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--INSTRUMENTS--
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My Recorder Tune Book
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Crtitères actifs :
My Recorder Tune Book
Partitions à imprimer
14 partitions trouvées
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1
My Recorder Tune Book
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Flûte à bec Soprano
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My Recorder Tune Book
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Schott Music - Digital
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SheetMusicPlus
Descant recorder - SKU: S9.Q3191 A Method for the Beginner. This edition: teacher's book. Downloadable, Teacher's edition. Op. 1. Schott Music - ...
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Descant recorder - SKU: S9.Q3191 A Method for the Beginner. This edition: teacher's book. Downloadable, Teacher's edition. Op. 1. Schott Music - Digital #Q3191. Published by Schott Music - Digital (S9.Q3191). English.
$11.99
My Flute and Me
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Flûte traversière et Piano
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DÉBUTANT
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publicatio...
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Flute,Piano - Level 1 - SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
John Bartlett's Book of Ayres for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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John Bartlett
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Cody Sibley
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John Bartlett's Book of Ayres
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Drachen Music
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SheetMusicPlus
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroq...
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Easter,Medieval,Renaissance. Recorder Ensemble. 131 pages. Drachen Music #866628. Published by Drachen Music (A0.1276179). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is: This collection includes the following 18 pieces:01-O-Lord-Thy-Faithfulness02-If-Ever-Hapless-Woman03-When-From-My-Love04-Who-Doth-Behold-My-Mistress-Face05-If-There-Be-Any-One06-I-Heard-of-Late07-All-My-Wits-Hath-Will-Enwrapped08-Go-Wailing-Verse09-A-Pretty-Duck-There-Was10-Of-All-the-Birds-That-I-Do-Know11-The-Queen-of-Paphos-Ericine12-I-Would-Thou-Wert-Not-Fair13-Unto-A-Fly-Transformed14-What-Thing-Is-Love-I-Pray-Thee-Tell15-Fortune-Love-and-Time16-Poets-to-Love-Such-Power-Ascribe17-Whither-Runneth-My-Sweetheart18-Surcharged-With-DiscontentEach piece of music in this collection is also available as separate pieces, each with score and individual parts. Each piece can be found by searching for the song title.
$29.95
BH018REC - Recorder Quartet Songs, Book 18 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH018REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921200 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 152 pages. Carl V...
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Chamber Orchestra - Level 3 - SKU: A0.921200 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 152 pages. Carl Van Pevenage #4324597. Published by Carl Van Pevenage (A0.921200). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 171 Romantic song: Those little three words Chansonnette 172 It takes a village to raise a child. Chansonnette 173 Mysterious puzzling woman Chansonnette 174 Romantic song: Ann, my love, my good fortune Chansonnette 175 Poetry moves heaven and earth Chansonnette 176 Waltzing mouse in Paris Chansonnette 177 Trippling mouse Chansonnette 178 Pop song: The true power of water Chansonnette 179 War ends nothing Chansonnette 180 A beautiful thing is never perfect.
$9.95
Little Book of Klezmer Fiddle Tunes
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Klezmer
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JM Bolton
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Little Book of Klezmer Fiddle
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JM Bolton
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SheetMusicPlus
Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932483 Arranged by JM Bolton. Jewish. Score and parts. 46 pages. JM Bolton #6658393. Published ...
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Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932483 Arranged by JM Bolton. Jewish. Score and parts. 46 pages. JM Bolton #6658393. Published by JM Bolton (A0.932483). You don’t have to be Jewish to appreciate klezmer, a Yiddish word that means music.There is something about these tunes that awakens an almost uncontrollable desire to dance! Klezmer does that. The whole point of The Little Books of Fiddle Music series is to make available interesting and fun pieces of music that the beginning and intermediate musician can enjoy. There are a lot of other collections available, but most of them are too demanding for the casual fiddler ... and there are many more people who play recreational music then you might suspect! The pieces in this book were selected because they are melodious and not overly complicated. In some cases, I simplified the notation even further to make the music accessible to a beginning fiddler. My goal is to allow more people to appreciate this music. The book is smaller than usual so it will fit into your fiddle case. You can use it on a music stand or leave it open on the floor as a quick reference when you are playing in a group. If you enjoy this book, you might try the other titles from the Little Books of the Irish and Scottish collection.
