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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
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MANDOLINE
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SAXOPHONE
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304
PIANO & CLAVIERS
Piano seul
219
Piano, Voix
72
Piano Facile
66
Accompagnement Piano
19
1 Piano, 4 mains
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9
Piano Trio: piano, violon, violoncelle
8
Orgue
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Instruments en Do
2
Clavecin
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Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Guitare notes et tablatures
45
Guitare
22
Banjo
4
2 Guitares (duo)
1
Dulcimer
1
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VOIX
Chorale SATB
27
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23
Voix Soprano, Piano
16
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16
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15
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12
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6
Chorale Unison
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5
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1
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VENTS
2 Saxophones (duo)
78
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41
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34
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31
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30
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24
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23
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21
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21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette, Trompette (duo)
19
2 Hautbois (duo)
18
Flûte, Hautbois, Clarinette, Basson
17
Hautbois, Piano (duo)
17
Hautbois, Clarinette (duo)
17
Flûte traversière et Piano
15
Hautbois, Basson (duo)
14
Quatuor de Clarinettes: 4 clarinettes
13
Clarinette et Alto
10
Flûte, Saxophone (duo)
9
Flûte, Violon
9
Hautbois, Flûte
9
Flûte traversière
9
Flûte, Trompette (duo)
8
Saxophone Tenor et Piano
8
Quatuor de Flûtes : 4 flûtes
8
Saxophone Alto et Piano
8
Clarinette, Basson (duo)
7
Quintette de Flûte : 5 flûtes
6
Clarinette
6
Ensemble de Clarinettes
6
Saxophone Alto
6
Saxophone Tenor
5
Flûte, Alto (duo)
5
Saxophone Baryton, Piano
5
Hautbois
5
Saxophone Baryton
4
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4
Flûte, Violoncelle
4
Hautbois, Violoncelle
4
Saxophone Soprano
4
Saxophone Soprano et Piano
4
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3
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3
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3
Quatuor de Flûtes à bec
3
Flûte irlandaise
3
Flûte, Clarinette, Piano (trio)
3
Saxophone (partie séparée)
2
Flûte, Alto et Piano
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Piano
2
2 Flûte à bec (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Basson et Piano
2
Flûte à bec Soprano
2
Hautbois, Clarinette et Piano (Trio)
1
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Hautbois et alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Saxophone, Piano
1
Hautbois, violon (duo)
1
2 Hautbois, Piano
1
Flûte, Violon, Piano
1
3 Saxophones (trio)
1
Flûte à bec Alto
1
Flûte et Guitare
1
Hautbois, Violon, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
2 Trompettes (duo)
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trompette, Saxophone (duo)
22
Trompette, Trombone (duo)
21
2 Trombones (duo)
19
Trompette, Piano
14
Trompette
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba et Piano
11
2 Cors (duo)
10
Trombone et Piano
10
Ensemble de Trombones
8
Cor et Piano
8
Cor
7
Trombone
6
Tuba
5
Ensemble de Trompettes
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 trombones
4
Cor, Violoncelle (duo)
3
Quatuor de Cuivres
2
2 Euphoniums (duo)
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette, Violoncelle et Piano
1
Trombone, Tuba (duo)
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
51
2 Violons (duo)
33
2 Violoncelles (duo)
31
Harpe
29
Violon et Piano
28
Violon, Violoncelle (duo)
25
2 Altos (duo)
24
Violon
22
Violon, Alto (duo)
20
Violoncelle, Piano
17
Alto, Piano
17
Violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto, Violoncelle (duo)
10
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
8
Contrebasse, Piano (duo)
7
Violon, Basson (duo)
4
Ensemble de Violons
4
Contre Basse
4
Trio à cordes: 3 violins
3
4 Violoncelles
3
Alto et Basson
3
Trio à Cordes: 3 violoncelles
3
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
2
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
18
Orchestre
12
Ensemble de cuivres
9
Orchestre d'harmonie
8
Cloches
6
Jazz combo
3
Percussion
2
Orchestre de chambre
2
Batterie
1
Ensemble Jazz
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
New Traditional Intermediate
SheetMusicPlus
Partitions à imprimer
2 372 partitions trouvées
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2351
New Claret: Late Elementary and Late Intermediate Lever Harp
Harpe
Harp - Digital Download Composed by Traditional Scottish. Arranged by Tiffany Schaefer. …
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Harp - Digital Download Composed by Traditional Scottish. Arranged by Tiffany Schaefer. World, Folk, Celtic. 4 pages. Published by Tiffany Schaefer
Originally published in The Skye Collection of the Best Reels and Strathspeys Extant, c. 1887, New Claret is a delightful country dance tune in 9/8. 2 pages. The first arrangement is accessible to later elementary players, the second to advanced intermediate players. The arrangements may also be played together as a duet, or one after the other for a longer and more varied arrangement. This versatile melody may also be played as a round. Fingering for the elementary arrangement, and chord symbols for both are included. The elementary arrangement fits on a 26 string harp or larger. The intermediate arrangement will fit on a 26 string if just two bass notes are left out. Detailed video tutorials may be found at www.patreon.com/tiffanyharpandsong.
