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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nature's Rag
Non classifié
83
Piano & claviers
Piano seul
43
Piano Facile
7
Piano, Voix
3
Piano, Voix et Guitare
2
Orgue
1
2 Pianos, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
1
Voix
Chorale SATB
11
Chorale TTBB
2
Chorale 3 parties
1
Voix Tenor, Piano
1
Chorale SSAB, Piano
1
Vents
Ensemble de saxophones
23
Quintette de Saxophone: 5 saxophones
9
Ensemble de Clarinettes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone (partie séparée)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Flûtes
2
Clarinette et Piano
1
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Quatuor de Saxophones: 4 saxophones
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres
10
Ensemble de Trombones
4
Ensemble de Trompettes
4
Ensemble de Cors
3
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Piano
1
Cor et Piano
1
Tuba
1
Trombone et Piano
1
+ 7 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
5
Violoncelle, Piano
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
1
Ensemble d'Altos
1
Violon, Guitare (duo)
1
Violon
1
Violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
25
Orchestre
11
Orchestre à Cordes
8
Cloches
3
Ensemble de Percussions
2
Orchestre de chambre
1
Jazz combo
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
Nature's Rag
Partitions à imprimer
347 partitions trouvées
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"Elite Syncopations" S. Joplin- Solo Piano Simplified version-intermediate
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Piano seul
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INTERMÉDIAIRE
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S Joplin
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Grant Horsley
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"Elite Syncopations"
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.785792 Composed by S Joplin. Arranged by Grant Horsley. Instructional,Patriotic,Ragtime,Traditional,Wedding. Score. 5 pag...
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Piano Solo - Level 3 - SKU: A0.785792 Composed by S Joplin. Arranged by Grant Horsley. Instructional,Patriotic,Ragtime,Traditional,Wedding. Score. 5 pages. Grant Horsley #6322281. Published by Grant Horsley (A0.785792). One of the famous rags recorded on piano roll by Joplin in 1902.This arrangement has been made simpler to allow more pianists to have a go at this great rag.The main change was to convert it to 4/4 instead of the (2/4 common two-step time signature for rags). The main reason is for easy of reading- and maybe easier on the eye to comprehendI have taken out nearly all of the large stretches and limited the harmony parts to what is essential and nothing more. There are no big leaps or complex rhythms. It is 4 pages long and 4 mins 30 in length. The youtube link has the full score for you to assess suitability.I have set it for intermediate player- it's great fun and would be useful as a showpiece, something to play for concerts, recitals, productions, etc.
$5.25
Pickles and Peppers Rag for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Adeline Shepard
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John Gibson
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Pickles and Peppers Rag for Cl
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.581992 Composed by Adeline Shepard. Arranged by John Gibson. Folk. 27 pages. JB Line...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.581992 Composed by Adeline Shepard. Arranged by John Gibson. Folk. 27 pages. JB Linear #3882867. Published by JB Linear (A0.581992). Pickles and Peppers Rag by Adeline Shepard (1906) set for clarinet choir by John Gibson. (Eb, Bb clarinet 1-3, Alto - with an alternate 4th Bb part, Bass, Contrabass or Contra Alto). Adeline's ragtime piece became one of the most popular published sheet music of the time and was even used as a theme song in William Jennings Bryan's presidential campaign in 1908. Bryan lost the election, but Adeline's sheet music sold two million copies! The rhythms are a bit difficult, but they are natural sounding and become second nature as you play them.
$14.95
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Bugle Call Rag for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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the age of 15 was playing pian
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Eubie Blake, Carey Morgan
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Jari A
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Bugle Call Rag for Brass Quint
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JV MUSIC
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SheetMusicPlus
Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Sco...