$12.99
46 Folk Tunes for the Bowed Psaltery
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Folklorique/Traditionel
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JM Bolton
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46 Folk Tunes for the Bowed Ps
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JM Bolton
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SheetMusicPlus
Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932484 Arranged by JM Bolton. Folk. Score and parts. 84 pages. JM Bolton #6658415. Published by...
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Small Ensemble Flute,Recorder,Violin - Level 2 - SKU: A0.932484 Arranged by JM Bolton. Folk. Score and parts. 84 pages. JM Bolton #6658415. Published by JM Bolton (A0.932484). One of the things I did to pay my way through college was to entertain at coffee houses, playing the guitar and singing folk songs. Many of the songs in the collection are old favorites that were in my repertoire. While I sang a lot of songs from the English-speaking countries, I especially loved finding tunes from other countries. Many those songs have found their way into this book. Then, when I finally put the book together with 45 songs, there was a space left over just big enough to add one more song. So, I did! The songs are arranged as solos, duets, and rounds. As well as notes for the psaltery, lyrics and guitar chords are included for many of the tunes.
$17.99
The Lord's My Shepherd, I'll Not Want - Descant for 3 octave Handbells or 2 Instruments
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Musique Sacrée
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William Gardiner
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Diana Meux
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first page is sample only
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The Lord's My Shepherd, I'll N
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Download Church Music
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SheetMusicPlus
Small Ensemble Flute,Handbell,Oboe,Soprano Recorder,Violin - Level 1 - SKU: A0.911677 Composed by William Gardiner. Arranged by Diana Meux. Easter,Sacre...
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Small Ensemble Flute,Handbell,Oboe,Soprano Recorder,Violin - Level 1 - SKU: A0.911677 Composed by William Gardiner. Arranged by Diana Meux. Easter,Sacred. Score and parts. 2 pages. Download Church Music #517657. Published by Download Church Music (A0.911677). Simple descant for small ensemble of handbells or handchimes (3 octaves, 9 bells used), OR two C instruments. For instruments, one instrument plays top notes, other plays bottom notes. Could also be played with one C instrument using top line of descant. TUNE: BELMONT. 1 page. (2 pages in file; first page is sample only.) Melody and stanzas 1 & 5 text included for reference. Use hymnal or other source for accompaniment. Descant fits Lutheran Worship and Lutheran Service Book settings, may fit others. Uses: Good Shepherd Sunday, Fourth Sunday of Easter, Psalm 23.
$2.50
The Lord's My Shepherd, I'll Not Want - Descant for 2 octave Handbells or 2 C instruments
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William Gardiner
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Diana Meux
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first is sample page
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The Lord's My Shepherd, I'll N
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Download Church Music
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SheetMusicPlus
Small Ensemble Flute,Handbell,Oboe,Soprano Recorder,Violin - Level 1 - SKU: A0.796335 Composed by William Gardiner. Arranged by Diana Meux. Easter,Sacre...
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Small Ensemble Flute,Handbell,Oboe,Soprano Recorder,Violin - Level 1 - SKU: A0.796335 Composed by William Gardiner. Arranged by Diana Meux. Easter,Sacred,Spiritual. Score and parts. 2 pages. Download Church Music #6352121. Published by Download Church Music (A0.796335). Simple descant for small ensemble of handbells or hand/tone chimes (2 octaves, 11 bells used), or two C instruments. For instruments, one instrument plays top notes, other plays bottom notes. Â Could also be played with one C instrument playing the top line of the descant. TUNE: BELMONT. 1 page. (2 pages in file; first is sample page.) Â Melody and stanzas 1 & 5 text included for reference. Â Use hymnal or other source for accompaniment. Â Descant fits Lutheran Worship and Lutheran Service Book accompaniment, may fit others. Uses: Â Good Shepherd Sunday, Fourth Sunday of Easter, Psalm 23.
