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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
No Job
Non classifié
31
Piano & claviers
Piano seul
31
Instruments en Do
13
Piano, Voix et Guitare
9
Piano Facile
7
Piano, Voix
6
Piano grosses notes
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
9
Guitare
4
Guitare notes et tablatures
2
Ukulele
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
10
Voix seule
2
Voix Alto, Piano
1
Chorale SAATB A Cappella
1
Chorale 2 parties
1
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Saxophone Alto
10
Saxophone Tenor
10
Flûte traversière
9
Clarinette
4
Saxophone (partie séparée)
4
Quatuor de Saxophones: 4 saxophones
3
Instruments en Mib
3
Saxophone Soprano
1
Ensemble de Flûtes
1
Flûte, Violon, Piano
1
Hautbois (partie séparée)
1
Cor Anglais
1
Clarinette et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Trombone
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
2
Trompette, Piano
2
Cor et Piano
1
Bass Clef Instruments
1
Instruments en Sib
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
Cor Anglais
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
+ 9 instrumentations
Retracter
Cordes
Violon
11
Violoncelle
8
Alto (partie séparée)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
1
Harpe
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
9
Orchestre à Cordes
8
Ensemble de cuivres
6
Cloches
2
Jazz combo
2
Batterie
1
Orchestre
1
Orchestre d'harmonie
1
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Retracter
Autres
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COR ANGLAIS
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DOBRO - GUI…
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EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
No Job
Partitions à imprimer
279 partitions trouvées
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276
Prelude No. 1
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Piano seul
#
FACILE
#
Contemporain
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Job Smoot
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Prelude No. 1
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Job Smoot
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1032439 Composed by Job Smoot. Contemporary. Score. 1 pages. Job Smoot #4808519. Published by Job Smoot (A0.1032439). ...
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Piano Solo - Level 2 - SKU: A0.1032439 Composed by Job Smoot. Contemporary. Score. 1 pages. Job Smoot #4808519. Published by Job Smoot (A0.1032439). Prelude No.1 was written for pianists who wants to learn simple yet beautiful music quickly for occasions such as background music, church, study, or personal enjoyment.
$2.99
Job's Coffin
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Tori Amos
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Todd J
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Job's Coffin
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1405928 By Tori Amos. By Tori Amos. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 4 pages. Todd J. Scall...
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Piano Solo - Level 3 - SKU: A0.1405928 By Tori Amos. By Tori Amos. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 4 pages. Todd J. Scallan #988976. Published by Todd J. Scallan (A0.1405928). Sheet music arrangement for solo piano of Job’s Coffin, which is track #7 from the Tori Amos album Night of Hunters. This piece is inspired by Nautical Twilight (a variation of Venetian Boat Song No. 2 composed by Felix Mendelssohn), which is another track from the same album.
$4.99
No Beer--No Work
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Piano, Voix
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Sammy Edwards
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Sammy Edwards
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No Beer--No Work
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.23781 Composed by Sammy Edwards. Bars, Hotels & taverns, Business enterprises, City & town life, Prohibition, Alcoholic bevera...
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Piano and voice - SKU: LV.23781 Composed by Sammy Edwards. Bars, Hotels & taverns, Business enterprises, City & town life, Prohibition, Alcoholic beverages, Anger. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23781). No Beer--No Work. By Sammy Edwards. Published 1919 by Emmett J. Welch, Wilson Building, 15th St., Below Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Bars, Hotels & taverns, Business enterprises, City & town life, Prohibition, Alcoholic beverages, Anger. First line reads Johnny Hymer was a miner always on the job.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
#
Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
#
Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
#
Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Os escravos de Job
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Piano Facile
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FACILE
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Various
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Sérgio Matias da Cunha
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Os escravos de Job
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Sérgio Matias da Cunha
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1267727 By Various. By domÃnio público. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Multicul...
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Easy Piano - Level 2 - SKU: A0.1267727 By Various. By domÃnio público. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Sérgio Matias da Cunha #860271. Published by Sérgio Matias da Cunha (A0.1267727). Partitura acessÃvel com figuras rÃtmicas maiores que a semicolcheia e marcações de cifra e dedilhado, apresentando um acompanhamento estratégico e harmonioso, buscando o melhor efeito com simplicidade e clareza. Presença de contratempo na melodia e destaque para o acompanhamento da mão esquerda, que consegue acompanhar toda a melodia com a repetição de um mesmo desenho de quatro compassos, pontuando as notas do acorde com sucessivas semÃnimas descendentes. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$1.99
Finale from Symphony No. 2 for Brass Ensemble, Timpani & Organ
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Ensemble de cuivres
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AVANCÉ
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Wilhelm Stenhammar
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Ross Holcombe
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Finale from Symphony No. 2 for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792762 Composed by Wilhelm Stenhammar. Arranged by Ross Holcombe. 20th Century,Romantic Period. Score and parts. 202 ...