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Brass Ensemble - SKU: A0.722732 Composed by Eubie Blake, Carey Morgan. Arranged by Jari A. Villanueva. 20th Century,Folk,Jazz,Patriotic,Traditional. Score and parts. 24 pages. JV MUSIC #3366195. Published by JV MUSIC (A0.722732). Bugle Call Rag Composed by Carey Morgan and Eubie Blake Arranged by Jari VillanuevaScore2 Trumpets in BbHorn in FTromboneTubaOptional Drum Set Eb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for TromboneJames Hubert Eubie Blake (1887-1983) Blake was born in Baltimore to former slaves, and the only child of 11 that would survive to adulthood. The young Eubie taught himself the organ after his parents put a $75 organ in their home for 25 cents per week (which would take them almost 6 years to pay off). By the age of 15 was playing piano in Baltimore's night clubs, holding a regular job at Agnes Shelton's sporting house. Blake was already an exceptional pianist by the early 1900's, and he had to simplify his music drastically to get it published. Blake was among the pioneers of ragtime, however he was often too far ahead of his time. He released two rags (Charleston Rag and his Baltimore Buzz) in the same year which Scott Joplin released his Maple Leaf Rag. Unfortunately for Blake, the competition was too strong. Part of the reason for Blake's Charleston Rag and his Baltimore Buzz not making the big time may have been due to Blake the progressive nature of his sound. People found it hard to digest his music, especially the publishers. Bugle Call Rag was composed in 1916 with Carey Morgan. It was one of many patriotic selections written by composers during the World War I era. This delightful piece uses bugle calls and quotes There’ll Be A Hot Time In The Old Town Tonight.A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and a student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and winner of the 2016 Holiday Arranging Contest. https://www.youtube.com/watch?v=nMUSMQhI-lE
$14.99
La maudite pyrrhotite d'imprévu // The Pyrrhotite's Tragedy..# ISRC 10248
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Ensemble de Percussions
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Celtique/Irlandais
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Réal Dubois
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La maudite pyrrhotite d'impr&e
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Réal Dubois
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SheetMusicPlus
Percussion Ensemble - SKU: A0.1018797 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,F...
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Percussion Ensemble - SKU: A0.1018797 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069251. Published by Réal Dubois (A0.1018797). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Astor Place Rag Waltz
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Donald Ashwander
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Astor Place Rag Waltz
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1294042 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884525. Published by The Dona...
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Piano Solo - Level 3 - SKU: A0.1294042 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #884525. Published by The Donald Ashwander Estate (A0.1294042). Astor Place Rag Waltz is a delightful solo piano piece that seamlessly weaves together the spirit of ragtime with the grace of a waltz. Its title, derived from the famous Astor Place Liquor Store, hints at the piece's spirited nature and the jovial ambiance it invokes. This piece is dedicated to the great American jazz critic Rudi Blesh. In Ashwander's notes to the piece, he reminisces about Rudi’s ability to make the best Stingers he had ever tasted, with the supplies coming from the famous Astor Place Liquor Store. This solo piano composition is a heartfelt tribute Rudi Blesh, Astor Place and the memories associated with it, making it a must-listen for anyone who appreciates the charm of ragtime music and the sentimentality of a well-told tale.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
Scott Joplin's New Rag
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Paul Taylor
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Scott Joplin's New Rag
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.803381 Composed by Scott Joplin. Arranged by Paul Taylor. Folk,Ragtime,Traditional. Score. 3 pages. Paul Taylor #6697917....
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Piano Solo - Level 3 - SKU: A0.803381 Composed by Scott Joplin. Arranged by Paul Taylor. Folk,Ragtime,Traditional. Score. 3 pages. Paul Taylor #6697917. Published by Paul Taylor (A0.803381). Despite of being ill and forlorn in later life, Mr. Joplin was able to uplift and enhance this period in his life with this new rag --a kind of self-induced healing potion as he called it. This work and others are currently enjoying a revival in Baltimore via a new musical that reflects this portion of Joplin's life. He maintained to the end that his music is classical in nature and rises above the genre's initial beginnings in barrelhouses and dance halls. .
$1.99
Memory Rag
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Piano seul
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FACILE
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Drake Mabry
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Memory Rag
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Drake Mabry
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.799400 Composed by Drake Mabry. Contemporary,Jazz,Ragtime. Score. 3 pages. Drake Mabry #43185. Published by Drake Mabry (...
