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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Hungarian Dance No. 5
5 saxophones (SAATBar) - intermediate - Digital Download SKU: S9.Q40419 Composed by…
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5 saxophones (SAATBar) - intermediate - Digital Download SKU: S9.Q40419 Composed by Johannes Brahms. Arranged by Albert Loritz. This edition: score and parts. Quintett - Saxophon - Tänze. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40419. Published by Advance Music GmbH - Digital (S9.Q40419). Key: G minor. German.Brahms’ Hungarian Dances are among the most popular compositions in the field of light classical music with dance no. 5 probably being the most well-known one of the altogether 21 pieces of the cycle. It is this dance the arrangement for saxophone quintet at hand is based on. Answers to the questions to what extent Brahms incorporated traditional Hungarian melodies into these pieces or whether the dances represent original creations of his own written in a “Hungarian style†might be found in specialist literature or on the internet. These sources may also be consulted to get further information on the history of origins of these compositions.The original version of the Fifth Hungarian Dance for Piano Four-Hands published in 1869 is written in F# minor. For most of the arrangements (for orchestra and for any other conceivable type of ensemble) created thereafter in rapid succession - but also for this present version written for saxophone quartet – the key of G minor was chosen.The markings for tempo and dynamics included are based on the original composition but also take into account certain performance practices. The individual voices take turns in executing the main melody. The brackets appearing in the score and in the individual parts mark the beginning and the end of those passages where the respective instrument takes the lead. The arrangement for quintet at hand can be performed soloistically or in chorus.
$13.99
12.79 €
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Johannes Brahms
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Albert Loritz
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Hungarian Dance No. 5
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Advance Music GmbH - Digital
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SheetMusicPlus
No Answers
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.867663 By Brian Golden. By Brian Go…
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Piano Solo - Level 3 - Digital Download SKU: A0.867663 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary,Jazz,New Age. Score. 3 pages. Brian Golden #474106. Published by Brian Golden (A0.867663). Piano Solo from the Once a Child album.
$5.99
5.48 €
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Piano seul
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Brian Golden
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Brian Golden
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No Answers
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Brian Golden
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SheetMusicPlus
Be Still and Know (in F)
Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by …
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Level 3 - Digital Download SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
1.82 €
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David Kai
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Lament
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.140…
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16 pages. Max Frank Music #987900. Published by Max Frank Music (A0.1404871). The is ethereal 7-minute duet for bass clarient is a perfect showacse for these less-used instruments.PROGRAM NOTESDeep grief. Profound sadness. Feelings so immense that words do them no justice. It is at such junctures that artists often turn to abstract creative endeavors to facilitate process- ing the pain. There is frequently no option. As with the navigation of grief, this music has hopeful and even joyous moments. But despair is never far from the surface.Throughout the Lament the bass clarinet takes on the role of the mourner. The melodic lines are at times sad, confused, hopeful, prayerful, or even playful. There is a continuous sense of searching, for answers, for reasons, for a resolution that can never be. The marimba offers solace, empathy, compassion, and distraction to the dolorous melody.A tone of sorrow is established by the marimba with its evocative minor key introduction. The aria begins as the bass clarinet presents a plaintive expression of the main melody. Soon, a rhythmic mood settles in, the bass clarinet yearning and searching for answers, as the marimba offers support with jazz inspired harmonies. There are hints of melancholia, of nostalgia, even a very brief waltz, as the feelings spin freely.The tale ends as it begins, with a return to the opening sound world. A return to plainly stated sorrow, unadorned, pure, simple. After a final tender plea, bringing the bass clarinet quietly to its highest range, it descends to the depths, where it hoovers, pondering.PERFORMANCE NOTESTempi and phrasing are subject to the performersâ?? musical conception. Interpret this as one would Brahms: molto espressivo, and highly romantic.
$9.99
9.13 €
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Terry Vosbein
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Lament
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Max Frank Music
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Hope Prevails
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christi…
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
4.57 €
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
This movement reflects the desperation of the soul
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Chord Progression Generator for Guitar
Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Compos…
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Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
4.56 €
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Brian Streckfus
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Chord Progression Generator for Guitar
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Brian Streckfus
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SheetMusicPlus
Prelude for Piano on "There Is a Balm in Gilead"
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1427909 Composed by David Neff. Chr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1427909 Composed by David Neff. Christian,Lent,Religious,Sacred,Spiritual. Score. 4 pages. David Neff #1008654. Published by David Neff (A0.1427909). This piano prelude on a familiar African-American tune tries to capture the good news that there is indeed healing for sick souls. While it is appropriate at any time of year, it is especially well-suited to the season of Lent.The spiritual responds to the plaintive question of the weeping biblical prophet Jeremiah. In the face of the spirit sickness of his people, Jeremiah cried out, “Is there no balm in Gilead? Is there no physician there?” This song answers in the affirmative: “There is a balm in Gilead to heal the sin-sick soul.”Thus Jeremiah’s dismal view is met with hope and reassurance.The song was first collected by the African-American musicologist Frederick J. Work (1907) but there are documented examples of the song’s precursors as early as 1859.Play this piece with tenderness and joy.
