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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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DEEJAY
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XYLOPHONE
No New Thing
Non classifié
145
Piano & claviers
Piano seul
64
Piano, Voix
57
Orgue
8
Piano, Voix et Guitare
6
Instruments en Do
2
Piano Facile
2
1 Piano, 4 mains
1
Clavecin
1
+ 3 instrumentations
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Guitare
7
Guitare notes et tablatures
3
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1
Ukulele
1
Mandoline
1
Banjo
1
Basse electrique
1
+ 2 instrumentations
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21
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5
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3
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3
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2
Voix Baryton, Piano
1
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1
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1
Voix Alto, Piano
1
+ 4 instrumentations
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Vents
Ensemble de saxophones
12
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11
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5
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4
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4
2 Saxophones (duo)
4
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3
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2
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2
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2
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2
2 Hautbois (duo)
2
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2
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2
2 Clarinettes (duo)
2
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2
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1
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1
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1
3 Saxophones (trio)
1
Saxophone Alto et Piano
1
Flûte irlandaise
1
+ 17 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Ensemble de Trompettes
15
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13
Quatuor de Cuivres
3
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2
Trombone et Piano
2
2 Trombones (duo)
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2 Euphoniums (duo)
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2
2 Cors (duo)
2
Trompette, Trombone (duo)
1
Ensemble de Cors
1
2 Trompettes (duo)
1
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1
Euphonium, Tuba (duo)
1
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1
Cor anglais, Piano
1
Cor
1
+ 15 instrumentations
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15
Harpe
13
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5
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4
Violoncelle, Piano
4
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Ensemble d'Altos
1
2 Altos (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Ensemble de Violons
1
Contrebasse, Piano (duo)
1
Violon
1
Ensemble de Violoncelles
1
+ 13 instrumentations
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Orchestre & Percussions
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7
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6
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Jazz combo
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1
Marimba
1
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
DEEJAY
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FLUTE TRAVERSI…
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
No New Thing
Partitions à imprimer
575 partitions trouvées
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It's No Small Thing
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Piano seul
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James Michael Stevens
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James Michael Stevens
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It's No Small Thing
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1062746 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Jazz,New Age. Full Performance. Durati...
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Piano - SKU: A0.1062746 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Jazz,New Age. Full Performance. Duration 190. James M Stevens Music ASCAP #6246211. Published by James M Stevens Music ASCAP (A0.1062746). This is the piano demonstration performance of Stevens' It's No Small Thing.
$1.99
It's No Small Thing
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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It's No Small Thing
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.574047 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Jazz,New Age,Sacred. Sco...
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Piano Solo - Level 3 - SKU: A0.574047 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Jazz,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #6246725. Published by James M Stevens Music ASCAP (A0.574047). Written January 22, 2021, this an original piano composition in a quiet and introspective late night cafe style in the key of A minor.
$4.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
You Can't Tell a Newfie a Thing He Should Do
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Basse electrique
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INTERMÉDIAIRE
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David Kai
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David Kai
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You Can't Tell a Newfie a Thin
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Co...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$1.99
You Can't Tell a Newfie - accompaniment in D
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Piano, Voix et Guitare
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FACILE
#
the Newfoundland dog, whoâ€
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David Kai
#
#
You Can't Tell a Newfie - acco
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David Kai
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.893869 Composed by David Kai. Country,Folk,Pop. Score. 6 pages. David Kai #6140185. Published by David Kai (A0.893869). ACCOMPANIMENT IN DA fun song about a famous symbol of Newfoundland - the Newfoundland Dog!You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do, To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$4.00
You Can't Tell a Newfie - lead sheet in D
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Piano, Voix et Guitare
#
the Newfoundland dog, whoâ€
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David Kai
#
#
You Can't Tell a Newfie - lead
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867...
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Guitar,Piano,Vocal,Voice - SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867). LEAD SHEET IN DA fun song about a famous symbol of Newfoundland - the Newfoundland dog.You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all handsBut you can’t tell a Newfie a thing it should do,To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$2.00
No Restrictions
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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RAY MC CULLOCH
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RAY MC CULLOCH
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No Restrictions
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Turtle Music Company
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265088 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. 21st Century,Contemporary,Historic. Score and...
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Concert Band - Level 4 - SKU: A0.1265088 By RAY MC CULLOCH. By RAY MC CULLOCH. Arranged by RAY MC CULLOCH. 21st Century,Contemporary,Historic. Score and Parts. 7 pages. Turtle Music Company #857931. Published by Turtle Music Company (A0.1265088). This was initially intended as a release from Covid. However as I came closer to completion I realized that it could be a release from ANY restraining situation. There is first, a realization of the confinement then second, the joy of restrictions being released and the third an awareness of our NEW situation and that it ALSO has its set of restrictions. We have the newfound freedom but we're STILL bound just in a different way with different 'rules.' I used to teach it like Same thing just different..