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Brass Ensemble - Level 5 - SKU: A0.792762 Composed by Wilhelm Stenhammar. Arranged by Ross Holcombe. 20th Century,Romantic Period. Score and parts. 202 pages. Gordon Cherry #6274105. Published by Gordon Cherry (A0.792762). Symphony No. 2 by Wilhelm Stenhammar was composed between 1910 and 1915. It was a personal struggle for him, and it is now considered one of the great Nordic symphonies of the era.The Finale from Symphony No. 2 for Brass Ensemble, Timpani & Organ features a grandiose double fugue, displaying Stenhammar's preoccupation with counterpoint as a way of overcoming his doubts about his compositional knowledge.Ross Holcombe has done an amazing job arranging this mammoth movement for large Brass Ensemble, Timpani, and Organ. The instrumentation is for: 4 Horns in F, 5 Trumpets in C, 3 Trombones, Bass Trombone, Euphonium, Tuba, Timpani & Organ.The 16 ½-minute work is appropriate for advanced performers.
$60.00
Impromptu, Opus 90, No. 3 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Franz Schubert
#
Sauer, Ralph
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Impromptu, Opus 90, No. 3 for
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.792397 Composed by Franz Schubert. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part....
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Euphonium,Piano - Level 3 - SKU: A0.792397 Composed by Franz Schubert. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820379. Published by Gordon Cherry (A0.792397). • Impromptu No. 3 originally for Piano is a beautiful example of Schubert's genius for long melodic line. • Mr. Sauer has done a beautiful job of editing this arrangement for Euphonium and Piano of about 5 3/4 minutes in length. • In bass clef, this work can be performed by intermediate performers.
$17.50
No Jam Today
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Chorale SATB
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Comédie Musicale
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Terry Hudson
#
Terry Hudson
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No Jam Today
#
The Performing Arts Doctor
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1024931 Composed by Terry Hudson. Arranged by Terry Hudson. Musical/Show. Octavo. 8 pages. The Performing Arts Doctor #362...
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Choral Choir (SATB) - SKU: A0.1024931 Composed by Terry Hudson. Arranged by Terry Hudson. Musical/Show. Octavo. 8 pages. The Performing Arts Doctor #3628193. Published by The Performing Arts Doctor (A0.1024931). As Alice travels through The Looking Glass World she meets the very untidy White Queen. The White Queen is so impressed with Alice's helpfulness that she offers her a job as her personal assistant to be paid in Jam. Alice declines the offer. Then the White Queen tells Alice that if she wanted Jam today she could not have it anyway, for the rule states it is only available tomorrow and yesterday but never today. In this quirky novelty number we explore the idea that there is no future nor a past but only now, in this dream of dreams. For instrumental pack purchases and/or custom voicing purchases of this piece please email drterryhudson@gmail.com or message us on facebook https://www.facebook.com/DrTerryHudson/
$4.50
Impromptu, Opus 90, No. 3 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Sauer, Ralph
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Impromptu, Opus 90, No. 3 for
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.792236 Composed by Franz Schubert. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 13 pages. Gor...
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Piano,Trombone - Level 3 - SKU: A0.792236 Composed by Franz Schubert. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 13 pages. Gordon Cherry #4764289. Published by Gordon Cherry (A0.792236). This Impromptu No. 3 in G-flat major is a beautiful example of Schubert's genius for long melodic line. Mr. Sauer has done a beautiful job of editing this work of about 5 3/4 minutes in length. In bass clef, this work can be performed by intermediate performers.
$20.00
Andante Cantabile from Symphony No. 5 for Brass Trio
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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AVANCÉ
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Classique
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Pytor Ilych Tchaikovsky
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Justin Chiang
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Andante Cantabile from Symphon
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.1145407 Composed by Pytor Ilych Tchaikovsky. Arranged by Justin Chiang. Romantic Period. Score ...
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Brass Ensemble Horn,Trombone,Trumpet - Level 5 - SKU: A0.1145407 Composed by Pytor Ilych Tchaikovsky. Arranged by Justin Chiang. Romantic Period. Score and parts. 10 pages. Gordon Cherry #745642. Published by Gordon Cherry (A0.1145407). The Andante Cantabile from Tchaikovsky Symphony No. 5 must be one of the most recognizable pieces of music in the repertoire. The beautifully written solos, especially for the horn run the gamut of human emotions and inspire the soul. Justin Chiang has done a stellar job arranging this 5.5-minute work for brass trio of advanced performers. Instrumentation is for a standard brass trio of Trumpet in B-flat, Horn and Trombone.