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Piano Solo - Level 2 - SKU: A0.799400 Composed by Drake Mabry. Contemporary,Jazz,Ragtime. Score. 3 pages. Drake Mabry #43185. Published by Drake Mabry (A0.799400). Memory Rag was written for a dear friend of mine and reflects her warm and generous nature. It is similar in expression to Scott Joplin's Solace and exists in another version for six recorders. The duration is 3'10.Memory Rag was premiered by The Byrds at the Seattle Recorder Society in Seattle, Washington on May 1, 2015.
$4.99
"Grande Rag Brillante" for piano Op. 15
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Piano seul
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Gary Noland
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"Grande Rag Brillante&quo
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Freeland Publications
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SheetMusicPlus
Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #32382...
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Piano - SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast … works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included … Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFA’s new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) …-Nicolas Slonimsky, Music Since 1900 ...remarkable stuff...-Max Morath, ragtime composer and pianist … smashing and extremely difficult piano rag, … which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music … an exceedingly difficult composition by Berkeley composer Gary Noland, … the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist. It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.' In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking … spectacular… -Charles Amirkhanian, Folio (KPFA program guide) ...The Impossible Rag...-Oakland Tribune ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk; als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg! Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskin’s theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer. ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.
$1.99
Riches to Rags
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Riff Kitten
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Riches to Rags
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Riff Kitten
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1177295 By Riff Kitten. By Riff Kitten. Blues,Classical,Jazz,Ragtime. Score. 5 pages. Riff Kitten #777303. Published by R...
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Piano Solo - Level 4 - SKU: A0.1177295 By Riff Kitten. By Riff Kitten. Blues,Classical,Jazz,Ragtime. Score. 5 pages. Riff Kitten #777303. Published by Riff Kitten (A0.1177295). A moody medium tempo rag with Riff Kitten's signature piano style.
$5.99
Saratoga Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Donald Ashwander
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Saratoga Rag
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1342646 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #928147. Published by The Dona...
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Piano Solo - Level 4 - SKU: A0.1342646 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #928147. Published by The Donald Ashwander Estate (A0.1342646). A jaunty swinger, “Saratoga Rag†takes us on a delightful journey through a series of whirling, rollicking, hurdy-gurdy themes that cascade like a musical kaleidoscope. Composed with the flair and sophistication that defines Ashwander's signature style, the piece conjures images of grandeur and festivity. Ashwander's deft touch and nuanced phrasing breathe life into the composition, allowing each section to seamlessly flow into the next. The result is a captivating musical experience that invites repeated listens, each time revealing new intricacies and hidden delights. Saratoga Rag stands as a testament to Donald Ashwander's mastery of the ragtime genre. His ability to blend tradition with innovation, coupled with an innate sense of musical storytelling, has left an indelible mark on the world of solo piano compositions.
$5.99
Nature's Rag (Home of the Maple Leaf)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Bob Hada
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Nature's Rag
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Bob Hada
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.745691 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Jazz. Score and parts. 11 pages. Bob Hada (Schoo...
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Jazz Combo - Level 4 - SKU: A0.745691 By Bob Hada (Schoolspianist246). By Bob Hada (Schoolspianist246). Jazz. Score and parts. 11 pages. Bob Hada (Schoolspianist246) #353613. Published by Bob Hada (Schoolspianist246) (A0.745691).
$30.99
AFRODITA for SSAA women's ensemble /choir
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Marilena Zlatanou
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AFRODITA for SSAA women's ense
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 4 - SKU: A0.887107 Composed by Marilena Zlatanou. A Cappella,Contemporary. 25 pages. Marilena Zlatanou #6457709. Publi...