$49.99
Ain't No Sunshine
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Ensemble Jazz
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FACILE
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Bill Withers
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Johan Verhey
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Ain't No Sunshine
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1278756 By Bill Withers. By Bill Withers. Arranged by Johan Verhey. 20th Century,Jazz,Pop,Standards. 48 ...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1278756 By Bill Withers. By Bill Withers. Arranged by Johan Verhey. 20th Century,Jazz,Pop,Standards. 48 pages. DaimlerMusic #870318. Published by DaimlerMusic (A0.1278756). Prepare to be spellbound as Johan Verhey presents a big band rendition of 'Ain't No Sunshine' that's nothing short of extraordinary. Inspired by Sabrina Starke's unforgettable performance with the Metropole Orkest, under the skillful guidance of Vince Mendoza, Johan Verhey's arrangement takes this iconic song to new heights.With a fusion of jazz and soul, this rendition immerses you in a world where every note carries a piece of your heart. Johan Verhey's arrangement adds a fresh, vibrant layer to Bill Withers' timeless classic, breathing new life into the music. It's a mesmerizing journey through the depths of love and longing, where the big band lends its powerful voice to this emotional masterpiece.As you listen, you'll be captivated by the rich harmonies, the soul-stirring vocals, and the groove that envelops you in its warm embrace. It's a testament to the enduring power of music, brought to life by Johan Verhey's extraordinary talent in arrangement.This is more than just a song; it's a transformative experience, a convergence of soulful vocals and big band artistry that will leave you wanting more. Johan Verhey's arrangement of 'Ain't No Sunshine' is a true testament to the magic that happens when musical genius combines with iconic melodies.Get ready to be moved, inspired, and entranced by the soulful sounds of 'Ain't No Sunshine,' reimagined by Johan Verhey. It's a musical journey you won't want to miss, and a reminder of the power that music holds in our lives.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
Some Things I Am Thankful For
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Piano seul
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Musique Sacrée
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David William Yost
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Some Things I Am Thankful For
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David William Yost
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SheetMusicPlus
Piano Solo - SKU: A0.502779 Composed by David William Yost. Praise & Worship,Sacred,Spiritual. Score. 3 pages. Published by David William Yost (A0.50277...
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Piano Solo - SKU: A0.502779 Composed by David William Yost. Praise & Worship,Sacred,Spiritual. Score. 3 pages. Published by David William Yost (A0.502779). This piece started out with words and with a guitar. But as I stumbled to find the right words I moved over to the piano and suddenly the piece came alive. It was then that I realized that are some times when thankfulness requires no words. Every time I play the piece my heart is filled with thankfulness as I consider anew more things to be thankful for. May this piece provide your heart an opportunity to write new words of thankfulness as you play it.
$3.99
The Bonie Wee Thing
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Traditional Scottish
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Alan A Craig
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The Bonie Wee Thing
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Earnside Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.820274 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Holiday,Love. Score. 4 page...
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Piano,Vocal,Voice - Level 4 - SKU: A0.820274 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Holiday,Love. Score. 4 pages. Earnside Music #6671165. Published by Earnside Music (A0.820274). Also known as The Bonnie Wee Thing.Robert Burns knew a thing or two when it came to the art of wooing. This song is no exception and it would be difficult not to thoroughly charmed by such beautiful lines. In this arrangement the sumptuous original Scottish folk melody is set for medium voice along with a concert piano accompaniment that accentuates the tenderness of the text. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.
$2.25
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
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Contre Basse
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AVANCÉ
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Thomas Oboe Lee
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Toccata for Double Bass and Pi
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Thomas Oboe Lee
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
Crazy Little Thing Called Love
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Violoncelle
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AVANCÉ
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sar...
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Cello Solo - Level 5 - SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1032612. Published by Sarah Cellobat Chaffee (A0.1453379). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This Cellobat version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :)Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99
Crazy Little Thing Called Love
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Violon
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AVANCÉ
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sarah Cellobat Chaff...
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Violin Solo - Level 5 - SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sarah Cellobat Chaffee #6371025. Published by Sarah Cellobat Chaffee (A0.526286). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
Andy Fitzpatrick - You Knew What I Was Looking For Before I Did - Songbook
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Piano, Voix et Guitare
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Andy Fitzpatrick
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Andy Fitzpatrick - You Knew Wh
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Aindriu Mac Giolla Padraig
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.1022888 Composed by Andy Fitzpatrick. Contemporary,Country,Pop,Rock. Score. 29 pages. Aindriu Mac Giolla Padraig #657...
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Guitar,Piano,Vocal,Voice - SKU: A0.1022888 Composed by Andy Fitzpatrick. Contemporary,Country,Pop,Rock. Score. 29 pages. Aindriu Mac Giolla Padraig #6571961. Published by Aindriu Mac Giolla Padraig (A0.1022888). All 12 songs from Andy Fitzpatrick's album You Knew What I Was Looking For Before I Did transcribed for vocal/guitar and The West's Awake for solo piano.Titles I Don't Know Why I Get So Down • I’m No Stranger To Loneliness • You Got Nothing To Hide But The Devil Inside • When I Fell In Love With You • I Lost My Heart When I Met You • Tear Your Heart Out With A Song • What's Becoming of Me • Don't Let The Weather Get You Down • It’s New Day Again • You Knew What I Was Looking For Before I Did • You Gotta Believe • The West’s Awake
$9.99
No New Thing (Ecclesiastes Song)
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Piano, Voix
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FACILE
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Musique Sacrée
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Jolene Ella Mathis
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Hannah Moser
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No New Thing
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Jo Ella Mathis
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1032870 Composed by Jolene Ella Mathis. Arranged by Hannah Moser. Children,Christian,Gospel,Praise & Worship,Sacre...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1032870 Composed by Jolene Ella Mathis. Arranged by Hannah Moser. Children,Christian,Gospel,Praise & Worship,Sacred. Score. 1 pages. Jo Ella Mathis #5739331. Published by Jo Ella Mathis (A0.1032870). Comfort in uncertain times. Children's worship services. Adult church. .
