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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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CORNEMUSE
CORNET
DEEJAY
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FLUTE DE PAN
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FORMATION MUSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mystic Rhythms
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3
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1
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1
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Vents
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Cor
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Trombone
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Cordes
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1
2 Violons (duo)
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5
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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Crtitères actifs :
Mystic Rhythms
Partitions à imprimer
28 partitions trouvées
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26
Mystic Rhythms
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Piano, Voix et Guitare
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Rock
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Rush
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Mystic Rhythms
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Hal Leonard - Digital
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SheetMusicPlus
By Rush. This edition: Interactive Download. Rock. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital...
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By Rush. This edition: Interactive Download. Rock. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital
$4.99
Mystic Rhythms by Rush - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rush
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Mystic Rhythms
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Musicnotes
Performed by: Rush: Mystic Rhythms Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voic...
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Performed by: Rush: Mystic Rhythms Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Rock~~Art-Rock/Progressive~~Arena Rock
$5.79
Asiago
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraph...
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99
Pasos del Ayer (Op. 83, 2010)
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Piano seul
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AVANCÉ
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Contemporain
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R
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Pasos del Ayer
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R.A. Moulds
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.940886 Composed by R.A. Moulds. Contemporary. Score. 20 pages. R.A. Moulds #4292257. Published by R.A. Moulds (A0.940886)...
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Piano Solo - Level 5 - SKU: A0.940886 Composed by R.A. Moulds. Contemporary. Score. 20 pages. R.A. Moulds #4292257. Published by R.A. Moulds (A0.940886). The fourth in the series Leyendas MÃsticas (Mystic Legends), this very Spanish-flavored entertainment was written at the request of Laurel Karlik-Sheehan. The title, which translates as ‘Footsteps of the Past,’ was more or less a spontaneous inspiration. The fluctuating rhythms accented with striking chords are meant to be played with a certain amount of flair and élan. Pasos del Ayer has also been arranged for orchestra.
$8.99
The Black Mass
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Orchestre
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AVANCÉ
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Contemporain
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Piano Sonata No
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Blake P
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. ...
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Full Orchestra - Level 5 - SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
Goethe-Lieder
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Fazil Say
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Goethe-Lieder
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Schott Music - Digital
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SheetMusicPlus
S. (P. · Xyl. · Vibratone [in e2] · hg. Beck. · gr. Tr.) (1 Spieler) - Str. (6 · 5 · 4 · 3 · 2) soprano and string orchestra with percus...
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S. (P. · Xyl. · Vibratone [in e2] · hg. Beck. · gr. Tr.) (1 Spieler) - Str. (6 · 5 · 4 · 3 · 2) soprano and string orchestra with percussion - SKU: S9.Q46266 For soprano and string orchestra with percussion. Composed by Fazil Say. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 44. Duration 20 minutes. Schott Music - Digital #Q46266. Published by Schott Music - Digital (S9.Q46266). German.In his set of five lieder with finale, Fazıl Say sets a selection of contrasting poems from Goethe’s cycle West-Eastern Divan in which the poet skilfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say’s music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises.
$27.99
Rush: Mystic Rhythms - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for voice, piano or guitar of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for voice, piano or guitar of MEDIUM skill level. / rock
$6.97
CONCERTO NEGRO for Trumpet and Piano (version)
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Trompette, Piano
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AVANCÉ
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GILSON SANTOS
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CONCERTO NEGRO for Trumpet and
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Gilson Santos
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SheetMusicPlus
C Trumpet,Piano - Level 5 - SKU: A0.1459450 Composed by GILSON SANTOS. Contemporary,Latin. Score and part. 37 pages. Gilson Santos #1038403. Published b...
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C Trumpet,Piano - Level 5 - SKU: A0.1459450 Composed by GILSON SANTOS. Contemporary,Latin. Score and part. 37 pages. Gilson Santos #1038403. Published by Gilson Santos (A0.1459450). Version for Trumpet and piano, of the Negro Concerto for trumpet and Orchestra. Concert uses elements of Afro-Brazilian culture, with striking rhythms and mystical and enchanting melody.