$4.99
4.5 €
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Harpe
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Traditional Scottish
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Tiffany Schaefer
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New Claret: Late Elementary and Late Intermediate Lever Harp
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Tiffany Schaefer
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SheetMusicPlus
Jingle Bells, Dreidels and a Happy New Year for Two Violas
2 Altos (duo)
Viola, String Duet - Early Intermediate - Digital Download Composed by Traditional. …
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Viola, String Duet - Early Intermediate - Digital Download Composed by Traditional. Arranged by Steven Kruse. Christian, Praise & Worship, Christmas, Hanukkah, New Year's. Score. 93 pages. Published by String Play for All
Your students will enjoy this collection of 24 songs for Christmas, Hanukkah, Thanksgiving and Halloween. Included are familiar favorites as well as lesser known gems. These exciting new arrangements for two violas include a melody viola part and an accompaniment viola part. Also included are twelve original mash-ups for two violas. Ten of the melody lines extend briefly into third position. The accompanying part remains in first position. but has some difficult passagework and chords. Simplified accompaniments have also been included for the more difficult ones. Viola students can use this book along with violin students to play violin/viola duets, as the musical selections are in the same key. Each piece includes an historical introduction. This is a new approach to holiday music making.
$12.99
11.72 €
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2 Altos (duo)
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Traditional
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Steven Kruse
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Jingle Bells, Dreidels and a Happy New Year for Two Violas
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String Play for All
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SheetMusicPlus
Jingle Bells, Dreidels and a Happy New Year
2 Violons (duo)
String Duet, Two Violins - Early Intermediate - Digital Download Composed by Traditio…
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String Duet, Two Violins - Early Intermediate - Digital Download Composed by Traditional Folk Songs and Carols. Arranged by Steven Kruse. Christian, Praise & Worship, Christmas, Hanukkah, New Year's. Score. 93 pages. Published by String Play for A
Just in time for the holidays, you and your students will enjoy this collection of 24 songs for Christmas, Hanukkah, Thanksgiving and Halloween. Included are familiar favorites as well as lesser known gems. These exciting new arrangements for two violins include a melody violin part appropriate for Suzuki Book 1 students and a more challenging accompaniment part that can be played by Suzuki Book 3 students or the teacher. Also included are twelve original mash-ups for two violins. This is a new approach to holiday music making. 2017 HOLIDAY CONTEST ENTRY.
$12.99
11.72 €
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2 Violons (duo)
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Traditional Folk Songs and Carols
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Steven Kruse
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Jingle Bells, Dreidels and a Happy New Year
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String Play for A
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SheetMusicPlus
A Prelude to Christmas: 18 Intermediate Piano Solos
Piano seul
By Julie A. Lind. By Traditional. Arranged by Julie A. Lind. 163, Christian, Christm…
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By Julie A. Lind. By Traditional. Arranged by Julie A. Lind. 163, Christian, Christmas, Holiday, New Age. Score. 52 pages. Julie A. Lind #736650. Published by Julie A. Lind
Celebrate the holidays with these 18 beautiful Christmas piano solos arranged for Intermediate piano. These traditional Christmas Carols have been arranged in a flowing, reflective mood, making them perfect for church preludes, background music for holiday parties, and holiday piano recitals. Titles include: O Come All Ye Faithful, Infant Holy Infant Lowly, Angels We Have Heard on High, In the Bleak Midwinter, The First Noel, O Come O Come Emmanuel, It Came Upon a Midnight Clear, Of the Father\'s Love Begotten, Ave Maria, Good King Wenceslas, Silent Night, As with Gladness Men of Old, Hark the Herald Angels Sing, We Three Kings of Orient Are, Bring A Torch Jeanette Isabella, Angels from the Realms of Glory, O Holy Night and What Child is This. Julie Lind is a piano teacher, YouTuber, and an award-winning composer and arranger.