$20.00
Andante Cantabile from Symphony No. 5 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Pytor Illych Tchaikovsky
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Justin Chiang
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Andante Cantabile from Symphon
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1034491 Composed by Pytor Illych Tchaikovsky. Arranged by Justin Chiang. Romantic Period. Score and parts. 18 pages. ...
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Brass Ensemble - Level 5 - SKU: A0.1034491 Composed by Pytor Illych Tchaikovsky. Arranged by Justin Chiang. Romantic Period. Score and parts. 18 pages. Gordon Cherry #639855. Published by Gordon Cherry (A0.1034491). The Andante Cantabile from Tchaikovsky Symphony No. 5 must be one of the most recognizable pieces of music in the repertoire. The beautifully written solos, especially for the horn run the gamut of human emotions and inspire the soul. Justin Chiang has done a stellar job arranging this 5.5-minute work for brass quintet of moderately advanced performers. Instrumentation is for a standard brass quintet of 2 Trumpets in B-flat, Horn, Trombone in bass clef, and tuba.
$25.00
Sanctus from Mass No. 2 in E minor for 12-part Trombone Ensemble
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Anton Bruckner
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McKinney, Russel
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Sanctus from Mass No. 2 in E m
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.810906 Composed by Anton Bruckner. Arranged by McKinney, Russel. Romantic Period,Sacred. Score and parts. 20...
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Brass Ensemble Trombone - Level 5 - SKU: A0.810906 Composed by Anton Bruckner. Arranged by McKinney, Russel. Romantic Period,Sacred. Score and parts. 20 pages. Gordon Cherry #3680175. Published by Gordon Cherry (A0.810906). The Sanctus from Bruckner's Mass No. 2 in E minor is originally scored for an orchestral wind section. Mr. McKinney is the Bass Trombonist with the Salt Lake City Symphony and has done a beautiful job arranging this glorious movement from the Mass for 12 Trombones. The work is for very advanced performers requiring 3 alto Trombones and is about 4 minutes in length. From the quietest to the most massive sections of this movement, the sound of the Trombone is at its best.
$15.00
Ewald: Quintet No. 4 for Brass instruments
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Victor Ewald
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Roar Kvam
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Ewald: Quintet No. 4 for Brass
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KVAMusic Edition
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Editi...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Edition #6424311. Published by KVAMusic Edition (A0.768520). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields.Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba). Roar Kvam, Fossbrekka, April 14, 2020
$40.00
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Chega De Saudade (no More Blues)
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Contemporain
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Antonio Carlos Jobim
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Anderson Quevedo
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Chega De Saudade
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The Sheet Music Library
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.825874 Composed by Antonio Carlos Jobim. Arranged by Anderson Quevedo. Contemporary. Score and parts. 2 pages. The Sh...
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Small Ensemble - Level 3 - SKU: A0.825874 Composed by Antonio Carlos Jobim. Arranged by Anderson Quevedo. Contemporary. Score and parts. 2 pages. The Sheet Music Library #6700409. Published by The Sheet Music Library (A0.825874). Chega De Saudade (no More Blues) by Tom Jobim - Lead Sheet in Fm KeyComplete Chords and Melody with Intro and Outro in the Key of Fm, no lyrics.
$4.99
Chega De Saudade (no More Blues)
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Instruments en Do
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INTERMÉDIAIRE
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Antonio Carlos Jobim
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The Sheet Music Library
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Chega De Saudade
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The Sheet Music Library
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.825873 Composed by Antonio Carlos Jobim. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz,Latin. Le...
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C Instrument - Level 3 - SKU: A0.825873 Composed by Antonio Carlos Jobim. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz,Latin. Lead Sheet / Fake Book. 2 pages. The Sheet Music Library #6700407. Published by The Sheet Music Library (A0.825873). Chega De Saudade (no More Blues) by Tom Jobim - Lead Sheet in Dm KeyComplete Chords and Melody with Intro and Outro in the Key of Dm, no lyrics.
$4.99
Chega De Saudade (no More Blues)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Contemporain
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Antonio Carlos Jobim
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Inacio Saldanha
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Chega De Saudade
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Inacio Saldanha
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.798083 Composed by Antonio Carlos Jobim. Arranged by Inacio Saldanha. Contemporary. Score and parts. 1...