$4.99
4.56 €
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Piano seul
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David Neff
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Prelude for Piano on "There Is a Balm in Gilead"
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David Neff
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SheetMusicPlus
Wilt Thou Forgive?
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A C…
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Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.
$2.50
2.29 €
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Chorale SATB
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Ron Anderson
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Wilt Thou Forgive?
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Ron James Anderson
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SheetMusicPlus
Come un fiore (Faust, le polveri e gli intrugli)
Piano seul
Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light… Is one of those days that the silence takes away that last smile and dies in throat happiness The old desires resurface here and there and move the dish intact the food don't takes me away hunger I would to be a flower needs has never the sun heats the wind then lull it the rain mixes with my tears that goes my steps echo in the nothing of city and while I walked in to the melancholy with only my sad thoughts to keep me company with the mind's eye I had seen him already beautiful in appearance, but in the heart the ice he has It 's so much waiting for you but I have eternity it's true ,to have you tried and you're back here, you good acrobat, actress without identity it is useless to run away, it is written in the DNA. Do not you remember? but that good days powders and concoctions that filled your eternal empty watched yourself now always the same love, affection is a life that you are looking for Surrender and you'll see .... here with me, no one in the world, will can hurt you or harm you will do damnation, pure invention and heaven will remain empty But do not you realize? you're out of time and out of place in this society if you disappear at this instant of your essence, what will be left? Do-sol do-sol energy becomes infinite Re- la Re- la and from the heart goes to the fingers MI- si mi- si search keys, caresses them and finally there is sweetness also for me Do-sol do-sol so tired of being alone re-la re-la fly music and consoles mi-si mi-si remove also this love too and as a flower without treatment, I wither Stay with me I want to light Stay with me I look for peace like a flower that does not give answers here with you there is no peace here with you without light like a flower without the sun I will die Sweetes.
$3.99
3.65 €
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Piano seul
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Monica Bergo
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Come un fiore
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Monica Bergo
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SheetMusicPlus
Arcanum
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler…
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Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$124.99
114.27 €
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Orchestre d'harmonie
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Helmut Kogler
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Arcanum
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Pentharmonics
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SheetMusicPlus
Empty
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395056 By Emily Summerhays.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395056 By Emily Summerhays. By Emily Summerhays. Arranged by W Paul Pulsipher. Christian,Contemporary,Easter. Score. 5 pages. Emily Summerhays #978522. Published by Emily Summerhays (A0.1395056). An Easter song from the viewpoint of Mary Magdalene as she walks to the tomb on that first Easter  morning. She feels grief, numb, empty. How could this have happened to the Son of God? As she arrives at the tomb she is amazed to find it likewise empty. Confused and searching for answers she hears that familiar glorious voice call her by name. As she looks and sees the Savior standing in front of her, she realizes that she is no longer empty and the only things truly empty other than that tomb are sin and death!! Filled with His hope, we are not empty!
$4.99
4.56 €
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Piano, Voix
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Emily Summerhays
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W Paul Pulsipher
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Empty
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Emily Summerhays
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SheetMusicPlus
Contemplative
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.996318 Composed by Michael Bufalini…
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Piano Solo - Level 3 - Digital Download SKU: A0.996318 Composed by Michael Bufalini. Concert,Contemporary,Spiritual. Score. 3 pages. Michael Bufalini #6352433. Published by Michael Bufalini (A0.996318). Where the heart lies, no one can say for sure except it itself and your own emotions. Think you shall, and seek your answers. .
$3.00
2.74 €
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Piano seul
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Michael Bufalini
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Contemplative
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Michael Bufalini
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SheetMusicPlus
Virgin Mary Had a Baby Boy - Easy Choir and Jazz Combo
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.750094 By Bradley Sowash…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.750094 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Children,Christmas,Jazz,Spiritual. Octavo. 30 pages. Bradley Sowash #1959. Published by Bradley Sowash (A0.750094). Toe tapping holiday fun Unison Here’s a sophisticated yet easy-to-sing arrangement for children’s voices and jazz combo. It begins with a slow jazz ballad in which the lyrics pose questions about the meaning of Christmas. Then, BANG!, an upbeat samba kicks in with joyful answers. Optional parts are available for steel drum (can also be played on a keyboard) and hand percussion. The choir parts are not difficult because there is no harmony. Includes a license to photocopy as many copies as are required for the size of your group.
