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Nan Pa Hong
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Nan Pa Hong
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Korean Lament (For Violin and Strings)
Violon et Piano
String Ensemble - Level 4 - Digital Download SKU: A0.1127250 Composed by Nan-Pa Hon…
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String Ensemble - Level 4 - Digital Download SKU: A0.1127250 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Chamber,Classical,Contemporary,Instructional,Romantic Period. 23 pages. Han-Ki Kim #727884. Published by Han-Ki Kim (A0.1127250). Korean Lament This music, “Korean Lament†composed by “Nanpa Hongâ€(1898-1942), has historical significance as the first violin piece to be composed in Korea using Western usage. It was composed around 1924, published by the “Yeonakhae†in 1926, and recorded as a record in 1936, becoming the epitome of Korean violin music. It was first performed by “Nan-pa Hong†himself in 1932, and appeared as an important piece at each of his concerts. At that time, in an era of oppression during the Japanese colonial period, the title of “Korean Lament†contains a symbolic meaning of patriotism. It is in the form of two parts, that is, AB, with the first half in 4/4 time and the second half in 6/8 time. Since the composer was a violinist himself, his performance and technical ability were of great interest to the social atmosphere of the time. The original piece is a short music for violin and piano, but it was reborn as a work that added Han-Ki Kim’s musical language for a concert at the “Yonsei 100th Anniversary Memorial Hall†to commemorate “Nan-pa Hong†on December 26-27, 2022.
$14.50
13.37 €
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Violon et Piano
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Nan-Pa Hong
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Han-Ki Kim
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Korean Lament
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Han-Ki Kim
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SheetMusicPlus
"Spring of Home Country" for Violin and Strings.
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.126…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1262910 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 33 pages. Han-Ki Kim #855907. Published by Han-Ki Kim (A0.1262910). For Solo Violin and String Orchestra. Spring of Home Country Op.159 Violin Concerto “Spring in Home Country†can be said to be a variational concerto in a word. It is a concerto composed with the theme of the melody of Nan-pa Hong, who played an important role in spreading Western music in Korea. Children’s song “Spring in Hometown†was composed in 1929 and is a familiar melody to all Koreans, young and old. The content of the poem is about the beautiful and nostalgic nostalgia of the village where he lived as a child. Following the lively ensemble in 4/4 time, a solo violin that seems to read a poem plays the theme, followed by the first variation composed of a splendid broken chord. Variations 2 and 3 are played by soloists and ensembles, crossing the traditional Korean rhythms “Jajinmori†and “Kutkoriâ€. In Variation 4, the slowly expanded theme is played by the ensemble with a consoldino (played using a muted instrument), and the solo violin adorns the theme of the ensemble with up and down notes. Then, the solo violin’s cadenza, the final variation of a majestic personality, and a short coda decorate the end.
$24.90
22.96 €
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Nan-Pa Hong
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Han-Ki Kim
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"Spring of Home Country" for Violin and Strings.
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Han-Ki Kim
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SheetMusicPlus
"Spring of Home Country" for Viola and Strings.
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.126…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1263445 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Chamber,Instructional,Romantic Period,Standards,Traditional. 33 pages. Han-Ki Kim #856407. Published by Han-Ki Kim (A0.1263445). For Solo Viola and String Orchestra. Spring of Home Country Op.159 Viola Concerto “Spring in Hometown†can be said to be a variational concerto in a word. It is a concerto composed with the theme of the melody of Nan-pa Hong, who played an important role in spreading Western music in Korea. Children’s song “Spring in Hometown†was composed in 1929 and is a familiar melody to all Koreans, young and old. The content of the poem is about the beautiful and nostalgic nostalgia of the village where he lived as a child. Following the lively ensemble in 4/4 time, a solo viola that seems to read a poem plays the theme, followed by the first variation composed of a splendid broken chord. Variations 2 and 3 are played by soloists and ensembles, crossing the traditional Korean rhythms “Jajinmori†and “Kutkoriâ€. In Variation 4, the slowly expanded theme is played by the ensemble with a consoldino (played using a muted instrument), and the solo viola adorns the theme of the ensemble with up and down notes. Then, the solo viola’s cadenza, the final variation of a majestic personality, and a short coda decorate the end. Attached YouTube Link is played by Violin and Strings, it's just for a reference.