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Choral Choir,Choral (SSA) - Level 4 - SKU: A0.887107 Composed by Marilena Zlatanou. A Cappella,Contemporary. 25 pages. Marilena Zlatanou #6457709. Published by Marilena Zlatanou (A0.887107). A Song Cycle for female soloist and women's ensemble/choir, on poem and fragments of poems by ancient Greek poet Sappho (c. 630-560 BC), written in the original language with the phonetic sounding in Latin alphabet given right below and the English translation right above the text. Three movements: 1. A hymn to Afrodite, for solo voice and simple a cappella acc. on Sappho's only extant poem (duration: ca 3'35'') 2. Fragments-nature, for three female voices a cappella on fragments on nature (duration ca 4'40'') 3. Fragments-Love for four female voices a cappella on the subject of Love and with a harp part included as doubling for the voice-parts, if acc. is desired (duration ca 5')Notes on the pronunciation and more information is given on the title page.The mp3 file provided here is of the last movement, made straight from the sibelius score.For more information on the composer (member of the Nowegian copyright org. TONO), please visit website www.zlatanou.net
$20.00
The Rage and Reconciliation of King Lear for SATB, bassoon, and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrienne Inglis
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The Rage and Reconciliation of
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Pu...
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Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Published by Adrienne Inglis (ASCAP) (A0.953613). Program note: Scored for mixed chorus, bassoon, and piano, The Rage and Reconciliation of King Lear by Adrienne Inglis weaves passages from Shakespeare’s King Lear with signature phrases of the Rev. Dr. Milton H. Riemer. Dr. Riemer’s words bring insight and reflection to the poignant narrative of a parent-child relationship. Outside in a raging storm, King Lear angrily punishes himself for foolishly excluding his favorite daughter, Cordelia, from a portion of his kingdom. As mental illness takes hold, he suffers from curious confusion but understands his failings and begs Cordelia’s forgiveness. The Scottish air Etrick Banks provides melodic material that yields a royal fanfare, lament, thunderstorm, dementia, regret, and reconciliation. Crunchy chords and unsettling dissonances punctuate the sounds of modal chants and medieval polyphony.
$3.99
Pickles and Peppers Rag for clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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Ragtime
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Adeline Shepard
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John Gibson
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Pickles and Peppers Rag for cl
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JB Linear
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SheetMusicPlus
Composed by Adeline Shepard. Arranged by John Gibson. For Clarinet. Ragtime. Score, Set of Parts. JB Linear #EN006cl4. Published by JB Linear ...
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Composed by Adeline Shepard. Arranged by John Gibson. For Clarinet. Ragtime. Score, Set of Parts. JB Linear #EN006cl4. Published by JB Linear
Pickles and Peppers Rag by Adeline Shepard (1906) set for clarinet quartet by John Gibson. (3 Bb clarinets and 1 bass clarinet). Adeline's ragtime piece became one of the most popular published sheet music of the time and was even used as a theme song in a presidential election. The rhythms are a bit difficult, but they are natural sounding and become second nature as you play them. Great part for the bass clarinet, too!
$14.25
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published...
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Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
Echoes From Eden (A Mother's Day Tribute), sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Echoes From Eden
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1405182 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1405182 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #988227. Published by Kevin G. Pace (A0.1405182). A gorgeous Mother's Day Tribute hymn.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text: Like Eve, she gives life; it’s her divine nature.As the Garden’s pure fragrance, nurture awaits her.And with her God she gives love like no other.Before children are born she is ever a mother.Like Eve, she gives life to bring forth creation,Multiplying God’s glory, bringing salvation.Her holy work she performs with slight slumber.God bestows his great pow’r because she is a mother.Like Eve, she gives life to God’s holy children.On this path she gives rise as highest of mountains.And as a gift she is there to lend succor,For as with each new birth, she is named blessed mother.Chorus:Eden’s gift of pure love coming down from aboveReflects a selfless choice.Bearing children or not, her calling from GodReveals Eve’s pure mother voice.
$1.99
Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Franz Liszt
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Arkady Leytush
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Franz Liszt - "Funeraille
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Publish...
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Full Orchestra - Level 3 - SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Published by Arkady Leytush (A0.1471489). Funérailles, #7 from Liszt’s « Poetic and Religious Harmonies», one of the greatest works of his late period. This impressionistic elegy is strikingly beautiful. Its deep tragedy sometimes reaches the greatest heights, magnetically involving listeners and forcing them to empathize. In my transcription, I tried to use all possible means of a large orchestra to emphasize the features of this music, the changes in the nature of the three main themes, and also to build the overall dramaturgy of the entire work. Liszt’s orchestral thinking underlying this work makes it possible to organically transfer this work to the orchestra. I must admit that despite my experience in such work, I was so captivated by the content and character of this music that at times I was forced to stop due to a sharp increase in my pulse up to 130 beats!