$2.50
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to Consort Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to Consort Full Score
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig ...
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Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Plain and Fancy
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Flûte à Bec
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DÉBUTANT
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Cecily Lambert
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Cecily Lambert
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Plain and Fancy
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Forsyth Brothers Ltd
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SheetMusicPlus
Recorder Solo - Level 1 - SKU: A0.1048437 Composed by Cecily Lambert. Arranged by Cecily Lambert. Classical,Folk,Multicultural,Traditional,World. Indivi...
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Recorder Solo - Level 1 - SKU: A0.1048437 Composed by Cecily Lambert. Arranged by Cecily Lambert. Classical,Folk,Multicultural,Traditional,World. Individual part. 24 pages. Forsyth Brothers Ltd #652854. Published by Forsyth Brothers Ltd (A0.1048437). Plain and Fancy is a great book for getting back into playing recorder. It starts with a fingering reminder, and then gets you playing a rewarding mix of twenty-four traditional, folk and classical tunes. Several practice exercises will help perfect these pieces, and there are also fourteen easy duets for descant and treble recorders for those wanting to play in company. Solos: Noel (French Trad), Summer Wish (Carey), Old French Carol (Chabeaux), Gavotte (Handel), Waltz (Schubert), Yarghito (Greek Trad), Syrtos (Greek Trad), Serenade (Handel), Carillon (Kirnberger), Tsakisma (Greek Trad), Folk Song (Brahms), In Praise of Bacchus (English Trad) Duets: My Bonnie Laddie (Scottish Trad), The King and the Miller (Arne), Tomorrow Shall be My Dancing Day (English Trad), The Witch (English Trad), The Carman's Whistle (Byrd), Bolero (Spanish Trad), Country Dance (Hook), Hornpipe (English Trad), Scherzo from 'Jeau d'Enfants' (Bizet).
$9.99
Latvian National Anthem for Symphony Orchestra
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,T...
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Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
Chi passa per ’sta strada
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Violon
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Filippo Azzaiolo
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Gordon Jackson
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Chi passa per ’sta strad
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Gordon Jackson
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SheetMusicPlus
Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Recorder,Violin - SKU: A0.1017675 Composed by Filippo Azzaiolo. Arranged by Gordon Jackson. Cl...
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Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Recorder,Violin - SKU: A0.1017675 Composed by Filippo Azzaiolo. Arranged by Gordon Jackson. Classical,Folk,Multicultural,Renaissance,World. Score and parts. 8 pages. Gordon Jackson #6435525. Published by Gordon Jackson (A0.1017675). Chi passa per ’sta stradaThe sixteenth-century Italian composer, Filippo Azzaiolo (1530-1569), published three books of villotas (secular songs). In the first of these, Primo libro de villotte alla padoana a quattro voci, the first song (also the most popular) was Chi passa per ’sta strada (He who passes down this street). An exquisite chord sequence provide the basis for a simple melody, together with a set of variations I composed.The left-hand part (quite odd really, as I don’t play any keyboard instrument, but I’m sure you know what I mean!) shows the chords as I would play them on an octave mandola or a bouzouki (both tuned GDAE, one octave below mandolin or violin), and the chord diagrams show my fingerings for these. Other accompanists can simply use the chords’ letter names, also included, and work out their own fingerings/voicings. However, I strongly recommend keeping accompaniment simple and percussive, accentuating the rhythm, allowing the mandolin or other lead instrument space in which to play those variations.
$4.99
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My Recorder Tune Book