published by Brianne Lundberg (A0.829234). This playful piece from Matilda the Musical explores how children see grown ups and all that they imagine they will be able to do when they’re grown up. With a driving beat and a perfect balance between lightheartedness and solemnity, “When I Grow Up†is a fantastic and engaging modern musical theatre piece.This is an intermediate piano arrangement with optional vocal solo, set in the original key (F major). 5 pages (plus cover); includes repeats with 1st and 2nd endings. It is written in the same style as the original, but simplified to make it playable for an early to mid intermediate pianist. Good for smaller hands (largest harmonic interval is minor 7th). Includes chord symbols. This arrangement is a great standalone musical solo piece and includes all lyrics up through the verse originally written for Miss Honey; ends after this section (does not include the final upbeat section where Matilda's lyrics begin with Just because you find that life's not fair...).May be performed as a piano solo or as a vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Vocalist should adjust octaves as needed. Lower harmonies are generally meant to be played by the pianist (not sung).See more previews of this sheet music at www.MusicAndTheory.com/when-i-grow-up-matilda.Brianne Lundberg is a Composer, Arranger, and Piano Instructor. In addition to publishing with Hal Leonard, she has independently published many arrangements and original compositions for piano and a variety of other instruments and ensembles. For more of Brianne's music or to request a custom arrangement, visit www.MusicAndTheory.com.
$5.99
5.5 €
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Piano, Voix
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Tim Minchin
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Brianne Lundberg
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When I Grow Up
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Brianne Lundberg
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SheetMusicPlus
Funeral March of A Marionette (puppet)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1399635 Composed by Charles Francoi…
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Piano Solo - Level 3 - Digital Download SKU: A0.1399635 Composed by Charles Francois Gounod. Arranged by Thomas Ling. Classical,Film/TV,Romantic Period. Score. 4 pages. Thomas Swee Chin #982912. Published by Thomas Swee Chin (A0.1399635). Originally scored for the orchestra, Gounod's Funeral March of a Marionette is a captivating musical composition that skillfully blends elements of drama, mystery, and whimsy. Composed by Charles Gounod, this piece is perhaps best known as the theme music for the television series Alfred Hitchcock Presents.The composition opens with a solemn and haunting melody played by the woodwinds, setting a somber tone reminiscent of a funeral march. The mournful melody is accompanied by a steady, solemn rhythm in the lower registers, evoking a sense of reverence and solemnity.As the piece progresses, Gounod introduces variations on the main theme, adding layers of complexity and intrigue. The music builds in intensity, with dramatic flourishes and sudden shifts in dynamics, creating a sense of suspense and tension.Despite its mournful undertones, Funeral March of a Marionette also contains moments of whimsy and playfulness, reflecting the quirky and eccentric nature of its titular marionette. These lighter moments provide a stark contrast to the more serious elements of the composition, adding depth and dimension to the music.Overall, Gounod's Funeral March of a Marionette is a masterful composition that combines elements of drama, mystery, and whimsy to create a captivating and evocative musical experience. With its haunting melody, dramatic flourishes, and unexpected twists and turns, it remains a beloved and iconic piece in the classical repertoire.
$6.80
6.24 €
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Piano seul
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Charles Francois Gounod
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Thomas Ling
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Funeral March of A Marionette
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Thomas Swee Chin
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SheetMusicPlus
El Nazareno - Marcha Fúnebre / The Nazarene - Funeral March
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1030618 Composed by Iván Mena Ortega. Co…
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Concert Band - Digital Download SKU: A0.1030618 Composed by Iván Mena Ortega. Contemporary,Easter,Spiritual. Score and parts. 31 pages. Publicado por Iván Mena Ortega #4319051. Published by Publicado por Iván Mena Ortega (A0.1030618). The Nazarene is a musical work for Symphonic Band, special for processions, but it can also be performed in concerts, it has a solemn character, narrates the tragic journey of Jesus towards his death, carrying the cross.El Nazareno es una obra musical para Banda Sinfónica, especial para procesiones, pero también puede ser interpretada en conciertos, tiene un carácter solemne, narra el trágico transitar de Jesús hacia su muerte, cargando la cruz.