$1.99
1.82 €
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Chorale Unison
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Bradley Sowash
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Bradley Sowash
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Virgin Mary Had a Baby Boy - Easy Choir and Jazz Combo
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Bradley Sowash
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SheetMusicPlus
Contemplation- Right hand extension exercise
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hs…
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Piano Solo - Level 5 - Digital Download SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hsin Su(蘇振欣）. Taiwan. Classical,Contemporary,Romantic Period. Score. 6 pages. Patrick Su #704096. Published by Patrick Su (A0.1100215). (From Chen-Hsin Su's 24 piano concert etudes no.1) Contemplation in e minor : Right hand extension exercise -Allegro fantastico (æ²‰æ€ : å³æ‰‹å»¶å±•åº¦çš„技巧 -幻想å¼çš„å¿«æ¿) ‘’A jurney with winding roads full of thoughts of unsolved questions. Answers to the questions are within grasp, yet they are hidden behind the daunting questions. I am pondering a plan about the musical journey.’’ 「迂迴曲折的旅途，是由一連串需è¦è¾›è‹¦æ€ç´¢çš„å•é¡Œæ‰€çµ„æˆã€‚ 有時ç”案的確在å•é¡Œçš„背後，但å•é¡Œçš„æ£é¢å»å·¨å¤§çš„å¯ä»¥ï¼Œä½¿äººç”Ÿç•ã€‚ 我æ£åœ¨æ€ç´¢å¦‚ä½•è¨ˆç•«ä¸€å ´éŸ³æ¨‚çš„æ—…è¡Œã€‚ã€.
$3.99
3.65 €
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Piano seul
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Chen-Hsin Su
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Contemplation- Right hand extension exercise
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Patrick Su
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SheetMusicPlus
Khe Sanh
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774756 Composed by Walker.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774756 Composed by Walker. Arranged by Sandra Milliken. Contemporary. Octavo. 14 pages. Sandra Milliken #5311617. Published by Sandra Milliken (A0.774756). Khe Sanh (named after the Vietnam War's Battle of Khe Sanh) was written by Don Walker, the pianist for the Australian rock band Cold Chisel. It tells about an Australian Vietnam veteran trying to deal with his return to civilian life – womanising, post traumatic stress disorder, drug addiction, working on oil rigs and flying helicopters, travelling the world in search of answers. It is a life, he says, that only other vets (veterans) would understand.Released in May 1978, the song achieved only modest success on the national charts at the time, but did reach No. 4 in Cold Chisel's home town of Adelaide. In 2001, APRA, the Australasian music industry's peak body, listed Khe Sanh at number eight in a poll of all-time best Australian songs. In November 2014, the song was added to the National Film and Sound Archive's Sounds of Australia registry of historically, culturally and aesthetically significant sound recordings.Khe Sanh still receives strong airplay on Australian radio stations with a classic rock format.This arrangement for male choir (TTBB) features a piano accompaniment with guitar chords.
$2.20
2.01 €
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Chorale TTBB
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Walker
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Sandra Milliken
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Khe Sanh
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Sandra Milliken
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SheetMusicPlus
Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinette
Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. …
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Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
$32.00
29.26 €
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Clarinette
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Phillip Paglialonga
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Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Imagine Music - Digital
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SheetMusicPlus
Orange
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Chil…
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Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638885. Published by Lynne Coc Publications (A0.1033577). 'ORANGE'! Oh, my! SWINGING!!! 'This one is for late elementary or medium difficulty. One of the most fun-to play solos I've ever created. Inspired by my granddaughters' love of the knock-knock jokes based on the phrases; 'Knock-knock, who's there? Orange-orange who? orange you glad you're...' This is a rollicking piece with a swinging intro (repeated as bridge going into second A section) but segueing into a B section at a slower tempo and comprised completely of major sevenths! (all in broken chords and/or rolled chords with help for small hands by the use of damper pedal). Structure of a major 7th chord being: maj 3rd, m3rd, maj 3rd requires many accidentals in the B section. The mood surprises with a dramatic shift into this dreamy sequence created by these major sevenths which LH breaks up and RH answers with rolled same chord. Intro is sassy and attention-grabbing. With hands in unison, this familiar rhythmic pattern beginning with a very quick note (16th) with emphasis on the second note, introduces the first A section consisting of melody of broken chords with fun, fun lyrics that are tossed around between the hands in an antiphonal question/answer style. Interspersed are 5-finger position descending motifs as well as accompanying chords (or pieces of chords) placed on predictable beats for continuity and ease of learning. Chord progressions are unexpected and surprising, as are the 5-finger position motifs. Coda creates excitement by building D major full chord with hands in unison with much crescendo. Great for analyzing chords and 5-finger position melodies. Did you know the word 'orange' has no English rhyming word? I took that as a challenge and had FUN with the lyrics! Form: intro A interlude/bridge A coda Key of G harmonic minor w/lots of exploration into other majors and minors. Time signature 4/4. When singing the lyrics, I envision the first phrase being sung in a normal voice, the 2nd in an operatic voice, 3rd in a voice much like the 'Cookie Monster', and the 4th in a very childish voice. Tempo indication moderato, quarter note at 108 Lots of dynamic contrast. I also perform just the instrumental version of this piece on you tube entitled, 'Orange Instrumental' and the you tube link is: https://youtu.be/A1moEpClsYI.