$49.99
The Magi
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Chorale SSAB a cappella
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Cecilia McDowall
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The Magi
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193570658 Composed by Cecilia McDowall. Score. 15 pages. Oxford University Press Digital #9780193570658. Published by Oxford University Pres...
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SKU: OX.9780193570658 Composed by Cecilia McDowall. Score. 15 pages. Oxford University Press Digital #9780193570658. Published by Oxford University Press Digital (OX.9780193570658). ISBN 9780193570658.For SSATB unaccompanied. McDowall brings to life a mystical, brooding nativity text by Nicholas Dakin with dramatic octatonic melodies and parallel movement in fourths and fifths. The propulsive 6/8 metre is decorated with duplet and hemiola rhythms.
$3.65
My Land of the Sun (Instrumental Score and Parts)
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Ensemble Jazz
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AVANCÉ
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Santa Fe and the Fat City Horn
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Garrett Breeze
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My Land of the Sun
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Lagom Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1419869 By Santa Fe and the Fat City Horns. By Dave Richardson. Arranged by Garrett Breeze. Pop,Singer/S...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1419869 By Santa Fe and the Fat City Horns. By Dave Richardson. Arranged by Garrett Breeze. Pop,Singer/Songwriter. 59 pages. Lagom Music #1001291. Published by Lagom Music (A0.1419869). Full of groovy rhythms and mystical lyrics, this arrangement of Santa Fe and the Fat City Horns original song is a fantastic change of pace number that will keep audiences on the edge of their seats! Â Available in SATB, with instrumental accompaniment score and parts sold separately.
$150.00
My Land of the Sun (SATB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Santa Fe and the Fat City Horn
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Garrett Breeze
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My Land of the Sun
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Lagom Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1419866 By Santa Fe and the Fat City Horns. By Dave Richardson. Arranged by Garrett Breeze. Pop,Sing...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1419866 By Santa Fe and the Fat City Horns. By Dave Richardson. Arranged by Garrett Breeze. Pop,Singer/Songwriter. 10 pages. Lagom Music #1001288. Published by Lagom Music (A0.1419866). Full of groovy rhythms and mystical lyrics, this arrangement of Santa Fe and the Fat City Horns original song is a fantastic change of pace number that will keep audiences on the edge of their seats! Available in SATB, with instrumental accompaniment score and parts sold separately.
$2.50
Fairy Dance
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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Fairy Dance
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402852 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402852 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #1zJCWtWbhHbRlwLnGI8fCc. Published by Heather Mueller Music (A0.1402852). Key: D major.Title: Fairy Dance Type/Genre: Reel Arranger: Heather M Music Composer: Trad (Traditional) Description: Immerse yourself in the enchanting melodies of Fairy Dance, a spirited reel that transcends borders, originating from the musical traditions of both Ireland and Scotland. This lively tune, known for its whimsical melodies and infectious rhythms, captures the magical essence of Celtic music and evokes images of dancing fairies in lush green meadows. Whether you're playing at a session or exploring the mystical realms of folklore, Fairy Dance invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and ethereal energy of this reel transport you to the enchanting landscapes of Ireland and Scotland. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99
The Wishing Well
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Violon et Piano
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INTERMÉDIAIRE
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Traditional Fiddle Tunes
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Heather M Music
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The Wishing Well
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1404757 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1404757 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 36. Heather Mueller Music #5udyAHrVmfKs6cz4VspeGZ. Published by Heather Mueller Music (A0.1404757). Key: C major.Title: The Wishing Well Type/Genre: Slip Jig (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Delve into the enchanting melodies and lively rhythms of The Wishing Well, a captivating slip jig deeply rooted in the musical traditions of Ireland. With its signature 9/8 time signature, this spirited tune beckons both seasoned musicians and enthusiastic beginners to dance and play along. Inspired by the timeless allure of a mystical well where wishes are made, The Wishing Well evokes images of serene landscapes and whimsical adventures. Whether played at a lively session or enjoyed in the comfort of your own home, let the spirited tempo and graceful melodies of The Wishing Well transport you to the heart of Irish tradition. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melody along with basic accompaniment, providing a solid foundation for musicians of all levels.
