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Night song in the jungle
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Vous avez sélectionné:
Night song in the jungle
Partitions à imprimer
8 partitions trouvées
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1
Night song in the jungle
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Chorale SATB
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Michael Berkeley
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Night song in the jungle
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus and oboe - SKU: OX.9780193200937 Composed by Michael Berkeley. Octavo. 3 pages. Oxford University Press Digital #9780193200937. Published by...
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SATB chorus and oboe - SKU: OX.9780193200937 Composed by Michael Berkeley. Octavo. 3 pages. Oxford University Press Digital #9780193200937. Published by Oxford University Press Digital (OX.9780193200937). ISBN 9780193200937.For SATB and oboe. This is an evocative setting of the Rudyard Kipling jungle poem 'Now Chil the kite brings home the night'.
$7.50
Night song in the jungle
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Chorale SATB
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Contemporain
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Michael Berkeley
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Night song in the jungle
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Oxford University Press Digital
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SheetMusicPlus
Choir, 4-Part, SATB - Digital Download Composed by Michael Berkeley. Octavo. 14 pages. Oxford University Press Digital #9780193201415. Published by ...
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Choir, 4-Part, SATB - Digital Download Composed by Michael Berkeley. Octavo. 14 pages. Oxford University Press Digital #9780193201415. Published by Oxford University Press Digital
$4.00
The Lion Sleeps Tonight
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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The Tokens
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Sean Sullivan
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The Lion Sleeps Tonight
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1453549 By The Tokens. By Ge...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1453549 By The Tokens. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 14 pages. Sean Sullivan #1032774. Published by Sean Sullivan (A0.1453549). Get ready to embark on a wild adventure with the rhythmic roar of 'The Lion Sleeps Tonight'! This iconic song, originally made famous by The Tokens, has been reimagined in a unique and thrilling arrangement for saxophone quintet. Imagine the warmth of the jungle sun beating down on your skin as you play the smooth, soulful lines of the saxophones. The sounds of the rainforest come alive in this arrangement, with intricate rhythms and harmonies that will transport you to the heart of the African savannah. This arrangement is perfect for saxophone enthusiasts looking to spice up their repertoire with something fresh and exciting. The five-part harmony adds depth and complexity to the music, making it a great choice for advanced players or groups looking to showcase their skills. Order now and get ready to make your performance stand out from the crowd!
$14.99
The Lion Sleeps Tonight
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Quintette de Clarinettes: 5 clarinettes
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FACILE
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Robert John
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Sean Sullivan
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The Lion Sleeps Tonight
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Sean Sullivan
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1432475 By Robert John. By George David Weiss, Hugo Peretti, and Lu...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1432475 By Robert John. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 17 pages. Sean Sullivan #1012954. Published by Sean Sullivan (A0.1432475). Ready to bring a touch of jungle magic to your clarinet quintet repertoire? Look no further than our arrangement of 'The Lion Sleeps Tonight' by The Tokens. This iconic song will have audiences singing along as your quintet brings to life the melody and rhythm of the African savanna. Wwith an optional part written for alto clarinet, you can add a unique twist to this classic tune. So go ahead and let your clarinets roar in the jungle, the mighty jungle with excitement. Don't miss out on the chance to add this fun and lively piece to your clarinet quintet repertoire. Order your sheet music today and let the music take you on a wild adventure!
$14.99
Little Tillie's Grave. Song & Chorus
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Piano, Voix
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B
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Benjamin R
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Little Tillie's Grave. Song &a
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.667 Composed by Benjamin R. Hanby. Cemeteries, Tombs & sepulchral monuments, Death, Children, Grief, Jungles. Lester S. Levy C...
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Piano and voice - SKU: LV.667 Composed by Benjamin R. Hanby. Cemeteries, Tombs & sepulchral monuments, Death, Children, Grief, Jungles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.667). Little Tillie's Grave. Song & Chorus. By B.R. Hanby. Published 1860 by John Church Jr., 66 West Fourth St. in Cincinnati. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cemetaries, Tombs & sepulchral monuments, Death, Children, Grief, Jungles. First line reads 'Tis midnight gliding on her deep dark wings, and the wing o'er my gentle Tillie sighs.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
La Bamba
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Contemporain
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Los Lobos
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Edrich Siebert & Peet du Toit
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their version reached No
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La Bamba
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Hand Percussion,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802698 By Los Lobos. By Richard Valenzuela. Arranged by...
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Small Ensemble Drum Set,Euphonium,Hand Percussion,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802698 By Los Lobos. By Richard Valenzuela. Arranged by Edrich Siebert & Peet du Toit. Contemporary. Score and parts. 16 pages. Peet du Toit #6697531. Published by Peet du Toit (A0.802698). La Bamba is a Mexican folk song, originally from the state of Veracruz, best known from a 1958 adaptation by Ritchie Valens, a Top 40 hit in the U.S. charts. Valens's version is ranked number 345 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time. It is the only song on the list sung in a language other than English.According to a 1945 article in Life magazine, the song and associated dance were brought out of the jungle at Veracruz by American bandleader Everett Hoagland, who introduced it at Ciro's nightclub in Mexico City. It became popular, and the song was adopted by Mexican presidential candidate Miguel Alemán Valdés who used it in his successful campaign.La Bamba has been covered by numerous artists, notably by Los Lobos whose version was the title track of the 1987 film La Bamba, a bio-pic about Valens; their version reached No. 1 in many charts in the same year.Here's an ensemble version of Edrich Siebert' great arrangement for brass band. Enjoy!
$18.50
Guthrie: Fantastic Episodes for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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James M
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Piano
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Guthrie: Fantastic Episodes fo
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.549870 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Score and part. 54 pages. Jmsgu3...
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Cello,Piano - Level 4 - SKU: A0.549870 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Score and part. 54 pages. Jmsgu3 #3560831. Published by jmsgu3 (A0.549870). Eight Fantastic Episodes for Cello & Piano. Score: 27 pages, 449 measures. Cello part: 8 pages, Piano part: 18 pages. Duration: 10:44. In eight movements:1. Reflections of The Mildly Tarnished Throne of Sar Jankey the Besmirker, Bringer of Mirth and Snile from the Blue Caves of Sed-Nosker.2. Tambonian Summer Hose Dance Games at Lake Stengiva on the Tiny Planet Fligdipp3. The Quest of Von Zipper: Flame-Flash Seeker, Seventh Knight of the Nine-Sided Table of the Klandian Digma4. Haunting Memories of Long Shadows across the Jagged Cliffs of Darkbrighton Range5. Beings of Light in the Dark Forest of Arvadoon6. The Third Goat Song of the Thivian Glade Folk Collection of New Pandeen7. Remember The Flivening of the Underwater City of Stableen on the Sar-Plandovian Ocean Floor8. Flight of the Spervian Aktari from the Dark Jungle of Pandoo to the Holy Isle of the Trencherene - Near the Kingdom of Flippo the SwiftÂ
$32.95
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Night song in the jungle