$3.40
3.11 €
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Piano Facile
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Lynne Cox
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Orange
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Lynne Coc Publications
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SheetMusicPlus
Distant Patterns for two Bb Clarinets and two marimbas
Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.917307 Composed by Robert Chamberlin. 20th Century,Concert,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6055839. Published by Robert Chamberlin (A0.917307). This is a brief piece for two Bb clarinets and two marimbas. An alternate arrangement is available for flute, Bb clarinet, and two marimbas. The subtitle of the piece is A reflection on social distancing in the COVID-19 era. Therefore, performers are spaced no closer than 6 feet from each other. The marimbas provide a pulsed, minimalist chord progression throughout. The clarinets play the main melodic ideas as call and response, sometimes with canonic answers. The piece is just over two minutes in length. Parts are included with the full score in this listing. The piece has not yet been
$8.00
7.31 €
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Robert Chamberlin
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Distant Patterns for two Bb Clarinets and two marimbas
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Robert Chamberlin
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SheetMusicPlus
Distant Patterns for Flute, Bb Clarinet and Two Marimbas
Small Ensemble Clarinet,Flute,Marimba - Level 4 - Digital Download SKU: A0.917308 C…
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Small Ensemble Clarinet,Flute,Marimba - Level 4 - Digital Download SKU: A0.917308 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts. 16 pages. Robert Chamberlin #6057357. Published by Robert Chamberlin (A0.917308). This is a brief piece for flute, Bb clarinet, and two marimbas. An alternate arrangement of this piece is available for two Bb clarinets and two marimbas. The subtitle of the piece is A reflection on social distancing in the COVID-19 era. Therefore, performers are spaced no closer than 6 feet from each other. The marimbas provide a pulsed, minimalist chord progression throughout. The flute and the clarinet play the main melodic ideas as call and response, sometimes with canonic answers. The piece is just over two minutes in length. Parts are included with the full score in this listing. The piece has not yet been performed, so the audio clip supplied is a reasonable MIDI realization.
$8.00
7.31 €
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Robert Chamberlin
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Distant Patterns for Flute, Bb Clarinet and Two Marimbas
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Robert Chamberlin
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SheetMusicPlus
Wir bauen eine Stadt
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. …
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
14.62 €
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
1. Symphonie
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 …
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3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99
31.08 €
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Karl Amadeus Hartmann
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1. Symphonie
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Schott Music - Digital
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SheetMusicPlus
Has the Rain a Father? [Piano OR Guitar]
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.5…
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
2.15 €
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Juan MarÃa Solare
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Has the Rain a Father? [Piano OR Guitar]
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Juan Maria Solare
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SheetMusicPlus
Come With Joy- An Organ Suite for Weddings
Orgue
Organ - Level 2 - Digital Download SKU: A0.1012922 Composed by Pat Boozer. Concert,…
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Organ - Level 2 - Digital Download SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by Pat Boozer (A0.1012922). COME WITH JOY is a wedding suite containing a bridesmaids' processional (REGENCY), bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together. This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes and the bridal march with fanfare is certainly worth a consideration!An audio file of Song of Joy is included here to give you an idea of the flavor of the suite. It is the bridal march with fanfare. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$12.00
10.97 €
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Orgue
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Pat Boozer
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Come With Joy- An Organ Suite for Weddings
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Pat Boozer
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SheetMusicPlus
Come With Joy- An Organ Suite for Weddings--#3 Festive Psalm
Orgue
Organ - Level 3 - Digital Download SKU: A0.1012921 Composed by Pat Boozer. Concert,…
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Organ - Level 3 - Digital Download SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by Pat Boozer (A0.1012921). FESTIVE PSALM, a bridal recessional, is the 3rd of three pieces in the set, COME WITH JOY. This wedding suite contains a bridesmaids' processional (REGENCY), a bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together, however, there is a sense of unity of thought and of keys if all three are used in the wedding service.This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes.An audio file of FESTIVE PSALM is included here. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$6.00
5.49 €
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Orgue
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Pat Boozer
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Come With Joy- An Organ Suite for Weddings--#3 Festive Psalm
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Pat Boozer
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SheetMusicPlus
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