$2.99
The Confessions of St. Augustine for Solo Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Erika Raum
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The Confessions of St. Augusti
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.792696 Composed by Erika Raum. 20th Century,Contemporary. Individual part. 5 pages. Gordon Cherry #5778867. Published ...
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Trombone Solo - Level 4 - SKU: A0.792696 Composed by Erika Raum. 20th Century,Contemporary. Individual part. 5 pages. Gordon Cherry #5778867. Published by Gordon Cherry (A0.792696). The Confessions of St. Augustine is a solo for Unaccompanied Trombone written by Canadian violinist/composer Erika Raum. St. Augustine (of Hippo) was a 5th Century convert to Christianity who was one of the first philosophers and theologians of the faith. He went on to write a number of important works including the autobiographical work Confessions, a series of thirteen books outlining his sinful youth and eventual conversion to Christianity. Ms. Raum's music, in four sections features the following tabloids: Youth and Pagan Beginnings, The Mystical Voice of the Child in the Garden, St. Augustine, Bishop of Hippo, The Debate at the Baths of Sozius. This work is very expressive, with many contrasting sections and complex rhythms, and is rather moderate in range, being accessible to moderately advanced to advanced performers.
$15.00
Stygio
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Ensemble Jazz
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INTERMÉDIAIRE
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Amaya Rose
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Amaya Rose
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Stygio
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Amaya Rose
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1208591 By Amaya Rose. By Amaya Rose. Arranged by Amaya Rose. Funk,Jazz. Score and Parts. 53 pages. Amay...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1208591 By Amaya Rose. By Amaya Rose. Arranged by Amaya Rose. Funk,Jazz. Score and Parts. 53 pages. Amaya Rose #806691. Published by Amaya Rose (A0.1208591). The monotypic jellyfish species Stygiomedusa Gigantea is a rare deep-sea creature known for its massive size and elusive character. Written in 2022 and revised in 2023, Stygio was the first composition I had written for an ensemble. Like the Stygiomedusa, composing this piece was a rare, mystical, exciting experience as a young artist. The tune has a funk groove with swung sixteenths, and has been considered a standard for its form and chord progressions. The piece begins with a clear melody, shifts to a chorale featuring the melody of my alma mater at Christopher Newport University, then ends in a layered lava-lamp-esque collection of colors. Stygio offers improvisatory exploration and complex chord qualities over simple rhythms and an easy, pocketed feel.
$52.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Do You Hear What I Hear?
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Joel Raney
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Do You Hear What I Hear?
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Hope Publishing - Digital
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SheetMusicPlus
Handbells Handchimes, Percussion - Level 2 - SKU: H1.2971DP Arranged by Joel Raney. Hymntune, Hymn Arrangements, Christmas. Handbell score. 12 pages. Ho...
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Handbells Handchimes, Percussion - Level 2 - SKU: H1.2971DP Arranged by Joel Raney. Hymntune, Hymn Arrangements, Christmas. Handbell score. 12 pages. Hope Publishing - Digital #2971DP. Published by Hope Publishing - Digital (H1.2971DP). Familiar Christmas Song Mystical harmonies, a variety of techniques, and adventuresome rhythms are all woven together in this delightful setting sure to engage and awe ringers and listeners in worship and concert.
$7.00
Trombone quartet n°1 "Song of an ancient forest" (2013) - Full Score
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Martin Loridan
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Trombone quartet n°1 "
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M. Loridan
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.908878 Composed by Martin Loridan. 20th Century,Concert,Contemporary,Graduation. Score and parts. 33 pages. ...