$24.90
22.96 €
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Nan-Pa Hong
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Han-Ki Kim
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"Spring of Home Country" for Viola and Strings.
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Han-Ki Kim
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SheetMusicPlus
ê³ í–¥ì˜ ë´„ Hometown Spring
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1298331 By Matthew …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1298331 By Matthew pyeon. By nan pa Hong. Arranged by Matthew pyeon. Singer/Songwriter,Standards,Traditional. 7 pages. Sungil (Matthew) Pyeon #888316. Published by sungil (Matthew) Pyeon (A0.1298331). ê³ í–¥ì˜ ë´„ Hometown Spring. One most well-know korean song.#Music, #Orchestra, #Sheetmusic This channel is all about sheet music. Music composed and Arranged by Sungil (Matthew) Pyeon. If you want to sheet music arranged by any orchestra instruments, ensemble, Quartet, Duo, Solo send me an email, spyeon@gmail.com. My work of music are available at sheetmusicplus.com, musicnotes, sheetmusicdirect https://www.musicnotes.com/search/go?w=matthew+pyeon&from=header https://www.sheetmusicdirect.com/Search.aspx?query=matthew+pyeon https://www.sheetmusicplus.com/search?Ntt=matthew+pyeon ì´ ì±„ë„ì€ ìŒì•…ì•…ë³´ì— ê´€í•œ 곳입니다. 작곡과 íŽ¸ê³¡ì€ ëª¨ë‘ íŽ¸ì„±ì¼ë‹˜ì´ 하ì‹ë‹ˆë‹¤. 오케스트ë¼, 다양한 악기편곡과 ì›í•˜ëŠ” 난위ë„ë¡œ 작곡과 íŽ¸ê³¡ì´ ê°€ëŠ¥í•©ë‹ˆë‹¤. ì´ë©”ì¼ ì£¼ì†ŒëŠ” spyeon@gamil.com ì•…ë³´ êµ¬ìž…ì€ sheetmusicplus.com ì—ì„œ matthew pyeon ì„ ì“°ì‹œë©´ ëª¨ë“ ì•…ë³´ë¥¼ 볼수 있습니다. 아래 ë§í¬ë¡œ 들어가시면 악보를 ì°¾ì„ ìˆ˜ 있습니다. https://www.musicnotes.com/search/go?w=matthew+pyeon&from=header https://www.sheetmusicdirect.com/Search.aspx?query=matthew+pyeon https://www.sheetmusicplus.com/search?Ntt=matthew+pyeonYouTube Link https://youtu.be/abLn4Jlze9c.
$4.99
4.6 €
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Chorale SATB
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Matthew pyeon
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Matthew pyeon
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ê³ í–¥ì˜ ë´„ Hometown Spring
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sungil
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SheetMusicPlus
A Korean Traditional "A Balsam" (For String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.511662 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.511662 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 21 pages. Han-Ki Kim #3885719. Published by Han-Ki Kim (A0.511662). It's a concert piece, Variations on an adapted from very famous korean traditional theme A Balsam. Main Theme is rotated by parts, to give interest for all the player and listener. I -as a Violinist- tried to make use of functional structure of stringed instrument. And shown Bowing and Fingering(Vn,Va)will be very helpful to player.
$15.00
13.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Nan-Pa Hong
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Han-Ki Kim
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A Korean Traditional "A Balsam"
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Han-Ki Kim
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SheetMusicPlus
TRITONE Sonata for Trumpet in B-flat and Piano
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st…
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:<br> <br> "One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.<br> <br> Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.<br> <br> My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.<br> <br> I - Moderato<br> <br> The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.<br> <br> II – Andante espressivo – piu mosso – Tempo primo<br> <br> The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.<br> <br> III – Maestoso – rondo<br> <br> A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020<br> <br> This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00
27.66 €
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Trompette, Piano
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John Frith
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TRITONE Sonata for Trumpet in B-flat and Piano
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Cherry Classics Music
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SheetMusicPlus
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Nan Pa Hong