$5.99
Dvorak - Largo from Symphony No. 9, Op. 95 - Arrangement for String Quartet (SCORE)
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Antonin Dvorak
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C
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Dvorak - Largo from Symphony N
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826909 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Romantic Period. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.826909 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 17 pages. Amnael Orozco-Diaz #18333. Published by Amnael Orozco-Diaz (A0.826909). Few things on this Earth are as nostalgic, soothing and wrecking at the same time as the Largo from the New World Symphony: that iconic English Horn solo, that heart-breaking C# minor melody, that sighing final solo with a lonely trio. This reduction condenses the full genius of Dvorak into a string quartet without missing a single detail, so no need for a full symphony orchestra to experience this music and take it around to your audiences! This item contains the full score for this arrangement. Duration: approx. 9:30 minutes. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$5.71
No other people
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Gerald Barry
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No other people
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Schott Music - Digital
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SheetMusicPlus
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Tim...
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3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99
(No.1) Lord of all Power and Might; (No.2) The City of Perfection; (No.3) The Dying Christian to his Soul
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Piano seul
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William Hutchins Callcott
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William Hutchins Callcot
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(No.1) Lord of all Power and M
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.15801 Composed by William Hutchins Callcott. Angels, Virgin birth, Jesus Christ--nativity, Shepherds, Mary, Blessed Virgin, Saints. Lest...
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Piano - SKU: LV.15801 Composed by William Hutchins Callcott. Angels, Virgin birth, Jesus Christ--nativity, Shepherds, Mary, Blessed Virgin, Saints. Lester S. Levy Collection. 18 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15801). (No.1) Lord of all Power and Might; Collect for 7th Sunday after Trinity; Composed by The Revd. W. Mason; (No.2) The City of Perfection; poetry by Newton; composed by Naumann (contains tune Glorious Things); (No.3) The Dying Christian to his Soul; poetry by Pope; composed by Harwood (contains tun. Arranged by William Hutchins Callcot. Published [n.d.] by Robert Cocks & Co., New Burlington Street in London. Composition of six arrangements of various sacred melodies; section forms with piano instrumentation. Subject headings for this piece include Angels, Virgin birth, Jesus Christ--nativity, Shepherds, Mary, Blessed Virgin, Saints. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I'll Be No Submissive Wife. A Ballad
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Piano, Voix
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Alexander Lee
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Alexander Lee
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I'll Be No Submissive Wife. A
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.137 Composed by Alexander Lee. Clothing & dress, Gardens, Churches, Country life, Marriage, Courtship, Love. Lester S. Levy Co...
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Piano and voice - SKU: LV.137 Composed by Alexander Lee. Clothing & dress, Gardens, Churches, Country life, Marriage, Courtship, Love. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.137). I'll Be No Submissive Wife. A Ballad. By Alexander Lee. Published 1835 by Firth & Hall, no. 1 Franklin Sq. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Gardens, Churches, Country life, Marriage, Courtship, Love. First line reads I'll be no submissive wife, no not I, no not I.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Chord's the Thing, Solo Harp (from my book Two Hands One Harp)
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Harpe
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Cindy Blevins
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The Chord's the Thing, Solo Ha
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1059012 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 58. Cindy Blevins #3125439. Published b...
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Harp - SKU: A0.1059012 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 58. Cindy Blevins #3125439. Published by Cindy Blevins (A0.1059012). This mp3 was recorded playing my Blevins harp. This song is from my book Two Hands One Harp (for all harps). You can purchase the eBook here on Sheet Music Plus, Item No. S0.247083.
$1.99
Les Belles De New York. Valses De Concert
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Piano seul
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Gustave Satter
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Les Belles De New York. Valses
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.182 Composed by Gustave Satter. Clothing & dress, Portraits, Bodies of water, Fences, Steamboats. Lester S. Levy Collection. 13 pages. P...
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Piano - SKU: LV.182 Composed by Gustave Satter. Clothing & dress, Portraits, Bodies of water, Fences, Steamboats. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.182). Les Belles De New York. Valses De Concert. Composees et executees avec le plus grand succes par Gustave Satter. Published 1858 by J. Schubert & Co. in Hambourg. Composition of introduction, three sectional waltzes, and finale (finale is Waltz no. 4, La Reunion des Belles). with piano instrumentation. Subject headings for this piece include Clothing & dress, Portraits, Bodies of water, Fences, Steamboats. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Per...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95
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