$35.00
32.14 €
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Orchestre d'harmonie
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Iván Mena Ortega
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El Nazareno - Marcha Fúnebre / The Nazarene - Funeral March
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Publicado por Iván Mena Ortega
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SheetMusicPlus
Mystic Emotion
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1307464 By Giancarlo Di Mari…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1307464 By Giancarlo Di Maria. By Giancarlo Di Maria. Arranged by Giancarlo Di Maria. Chamber,Classical,Sacred. Score and Parts. 6 pages. Parametri Musicali #896748. Published by Parametri Musicali (A0.1307464). Solemn Fugato for String Quartet in F minorISMN: 9790705114126.
$12.66
11.63 €
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Orchestre de chambre
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Giancarlo Di Maria
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Giancarlo Di Maria
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Mystic Emotion
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Parametri Musicali
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SheetMusicPlus
Saltando matones. Bambuco fiestero por: Luis Dueñas Perilla.
Piano seul
Piano Solo - Digital Download SKU: A0.958721 Composed by Luis Dueñas Perilla. Ar…
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Piano Solo - Digital Download SKU: A0.958721 Composed by Luis Dueñas Perilla. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6115835. Published by Juan Carlos Cortés Aguirre (A0.958721). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Luis Dueñas Perilla nace en Somondoco (Boyacá) el 1 de Febrero de 1921 y muere en Bogotá el 3 de Noviembre de 1977. Autor y compositor de la célebre danza Negrita.Este bambuco es tema de discusión por algunos estudiosos e investigadores musicales, los cuales suponen que este bambuco es original del maestro antioqueño Carlos Vieco OrtÃz por su estilo y forma melódica y armónica. Púes en algún momento tuvo un encuentro con este buen cantante, al cual le confió uno de sus cuadernos con sus obras para estudiarlas, y luego fue devuelto lamentablemente con algunas páginas arrancadas de dicho libro; a lo cual el maestro Vieco no mostró disgusto, ni hizo reclamo, dada su pacÃfica actitud y tranquilo temperamento.Algunos se basan en un sugestivo tÃtulo del pasillo de Carlos Vieco llamado: Saltando PolÃnes. A lo que el investigador Javier Gutiérrez Villegas afirma que:...No todas las canciones de Vieco tuvieron ese origen trascendente ni fueron estrenadas con solemnidad. Y dejando a un lado la actitud circunspecta, nos relata el nacimiento del pasillo Saltando polines: en 1932, plena guerra con el Perú, se juntaron en La Bastilla Alberto Ãngel Vallejo el aplaudido barÃtono, Roberto Muñoz Londoño, educador y poeta, y él. Se encontraban en ruinosa situación y planearon una gira que los sacarÃa de afanes. Imaginábamos montañas de plata, apunta don Carlos, con la voz maravillosa de Alberto, con las declamaciones de Muñoz Londoño y con mis interpretaciones al piano. Escogimos a Cisneros para comenzar. En pleno auge el Ferrocarril de Antioquia, aquella población era centro populoso y muy importante. Pues a la primera función asistieron el cura y el alcalde ya la segunda no fue nadie. Con los gastos de transporte, de hotel, de cartelerÃa, nos quedamos en la pura inopia. Con unas monedas sobrantes compramos pasaje de tercera para Muñoz Londoño que se encontraba enfermo y Ãngel Vallejo y yo resolvimos regresar a MedellÃn, saltando polines. Iniciamos la aventura y cuando llevábamos buen trecho apareció una máquina del Ferrocarril que transportaba veteranos para la guerra y nos recogieron. Y en esta forma, hacinados pero felices, pusimos fin a la correrÃa. (Sic erat scriptum: «asà fue escrito».).Polines: Traviesas de madera o durmientes de madera son un tipo de traviesas utilizadas en la construcción de vÃas férreas.Polémica o no, este Bambuco está registrado legalmente por Luis Dueñas Perilla, compositor boyacense.Gabriel Uribe y el Conjunto de Tomás Burbano. Video You Tube:https://www.youtube.com/watch?v=QxQr3cMmskg
$7.99
7.34 €
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Piano seul
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Luis Dueñas Perilla
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Juan Carlos Cortés A
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Saltando matones. Bambuco fiestero por: Luis Dueñas Perilla.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Nimrod, from Enigma Variations
