Partitions Numériques de Nelson pour Voix duo, Piano

Nelson

Pretty Paper
Voix duo, Piano

Piano,Voice Duet Alto Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1305…(+)

Piano,Voice Duet Alto Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1305632 By Kenny Chesney featuring Willie Nelson. By Willie Nelson. Arranged by Kim Kirkman. 20th Century,Christmas,Country. 4 pages. Kim Kirkman #895085. Published by Kim Kirkman (A0.1305632). Peter Paper - arranged for alto (chest voice and some head voice) and tenor/baritone.Lovely Christmas number - great as a duet item in your concert.
$4.99 4.66 € #Voix duo, Piano #Kenny Chesney featuring Willie Nelson #Kim Kirkman #Pretty Paper #Kim Kirkman #SheetMusicPlus

#Kenny Chesney featuring Willie Nelson

I Give
Voix duo, Piano

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.880175 Composed b…(+)

Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.880175 Composed by Adrian Follese, Hunter Davis, Keith Charles Follese', and Keithe Follese. Arranged by Luke Furman. Contemporary,Country,Wedding. 8 pages. Furman Musical Arrangements #4303201. Published by Furman Musical Arrangements (A0.880175). Piano/Vocal Score with Guitar Chords for Willie Nelson and Shawn King's touching duet, I Give. A perfect choice for weddings or any romantic occasion!
$4.99 4.66 € #Voix duo, Piano #Adrian Follese, Hunter Davis, Keith Charles Follese', and Keithe Follese #Luke Furman #I Give #Furman Musical Arrangements #SheetMusicPlus

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn ForchÃ©. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and Iâm humbled by the writerâs trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identityâself imposed and projectedâon ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readersâ minds on the rough truths of our shared history as Americans.