$9.99
9.01 €
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Piano seul
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Julie A
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Julie A
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A Prelude to Christmas: 18 Intermediate Piano Solos
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Julie A. Lind
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SheetMusicPlus
Jingle Bells, Dreidels and a Happy New Year for Two Cellos
2 Violoncelles (duo)
Cello, String Duet - Early Intermediate - Digital Download Composed by Traditional. …
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Cello, String Duet - Early Intermediate - Digital Download Composed by Traditional. Arranged by Steven Kruse. Christian, Praise & Worship, Christmas, Hanukkah, Halloween. Score. 93 pages. Published by String Play for Al
Your students will enjoy this collection of 24 songs for Christmas, Hanukkah, Thanksgiving and Halloween. Included are familiar favorites as well as lesser known gems. These exciting new arrangements for two cellos include a melody cello part and an accompaniment cello part. Also included are twelve original mash-ups for two cellos violas. Ten of the melody lines extend briefly into fourth position. The accompanying part remains mainly in first position. but has some difficult passagework and chords. Simplified accompaniments have also been included for the more difficult ones. Cello students can use this book along with violin and viola students to play cello/violin and cello/viola duets, as the musical selections are in the same key. Each piece includes an historical introduction. This is a new approach to holiday music making.
$12.99
11.72 €
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2 Violoncelles (duo)
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Traditional
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Steven Kruse
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Jingle Bells, Dreidels and a Happy New Year for Two Cellos
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String Play for Al
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SheetMusicPlus
Whiskey In The Jar - String Quartet - Traditional Irish arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Advanced Intermediate - Digital Download Composed by Traditional I…
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String Quartet - Advanced Intermediate - Digital Download Composed by Traditional Irish. Arranged by Sarah Cellobat Chaffee. World, Folk, European, Celtic, St. Patrick's Day. Score, Set of Parts. 19 pages. Published by Sarah Chaffee
Welcome to your new favorite chart to play with your quartet! This Cellobat arrangement of the Irish traditional tune "Whiskey In The Jar" is anything but traditional. Unlike other versions that are entirely made up of the song's melody line repeated in the V1 part over a basic accompaniment, this chart features lush harmonies, countermelodies, and octave changes, passes the melody back and forth between the violins, and intertwines original solo and fiddle breakdown sections in between the verses (these aren't too difficult to play, but seem fast and impressive enough to make your audience's jaw drop!). This song is about 3:07 in duration and will be fun to play and exciting to listen to the entire time...your audience is guaranteed to get up and dance! It's a must-have for your quartet for St. Patrick's Day, of course, but also great for parties, events, solo & ensemble contests, or any other occasion that needs an upbeat fiddle vibe. Rated advanced-intermediate for a handful of interesting syncopated rhythms and some fast finger work, this arrangement will be playable for students and sightreadable for professionals - only the V2 part goes beyond first position.