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 6 pages. Cypress Publishing #1037607. Published by Cypress Publishing (A0.1458677). Sir Edward Elgar’s Variations on an Original Theme, commonly known as Enigma Variations, may be the most wonderful musical tribute to friendship ever composed. Each of the fourteen variations is headed with initials or a code name of a family member or friend, with the last one being Elgar himself. The best known variation is the ninth, entitled Nimrod. It represents Augustus Jaeger, Elgar’s close friend and editor at his publisher Novello & Company. In the Bible, Nimrod is referred to as “the mighty hunter”, thus identifying with Jaeger (Jäger), meaning “hunter” in German. The stately and serene variation expresses the depth of the composer’s feelings for his friend, and is often performed separately on solemn occasions. This arrangement is based on the original orchestral score, and Elgar’s own piano reduction, both published by Novello in 1899. Technically it is not too difficult, though with some double stopping to complete the harmonies and for fullness of sound.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
4.59 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sir Edward Elgar
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Stephen Levintow
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Company
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Nimrod, from Enigma Variations
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Cypress Publishing
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SheetMusicPlus
Nimrod from Enigma Variations Op. 36 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1124310 Composed by Edward Elgar. Arranged by Robert Luke Thompson. 19th Century,Chamber,Classical,Film/TV,Patriotic. 10 pages. Monkspath Music #725064. Published by Monkspath Music (A0.1124310). Sir Edward Elgar’s compositional output was prolific, with many well-known pieces, including the Pomp & Circumstance marches, Dream of Gerontius, and of course, the Engima Variations. Elgar’s legacy has been widely debated, but there is no doubt of his influence on ‘English’ music and composers such as Ralph Vaughan Williams, but also further afield, on composers as diverse as Richard Strauss, Jean Sibelius, and Igor Stravinsky. Along with a central theme woven and varied throughout the work, each movement of Engima Variations is also a musical illustration, based on a family member or close friend of Elgar, and indeed Elgar himself. He dedicated the work “to my friends pictured withinâ€. “Nimrod†is the name given to the ninth movement, based on Elgar’s editor and publisher, Augustus J, Jaeger. Musically, there is an obvious hint at the 2nd movement of Beethoven’s Piano Sonata Pathetique, but beyond this there are beautiful legato lines spread across the whole ensemble and a wide variety of timbral, dynamic, and tempo colourations. “Nimrod†has become a popular piece as a standalone item – often featuring in funerals, memorial services, and other solemn events such as Remembrance Sunday. Hans Zimmer also adapts the piece for use in the score for the 2017 film Dunkirk, and has become a standard tune to represent stoic ‘Britishness’. For further pieces, view the Monkspath Music catalogue and click here!
$12.99
11.93 €
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Quatuor de Saxophones: 4 saxophones
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Edward Elgar
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Robert Luke Thompson
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Nimrod from Enigma Variations Op. 36 for Saxophone Quartet
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Monkspath Music
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SheetMusicPlus
Nimrod from Enigma Variations Op. 36 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1117904 Composed by Edward Elgar. Arranged by Robert Luke Thompson. 19th Century,Chamber,Classical,Film/TV,Patriotic. 8 pages. Monkspath Music #719410. Published by Monkspath Music (A0.1117904). Sir Edward Elgar’s compositional output was prolific, with many well-known pieces, including the Pomp & Circumstance marches, Dream of Gerontius, and of course, the Engima Variations. Elgar’s legacy has been widely debated, but there is no doubt of his influence on ‘English’ music and composers such as Ralph Vaughan Williams, but also further afield, on composers as diverse as Richard Strauss, Jean Sibelius, and Igor Stravinsky. Along with a central theme woven and varied throughout the work, each movement of Engima Variations is also a musical illustration, based on a family member or close friend of Elgar, and indeed Elgar himself. He dedicated the work “to my friends pictured withinâ€. “Nimrod†is the name given to the ninth movement, based on Elgar’s editor and publisher, Augustus J, Jaeger. Musically, there is an obvious hint at the 2nd movement of Beethoven’s Piano Sonata Pathetique, but beyond this there are beautiful legato lines spread across the whole ensemble and a wide variety of timbral, dynamic, and tempo colourations. “Nimrod†has become a popular piece as a standalone item – often featuring in funerals, memorial services, and other solemn events such as Remembrance Sunday. Hans Zimmer also adapts the piece for use in the score for the 2017 film Dunkirk, and has become a standard tune to represent stoic ‘Britishness’. For further pieces, view the Monkspath Music catalogue and click here!