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String Quartet String Quartet - Level 2 - SKU: A0.798083 Composed by Antonio Carlos Jobim. Arranged by Inacio Saldanha. Contemporary. Score and parts. 13 pages. Inacio Saldanha #5023901. Published by Inacio Saldanha (A0.798083). Chega de Saudade (Brazilian Portuguese: ['ʃega dÊ’i saw'dadÊ’i]) (published English version is No More Blues) is a bossa nova jazz standard. It is often considered to be the first recorded bossa nova song. The music was composed by Antonio Carlos Jobim and the lyrics were written by VinÃcius de Moraes. João Gilberto's recording is the most famous.The song was first recorded in 1957 by Brazilian singer Elizete Cardoso and released on her 1958 album entitled Canção Do Amor Demais; however, the public took little notice of her release. João Gilberto included the second recorded version of the track in 1958. Released as a single, the song became a hit and would solidify bossa nova as a permanent genre in the Latin music lexicon. The song also appeared on Gilberto's first album Chega De Saudade.The title can be translated roughly as enough longing, though the Portuguese word, saudade, carries with it a far more complex meaning. The word implies an intensity of heartfelt connection that is yearned for passionately, not unlike feeling withdrawal symptoms from a drug that makes one feel good. Another good analogy might be an intense homesickness. Chega, in this case, means no more, enough.The song form is 64 measures. It is equally split between 32 measures in a minor key and the 32 measures in a major key. The key of the original recording by Elizete Cardoso went from D minor (the relative minor of F with one flat) to D major (two sharps).Arranged for String Quartet. Key of D. Early Intermediate.
$14.99
Chega De Saudade (No More Blues)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Antonio Carlos Jobim, Jessie C
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Brian Lawrence
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Chega De Saudade
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Brian Lawrence
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian ...
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Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian Lawrence. 20th Century,Contemporary,Film/TV,Jazz,Latin. 144 pages. Brian Lawrence #1047738. Published by Brian Lawrence (A0.1470000). Here is Antonio Carlos Jobim's Chega de Saudade (No More Blues) arranged for studio orchestraInstrumentation: Voice Tenor Saxophone (solo) Fl, fl, ob, cl, cl, bs cl, bsn Hn, hn, tpt, tpt, tpt, tbn, tbn, bs tbn Gtr, pno, bs, drums Harp Solos: Voice Tenor Saxophone (although anyone could solo in this section) Performance by the University of North Texas Brian Lawrence Studio Orchestra: https://www.youtube.com/watch?v=2ba-sdzwqBwTo view a full score preview, and see other music for sale, please visit my website www.brianlawrencemusic.com/chega-de-saudade
$74.99
Chega De Saudade (No More Blues)
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Trombone
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FACILE
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Pop musique
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Antonio Carlos Jobim, Jessie C
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Leo Silva
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Chega De Saudade
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MP Sheet Music
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SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.1468520 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Sil...
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Trombone Solo - Level 2 - SKU: A0.1468520 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1046838. Published by MP Sheet Music (A0.1468520). Chega de Saudade (No More Blues) is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.
$4.99
Chega De Saudade (No More Blues)
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Violon
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FACILE
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Pop musique
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Antonio Carlos Jobim, Jessie C
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Leo Silva
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Chega De Saudade
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MP Sheet Music
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1468508 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva...
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Violin Solo - Level 2 - SKU: A0.1468508 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva. Pop. 2 pages. MP Sheet Music #1046826. Published by MP Sheet Music (A0.1468508). Chega de Saudade (No More Blues) is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.
$4.99
Chega De Saudade (No More Blues)
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Saxophone Soprano
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FACILE
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Pop musique
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Antonio Carlos Jobim, Jessie C
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Leo Silva
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Chega De Saudade
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MP Sheet Music
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SheetMusicPlus
Soprano Saxophone Solo - Level 2 - SKU: A0.1468510 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged b...
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Soprano Saxophone Solo - Level 2 - SKU: A0.1468510 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1046828. Published by MP Sheet Music (A0.1468510). Chega de Saudade (No More Blues) is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.
$4.99
Chega De Saudade (No More Blues)
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Violoncelle
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FACILE
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Pop musique
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Antonio Carlos Jobim, Jessie C
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Leo Silva
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Chega De Saudade
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MP Sheet Music
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.1468518 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva....
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Cello Solo - Level 2 - SKU: A0.1468518 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1046836. Published by MP Sheet Music (A0.1468518). Chega de Saudade (No More Blues) is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.
$4.99
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