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Brass Ensemble Trombone - Level 4 - SKU: A0.908878 Composed by Martin Loridan. 20th Century,Concert,Contemporary,Graduation. Score and parts. 33 pages. M. Loridan #3224073. Published by M. Loridan (A0.908878). Trombone quartet n°1 - Quatuor de trombone n°1 Song of an ancient forest (Chant d’une foret ancienne). The work has 4 movements (prelude, chant de la foret, danse de la foret, fugue) and evokes the songs, dances, rhythms and whispers of an imaginary mystical and ancient forest. Score excerpt (4th movement): https://www.youtube.com/watch?v=QipmJ2TPK40Recording: 1st movement (excerpt)
$22.00
The Planets 7-movement Suite complete for 14-piece Brass Ensemble w Timpani and Percussion
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Gustav Holst
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Ralph Sauer
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The Planets 7-movement Suite c
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Gordon Cherry
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SheetMusicPlus
Percussion,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792434 Composed by Gustav Holst. Arranged by Ralph Sauer. 20th Century,Multicultural,Romant...
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Percussion,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.792434 Composed by Gustav Holst. Arranged by Ralph Sauer. 20th Century,Multicultural,Romantic Period,World. 516 pages. Gordon Cherry #4821663. Published by Gordon Cherry (A0.792434). The Planets Suite complete is now available. Mars, Venus, Mercury, Saturn, Jupiter, Uranus and Neptune bring magic from the score into the concert hall. Holst has written a score and Ralph Sauer has transcribed it in such a way, that the dramatic, mystical sounds, harmonies and quirky dance-like rhythms are perfectly meshed for 14-part Brass Ensemble with Timpani and Percussion. Scored for: 4 Trumpets in C (separate B-flat parts are included), 4 Horns in F, 3 Trombones, Tenor Tuba, 2 Tubas, Timpani and two Percussion parts. This suite of seven movements is suitable for advanced performers.
$230.00
Invisible String
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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Sarah Cellobat Chaffee
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Invisible String
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Duet Violin - Level 4 - SKU: A0.1221099 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Folk,Pop,Singer/S...
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Violin Duet Violin - Level 4 - SKU: A0.1221099 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Folk,Pop,Singer/Songwriter,Wedding. 14 pages. Sarah Cellobat Chaffee #817451. Published by Sarah Cellobat Chaffee (A0.1221099). *INSTRUMENTATION: TWO VIOLINS*Taylor Swift released her eighth studio album, Folklore, in July of 2020 -- a time when everyone needed a little bit of a fantastical escape! The song Invisible String, which describes a mystical thread of gold connecting two soulmates throughout their lives, is a reference to an East Asian folk myth; the song's sparse production and ethereal folk vibe are fitting for its theme. So of course this beautiful love song has become a popular request for weddings! This Cellobat arrangement for two violins maintains the moving acoustic guitar figurations, floaty melodies, and joyful fairy-tale feel of the original for a chart your audience is sure to love! Originally written for a wedding ceremony, this will also be perfect for proposals, cocktail hour, parties, and more. Rated advanced-intermediate for some tricky rhythms; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
Invisible String
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Taylor Swift
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Sarah Cellobat Chaffee
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Invisible String
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1316688 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Conte...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1316688 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #905384. Published by Sarah Cellobat Chaffee (A0.1316688). Taylor Swift released her eighth studio album, Folklore, in July of 2020 -- a time when everyone needed a little bit of a fantastical escape! The song Invisible String, which describes a mystical thread of gold connecting two soulmates throughout their lives, is a reference to an East Asian folk myth; the song's sparse production and ethereal folk vibe are fitting for its theme. So of course this beautiful love song has become a popular request for weddings! This Cellobat arrangement for violin and cello duet maintains the moving acoustic guitar figurations, floaty melodies, and joyful fairy-tale feel of the original for a chart your audience is sure to love! Originally written for a wedding ceremony, this will also be perfect for proposals, cocktail hour, parties, and more. Rated advanced-intermediate mainly for some tricky rhythms throughout; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
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Mystic Rhythms