$12.99
11.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Edward Elgar
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Robert Luke Thompson
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Nimrod from Enigma Variations Op. 36 for String Quartet
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Monkspath Music
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SheetMusicPlus
"The Adieu" from Songs Without Words
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1196896 By RiverBells Sacramento. B…
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Piano Solo - Level 2 - Digital Download SKU: A0.1196896 By RiverBells Sacramento. By Felix Bartholdy Mendelssohn. Arranged by Paul W. Allen. 19th Century,Historic,Instructional,Romantic Period,Standards. Score. 6 pages. Allen/Myer Musicals #796055. Published by Allen/Myer Musicals (A0.1196896). Originally, Mendelssohn composed this as a piano exercise for his students. It is straightforward, repititious, and solemn. The same characteristics are carried through in this strictly 3-octave arrangement for handbells. Keeping the mood light and bouncy, avoiding a heavy hand and moving quickly, this can become a fitting interlude or short piece for concerts, recitals, or mass gatherings. Its challenge rests completely on the facility of the ringers at the desired speed. You may purchase ten (10) copies of this arrangement for the price listed.
$44.99
41.31 €
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Piano seul
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RiverBells Sacramento
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Paul W
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"The Adieu" from Songs Without Words
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Allen/Myer Musicals
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SheetMusicPlus
Franck: Panis Angelicus for Piano Quintet
Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Fran…
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Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 pages. Jmsgu3 #6120511. Published by jmsgu3 (A0.552116). Ceasar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. A famous Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version suits Lent, Easter, or any Christian eucharistic service. It is also an excellent choice for a recital encore because of the potential for musical expressivity.César Franck's Panis Angelicus is significant for several reasons:Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. In summary, Panis Angelicus is significant for its musical beauty, its historical and liturgical context, and its emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$42.95
39.44 €
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C
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James M
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Franck: Panis Angelicus for Piano Quintet
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jmsgu3
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SheetMusicPlus
Franck: Panis Angelicus for String Trio
String Trio - Level 3 - Digital Download SKU: A0.549171 Composed by César Franck…
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String Trio - Level 3 - Digital Download SKU: A0.549171 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. 13 pages. Jmsgu3 #3455883. Published by jmsgu3 (A0.549171). Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. Panis Angelicus is significant for its musical beauty, historical and liturgical context, and emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$34.95
32.09 €
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César Franck
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James M
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Franck: Panis Angelicus for String Trio
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jmsgu3
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SheetMusicPlus
Requiem for a Cat/Requiem pour un chat
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001360 Composed by Alexandra Delga…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001360 Composed by Alexandra Delgado. Contemporary. Score. 4 pages. Alexandra Delgado #6549469. Published by Alexandra Delgado (A0.1001360). Intermediate level. SOCAN. ISMN 979-0-706116-07-5A requiem being a Mass for the souls of the dead, this requiem was written in honor of a well-loved kitty. It is a musically imaginative piece where both grief and remembrance are expressed. A solemn beginning, cheerful memories, tender nostalgia...An excellent piece to develop interpretation.
