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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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227
PIANO & CLAVIERS
Piano seul
158
Orgue
33
Piano, Voix
17
Piano Facile
13
2 Pianos, 4 mains
9
Clavecin
8
Orgue, Trompette (duo)
6
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
Accordéon
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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GUITARES
Guitare
35
2 Guitares (duo)
2
Piano, Guitare (duo)
1
VOIX
Chorale SATB
49
Voix basse, Piano
10
Voix haute
7
Voix Tenor
6
Chorale 3 parties
5
Voix moyenne, Piano
3
Voix seule
2
Chorale TTBB
2
Voix basse
2
Chorale 2 parties
2
Voix duo, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Chorale SSAA
1
Voix duo
1
Chorale SSATB
1
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VENTS
Saxophone Alto et Piano
71
Quatuor de Saxophones: 4 saxophones
46
Clarinette
41
Flûte traversière et Piano
34
Saxophone Tenor et Piano
28
Hautbois, Piano (duo)
27
Saxophone Soprano et Piano
25
Saxophone Alto
21
Clarinette et Piano
20
Cor anglais, Piano
17
Quatuor de Clarinettes: 4 clarinettes
12
Flûte traversière
10
2 Saxophones (duo)
10
Hautbois (partie séparée)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Saxophone (partie séparée)
7
Flûte et Guitare
6
Clarinette Basse, Piano
6
Clarinette, Guitare (duo)
6
Saxophone et Orgue
5
Ensemble de Clarinettes
4
2 Clarinettes (duo)
4
Hautbois, Guitare (duo)
3
2 Flûtes traversières (duo)
3
Cor Anglais
3
Flûte, Hautbois, Clarinette, Basson
3
2 Saxophones, Piano
2
Clarinette, Orgue
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Baryton, Piano
2
3 Saxophones (trio)
2
2 Flûtes traversières, Piano
2
Flûte, Violon
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
Flûte à Bec
1
Flûte, Violoncelle
1
2 Clarinettes, Basson
1
4 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Flûtes
1
Saxophone et Guitare
1
Saxophone, Clarinette (duo)
1
Saxophone Soprano
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Guitare (duo)
1
Flûte, alto et harpe
1
Clarinette, Violon (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Clarinette (duo)
1
Piccolo
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Flute, harpe et violon
1
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CUIVRES
Cor anglais, Piano
17
Trompette
15
Cor
14
Trompette, Piano
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trombone et Piano
5
Tuba et Piano
5
Trompette (partie séparée)
3
Cor Anglais
3
Euphonium, Piano (duo)
2
Trombone (partie séparée)
2
4 Tubas
1
Trombone
1
3 Trombones (trio)
1
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Cor anglais, Guitare (duo)
1
Trompette, Trombone (duo)
1
Cor anglais et Harpe (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Instrumentations suivantes
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CORDES
Violon et Piano
28
Harpe
20
Violoncelle, Piano
16
Quatuor à cordes: 2 violons, alto, violoncelle
16
Alto, Piano
13
Violon
12
Harpe, Flûte (duo)
8
Contre Basse
4
Violoncelle (partie séparée)
4
Violoncelle , Guitare (duo)
4
Violon, Guitare (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Alto (partie séparée)
3
Violoncelle
3
Violon, Orgue
2
Violon, Alto (duo)
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto seul
2
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Harpe, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Trombone (duo)
1
Violon, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
516
Orchestre
126
Orchestre de chambre
69
Orchestre à Cordes
25
Ensemble de cuivres
8
Percussion (partie séparée)
1
Vibraphone
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Musik Fabrik Music Publishing
Partitions à imprimer
2 107 partitions trouvées
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2101
Karl August Hermann : Pensées Musicale (Musical Thought) for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1389271 By Nicolas Horvath. By Karl…
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Piano Solo - Level 3 - Digital Download SKU: A0.1389271 By Nicolas Horvath. By Karl August Hermann. Arranged by Paul Wehage (édition). 19th Century,Classical,Multicultural,Romantic Period,World. Score. 3 pages. Musik Fabrik Music Publishing #972812. Published by Musik Fabrik Music Publishing (A0.1389271). Karl August Hermann is considered to be one of the fathers of the Estonian Language. Mainly known for his choral music, he also wrote a series of works for solo piano. These works were recorded in 2018 by Nicolas Horvath for the Toccata Classics label in 2018.
$7.35
6.75 €
#
Piano seul
#
Nicolas Horvath
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Paul Wehage (édition)
#
Karl August Hermann : Pensées Musicale
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Down…
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Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.533270 Composed by Carlos Peron Cano. 20th Century,Contemporary. Score and parts. 40 pages. Musik Fabrik Music Publishing #2151329. Published by Musik Fabrik Music Publishing (A0.533270). A mixed septet which uses elements of minimalism
$16.95
15.56 €
#
Carlos Peron Cano
#
Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Little Poppet (2009) mute music for solo trumpet
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman.…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman. Concert,Contemporary,Instructional,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3024999. Published by Musik Fabrik Music Publishing (A0.533577). Little Poppet (2009) mute music for solo trumpet was written for Colby Cooman.It is a brief piece that inflects a single musical line with the sound of the various trumpet mutes. Themusical discourse moves between scherzando gestures and searchingly lyrical ones.The “physical display†of the mute changes may call to mind a marionette on strings.