$14.99
13.52 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional Irish
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Sarah Cellobat Chaffee
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Whiskey In The Jar - String Quartet - Traditional Irish arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Wellerman (1 piano, 4 hand duet-intermediate)
1 Piano, 4 mains
Piano Duet, 1 piano, 4 hand duet - Intermediate - Digital Download Composed by Tradit…
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Piano Duet, 1 piano, 4 hand duet - Intermediate - Digital Download Composed by Traditional. Arranged by Sandra Zylstra. World, Folk, Celtic, Children's Music. Sheet Music Single. 5 pages. Published by Sandra Zylstra
Wellerman is traditional sea shanty song from New Zeeland recently come back into the spotlight! This song is arranged as an intermediate piano duet solo in Cm. (Approximately 2 min., 4 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$3.75
3.38 €
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1 Piano, 4 mains
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Traditional
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Sandra Zylstra
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Wellerman
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Sandra Zylstra
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SheetMusicPlus
Wellerman (1 piano, 4 hand duet-early intermediate)
1 Piano, 4 mains
Piano Duet, 1 piano, 4 hands - Early Intermediate - Digital Download Composed by Trad…
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Piano Duet, 1 piano, 4 hands - Early Intermediate - Digital Download Composed by Traditional. Arranged by Sandra Zylstra. World, Folk, Celtic, Children's Music. Sheet Music Single. 4 pages. Published by Sandra Zylstra
Wellerman is traditional sea shanty song from New Zeeland recently come back into the spotlight! This song is arranged as an early intermediate 1 piano, 4 hand duet in Dm. (Approximately 1:30 min., 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$3.25
2.93 €
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1 Piano, 4 mains
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Traditional
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Sandra Zylstra
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Wellerman
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Sandra Zylstra
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SheetMusicPlus
Wellerman (early intermediate piano)
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Traditional. Arrange…
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Piano Solo - Early Intermediate - Digital Download Composed by Traditional. Arranged by Sandra Zylstra. World, Folk, Celtic, Children's Music. Sheet Music Single. 4 pages. Published by Sandra Zylstra
Wellerman is traditional sea shanty song from New Zeeland recently come back into the spotlight! This song is arranged as an early intermediate piano solo in Dm. (Approximately 2 min., 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.00
2.71 €
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Piano seul
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Traditional
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Sandra Zylstra
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Wellerman
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Sandra Zylstra
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SheetMusicPlus
Canon in D (in modern Romantic style) - late intermediate piano
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Pachelbel …
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Piano Solo - Advanced Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Chrissy Ricker. Contemporary Classical, Wedding, Recital, New Age. Sheet Music Single. 4 pages. Published by Chrissy Ricker
This updated arrangement of Pachelbel's "Canon in D" puts a fresh spin on the traditional piece. This modern Romantic-style arrangement would be perfect for weddings, church services, or recitals. It is late intermediate level (around level 5-6 of most piano method books).<br> <br> About the arranger: Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company and Piano Pronto Publishing. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com
$4.99
4.5 €
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Piano seul
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Johann Pachelbel (1653-1706)
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Chrissy Ricker
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Canon in D
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Chrissy Ricker
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SheetMusicPlus
The Water is Wide - Beginner Keyboard - Intermediate piano 4 hands
1 Piano, 4 mains
Composed by Traditional. Arranged by Ian Rae. Celtic, Concert, Folk, World. Score an…
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Composed by Traditional. Arranged by Ian Rae. Celtic, Concert, Folk, World. Score and parts. 6 pages. Irma Music #3459955. Published by Irma Music
Ideal for school concerts or recitals, this pairs together a beginner playing split keyboard and intermediate player (or teacher) on piano. The traditional Scottish song is given a new treatment, allowing a beginner an impressive recital outing. The demo mp3 uses pan flute/soprano sax/harmonica and bass keyboard voices to demonstrate the effectiveness of the arrangement<br> <br> Note that this is for piano and spit keyboard - a version from Ian Rae for 2 pianos is also available. 2018 Keyboard Contest Entry.
$4.99
4.5 €
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1 Piano, 4 mains
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Traditional
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Ian Rae
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The Water is Wide - Beginner Keyboard - Intermediate piano 4 hands
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Irma Music
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SheetMusicPlus
Wellerman (intermediate piano)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Traiditional. Arranged by Sa…
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Piano Solo - Intermediate - Digital Download Composed by Traiditional. Arranged by Sandra Zylstra. World, Folk, Celtic, Children's Music. Sheet Music Single. 3 pages. Published by Sandra Zylstra
Wellerman is traditional sea shanty song from New Zeeland recently come back into the spotlight! This song is arranged as an intermediate piano solo in Cm. (Approximately 2 min., 2 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$2.50
2.26 €
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Piano seul
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Traiditional
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Sandra Zylstra
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Wellerman
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Sandra Zylstra
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.53 €
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Ensemble de Clarinettes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Ensemble de Bassons
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.53 €
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Ensemble de Bassons
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Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Quintette de Flûte : 5 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.53 €
#
Quintette de Flûte : 5 flûtes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.53 €
#
Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
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