$4.99
4.58 €
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Piano seul
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Alexandra Delgado
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Requiem for a Cat/Requiem pour un chat
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Alexandra Delgado
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SheetMusicPlus
Spirit of Christmas 2/5 - Advent
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley Sowash #1087. Published by Bradley Sowash (A0.750069). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 2. Advent (5:00) This reworking of the 12th century Advent hymn, O Come Emmanuel, connects us with the long history of this time of waiting by referencing medieval church bell towers, solemn drums and ancient harmonies before moving into a more contemporary interpretation. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00
41.32 €
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Orchestre
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 2/5 - Advent
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Bradley Sowash
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SheetMusicPlus
Pavel Trojan - Jingles and Fanfare for Four French Horns
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1021225 Composed by Pavel Tro…
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French Horn Solo - Level 4 - Digital Download SKU: A0.1021225 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Individual part. 31 pages. Pavel Trojan #5821007. Published by Pavel Trojan (A0.1021225). Jingles and Fanfare (2020) is a set of four movements (album) for four french horns, appropriate both for music school students and professional concert artists.PAVEL TROJAN was born on 14th August 1956 in Domažlice. Between 1977 and 1982, he studied composition with Ilja HurnÃk at the Prague Conservatory; after that, from 1982 until 1989, he went to attend the Music and Dance Faculty of the Academy of Performing Arts in Prague, where he studied in the class of Jiřà Pauer.The composer has extensive chamber, orchestral and musical dramatic work, which includes both opera and musical. In his work he puts emphasis on melody, brevity and clarity.He has been working at the Prague Conservatory since 1986, at first as a music theory tutor, and from 1991 as a music composition teacher. From 1992 until 2004, he was the vice director of the conservatory until being appointed the director in December 2004 (until July 2018). He is currently teaching a composition. Main works:Piano Concerto (1989), Missa solemnis (1998), Variations on a Theme by and Written in Honor of Václav Trojan (2006), Sinfonia giocosa (2008), Piano Trio No. 2 (2009), Pastoral Fairytale (Opera, 2012), Concerto for Violin and Orchestra N. 2 (2015), The Cross of Zavis (Musical, 2016).
$7.99
7.34 €
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Cor
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Pavel Trojan
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Pavel Trojan - Jingles and Fanfare for Four French Horns
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Pavel Trojan
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SheetMusicPlus
Pavel Trojan - Piano Trio N.2
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1021…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1021226 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Score and parts. 100 pages. Pavel Trojan #5828495. Published by Pavel Trojan (A0.1021226). The Piano Trio N.2 by Pavel Trojan was composed in 2009 at the call of the Czech Trio and has since been played many times in the Czech Republic and abroad. This work was also recorded by Czech Radio and released on CD (Radioservis). The performance of this work in Dvořák's Hall of Rudolfinum in 2011, was particularly resonated. The Composition has 4 movements and is appropriate both for music school students and professional concert artists. PAVEL TROJAN was born on 14th August 1956 in Domažlice. Between 1977 and 1982, he studied composition with Ilja HurnÃk at the Prague Conservatory; after that, from 1982 until 1989, he went to attend the Music and Dance Faculty of the Academy of Performing Arts in Prague, where he studied in the class of Jiřà Pauer.The composer has extensive chamber, orchestral and musical dramatic work, which includes both opera and musical. In his work he puts emphasis on melody, brevity and clarity.He has been working at the Prague Conservatory since 1986, at first as a music theory tutor, and from 1991 as a music composition teacher. From 1992 until 2004, he was the vice director of the conservatory until being appointed the director in December 2004 (until July 2018). He is currently teaching a composition. Main works:Piano Concerto (1989), Missa solemnis (1998), Variations on a Theme by and Written in Honor of Václav Trojan (2006), Sinfonia giocosa (2008), Piano Trio No. 2 (2009), Pastoral Fairytale (Opera, 2012), Concerto for Violin and Orchestra N. 2 (2015), The Cross of Zavis (Musical, 2016).
$12.99
11.93 €
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Piano Trio: piano, violon, violoncelle
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Pavel Trojan
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Pavel Trojan - Piano Trio N.2
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Pavel Trojan
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SheetMusicPlus
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