$7.75
7.12 €
#
Trompette
#
Carson Cooman
#
Carson Cooman: Little Poppet
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Music from Mayflower Hill for solo trumpet
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.533464 Composed by Carson Cooman.…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.533464 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #2991167. Published by Musik Fabrik Music Publishing (A0.533464). Music from Mayflower Hill (2001) for solo trumpet was composed for and is dedicated totrumpeter Colby Cooman.The title refers to Mayflower Hill in Waterville, Maine, on which the campus of ColbyCollege sits. The principal material is derived from COLBY in note-codes.The work is based on a series of alternating sudden gestures of dynamic contrast with lyricallines. The harmonic material consists of a shifting pattern of the modes.
$7.75
7.12 €
#
Trompette
#
Carson Cooman
#
Carson Cooman: Music from Mayflower Hill for solo trumpet
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: Twilight Music for flute, violin and piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.534062 Composed by Jan Freidlin. 20th Century,Contemporary. Score and parts. 11 pages. Musik Fabrik Music Publishing #3103777. Published by Musik Fabrik Music Publishing (A0.534062). An aleatoric work which uses guided improvisation in a contemporary style. All players play off of the fullscore, so three copies need to be printed
$25.95
23.83 €
#
Jan Freidlin
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Jan Freidlin: Twilight Music for flute, violin and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Jan Freidlin: A Little Morning Music for two violins
2 Violons (duo)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.534077 Composed by Jan Frei…
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.534077 Composed by Jan Freidlin. Concert,Contemporary,Standards. 36 pages. Musik Fabrik Music Publishing #3108255. Published by Musik Fabrik Music Publishing (A0.534077). A set of duets for two violins
$19.95
18.32 €
#
2 Violons (duo)
#
Jan Freidlin
#
Jan Freidlin: A Little Morning Music for two violins
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Paul Wehage: Dog Music for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.533837 Composed by Paul Wehage. Con…
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Alto Saxophone,Piano - Digital Download SKU: A0.533837 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and part. 40 pages. Musik Fabrik Music Publishing #3052857. Published by Musik Fabrik Music Publishing (A0.533837). A suite of eight short and humorous pieces for alto saxophone and piano, inspired by portraits of dogs.
$16.95
15.56 €
#
Saxophone Alto et Piano
#
Paul Wehage
#
Paul Wehage: Dog Music for alto saxophone and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.32 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.5 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.32 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - That They May Rest, motet for a capella SATB chorus
Chorale SATB
Composed by Carson Cooman (1982-). A Cappella, Christian, Contemporary, Sacred, Stan…
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Composed by Carson Cooman (1982-). A Cappella, Christian, Contemporary, Sacred, Standards. Octavo. 3 pages. Musik Fabrik Music Publishing #2035301. Published by Musik Fabrik Music Publishing
$1.99
1.83 €
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Chorale SATB
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Carson Cooman (1982-)
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Carson Cooman - That They May Rest, motet for a capella SATB chorus
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SheetMusicPlus
Germaine Tailleferre: L'Aigle des Rues, Suite of five pieces for piano
Piano seul
Composed by Germaine Tailleferre (1892-1983). 20th Century, Concert, Standards. Scor…
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Composed by Germaine Tailleferre (1892-1983). 20th Century, Concert, Standards. Score. 17 pages. Musik Fabrik Music Publishing #3502141. Published by Musik Fabrik Music Publishing
$16.95
15.56 €
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Piano seul
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Germaine Tailleferre
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Germaine Tailleferre: L'Aigle des Rues, Suite of five pieces for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Anne-Louise Brillon de Jouy: Sonata no. 4 in g minor for piano or harpsichord
Piano seul
Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patrioti…
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Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patriotic, Standards. Score. 10 pages. Musik Fabrik Music Publishing #6358977. Published by Musik Fabrik Music Publishing
$7.95
7.3 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: Sonata no. 4 in g minor for piano or harpsichord
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SheetMusicPlus
Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 3: Sonatas 9-12 for piano or harpsichord
Clavecin
Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patrioti…
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Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patriotic, Standards. Score. 59 pages. Musik Fabrik Music Publishing #6359173. Published by Musik Fabrik Music Publishing
$29.95
27.5 €
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Clavecin
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 3: Sonatas 9-12 for piano or harpsichord
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SheetMusicPlus
Quatre Miniature Burlesques
1 Piano, 4 mains
Composed by Jean-Yves Malmasson. 20th Century, Chamber, Classical, Contemporary, Con…
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Composed by Jean-Yves Malmasson. 20th Century, Chamber, Classical, Contemporary, Contest, Festival. Score. 18 pages. Musik Fabrik Music Publishing #843197. Published by Musik Fabrik Music Publishing
$19.95
18.32 €
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1 Piano, 4 mains