$40.00
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit apr&egr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
A Summer's Day from "Madrigals for the Seasons" (Downloadable)
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Chorale SATB
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AVANCÉ
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David Conte
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A Summer's Day from "Madr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Difficult - SKU: MQ.8892-E Composed by David Conte. 14 pages. E. C. Schirmer Music Company - Digital #8892-E. Published by E....
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SATB choir unaccompanied - Difficult - SKU: MQ.8892-E Composed by David Conte. 14 pages. E. C. Schirmer Music Company - Digital #8892-E. Published by E. C. Schirmer Music Company - Digital (MQ.8892-E). English.Madrigals for the Seasons was composed especially for Cappella SF, Ragnar Bohlin, conductor. A Summer’s Day is a paean to the glories of summer Images of nature are illuminated, climaxing in the splendor of God’s sun: “His Caravan of Red.†The setting strives to capture the pleasure of the freedom of movement afforded by summer.
$2.85
Jesus, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
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Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Love's Music (acc)
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Piano seul
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Tim Weller
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Love's Music
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Tim Weller
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SheetMusicPlus
Piano - SKU: A0.1069531 Composed by Tim Weller. Children,Instructional,Ragtime. Accompaniment. Duration 104. Tim Weller #4764643. Published by Tim Welle...
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Piano - SKU: A0.1069531 Composed by Tim Weller. Children,Instructional,Ragtime. Accompaniment. Duration 104. Tim Weller #4764643. Published by Tim Weller (A0.1069531). A simple uplifting song for children. Just walk down the street and listen to the music of nature.
$3.99
"Fragments" Short Variations for piano solo
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Piano seul
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AVANCÉ
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Panagiotis Theodossiou
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"Fragments" Short Va
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Panagiotis Theodossiou
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.886712 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score. 11 pages. Panagiotis Theodossiou #38791...
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Piano Solo - Level 5 - SKU: A0.886712 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score. 11 pages. Panagiotis Theodossiou #3879161. Published by Panagiotis Theodossiou (A0.886712). Fragments Short variations for piano solo (2018) Thirteen short variations between an intriduction and a long epilogue follow a theme based on the lettername of distinguished Greek piano soloist and educator Kosmas Lapatas to whom are dedicated. The work, of serial character, unfolds through an austere time signature sequence (4+4+4+4+2) a parallel scenario which narrate, may be in an autographical way, characteristic instants from a couple's life.Sylistically marks composer's return to the austere serial technique.The parts:
$10.00
Why Do The Nations All Furiously Rage Together (Accompaniment Track)
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Piano seul
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Classique
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George Frideric Handel
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Stephen DeCesare
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Why Do The Nations All Furious
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Exultet Music
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SheetMusicPlus
Piano - SKU: A0.1052287 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Accompaniment. Dura...
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Piano - SKU: A0.1052287 Composed by George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Accompaniment. Duration 175. Exultet Music #3430801. Published by Exultet Music (A0.1052287). One of the signature arias in Georg Friedrich Händel's The Messiah has now been freshly arranged for either Bassoon, Cello, or Trombone Solo with Piano accompaniment.
$3.99
Why Do The Nations All Furiously Rage Together (Bassoon solo and Piano)
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Stephen DeCesare
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Stephen DeCesare
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Why Do The Nations All Furious
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Exultet Music
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.620693 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easte...
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Bassoon,Piano - Level 3 - SKU: A0.620693 By Stephen DeCesare. By George Frideric Handel. Arranged by Stephen DeCesare. Baroque,Christian,Classical,Easter,Sacred. Score and part. 17 pages. Exultet Music #3430797. Published by Exultet Music (A0.620693). One of the signature arias in Georg Friedrich Händel's The Messiah has now been freshly arranged for Bassoon Solo with Piano accompaniment (Parts included). An accompaniment track is also available.
$4.99
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Nature's Rag