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Jean-Yves Malmasson
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Quatre Miniature Burlesques
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fantaisie Originale for baritone saxophone and piano
Saxophone Baryton, Piano
Composed by Louis Mayeur. Arranged by Paul Wehage. 150, Classical, Contest, Festival. …
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Composed by Louis Mayeur. Arranged by Paul Wehage. 150, Classical, Contest, Festival. Score and part. 15 pages. Musik Fabrik Music Publishing #752396. Published by Musik Fabrik Music Publishing
$11.95
10.97 €
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Saxophone Baryton, Piano
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Louis Mayeur
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Paul Wehage
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Fantaisie Originale for baritone saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Overture to Giulio Cesare
Quatuor de Saxophones: 4 saxophones
Composed by G. F. Haendel. Arranged by Paul Wehage. 158, Baroque, Classical. 20 pages.…
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Composed by G. F. Haendel. Arranged by Paul Wehage. 158, Baroque, Classical. 20 pages. Musik Fabrik Music Publishing #751186. Published by Musik Fabrik Music Publishing
$16.95
15.56 €
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Quatuor de Saxophones: 4 saxophones
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G
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Paul Wehage
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Overture to Giulio Cesare
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Musik Fabrik Music Publishing
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SheetMusicPlus
F. J. NADERMAN Variations sur La Dernière Pensée de Weber for solo harp
Harpe
Composed by François-Joseph Naderman. Arranged by Marie- Claire Jamet. Concert, …
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Composed by François-Joseph Naderman. Arranged by Marie- Claire Jamet. Concert, Romantic Period, Standards. Score. 13 pages. Musik Fabrik Music Publishing #1932475. Published by Musik Fabrik Music Publishing
$11.95
10.97 €
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Harpe
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François-Joseph Naderman
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Marie- Claire Jamet
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F. J. NADERMAN Variations sur La Dernière Pensée de Weber for solo harp
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Musik Fabrik Music Publishing
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SheetMusicPlus
Andersen Viana: Quintet for flute, oboe, Bb clarinet, bassoon and horn
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Composed by Andersen Viana (1962-). Contemporary, Standards, World. Score and parts.…
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Composed by Andersen Viana (1962-). Contemporary, Standards, World. Score and parts. 68 pages. Musik Fabrik Music Publishing #3474111. Published by Musik Fabrik Music Publishing
$25.95
23.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andersen Viana (1962-)
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Andersen Viana: Quintet for flute, oboe, Bb clarinet, bassoon and horn
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jean-Georges Kastner: Duos vol 1 (duos no. 1-39) for two saxophones
2 Saxophones (duo)
Composed by Jean-Georges Kastner. Instructional, Romantic Period. 37 pages. Musik Fa…
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Composed by Jean-Georges Kastner. Instructional, Romantic Period. 37 pages. Musik Fabrik Music Publishing #33417. Published by Musik Fabrik Music Publishing
$15.95
14.65 €
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2 Saxophones (duo)
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Jean-Georges Kastner
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Jean-Georges Kastner: Duos vol 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 1: Sonatas 1-4 for piano or harpsichord
Piano seul
Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patrioti…
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Composed by Anne-Louise Brillon de Jouy. Classical, Concert, Folk, Holiday, Patriotic, Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #6359159. Published by Musik Fabrik Music Publishing
Item Number: A0.534716<br> <br> SONATA NO. 1 IN C MINOR <br> I. Allegro non tanto<br> II. Minuetto<br> SONATA NO. 2 IN B FLAT MAJOR<br> I. Allegro molto moderato<br> II. Rondo et variations<br> SONATA NO. 3 IN C MAJOR<br> I. Andante 00:00<br> II. Allegro 00:00 7<br> SONATA NO. 4 IN G MINOR<br> I. Andante con espressione<br> II. Rondo: Allegro
$29.95
27.5 €
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Piano seul
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: 12 Sonatas, Vol. 1: Sonatas 1-4 for piano or harpsichord
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Musik Fabrik Music Publishing
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SheetMusicPlus
Moyuru Maeda: 8 Japanese Folksongs for SSAAA treble chorus
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download Composed by Traditional Japanese Folk…
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Choral Choir (SSA) - Level 4 - Digital Download Composed by Traditional Japanese Folksongs. Arranged by Moyuru Maeda. 20th Century, World. Octavo. 28 pages. Musik Fabrik Music Publishing #6140807. Published by Musik Fabrik Music Publishing
$6.50
5.97 €
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Chorale 3 parties
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Traditional Japanese Folksongs
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Moyuru Maeda: 8 Japanese Folksongs for SSAAA treble chorus
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Musik Fabrik Music Publishing
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SheetMusicPlus
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